We found – 55 articles for Australia

Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
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2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

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Double Release Concert: Tellavision “Add Land” + Alex St Joan “Kick & Rise”

TELLAVISION
“Add Land” Record Release show
12. April 2019 Bureau B

http://tellavisionmusic.com/
https://www.thelineofbestfit.com/new-music/discovery/tellavision-salty-man
https://nbhap.com/dailytune/tellavision-projector-running

ALEX ST JOAN
“Kick & Rise” EP Release show
3. Mai 2019 Zellephan Records

www.alexstjoan.com

Dj ALBERTINE SARGES
Itaca

For a decade TELLAVISION has been one of our most exciting sonic inventors, carving out her own inimitable style through her previous three albums, two EPs and countless tracks. New music abstractions echo against a backdrop of old Krautrock mechanical-motorik rhythms, allied to the physically gripping immediacy of techno and noise. Her concerts have consistently been nothing less than spectacular: she has sung and sampled beats from every imaginable and unimaginable variety of live percussion instruments; a loop station virtuoso, an engineer of a technically crafted musical “i” in which the innate and the alien mirror one another ad infinitum.
Tellavision has never sounded so immediate, so confident, so very much in the moment. This is her finest album to date:
“Drop utopia, / drop dystopia, / it’s all here”.

ALEX ST JOAN was born next to a flooded valley in Australia and raised on Greek myths and disco. Her debut EP “Kick & Rise” (Zellephan) features 4 distinctive songs that discard the posturing of youth and lay down what it is to be an adult; vulnerable and fully accountable. Whether using fractured synth-saxophones to hammer out a paean to self-determination or building a song around a heartbeat, ALEX ST JOAN is not taking the easy way out. “All of the things that you see as your failings are made up” is a contender for one of the most emotionally sharp lines of the year, yet it’s delivered with such hopeful romanticism one might be forgiven for not noticing the thorns amongst the flowers. These are adult dilemmas; not boy meets girl but woman meets morality, agency, self-actualisation. In merely 4 songs, ALEX ST JOAN builds a framework for us to face our fears, ask the tough questions and then let them go.

Presale

Koka
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präsentiert von
DIGITAL IN BERLIN und jungle.world

BERLINTOUCH no2
gefördert durch die Musicboard Berlin GmbH.
inklusives, barrierefreies Konzert

Gefördert durch die gigmit Initiative “Live Music Accelerator Berlin” (LMAB) mit Unterstützung durch Ticketmaster.



Young Widows + Heads.

Swamp Booking, Urban Spree & Schmutz present:

@YOUNG WIDOWS (US) + HEADS. (DE)

Young Widows
Since their inception in 2006, Young Widows have released four studio albums – each pushing their restless drive towards the incomparable a little further. Those albums – Settle Down City (2006), Old Wounds (2008), In and Out of Youth and Lightness (2011), and Easy Pain (2014) – were as bruising as they were brilliant, as menacing as they were mysterious.
DECAYED: Ten Years of Cities, Wounds, Lightness, and Pain perfectly charts Young Widows evolution from inspired post-hardcore trio to peerless entity crafting profound combinations of post-punk, noise rock, heavy psych, and gothic folk.
The fifteen tracks in this collection originally appeared on stand-alone singles, b-side, splits with like-minded artists (including Bonnie Prince Billy, Pelican, Melt-Banana, and MY DISCO), and rare compilations. Four of them have never
been released until now.
Of the many impressive aspects of Young Widows decade-plus run as a band, perhaps most remarkable is the quality and breadth of music they made that didn’t appear on their albums.
Every song here is a standout track from the evolving eras of the band, and as with all things Young Widows, DECAYED pays respect to the past while planting roots for the future.

https://www.facebook.com/youngwidowsband/
https://youngwidows.bandcamp.com/

Heads.
– collectively Ed Fraser, Chris Breuer and Peter Voigtmann, are an Australian/German three-piece post punk band formed in Berlin in 2014 by two native Germans and one wandering Australian.

HEADS. released their debut LP on This Charming Man Records / Cargo Records in 2015, followed by the full-length record ‘Collider’ in April 2018, and toured extensively throughout Europe and North America from 2015 – 2018 with the likes of METZ, NOTHING, WHORES., DOPE BODY and PROTOMARTYR among others.

https://www.facebook.com/headsnoise/
https://headsnoise.bandcamp.com

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Vomito Negro + Kris Baha ☨☨ Herzschlag & She Lost Kontrol

Herzschlag & She Lost Kontrol present

Vomito Negro (Metropolis Records, BE)
Kris Baha (She Lost Kontrol, AU)

After Party DJs:
Errata Paranoia, Evropa & Tara In Tibet (She Lost Kontrol)
Hanzel & Jaakko (Herzschlag)

Music: // Cold Wave // Minimal Synth // EBM // Industrial

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Vomito Negro

The band already took off way back in 1982, and over the past years established a name for themselves as uncompromising aural architects, combining power with emotion, electro with vision.
From the start on, flexibility is one of their major qualities.
Vomito Negro is never content with a certain formula: their musical approach, essentially based on the European “Industrialist” tradition of the early eighties, takes a different angle with every record.
Tracing back their history through albums as diverse as “Vomito Negro” (their haunting debut from 1985) to “Wake Up” (1992) one hears growth and evolution in Vomito Negro”s varied soundscapes.
Vomito Negro’s synthesized psychodramas range from danceable to contemplative, from instrumental and ambient to voice-ridden and brutal. Live Vomito Negro stands for a never seen punch of electro power, hammering sequences, pumping live percussion, harsh synths, and vocals that will blow your brain out.

Kris Baha

Much time has passed since Kris Baha swapped the parched red earth and searing midday sun of the Australian outback for the brutalist buildings, communist-era apartment blocks and slate-grey skies of East Berlin.
Now firmly embedded in his adopted city, Baha bas become known for a trademark DJ and production style inspired by sun-baked hallucinatory visions and the clandestine, concrete-clad industrial hum of the metropolis after dark.
Just before the end of 2018, Kris Baha released his EP – “In Your Arms”, a record filled with restless melancholy, chopped beats, sinister frequencies and dramatic twists.

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She Lost Kontrol
She Lost Kontrol (SLK) is an independent record label founded in August 2016 somewhere between Naples and Berlin.
The label is focused on Electronic Body Music // New wave // Synth Wave // Dark wave // Neo Folk // Industrial // Experimental // Drone // Noise // Avantgarde.

Herzschlag
Herzschlag is a Berlin based event / party organization born in 2014, bringing the finest selections of Cold Wave, Post-Punk, Minimal Synth and EBM.
Herzschlag greets every sound emerging out of the dark, industrial, future-noir, technical dystopia.

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Venue: Urban Spree
Revaler Str. 99, 10245 Berlin

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“Have You Seen the Listers?” on Netflix

Have You Seen the Listers?” is a poignant documentary about the life of the artist Anthony Lister, whom we had the privilege to host during a 3-week art residency in Berlin in September 2018.

Directed by Eddie Martin and using mainly the artist’s home video footage, “Have You Seen the Listers?” is a harrowing tale of the rise to artistic fame of the Brisbane-born artist, from the first happy family moments to a very unstable lifestyle, crises, drugs, and a crushing separation.

It is as much about parenthood and family life as making it as a great artist, moving from conservative Australia to NYC, challenging the codes of art, leaving his mark in galleries and on the street, being free, oblivious and focused, but being unable to maintain a normal family life, and enduring severe breakdowns.

The movie is now available on Netflix.