We found – 62 articles for Australia

• Sneaky Snake Festival •

obnoxious ouroboros
presents the
SNEAKY SNAKE all-nighter

⊙ BONNACONS OF DOOM ⊙
(Liverpool, Britain)
Experimental Space Noise Kraut Doom
https://bonnaconsofdoom.bandcamp.com
https://www.facebook.com/Bonnacons

⊙ PIOUS FAULTS ⊙
(Brisbane, Australia)
Psychotic Weirdo Hardcore Punk
https://piousfaultsaus.bandcamp.com

⊙ DEIJUVHS ⊙
(London, Britain)
Hip Hop Drill Trap Punk
https://www.youtube.com/channel/UCJjbgyRotZa3HFYql9kXeHw

⊙ FLACCID ⊙
(London, Britain)
Acid Punk Grunge
https://www.youtube.com/watch?v=9DArC_yO3EE

⊙ MICROMOON ⊙
(London, Britain)
Trippy Grime Fuzz Punk
https://www.youtube.com/channel/UC-4-S4oT00PrR92aKGsnYyw

⊙ YDMYG ⊙
(Trondheim, Norway)
Noise Rock Sludge Punk
https://www.facebook.com/ydmyg

⊙ HORACIO POLLARD ⊙
(Berlin, Germany)
Heavy Experimental Electronic Freak Wizardry
https://dridmachinerecords.bandcamp.com/album/horacio-pollard-frequencies-of-seizure
https://soundcloud.com/leonbarnett
http://horaciopollard.blogspot.com

⊙ LUCRE ⊙
(Berlin, Germany)
Experimental Noise Rock
https://soundcloud.com/lucreband

⊙ RUDI RAUSCHGIFT ⊙
(Braunschweig, Germany)
DJing Trippy Twerk Tunes
https://www.mixcloud.com/RudiRauschgift

presale (in 3 simple steps):

1. send 12€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction at the door

presale ends thursday september 19th 18:00
limited to 250 spots
15€ at the door

spread the gospel, invite your grannies, join the madness & turn off your mind!

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

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Kollaps / Espectra Negra / Mala Herba live in Berlin

[aufnahme + wiedergabe] presents:

Kollaps live
AUS / Cold Spring
www.kollaps-noise.bandcamp.com

“Australian post-industrialists Kollaps are a three piece creating a unique brand of primitive noise “intended for degenerates and outsiders”. The bands’ distinctive primordial tones are created using appropriated waste materials like scrap metal, raw plastics and steel plates combined with blistering percussion, bass and vocals. This is no empty “industrial” gesture, for the band this process of creation facilitates the literal use of postmodern society against itself.”

Espectra Negra live
MEX / Instruments of Discipline

https://www.espectranegraberlin.com/

www.espectranegra.bandcamp.com

“Born in Mexico City she is one of the most powerful projects based in Berlin. Influenced by Industrial, Noise and Ritualistic Music she produces her own transgressive works using analog and digital machinery, dark and political written text, extreme vocals, and consequent Musique Concrète techniques. She works as dark music producer, body art performer and DJ.”

Mala Herba live
POL
www.malaherba.bandcamp.com

“Mala Herba is a solo project of a sound artist and queer music activist Zosia Hołubowska. Based on traditional music, magic and demonology of Eastern Europe, Mala Herba explores queerness and sex-positivity. Powerful, witchy vocals are weaved into hypnotic beats, cold base lines and romantic synthesizer melodies. There’s something gothic and dramatic to it but nevertheless “this” makes you dance.”

DJs:

Rangelova
BGR / Altar of Nyx

Zariush
POL / Projekt LAB, Verzerrung

Urban Spree (RAW-Area)
Revaler Str. 99/Warschauer Str.
10245 Berlin
www.urbanspree.com
www.facebook.com/urbanspree

Tickets:

https://aufnahmeundwiedergabe.bigcartel.com/product/kollaps-espectra-negra-mala-herba-13-09-urban-spree
https://www.koka36.de/kollaps-espectra-negra-mala-herba_ticket_118333.html

www.aufnahmeundwiedergabe.de



Ed Fraser ‘Ghost Gums’ Release Party Berlin

ASK HELMUT, Schmutz, Tonfuchs guitars & This Charming Man-Records present:

