We found – 60 articles for Australia

Ed Fraser ‘Ghost Gums’ Release Party Berlin

ASK HELMUT, Schmutz, Tonfuchs guitars & This Charming Man-Records present:

ED FRASER ‘Ghost Gums’ RELEASE PARTY

+ Jimmy Trash DJ Set
+ Special Guests TBA

Tickets: Presale: 10€ • Box Office: 12€
Tickets via eventim: https://bit.ly/2KX9tpf

Doors: 8PM • Start: 9PM

Native Melbournian singer, guitarist and songwriter Ed Fraser relocated to Berlin from Australia in 2013, founding the Berlin-based post punk band HEADS. with two native Germans in early 2014. Heads. released two critically acclaimed LPs – S/T (2015) and Collider (2018) – with label releases in Europe, Australia and the USA, extensively touring Europe and North America with bands the likes of Metz, Protomartyr, Nothing, Young Widows, Daughters and many more.

Ed has now expanded his musical repertoire with his debut solo EP ‘Ghost Gums’, out via This Charming Man Records in September 2019. Recorded over one week in Berlin with a dynamic band including Spike Rogers on drums and Rosa Mercedes on bass, plus guest musicians including Paul Seidel and Peter Voigtmann of seminal German band The Ocean, on Ghost Gums Ed explores a more personal side. Here Ed’s deep vocal expresses somber and direct lyricism amongst fluid, vibrant and at times more experimental instrumentation and vocal layers. The songs pick up, things get bendy, and from beginning to end Ghost Gums delves into themes of loss and romance as an exploration of new and uncharted territory for Ed as a songwriter.

Ed Fraser
Spotify: https://spoti.fi/2Mlt2uz
YouTube: https://youtu.be/yR6gtpv5LBw
Instagram: https://bit.ly/2Z3jbAy
http://edfraser.com/

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Shameless Berlin Presents: Pussy Powered Protest – Berlin

(Video of Lady Daisy who will perform at our after party)

It’s a Pussy Powered Protest!

Shameless Berlin is a showcase of some of the best known and most prolific alternative comedy acts in the scene. Through cabaret, comedy, music, burlesque and puppetry, the artists tackle sexuality, immigration, queerness, body politics and power.

From Colombia, Lebanon, Australia and the USA, these power femmes deliver a vulvacious smack to the funny bones with a special blend of razor sharp wits and juvenile jokes.

Entry includes our high energy 1 hour show plus an after party with live music, DJs and special international burlesque headliners!

***PUSSY POWERED PROTEST***
Liliana Velásquez dominatrix turned kabarettist
Duckie L’Orange queer puppeteer
Carmen Chraim high-energy comedy
Crystal Tassels glamorous showgirl brat

***SPECIAL GUESTS***
Purdy Hölsom tasteless twangy musical songbird
Gorjeoux & the Corsetts queer ukulele with a voice as sweet as cherry pie
Batsauce spinning 45s

***AFTER PARTY***
The Wynstrumentt Live harmonica loop wizard
Lady Daisey & Batsauce Seductive live vocals with smooth summer beats

TICKETS
Presale €5 / 10
On the night €8 / 12

20:00 Doors
20:30 Gorjeoux & the Corsetts
20:45-21:45 Pussy Powered Protest – early show
21:45-22:45 Vinyl DJ Batsauce spinning 45s
22:45 Purdy Holsom
23:00-24:00 Pussy Powered Protest – late show
24:00 – After party with Wynton Kelly Stevenson, Batsauce & Lady Daisy LIVE

ARTISTS

Liliana Velasquez M. has crossed borders all her life. Raised in Miami Medellin and New Jersey there is no role she cannot play and her comedy reflects this extravagant mix in her Latina-tude, Catholic guilt and American dreaming. As an adult, Liliana recklessly explored NYC, slipping in and out of different art forms, costumes, and jobs. She has so many outrageous stories to tell, it would horrify her proud parents, Only now do they admire her comedic outlook on so many mistakes. Always hungry for new challenges, Liliana soon found other platforms for the performance that is her life: Berlin Neukölln. She is proud to be queer and not perfect and enjoys waking up in the afternoons.
As if that isn’t enough, she is also leading lady at Freudian Slip Club, producing hundreds of shows in Germany every year.
http://freudianslipclub.wordpress.com

Duckie L’Orange is a Berlin based performance artist with a twist.
She does weird and wacky interactive performances for kids, and equally wacky but significantly dirtier shows for adults. She’s been all around town like a hipster on a vintage bicycle – from performing at the Sydney Opera House, barking in a steam punk carnival with Antigua i Barbuda at Sydney Festival, touring Germany with the Puppetry Slam Berlin to creating shows in the jungles of Kalimantan and Timor Leste.
www.duckielorange.com

Crystal Tassels, “The American Brat Queen,” is a burlesque artist, chanteuse, and fetish performer from Seattle, USA. After making her burlesque debut in South Korea, Tassels spent six years performing in the USA and Canada and is now based in Berlin. When she’s not singing or stripping, you’ll usually find her impersonating her cat.

