We found – 5 articles for LP5

Der Apparat Apparat

Urban Spree and Spotify invite you to discover an exclusive sound & visual interactive installation in the galerie on the occasion of the much-awaited release of Apparat‘s new solo album “LP5” on 22.03.2019

Unique prints based on the computer-generated visuals of the Apparat album will be given away for the first 500 guests.

 

Opening hours: 

Friday 22.03: 15:00-22:00

Saturday 23.03: 12:00-17:00

Sunday 24.03; 12:00-17:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin



Blind Delon, H ø R D, Leere live + after party Herzschlag

BLIND DELON

Founded in 2016 by Mathis Kolkoz and after releasing several works on Oráculo Records / Bordello A Parigi and some DJ sets around Europe, Blind Delon raised to a multi-art project (3 musicians and a visual composition by the french artist AFB).

With their heads and bags filled with synthesizers from a time they weren’t even born, the band can be found today between a record shop and a cave rave, looking for an aesthetic that is nowhere near dying. Post-Synthwave might be the best words to qualify the project, as the music is a sort of breed between outrageous Pop and cold basslines.

Building a bridge between Pop and Rave music, Blind Delon is making a NOT conventional yet romantic Post-Punk sound.

https://soundcloud.com/blind-delon
https://oraculorecords.bandcamp.com/album/blind-delon-edouard-12-ltd-edition-ep-vinyl

H ø R D

H ø r d creates electronic music inspired by coldwave, soundtracks, fantasy movies, oscillating between epic compositions, EBM and techno pulse, and also more contemplative tracks.

After performances on his own musical territory, he gradually came to the European synth wave scene, signing a remix for Winter Severity Index (Rome) and performing live in Germany (Wave Gotik Treffen), Belgium, Czech Republic, Swiss, Malta, Italia, Austria, Spain.

His first album “Focus on light” was released 2016 on Anton Maiiovi’s label Giallo Disco Records, and sold out 6 weeks later.
In 2017, his third EP «Futures» is out on Sacred Court, label of electronic artist SNTS.

His upcoming second LP will be out in Avant! Records in September, 2018.

«The label Giallo Disco Records have described the music as “Reverb-Soaked Urban-Gothic Melancholic songs, between synth-shoegaze and violent EBM,” and believe the album will “will resonate strongly with fans of Pornography-era The Cure, Joy Division and classic Nine Inch Nails.” To our ears we hear strains of early Tropic of Cancer and dare we say Pet Shop Boys, and overall, as you’ll be able to tell from the album preview below, it’s a well informed reincarnation of what makes the synth, minimal and no wave genres so appealing today.» JUNO DOWNLOAD (2016)

https://soundcloud.com/hordmusic
https://hordmusic.bandcamp.com/

LEERE

We come from nowhere and move towards emptiness.
Leere is an introvert musical project, trying to express and fill the emptiness inside us. The use of analog and digital sounds of the 80s and the integration of sounds from Berlin, the city that influences her and her music strongly, helps her with that hard task.

https://youngandcold.de/leere/
https://leere1.bandcamp.com/album/ep

THE BRVTALIST dj set

The Brvtalist is a curator, promoter and DJ with a focus on mutated metropolitan culture from around the globe. Since 2013, the platform has featured, collaborated and/or performed with a variety of artists across multiple disciplines including Julius (JP), Void Vision, Ancient Methods, Drab Majesty, Katie Gallagher, Obscur, Headless Horseman and countless others. Through the website of the same name, as well as the renown podcast series, New Brvtalism, The Brvtalist aims to expose music, fashion, art and more that all share the same dark, romantic allure.

http://thebrvtalist.com/
https://www.facebook.com/thebrvtalist/

After Party:

DJs: Hanzel, Jaakko + The Brvtalist

Music: //Cold Wave // Post-Punk // Minimal Synth // EBM //

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FB Event



Nocturnal Emissions + Simon Crab

Mannequin (Label + Mailorder), [aufnahme + wiedergabe] and Post-Punk.com present:

Nocturnal Emissions (UK) live
www.earthlydelights.co.uk
www.nocturnalemissions.bandcamp.com

