We found – 8 articles for Moniker Press

J.C. Satàn & Jessica93

Dawn of the Dance and GreyZone Concerts & Promotion present

J.C.Satàn + JESSICA93 LIVE

J.C.Satàn
J.C. Satàn is the meeting between the talented Arthur from Bordeaux, France (Polar Strong, The Meatards, Crane Angels..) and Paula from Torino, Italy (drawer, dj and booker of underground shows). They were noticed from their first two LPs Sick Of Love (2010) and Hell Death Samba (2011) on the american label Slovenly Recordings which had major critical and public success. For their audacious and perplexing third album Faraway Land (2012), they join the young and talented parisian label Teenage Menopause Records. In between a US tour in 2013, an european tour with Ty Segall in 2015, a China tour in 2016 and plenty of shows in France and European festivals, they released two more LPs with the trendy french label Born Bad Records, « S/T » (2015) and the brand new Centaur Desire (march 2018). As usual the band refuses to fall into repetition and instead, travels out of the comfort zone. They are exploring the musical landscapes of Pixies and The Queen of the Stone Age but never losing their own style and sound. Known to be some kind of stage warriors, their shows rise above their records. Someone talk about psychedelism, someone about punk-garage, it’s hard to define them.

http://www.jcsatan.com/
https://jcsatan.bandcamp.com/
https://www.facebook.com/jcsatan/

JESSICA93
French one man project Jessica93 is a powerful and emotional force of hypnotic loops, grungy riffs and cold beats, all wrapped up in an impressive sense of delicate and to-the-point song writing.

Even Paris, the city of love, hosts its bleak and dingy suburbs. With the promise of magic so close within one’s reach, the lack of it becomes even more evident. In the midst of this space of hope turned disappointment, Geoff LaPorte goes on an escapist trip and takes on the moniker of Jessica93. Where others see beauty, he sees the rats. But Jessica is the coolest chick in class. She’s desirable and she has ability to transcend the mundane reality of Paris’ dirty streets. Or at least she tries. Jessica stands for all that we wish to be, but can’t. Instead, let’s embrace the dark humour of the universe. After all, it’s not for nothing Jessica93’s 2013 debut is called “Who cares”, with a picture of a bag of crack cocaine on the cover.

As one man playing all instruments, along with a trusty drum machine; Jessica93 builds his music with layers – balancing the raw and minimalist with a trippy warmth. This sense of dream and romance is present in all his songs, sometimes numbed in an opiate high, sometimes as matter-of-fact melancholia. This isn’t some pedal-fest without substance, or, for that matter, a total downer – some of those beats sounds like John Bonham trapped inside an ice box, and the groove is undeniable. Something wants to reach out for sure, and on stage this part-shoegaze-part-grunge-part-cold-wave operation of one does just that: reaches out and goes for the stars. It might all get buried in a heap of dirty clothes once back on earth, but still.

Using very little to achieve a lot – Jessica93 goes straight to the core of every aspect of his music – illuminating a brilliant song writer in the process. Nothing to hide, nothing to lose.

https://jessica93.bandcamp.com/
https://www.facebook.com/thejessica93/

 

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Facebook Event



Jim Avignon: Permanent Jetlag

Urban Spree is proud to invite you to a special summer program around the Berlin-based artist Jim Avignon. 

In the first part, Urban Spree Galerie will show “Permanent Jetlag“, a new solo show by Jim Avignon, his first exhibition since 2 years in the german capital. The Opening Reception will be on Friday, June 30th and the exhibition will run until July 23rd.

In the second part, “Spectacular” is a special music festival over 4 days designed & curated by Jim Avignon, Urban Spree, and Sylvie Astii with live performances in the Galerie on a custom-built stage designed by Jim and in the Concert Room. The Festival will be on July 5th to July 8th.

The exhibition “Permanent Jetlag” and the music program “Spectacular” illustrate and combine the two facets of Jim Avignon, a recognized visual artist, musician and performer through his moniker Neonangin.

Jim Avignon is a painter, illustrator and conceptual artist. Always ready to confront the establishment he is torn between pop art, street art, Picasso on acid or simply being the fastest painter in the world. His signature style consists of vivid colours, a biting humor, unpretentious materials and a mind numbing output.