ED FRASER ‘Ghost Gums’ RELEASE PARTY

+ Jimmy Trash DJ Set
+ Special Guests TBA

Tickets: Presale: 10€ • Box Office: 12€
Tickets via eventim: https://bit.ly/2KX9tpf

Doors: 8PM • Start: 9PM

Native Melbournian singer, guitarist and songwriter Ed Fraser relocated to Berlin from Australia in 2013, founding the Berlin-based post punk band HEADS. with two native Germans in early 2014. Heads. released two critically acclaimed LPs – S/T (2015) and Collider (2018) – with label releases in Europe, Australia and the USA, extensively touring Europe and North America with bands the likes of Metz, Protomartyr, Nothing, Young Widows, Daughters and many more.

Ed has now expanded his musical repertoire with his debut solo EP ‘Ghost Gums’, out via This Charming Man Records in September 2019. Recorded over one week in Berlin with a dynamic band including Spike Rogers on drums and Rosa Mercedes on bass, plus guest musicians including Paul Seidel and Peter Voigtmann of seminal German band The Ocean, on Ghost Gums Ed explores a more personal side. Here Ed’s deep vocal expresses somber and direct lyricism amongst fluid, vibrant and at times more experimental instrumentation and vocal layers. The songs pick up, things get bendy, and from beginning to end Ghost Gums delves into themes of loss and romance as an exploration of new and uncharted territory for Ed as a songwriter.

Ed Fraser
Spotify: https://spoti.fi/2Mlt2uz
YouTube: https://youtu.be/yR6gtpv5LBw
Instagram: https://bit.ly/2Z3jbAy
http://edfraser.com/

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Shameless Berlin Presents: Pussy Powered Protest – Berlin

(Video of Lady Daisy who will perform at our after party)

It’s a Pussy Powered Protest!

Shameless Berlin is a showcase of some of the best known and most prolific alternative comedy acts in the scene. Through cabaret, comedy, music, burlesque and puppetry, the artists tackle sexuality, immigration, queerness, body politics and power.

From Colombia, Lebanon, Australia and the USA, these power femmes deliver a vulvacious smack to the funny bones with a special blend of razor sharp wits and juvenile jokes.

Entry includes our high energy 1 hour show plus an after party with live music, DJs and special international burlesque headliners!

***PUSSY POWERED PROTEST***
Liliana Velásquez dominatrix turned kabarettist
Duckie L’Orange queer puppeteer
Carmen Chraim high-energy comedy
Crystal Tassels glamorous showgirl brat

***SPECIAL GUESTS***
Purdy Hölsom tasteless twangy musical songbird
Gorjeoux & the Corsetts queer ukulele with a voice as sweet as cherry pie
Batsauce spinning 45s

***AFTER PARTY***
The Wynstrumentt Live harmonica loop wizard
Lady Daisey & Batsauce Seductive live vocals with smooth summer beats

TICKETS
Presale €5 / 10
On the night €8 / 12

20:00 Doors
20:30 Gorjeoux & the Corsetts
20:45-21:45 Pussy Powered Protest – early show
21:45-22:45 Vinyl DJ Batsauce spinning 45s
22:45 Purdy Holsom
23:00-24:00 Pussy Powered Protest – late show
24:00 – After party with Wynton Kelly Stevenson, Batsauce & Lady Daisy LIVE

ARTISTS

Liliana Velasquez M. has crossed borders all her life. Raised in Miami Medellin and New Jersey there is no role she cannot play and her comedy reflects this extravagant mix in her Latina-tude, Catholic guilt and American dreaming. As an adult, Liliana recklessly explored NYC, slipping in and out of different art forms, costumes, and jobs. She has so many outrageous stories to tell, it would horrify her proud parents, Only now do they admire her comedic outlook on so many mistakes. Always hungry for new challenges, Liliana soon found other platforms for the performance that is her life: Berlin Neukölln. She is proud to be queer and not perfect and enjoys waking up in the afternoons.
As if that isn’t enough, she is also leading lady at Freudian Slip Club, producing hundreds of shows in Germany every year.
http://freudianslipclub.wordpress.com