Nocturnal Emissions has been one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-minded artists like Throbbing Gristle and Cabaret Voltaire. The band moved on to using samplers and electronic noise in their early ’80s work, creating a twisted funk sound that would go on to influence everyone from Foetus to Negativland. They still utilized their former tricks, upping the ante with extremist performance art and more professional video displays. The group avoided signing to a major label, instead focusing on releasing their own music more effectively. They followed this path into the ’90s when they started www.earthlydelights.co.uk, an incredibly detailed website that promotes their various ideologies (they are strongly against the British monarchy and believe that citizens should have unlimited access to space travel) and constant release schedule. The band has released countless tapes and CDs of their material, and continues to unleash their noise through their website. Mannequin hast just released a compilation focusing on Nocturnal Emissions’ work between 1980 and 1989

Simon Crab (bourbonese qualk) (UK) live
www.simoncrab.com
www.simoncrab.bandcamp.com

Simon Crab is probably most well known as the founder and main-man of the power-electronics/Industrial, Post-rock, neo-no- wave, electro-acoustic, gabber-techno, dub-ethno-jazz-funk band—Bourbonese Qualk, as well as Sunseaster, an experimental-improvised-electro-acoustic noise project. Crab also learned traditional African and Middle Eastern music and is a member of London’s Gamelan orchestra.

Philipp Strobel (DE)
www.aufnahmeundwiedergabe.de

Alessandro Adriani (IT)
www.mannequinrecords.com

the two men behind [aufnahme + wiedergabe] and Mannequin (Label + Mailorder) will showcase a special selection of influential and contemporary Industrial sounds for this occasion.

URBAN SPREE (RAW-Area)
Revaler Str. 99/Warschauer Str.
10245 Berlin

Tickets: http://aufnahmeundwiedergabe.bigcartel.com/product/tickets-nocturnal-emissions-simon-crab-bourbonese-qualk-live-in-berlin-11-01-2018

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Fleisch XV // Forces EP Release Party

FLEISCH is proud to present the very record we started a record label to release: the long awaited NEWBODY by Forces. With support from the live debut of Halv Drøm and our resident DJs, this nacht will be 100% Fleisch ✔️

—————ACTS——-———

FORCES (LIVE)
Fleisch
https://soundcloud.com/aaforces

HALV DRØM (LIVE)
Fleisch / Total Black
https://soundcloud.com/halvdrom

SEKUNDE
Fleisch
https://soundcloud.com/fleisch-berlin/b2_sekunde-andacht

PRIMARY
Fleisch
https://soundcloud.com/primary-4

ZANIAS
Fleisch / Noiztank
https://soundcloud.com/zanias



Vacant #7

URBAN SPREE & CORPO 6 Present:

VACANT #7
LIVE SETS / SOUND VIDEO PERFORMANCES:
SLOW SLOW LORIS – somatic visual vocal noise music _ berlin
LA MUERTE ROJA – drone concrete noise improv ensemble _ berlin
JERK IN THE CAN – experimental industrial noise pop duo _ vancouver

URBAN SPREE | Revaler Straße 99 _ 10245 Berlin


Vacant is an open platform that investigates since 2012 the communal resonance of different languages.

Performance, experimental live set, video installations will create a different equilibrium, designing a synergy of references.

A public exorcism. An exposure of vital forces. Focusing on inner strength of each media, Vacant proposes an analysis of the art practices as a dense injection of reality into the unreality of daily life. Art as a practice and source of directions versus a daily existence cracked with countless crisis of perspectives.
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VACANT #7 ARTISTS:

SLOW SLOW LORIS
somatic visual vocal noise music _ berlin

http://www.slowslowloris.com/
https://soundcloud.com/slow-slow-loris

“An epic, sweeping live performance using vocal melodies, samples, various instruments, live
looping and multiple pedal chains to coax the music out of the noise. They enter raw emotional imagination to give the nuances of one`s subconscious permission to come forth…a sensitive blend of music meeting noise, reaching a wide range of audiences and venues from clubs and festival stages to concert halls and art galleries.”

Slow Slow Loris use voice and electronics to search for the intersections where melody meets noise, emotional meets avant- garde, feminine meets industrial, non-rhythm meets accuracy, and raw meets craft. Following up their debut album, From Monster till Mourning on Staaltape, they look forward to releasing their next album, Of Heroes in Helium soon.

ANY (angela nina yeowell) transmits data through voice and noise music. Along with processed samples,
she plays broken melodies on misshapen instruments, and sings to the resulting waves of intensity and
silence, boredom and splendor. Her espionage of the sub-conscious can sometimes result in visuals, such as
the creation of, and performance with non-musical instruments and sonic costumes.