Jim Avignon’s exhibition „Permanent Jetlag“ at Urban Spree Galerie is about the balancing act of virtual life and real life. He depicts how the internet and social media have gradually changed society, and he also addresses man’s tragic, and often comical attempts to keep up with technology. On one hand the world is getting smaller yet in our minds it keeps getting bigger, making it difficult to be everywhere at the same time.

Avignon’s narrative motives are a potpourri of political and societal topics, art, pop culture and characters from fairytales and fables. His paintings serve as a stage for diverse protagonists from figuration, cartoons, anime and a fantasy world. Animals embody the human condition while the unknown lurks behind a façade of cheerfulness.

In Avignon’s fantasy world interchangeable freaks from the catalogue of postmodern society stand around, as their lively inanimate facial expressions reveal a mix of emotions, boredom, indecisiveness and resignation.

Sampling, cover versions and epiphenomena, like gamification, are central concepts in his creative work, they are references to the conflicting poles of visual art, music, mass media and the industry.

Jim Avignon curated a music festival that will happen alongside his exhibition „Permanent Jetlag.” Longtime comrades will perform in the middle of the exhibition space. Jim Avignon created a stage specifically for this occasion. The entire show will be transformed into a walk through installation.

Jim Avignon has been living and working in Berlin for more than 20 years. In the 1990s he adorned clubs with his decorations and became known as the ‘painter of the techno scene’. In 2013 he unleashed controversy when he staged a flashmob to paint over his landmark mural on the East Side Gallery without permission. Velocity and change have always been key issues in his creative work. The title of one of his first exhibitions was “highspeedworld.” In 1993 he already titled a painting “spoilsport in the internet.”

 

Permanent Jetlag

Urban Spree Galerie

Opening Reception: 30.06.2017 at 19:00

Exhibition: 01.07.2017 – 23.07.2017

Tu-Su / 12:00 – 19:00

Galerie Enquiries: galerie@urbanspree.com

Press Enquiries: diana@urbanspree.com



Jim Avignon: Permanent Jetlag

Urban Spree is proud to invite you to a special summer program around the Berlin-based artist Jim Avignon.

In the first part, Urban Spree Galerie will show “Permanent Jetlag“, a new solo show by Jim Avignon, his first exhibition since 2 years in the german capital. The Opening Reception will be on Friday, June 30th and the exhibition will run until July 23rd.

In the second part, “Spectacular” is a special music festival over 4 days designed & curated by Jim Avignon, Urban Spree, and Sylvie Astii with live performances in the Galerie on a custom-built stage designed by Jim and in the Concert Room. The Festival will be on July 5th to July 8th.

The exhibition “Permanent Jetlag” and the music program “Spectacular” illustrate and combine the two facets of Jim Avignon, a recognized visual artist, musician and performer through his moniker Neonangin.

Jim Avignon is a painter, illustrator and conceptual artist. Always ready to confront the establishment he is torn between pop art, street art, Picasso on acid or simply being the fastest painter in the world. His signature style consists of vivid colours, a biting humor, unpretentious materials and a mind numbing output.

Jim Avignon’s exhibition „Permanent Jetlag“ at Urban Spree Galerie is about the balancing act of virtual life and real life. He depicts how the internet and social media have gradually changed society, and he also addresses man’s tragic, and often comical attempts to keep up with technology. On one hand the world is getting smaller yet in our minds it keeps getting bigger, making it difficult to be everywhere at the same time.

Avignon’s narrative motives are a potpourri of political and societal topics, art, pop culture and characters from fairytales and fables. His paintings serve as a stage for diverse protagonists from figuration, cartoons, anime and a fantasy world. Animals embody the human condition while the unknown lurks behind a façade of cheerfulness.

In Avignon’s fantasy world interchangeable freaks from the catalogue of postmodern society stand around, as their lively inanimate facial expressions reveal a mix of emotions, boredom, indecisiveness and resignation.

Sampling, cover versions and epiphenomena, like gamification, are central concepts in his creative work, they are references to the conflicting poles of visual art, music, mass media and the industry.

