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In his new book BERLIN NOIR, Miron Zownir documents the timeless urban melancholy and the wild life of Berlin in all its facets thanks to urban landscapes and portraits. At the same time, the publication is a retrospective of Zownir's photographs, which were created between 1978 and 2016.
In his latest book, Brandenburg, Andreas Gehrke composes a considered portrait of the sparsely populated state that encircles Berlin. A region that has been described as bleak, austere and unforgiving, Gehrke’s Brandenburg is marked by moments of incongruity. Drawn to the undefined, the seemingly desolate, he depicts places characterised by transition,...
First published in 1992 to wide critical acclaim, "Pictures From Home" is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the sequence he presents moves between registers, combining contemporary photographs alongside film stills from home movies, fragments of conversation, Sultan’s own...
Jan Kempenaers has been photographing urban and natural landscapes for over two decades. For this series of images, he applies the formal language of the documentary style, with its detached viewpoint emphasising the isolation and desolation of the strange structures in the frame.
The Mechanism is a melancholic series of black-and-white photographs that form a sci-fi story about contemporary life. Bringing together images made in multiple cities, the work deals with themes of technology, surveillance and urban society.
Incoming was made in collaboration with cinematographer Trevor Tweeten and composer Ben Frost and was co-commissioned by Barbican Gallery and National Gallery of Victoria, Melbourne. The book is published alongside an installation of Mosse’s 3-screen video work.