G6PD (Robert Heim) shapes sculptures of sound with unpredictable outcomes, like subconsciously painting
emotions. With a non-conceptual, experimental approach, he uses and abuses audio, destroys song
structures and music styles, and collages unexpected tunes that often lead into a sonic weird deep electro-
acoustic mess.

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LA MUERTE ROJA
drone concrete noise improv ensemble _ berlin

https://soundcloud.com/corpo-6-recordings/syria-la-muerte-roja
https://www.youtube.com/watch?v=ggz6hOj6KDMhttps://www.facebook.com/lamuerterojacorpo6/

La Muerte Roja, adopting different approaches – tonal, atonal, improv, noise – defines, ritualistically, in a high saturated media context – performance, installation, video installation – , a sacred area of being.

La Muerte Roja is an oxymoron. Death in life. And vice versa. And it means rebirth. A Circularity of simplicity.

For VACANT # 7 and for the first time live, La Muerte Roja will perform SYRIA, their last work – published in cassette by CORPO 6 recordings -. SYRIA, recorded in 2016, between Foggia – Apulia, South Est of Italy -, Rome and Berlin evokes the sacrality of a border, where the mystifications of the global power are taking place. And together it tries to embodied the ecstatic cadence of the middle est Zoroastrian rhythms.

La Muerte Roja ensemble, performing SYRIA, will be: Diego Ferri – flute and cassette, Angel Cervera – lute and pedals, Adolfo Spezzaferro – drums, Bianca Ringwald – piano, Fabio Campagna – objects and feedback on electric guitar.
La Muerte Roja will perform live scoring the exp-movie
: -1+1=0.

-1+1=0, shot by Fabio Campagna between 2015-2016 (Video, 41’42’’) closes a trilogy about Berlin. A personal diary through
the eterotopic, free interstices of Berlin in the attempt to present the nude factual – the unpredictability of reality. A route
trough the city. Through its autonomous, dirty, peripheral zones. An ideal map of the liminal spaces of Berlin.

An archetype emerges in the simplest of things. A communal sphere. A sharing, an harmonic unity. A community of
imagination and desire. Resembling the idea of the Mediterranean – medio terrae, the sea, core of our civilization that unifies
the opposites, the North and the South, the Ovest and the East – .

A symbol of Berlin and ultimately of our contemporary
condition. The convergence of the antinomic edges of reality into one single, organic, shape. A sacred uterus that unifies,
combining opposites into the centrality of symmetry. The relation and the equation between opposites is finally exposed – as
the livid fundamental truth. The city reflects upon itself and creates a vacuum that defies contradictions and promote the
inclusion of the different.

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JERK IN THE CAN
experimental industrial noise pop duo _ Vancouver

http://jerkinthecan.com/
https://www.youtube.com/watch?v=eR1TalUYMMo

“Jerk in the Can showcase a balance of eerie dream pop — reminiscent of Australia’s HTRK — that divulges into aggressive industrial noise, taking direct influence from Skinny Puppy or early Nine Inch Nails, sprinkled with an aesthetic suitable for an Insane Clown Posse worship band.

Jerk in the Can have several videos posted to their website, some are performance videos of the band, some are purely
performance art. Synthesizers, drum machine, samples, vocals from Marc and sometimes accompanied by saxophone.

However, the understated, minimalist synthesizer punk Jerk in the Can’s duo create on Big Crime Baby -their last album – goes over much more smoothly than you’d imagine. The eight songs on the album show diversity in sound, structure as well as varying sonic ideas.

Out of damp, reverb drenched, bit-crushed pools of darkness come bouncy analog arps, cheesily dreamy synth pads and big minimal drum machine grooves. These elements coat the clear vocals, which switch from ghostlty ballads and awkward raps to heavily modulated screams of agony.”

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CORPO 6, after three years – 2012 / 2014 – in Herzbergstrasse 55, Lichtenberg – area objectified as an elementargedanken
(A. Bastian)- the zone of transmutations – , has been started a nomadic gnosis troughout Berlin.

CORPO 6 is an art project by Fabio Campagna which focuses through a series of crossing media and site specific projects, on
the examination of the concept of limen – border in Latin – within the articulation of the city.

http://www.youblisher.com/p/1300193-CORPO-6-JOURNAL-May-2012-December-2015-BERLIN-Texts-Projects-
Exhibitions/

http://www.youblisher.com/p/1299657-FABIO-CAMPAGNA-LUMINOUS-INTERSTICES-Essays-Criticism-Rome-Berlin-2006-2015/