Jim Avignon curated a music festival that will happen alongside his exhibition „Permanent Jetlag.” Longtime comrades will perform in the middle of the exhibition space. Jim Avignon created a stage specifically for this occasion. The entire show will be transformed into a walk through installation.

Jim Avignon has been living and working in Berlin for more than 20 years. In the 1990s he adorned clubs with his decorations and became known as the ‘painter of the techno scene’. In 2013 he unleashed controversy when he staged a flashmob to paint over his landmark mural on the East Side Gallery without permission. Velocity and change have always been key issues in his creative work. The title of one of his first exhibitions was “highspeedworld.” In 1993 he already titled a painting “spoilsport in the internet.”

 

Permanent Jetlag

Urban Spree Galerie

Opening Reception: 30.06.2017 at 19:00

Exhibition: 01.07.2017 – 23.07.2017

Finissage on 23.07.2017 from 16:00 with the artist

Tu-Su / 12:00 – 19:00

Galerie Enquiries: galerie@urbanspree.com



Egyptrixx, Ziúr, Metalized Man, Beastie Respond

– EGYPTRIXX (Live)
– ZIÚR
– METALIZED MAN (Live – Berlin debut)
– BEASTIE RESPOND
– MISTANTROP
Video by JAMES NUNN

https://soundcloud.com/foul-up
http://foul-up.net/

Berlin based label Foul-Up presents the launch party for its sophomore release, Metalized Man’s debut album “Losing Your Virginity: Metalized Boy’s First Adventures in Manhood”.

EGYPTRIXX (Live)
Canada

Foul-Up has invited Toronto’s Egyptrixx as a special guest gracing the night with a live set just a few weeks after the release of his fourth album “Pure, Beyond Reproach”.
Since the release of his debut album on Night Slugs in 2011, Egyptrixx’s “celestial club music” has gradually moved further towards abstract territories while never departing the pulse of the club. Over the course of three albums, several EPs and multiple other projects, Egyptrixx has perfected his very own unique strain of high-gloss-industrial techno-centric sharp-edged club deconstructions.
His fourth album comes after a busy 2016, having launched the experimental solo endeavour Ceramic TL, new duo Limit (together with L-Vis 1990, co-founder of Night Slugs) and his NTS show Halocline Trance (sharing name with the record label he formed in 2015).

https://soundcloud.com/egyptrixx

ZIÚR
Germany

Also guesting the night is Ziúr, an artist that is – as her biography reads – “dedicated to combining different sonic textures and brainy beats into a functional dancefloor framework”.

Ziúr is a co-founder of BOO HOO, an open-ended Berlin night committed to fighting discrimination. As a DJ her undertaking is equally diverse, with an anarchistic approach she dismantles genre-barriers, something which is perfectly paralleled in her own productions where aggressive brutality is rendered with a strange poise.
Since putting out her self-released debut mixtape mid-2015, Ziúr’s schedule has taken off in regards to both touring and studio work. 2016 saw the release of two EPs (on Infinite Machine and Objects Ltd.) and in 2017, Ziúr will release her debut album as a joint effort between Objects Ltd. and Planet Mu.

https://soundcloud.com/ziurziurziur

METALIZED MAN (Live – Berlin debut)
Denmark

The night in question will be presenting the Berlin live debut by Metalized Man who on the preceding day will be releasing his debut full length on Foul-Up. The album – titled “Losing Your Virginity: Metalized Boy’s First Adventures in Manhood” – finds the artist showcasing his own unique sound – alien yet familiar, fusing elements from industrial, ambient, techno and trance.
The record follows two previous cassette EPs on Danish imprint Infinite Waves, and was predominantly conceived in live sessions at the artist’s rehearsal space at Copenhagen’s Mayhem.
The album’s press release describes the artist’s sound as “rich of a spectrum that extends from the murkiest shades to the brightest hues with a zest of trancey tropes. ‘Losing Your Virginity: Metalized Boy’s First Adventures in Manhood’ reacts and evolves like a steady biotope submitted to diverse levels of pressure, constantly shifting scales and tempo – from a deep green palette of organic drops and crackles to the sleek vibrancy of multi-faceted synthetic layers – punctured by paranoid ostinatos. ‘Losing Your Virginity…’ shines for setting up its own deeply evocative cinematic playgrounds. Images rise to the surface in a deftly-manoeuvered chaos of sound.”