Carmen Chraim is a beloved comedian in the Berlin English comedy scene. After five years of performing stand-up comedy, she is now recognized on the train by strangers at least 20 times a year! She performs mainly in Berlin but also manages to leave her bubble and delight many boring German cities (both West and East). She’s also had her name pulled from a bucket for at least four NY open mics; flyered and performed tirelessly for an entire month at the Edinburgh Fringe Festival; and found performing on stages in Amsterdam and Warsaw to be very enjoyable.
And now you’re asking yourself, “Great, but where is she from?” Born and raised in Lebanon, she wins over crowds with her high energy presence & rapid-fire anecdotes. Thanks to her Middle Eastern background, passion for hummus, deep experience with corporate Germans and sarcastic political views, she’s often seen as an alternative Arab success story that hasn’t yet been discovered by the media.

Purdy Hölsom is a singer-schlongbiter, rapper wrong-righter. She is a comedy musician from North Carolina (US). She’s a four-time finalist in the International Songwriting Competition. In 2018, her “Gay Money” music video was screened at the Palm Springs Film Fest & the Berlin Music Video Awards. She recently performed at Edinburgh Fringe Fest, and learned that Scotland is very, very cold.Holsom has released two albums, Purdy Holsom (2014) and Vageezus: Voice of a Generation (2016), several singles, and nine music videos (depending on what you count).

Gorjeoux is a Corset wearing, KitKat loving, Ukulele playing, Gorgeous, Queer, Non Binary Femme Goddess who likes to play around with new imaginings, queerifications and mashups of pop songs.

Wynton Kelly Stevensonn is a musical storyteller with a twist. His musical journey is crafted with vocals, harmonica, beats and live looping. Sponsored by Hohner Music he has been touring and living in Europe for 10 years.

Lady Daisey is a soul/funk singer who spent her childhood touring the U.S. with her parent’s band. Raised on the road, home-schooled and surrounded by music, it was natural for her to blossom into the artist that she is. Since then, she’s been following her musical path and developed her own playful style, ranging from sultry love songs to powerhouse feel-good old-school soul. Lady Daisey has played venues and festivals around the globe, spreading her message of love and positivity, soulfully presented over head noddin’ Batsauce beats. A small woman with a huge voice, Lady Daisey is sure to grab the attention and steal the hearts of everyone within ear’s reach.

She’s opened for Sharon Jones, Mayer Hawthorne, Chali 2na, Roxanne Shante, Bahamadia, the Perceptionists. She’s rocked festivals around the world alongside the Roots, Method Man, Atmosphere, Brother Ali, Muse, Typical Cats, Souls of Mischief, Zion I. Lady Daisey’s voice can also be heard on recordings with Qwazaar, Typical Cats, Asamov and Marc Hype.

Batsauce is a musician/producer/DJ from Jacksonville, Florida. Following his well received EP & LP with Qwazaar, Batsauce debuts his instrumental intergalactic love saga entitled “Starcrossed.” Batsauce is also one-third of the Smile Rays (along with Paten Locke & Lady Daisey). He has worked with Mr. Lif , Akrobatik, The AB’s, Paten Locke, Lady Daisey, Surreal, Dillon, Chop, Boog Brown, and MassInfluence. Not to mention, the likes of Bahamadia, George Clinton, Vinnie Paz, and Dumbtron have appeared on his tracks. As well as an avid beatmaker, Batsauce is a multi-instrumentalist and DJ. He resides mostly in Berlin, when he isn’t couch-surfing elsewhere.

Cover image by Toby K

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Harvey Sutherland

Harvey Sutherland is a producer, DJ and funk synthesizer from Melbourne. After making a name for himself in Australia’s electronic underground, Mike Katz began making international waves in 2013 with a series of releases under his pseudonym Harvey Sutherland. His first EPs were celebrated worldwide by artists such as Gilles Peterson, Jamie xx, Disclosure, The Black Madonna and Pete Tong. He played all sold-out headline shows and performed at renowned festivals such as the Glastonbury Festival.

Musically Harvey Sutherland is mainly influenced by dance music, but doesn’t feel comfortable with its rules. Still rooted in soul, disco and funk, the modern techno universe is not exactly where Harvey feels she belongs. So he always tries to create his own sound world, as he proves in his new project “Amethyst”.

In August we bring the gifted artist to Berlin for a show!

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Kirin J Callinan

Kirin J Callinan
+ Support: Faux Real

Return To Center is Kirin J Callinan’s new record, a reconnection with what made him fall in love with music over and over throughout the years, and a very personal exploration of the timeless songwriting tradition passed down and reinterpreted from one generation to the next. Following two albums of inimitable, challenging pop music that garnered global acclaim and marked Callinan as entirely unique, a singular talent, nominations for the Australian Music Prize, support slots for everyone from Crowded House to Tame Impala, a role acting in Jane Campion’s Top Of The Lake and an ARIA Award Nomination, ironically it was singing other peoples’ songs

that felt like the most truthful next step for the swashbuckling Sydney artist.