Duckie L’Orange is a Berlin based performance artist with a twist.
She does weird and wacky interactive performances for kids, and equally wacky but significantly dirtier shows for adults. She’s been all around town like a hipster on a vintage bicycle – from performing at the Sydney Opera House, barking in a steam punk carnival with Antigua i Barbuda at Sydney Festival, touring Germany with the Puppetry Slam Berlin to creating shows in the jungles of Kalimantan and Timor Leste.
www.duckielorange.com

Crystal Tassels, “The American Brat Queen,” is a burlesque artist, chanteuse, and fetish performer from Seattle, USA. After making her burlesque debut in South Korea, Tassels spent six years performing in the USA and Canada and is now based in Berlin. When she’s not singing or stripping, you’ll usually find her impersonating her cat.

Carmen Chraim is a beloved comedian in the Berlin English comedy scene. After five years of performing stand-up comedy, she is now recognized on the train by strangers at least 20 times a year! She performs mainly in Berlin but also manages to leave her bubble and delight many boring German cities (both West and East). She’s also had her name pulled from a bucket for at least four NY open mics; flyered and performed tirelessly for an entire month at the Edinburgh Fringe Festival; and found performing on stages in Amsterdam and Warsaw to be very enjoyable.
And now you’re asking yourself, “Great, but where is she from?” Born and raised in Lebanon, she wins over crowds with her high energy presence & rapid-fire anecdotes. Thanks to her Middle Eastern background, passion for hummus, deep experience with corporate Germans and sarcastic political views, she’s often seen as an alternative Arab success story that hasn’t yet been discovered by the media.

Purdy Hölsom is a singer-schlongbiter, rapper wrong-righter. She is a comedy musician from North Carolina (US). She’s a four-time finalist in the International Songwriting Competition. In 2018, her “Gay Money” music video was screened at the Palm Springs Film Fest & the Berlin Music Video Awards. She recently performed at Edinburgh Fringe Fest, and learned that Scotland is very, very cold.Holsom has released two albums, Purdy Holsom (2014) and Vageezus: Voice of a Generation (2016), several singles, and nine music videos (depending on what you count).

Gorjeoux is a Corset wearing, KitKat loving, Ukulele playing, Gorgeous, Queer, Non Binary Femme Goddess who likes to play around with new imaginings, queerifications and mashups of pop songs.

Wynton Kelly Stevensonn is a musical storyteller with a twist. His musical journey is crafted with vocals, harmonica, beats and live looping. Sponsored by Hohner Music he has been touring and living in Europe for 10 years.

Lady Daisey is a soul/funk singer who spent her childhood touring the U.S. with her parent’s band. Raised on the road, home-schooled and surrounded by music, it was natural for her to blossom into the artist that she is. Since then, she’s been following her musical path and developed her own playful style, ranging from sultry love songs to powerhouse feel-good old-school soul. Lady Daisey has played venues and festivals around the globe, spreading her message of love and positivity, soulfully presented over head noddin’ Batsauce beats. A small woman with a huge voice, Lady Daisey is sure to grab the attention and steal the hearts of everyone within ear’s reach.

She’s opened for Sharon Jones, Mayer Hawthorne, Chali 2na, Roxanne Shante, Bahamadia, the Perceptionists. She’s rocked festivals around the world alongside the Roots, Method Man, Atmosphere, Brother Ali, Muse, Typical Cats, Souls of Mischief, Zion I. Lady Daisey’s voice can also be heard on recordings with Qwazaar, Typical Cats, Asamov and Marc Hype.

Batsauce is a musician/producer/DJ from Jacksonville, Florida. Following his well received EP & LP with Qwazaar, Batsauce debuts his instrumental intergalactic love saga entitled “Starcrossed.” Batsauce is also one-third of the Smile Rays (along with Paten Locke & Lady Daisey). He has worked with Mr. Lif , Akrobatik, The AB’s, Paten Locke, Lady Daisey, Surreal, Dillon, Chop, Boog Brown, and MassInfluence. Not to mention, the likes of Bahamadia, George Clinton, Vinnie Paz, and Dumbtron have appeared on his tracks. As well as an avid beatmaker, Batsauce is a multi-instrumentalist and DJ. He resides mostly in Berlin, when he isn’t couch-surfing elsewhere.