https://soundcloud.com/metalizedman

BEASTIE RESPOND
Denmark

The urge to fuse elements from different musical periods and styles is the key drive behind the Beastie Respond moniker.
Between 2011 and 2013 Danish label Teal Recordings released Beastie Respond’s first three EPs followed by the debut album “Fictitious Nostalgia”. Over the course of his Teal releases, the artist moved from making distinct drum’n’bass tunes to having his own genre-defying sound.
While over the following years having contributed tracks to Dylan & Loxy’s Cylon Recordings and dBridge’s Exit Records, the proper follow-up to Beastie Respond’s debut full-length came in 2016 with the EP “Back to the Future” on Copenhagen’s Circle Vision imprint.
Now, once again, Beastie Respond has given his own sound a complete makeover ahead of a big new project to come out in 2017.
Expect an ADHD-fuelled melting pot of sounds and unreleased productions in Beastie Respond’s ever-eclectic DJ sets!

https://soundcloud.com/beastierespond

MISANTROP
Germany/Denmark

Danish-born and Berlin-based Misantrop is the founder of Foul-Up, having released his (and the label’s) debut EP “Limerence” in late 2016.
While a first impression of the EP typically would be one of approaching disparate yet classic club-trajectories, a more detailed listen reveals that the EPs coherence is found in more subtle places – in the more introverted and experimental influences.
A set by Misantrop aims to keep the listeners alert by drawing sounds from a broad sonic territory and embracing stylistic chaos, as well as the occasional foul-up.

https://soundcloud.com/misantrop666

JAMES NUNN (Video)

After having debuted his maiden video installation at a series of Foul-Up events celebrating the label’s first release, James Nunn now presents the project’s second revision.

http://jamesgeoffreynunn.com/

 

FB Event



DYS FEST

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DYS 2015 festival

A Project Organized, Produced and Curated by
CORPO 6 art project space & Unknown Pleasures Factory.

 

DYS, that stands for Dionysus – the mediterranean deity of nature and ecstasy -, is a festival that through a multimedia approach – live music sets, performances, video installations, screenings – wants to activate a powerful and über expressive “ambiance”, focusing on the dionysiac efflorescent of the art form. Taken in its antinomic dynamic: organic- non organic; analog – digital; low fi – hi fi; performance – installation; informal – formal.

Its second underlying code of functioning, and thematic reference, is the vanguard creativeness represented by the cultural city hubs, along the decades in the past century: Rome in the fifties; New York in the seventies; Berlin in the eighties and so on.

Creating an alive discourse of interacting links between researches, codes and effectiveness along the time line of the global cultural resistance against desertification and cultural homologation.

The artists have been chosen for their work round the “limen” – the extreme edginess – of their research. In term of the research of the internal dynamic within their medium, the questioning of the mainstream cultural logic, the “physicality/liability” of genders involved. Describing a polisemantic and outrageous celebration of existence.

A dionysian hymn to unity and self empowerment.

DYS 2015

PERFORMANCES & LIVE SETS. h 21:00

Lydia Lunch (NYC) _ “Horribly True Confessions” spoken word
Jealousy Party (Berlin) _ abstract noise r&b
La Muerte Roja (Berlin) _ “Der Grund” drone tonal / atonal
Sound Quartet (Stockholm) _ “Vorthit” noisy electronics
L.A.Drones! (Madrid/LA) _ electro acid noise
VV & the Void (Berlin/LA/Melbourne) _ noir drone
Native Fauna (LA) _ esoteric electro pop
Melmann (Buenos Aires) _ audiovisual / electroacoustic

EXHIBITION h 21:00
Paul Zone “The New York Underground 1972-1978”

VIDEO SCREENING h 21:00
Fabio Campagna _ “Limen” lyrical music docu-fiction 45’’ min, Berlin
Void Pictures _ “Back to the ashes” video poetry, LA