On Return To Center Callinan’s trademark flamboyance is cut with a newfound fragility that comes curled up in an attempt to do justice to the songs he holds nearest and dearest.
Return To Center collects Callinan reworks of both all-time favourites and last-minute spontaneous additions, songs that have shaped the artist he is today amongst songs that were jammed out of the blue in the studio. Callinan sounds all too in step with Laibach’s teutonic march “Life Is Life”, before completely transforming the twitchy Prince-lite of Momus’ “The Homosexual” into lithe, tender acoustic folk. The Waterboys’ “Whole Of The Moon” is rendered even more melodramatic and heart wrenching than the original and comes off like the theme song to the greatest 80s sitcom you never saw, while Randy Newman’s “Pretty Boy” sticks largely faithful to the sombre original, and Public Image Limited’s “Rise” ascends amidst Celtic guitars and television news clips. At the chronological and spiritual center of the record – the eye of the storm – lies the title track and sole original composition. A stark, spacious
instrumental, “Return To Center’s serenity is interrupted by maniacal laughter, assumedly Callinan’s.

Recording was swift – tracking a song per day, with a few up the sleeve for overdubs, mixing and mastering. With a lengthy list of prior collaborators that has included Mark Ronson, Jimmy Barnes, Mac Demarco, Weyes Blood, Connan Mockasin and Alex
Cameron to name a few, the open (garage) door policy was maintained for Return To Center. First luminary to lift the shutters was producer Francois Tetaz whose zeitgeist work with Gotye is legendary. More than a producer to this project, Francois’ enthusiasm to work with Kirin is in the DNA off his concept. A cast of outlaws followed that included Drew Erickson, Benji Lysaght, Stella Mozgawa, Dave Elitch, Jasper Leek and Holiday Sidewinder, gathered in the garage
of his temporary Silverlake abode, delighting in the perverse subversion of the capitalist system and the challenge of completing a record with such clear time and financial constraints. With the roller door open to the street just weeks before he was due to be evicted, they merrily blasted through the set with no time to second guess or overthink and as a result, Return To Center retains an instinctive, vulnerable edge,
emerging as Callinan’s most tender yet celebratory record yet.

Return To Center glimmers with what Callinan describes as a“corporate spiritual” radiance. It is a punk rock meditation on record making, music past and present. For Callinan it slices through a contradictory and confusing year of exaggerations and misrepresentations to be his ‘Return to Center’ – sounds, songs, lyrics, performance. Whatever it is and however it was made, Return To Center transcends to a triumph.

Presented by Shameless/Limitless & Melt! Booking

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Jonni Cheatwood: Tyger Tyger

Urban Spree Galerie presents “Tyger Tyger“, the first solo show in Germany of the Los Angeles based visual artist Jonni Cheatwood and only his second in Europe.


URBAN SPREE STUDIO, JUNE 2019

The American artist (b. 1986 in Thousand Oaks, California), spent a month at Urban Spree in Berlin as an Artist-in-Residence to create 11 large format artworks that are exhibited in the galerie from July 5th, 2019 to August 4th, 2019.

Jonni Cheatwood incorporates found fabrics into his canvases, which he himself cuts and saws, in order to create variations, a sense of appropriation and move away from the uniform surface of the canvas. Acting as time and identity markers, some fabrics have geometric patterns whereas some others are figurative or overly pop. The Residency enabled Jonni to source local fabrics, found in the Turkish market or in the street. Once the patchwork is assembled, Cheatwood paints blocks and shapes of colors on it, adding multiple layers of paint and agglomerating texture, freely outlining shapes to convey dynamism, movement and balance.

Jonni Cheatwood is an abstract painter whose work is about balance, shape and color and who can be related to the “Figuration narrative” movement. Here, Roy Lichtenstein makes an appearance in most canvases of the series as a reference and a cultural bridge as some fabrics sourced in Berlin include some embroidered stories derived from the American painter.

Jonni’s work is also close to the post-graffiti movement as we can also view his color shapes and black outlines as deconstructed graffiti.

Overall, his work is very dynamic, balanced and superbly colorful, while creating multiple layered & complex identities.

“Tyger Tyger burning bright, 
In the forests of the night: 
What immortal hand or eye,
Dare frame thy fearful symmetry?”

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Latest exhibitions: 

2019

Tyger Tyger | Urban Spree | Berlin, Germany

That’s Dallas Baby | Artual Gallery, Beirut, Lebanon

2018

Dressed Up For the Letdown | Over the Influence, Hong Kong

She’s Heavy on the Razzmatazz | MAKASIINI CONTEMPORARY, Turku, Finland

Volta Show, BEERS London, New York NY, USA

Same Hero, New Boots | TW FINE ART, Brisbane, Australia

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Jonni Cheatwood
“Tyger Tyger”

Solo Show at Urban Spree Galerie

Opening: Friday, July 5th, 2019 from 19:00
Exhibition from 05.07 to 04.08
Tu-Su: 12:00 – 19:00

Info and catalogue: galerie@urbanspree.com

https://www.jonnicheatwood.com

https://www.instagram.com/jonni_cheatwood/`

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Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

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