Cover image by Toby K

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Harvey Sutherland

Harvey Sutherland is a producer, DJ and funk synthesizer from Melbourne. After making a name for himself in Australia’s electronic underground, Mike Katz began making international waves in 2013 with a series of releases under his pseudonym Harvey Sutherland. His first EPs were celebrated worldwide by artists such as Gilles Peterson, Jamie xx, Disclosure, The Black Madonna and Pete Tong. He played all sold-out headline shows and performed at renowned festivals such as the Glastonbury Festival.

Musically Harvey Sutherland is mainly influenced by dance music, but doesn’t feel comfortable with its rules. Still rooted in soul, disco and funk, the modern techno universe is not exactly where Harvey feels she belongs. So he always tries to create his own sound world, as he proves in his new project “Amethyst”.

In August we bring the gifted artist to Berlin for a show!

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Kirin J Callinan

Kirin J Callinan
+ Support: Faux Real

Return To Center is Kirin J Callinan’s new record, a reconnection with what made him fall in love with music over and over throughout the years, and a very personal exploration of the timeless songwriting tradition passed down and reinterpreted from one generation to the next. Following two albums of inimitable, challenging pop music that garnered global acclaim and marked Callinan as entirely unique, a singular talent, nominations for the Australian Music Prize, support slots for everyone from Crowded House to Tame Impala, a role acting in Jane Campion’s Top Of The Lake and an ARIA Award Nomination, ironically it was singing other peoples’ songs

that felt like the most truthful next step for the swashbuckling Sydney artist.

On Return To Center Callinan’s trademark flamboyance is cut with a newfound fragility that comes curled up in an attempt to do justice to the songs he holds nearest and dearest.
Return To Center collects Callinan reworks of both all-time favourites and last-minute spontaneous additions, songs that have shaped the artist he is today amongst songs that were jammed out of the blue in the studio. Callinan sounds all too in step with Laibach’s teutonic march “Life Is Life”, before completely transforming the twitchy Prince-lite of Momus’ “The Homosexual” into lithe, tender acoustic folk. The Waterboys’ “Whole Of The Moon” is rendered even more melodramatic and heart wrenching than the original and comes off like the theme song to the greatest 80s sitcom you never saw, while Randy Newman’s “Pretty Boy” sticks largely faithful to the sombre original, and Public Image Limited’s “Rise” ascends amidst Celtic guitars and television news clips. At the chronological and spiritual center of the record – the eye of the storm – lies the title track and sole original composition. A stark, spacious
instrumental, “Return To Center’s serenity is interrupted by maniacal laughter, assumedly Callinan’s.

Recording was swift – tracking a song per day, with a few up the sleeve for overdubs, mixing and mastering. With a lengthy list of prior collaborators that has included Mark Ronson, Jimmy Barnes, Mac Demarco, Weyes Blood, Connan Mockasin and Alex
Cameron to name a few, the open (garage) door policy was maintained for Return To Center. First luminary to lift the shutters was producer Francois Tetaz whose zeitgeist work with Gotye is legendary. More than a producer to this project, Francois’ enthusiasm to work with Kirin is in the DNA off his concept. A cast of outlaws followed that included Drew Erickson, Benji Lysaght, Stella Mozgawa, Dave Elitch, Jasper Leek and Holiday Sidewinder, gathered in the garage
of his temporary Silverlake abode, delighting in the perverse subversion of the capitalist system and the challenge of completing a record with such clear time and financial constraints. With the roller door open to the street just weeks before he was due to be evicted, they merrily blasted through the set with no time to second guess or overthink and as a result, Return To Center retains an instinctive, vulnerable edge,
emerging as Callinan’s most tender yet celebratory record yet.

Return To Center glimmers with what Callinan describes as a“corporate spiritual” radiance. It is a punk rock meditation on record making, music past and present. For Callinan it slices through a contradictory and confusing year of exaggerations and misrepresentations to be his ‘Return to Center’ – sounds, songs, lyrics, performance. Whatever it is and however it was made, Return To Center transcends to a triumph.

Presented by Shameless/Limitless & Melt! Booking

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