AFTER PARTY DJ SET h 2:00
Kiss Me Deadly (Berlin/LA) _ post punk/no wave/minimal wave
C6C (Rome/Berlin) _ krautrock/avantgarde/garage punk/blues punk

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DYS 2015 Artists:

Paul Zone (NYC/LA)
Paul Zone spent his early teenage years photographing his friends at Max’s Kansas City, Mercer Arts Center, Club 82, and CBGB during New York’s Glam Rock era and the early days of Punk. He became the resident DJ at Max’s and, with his brothers Miki and Mandy, was in a band called The Fast. In the 1980s, Paul and Miki formed the electronic duo Man 2 Man, recording the international pop hit “Male Stripper.” Paul’s photography has been exhibited in Berlin, Rome, Barcelona, Amsterdam, Canada, and the United States. Paul Zone’s new book “PLAYGROUND: Growing Up in the New York Underground” features photographs of Blondie, Ramones, New York Dolls, Iggy and the Stooges, Lou Reed, Dead Boys, Suicide, T. Rex, The Fast, Patti Smith, Kiss, Mumps, Planets, Milk n Cookies and more, as well as musicians, artists and scensters Richard Hell, Johnny Thunders, Wayne County, Alice Cooper, Eric Emerson, Lance Loud, Stephen Sprouse, Christopher Makos, Anya Phillips, Cherry Vanilla, Arturo Vega, Anna Sui, Sable Starr, James Chance, Lydia Lunch, and even more.
www.paulzone.com/

Lydia Lunch (NYC)
Lydia Lunch (born Lydia Anne Koch, June 2, 1959, Rochester, New York) is an American singer, poet, writer, actress and self-empowerment speaker whose career was spawned by the New York No Wave scene. The Boston Phoenix named Lunch “one of the 10 most influential performers of the 1980s.
Her work typically features provocative and confrontational noise music delivery and has maintained an anti-commercial ethic operating independently of major labels and distributors. Lunch’s moniker was given to her by the rock band Willy DeVille because she stole food for her friends.
She appeared in two films by directors Scott B and Beth B. In the Black Box (1978) she played a dominatrix, and in Vortex (1983) she played a private detective named Angel Powers. During this time, she also appeared in a number of films by Vivienne Dick, including She Had Her Gun All Ready (1978) and Beauty Becomes The Beast (1979), co-starring with Pat Place.[29] In 2011, Lunch appeared in Mutantes: punk, porn, feminism, a film directed by Virginie Despentes, also featuring Kaylee Sprinkle and Catherine Breillat She also wrote, directed and acted in underground films, sometimes collaborating with underground filmmaker and photographer Richard Kern.
Lunch has recorded and performed as a spoken word artist, collaborating with artists such as Exene Cervenka,[30] Henry Rollins, Don Bajema and Hubert Selby Jr. as well as hosting spoken-word performance night “The Unhappy Hour” at the Parlour Club.
www.lydia-lunch-official.com/

Jealousy Party (Berlin)
Jealousy Party is a Berlin based abstract r&b band blending noise and improvisation with free funk, avant rock, error music, earthquake dub-hop and idiosyncratic electronic collages in a personal way they call punca.
Founded in Florence, Italy, in 1995 they built a personal and recognizable style even keeping their personnel constantly open to variations and flexible for specific explorations.
On this concert, Utku Tavil, with whom they toured in Europe in February/March, will be joining JP on drums.
http://www.burpenterprise.com/burp/units/jealousy-party/jealousy-party-info/
http://utkutavil.com/

Sound Quartet (Stockholm)
SQ (Sound Quartet) explores electronic art which circumvent learning and amplify responses to the moment, a sortie into uncertainty, with assiduous unpremeditation and susceptibility as guides. One of SQ founder is Thomas Bjelkeborn who is a composer, musician and sound artist. He is one of the initiators of IDKA, PUSH Festival Gävle and Club Lamour Fylkingen Stockholm. He often collaborates with international institutions and internationally active composer / musician at residences in UK, Spain, France and other countries, and tours frequently in Europe with live electronic ensemble SQ / Sound Quartet.Thomas Bjelkeborn är tonsättare, musiker och ljudkonstnär uppvuxen i Gävle och sedan 1984 bosatt i Stockholm. Han är en av initiativtagarna till IDKA och verksam som Producent/Curator för PUSH Festivalen Gävle och Club Lamour Stockholm. Han samarbetar ofta med internationella institutioner och internationellt verksamma tonsättare/musiker vid residens i Storbritannien, Spanien, Frankrike och andra länder, och turnerar ofta i Europa med live elektronik ensemblen SQ.
www.bjelkeborn.se

La Muerte Roja (Berlin)
La Muerte Roja is purity. Purity of sound. Purity of intentions. La Muerte Roja, adopting different approaches – tonal, atonal, improv, noise – defines, ritualistically, in a high saturated media context – performance, installation, video installation – , a sacred area of being. La Muerte Roja is an oxymoron. Death in life. And vice versa. And it means rebirth. A Circularity of simplicity. La Muerte Roja is a project by Fabio Campagna. Founded in 2011, Berlin. An open collective with which they have been played and performed, in the independent art galleries scene and off-clubs, in Berlin: Fabio Campagna, (semi acoustic guitar, acoustic guitar, vocals, feedback, harmonica), Emanuela Lioy (electric violin, delay, vocals), Alberto Maria Spezzaferro (op synthesizer, electric guitar, percussion), Adolfo Spezzaferro (drums), Bao Vu (electric guitar), Aunin Cervera (synthesizer, liuto), Marco Giani (saxophone), Alejandro Moncada (drums, drum machine), Jordan De Maio (semi acoustic guitar, vocals), Yusuke Yamasaki (performer), Jessica Harris (performer).f
www.facebook.com/lamuerterojacorpo6
http://www.youtube.com/watch?v=ggz6hOj6KDM
https://soundcloud.com/corpo-6-recordings/nachtgedanken-la-muerte-roja

VV & The Void (Berlin/LA/Melbourne)
VV & the Void is a music project by Valentina Veil, a musician, producer artist and curator living between Berlin, LA and Melbourne.
The choice of the name plays on the repetition of the letter V and the logo stands for a visual vortex/spiral of void, a primal force or destructive energy or a triangle, ambiguous symbol of Holy trinity and occult summoning figure. VV’s lyrics often refer to occult and mysticism and unknown forces and energies.
The colors Gold and Black represent much of VV&V’s work often on stage.
Going back to the ancient Egyptians, Mayans, Aztecs, the color Gold symbolizes spiritual illumination, wisdom, beauty, splendor, awareness, alchemy; the opposite of black, expression of mysterious, veiled, esoteric, destructive, abyssal forces..
Her music, often described as shoegaze, drone, noir, atmospheric, goth, neo-psychedelic, experimental is a celebration of opposites energies: grace and disproportion, feminine and masculine, moon and sun, birth and death, angel and devil, light and dark, conscious and unconscious.

L.A.Drones! (Spain/LA)
L.A.DRONES! is a sonic experiment that, without abandoning strong electronic rhythm, joins styles such as Electro, KrautRock, Dub, Acid, Space, Noise, never forgetting melody, through the interaction of loops and drones, with the manipulation of these playing live, and effects being squeezed to the extreme. Voices, two synthetizers, effects modules, plus pedals and two mixers combine in order to generate a unique experience, with improvisation as an essential part of the performance”.
Vice: noisey.vice.com/es_mx/blog/la-drones—neutrinox-spooky-action
https://soundcloud.com/l-a-drones
https://ladrones2.bandcamp.com/
https://www.facebook.com/pages/LADrones/231907966986264?sk=timeline
vimeo.com/90298781

Native Fauna (LA)
“local shape-shifters Native Fauna… like a tripped-out Cleopatra, lead singer Cameron Murray conjures entrancing spells that range from dramatic Siouxsie Sioux–style grandeur to a candied Kate Bush melodicism, as her band pumps out music that’s simultaneously propulsive, arty and airily magical” —Falling James L.A. WeeklyReclaiming RARE and forgotten items & technologies long buried in PAWN SHOPS and PYRAMIDS, Native Fauna’s sound is a fearless FLIGHT through all the ages.
https://soundcloud.com/nativefauna
https://www.facebook.com/nativefauna

Melmann (Buenos Aires)
Mel mann is the solo project of Nicolas Melmann.
A musician from Buenos Aires (Argentina), Melmann combines different musical dimensions, from electronics / electro, through children’s music, producing music for television, film, theater and installations, to its latest foray as a singer, always innovating from the composition, making test formats, exploring different sounds, resources and instruments.
Recently elected as a participant of the Red bull Music Academy 2013 on New York , celebrated during the month of May and June, The program has master classes from Phillip Glass, Van Dyke Parks, Ryuichi Sakamoto between others, He released a subsequent US tour including a first concert at MET – Metropolitan Art Museum as opening act for Alva Noto and Ryuichi Sakamoto, continuing the tour in Boston, New orleans, Austin, Washington DC, Baltimore, New Jersey, Chicago, San Francisco and Oakland making a total of 14 concerts, across the country.
http://www.melmann.com.ar/index.php?%2Finfo%2Fcv–bio%2F
https://soundcloud.com/melmann/melmann-live-in-chicago

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DYS 2015

WHAT.
DYS fest is a aperiodic art festival with live sets, art exhibitions, performances and screenings. And it produces 3 levels of output: live music sets in the main stage; performances, video installations ; exhibitions in exhibit rooms. The outrageous quality and the cutting edge attitudes of the artists selected is its first mission.

ARTISTS DYS _ 2015

Live set and Performances_ h 21:00:
Lydia Lunch (NYC); Jealousy Party (Berlin); La Muerte Roja (Berlin); VV & The Void (Berlin/LA/Melbourne); L.A.Drones! (Spain/LA); Native Fauna (LA); Sound Quartet (Stockholm); Melmann (Buenos Aires);

Video Screening_ h 21:00: :
Fabio Campagna, “LIMEN” lyrical music docu-fiction 45’’ min, Berlin 2014/2015; Void Picture, “Back to the ashes” video poetry, 2015.

Exhibtion _ h 21:00:
Paul Zone (US) “The New York Underground 1972-1978”.

After party _ h 2:00:
Dj sets: Kiss Me Deadly (Berlin/LA): post punk / no wave / minimal wave; C6C (Berlin): krautrock / avantgarde / garage punk / blues punk.

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The first edition of DYS has been held in CORPO 6 GALERIE, Lichtenberg, Berlin the 8Th november 2013 with the following line up: Marialuisa Capurso (IT/Berlin); La Muerte Roja (Berlin); Reverse Bullets (Berlin/USA); Sean Derrick Cooper Marquardt (Berlin/USA); Scanner Unit(Berlin); DR. NEXUS (Berlin); Herr Schmitd Hat Krach (Berlin).
https://www.facebook.com/media/set/?set=a.671384172886389.1073741840.112158268808985&type=3

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DYS CURATORS:

Fabio Campagna (Foggia, Italy, 1972) is art historian, art critic, independent curator, artist and musician. He lives and works in Berlin since 2009. His numerous projects aim to raise a discussion about the possibility of activating different modes of living in response to the urban environment. Designing site-specific situations in collaboration with other artists and curators. Conceptual practice that is implemented by his visual outputs and music research. Where the archetypal configuration of his personal -– cultural, political and symbolic– identity defines his semiotic analysis on postmodern society. Fabio Campagna has been working as project developer and curator with several contemporary art institutions, foundations, theaters, galleries, independent cultural centres and festivals in Rome and in Berlin. Founder and director of CORPO 6 art project, he has coodirected also 91 art project space and cofounded LA54 art association, in Berlin.
https://www.facebook.com/pages/CORPO-6/112158268808985?ref=hl
www.corpo6.com
www.fabiocampagna.com

Valentina Veil is a producer, singer-songwriter, musician, curator, DJ and owner of Unknown Pleasures Factory. She lives between Berlin, Melbourne and LA where she has developed numerous art and music projects mixing up different languages and media. Among them: Cut Up Noir, Unknown Pleasures, Stardust, Wire. She has worked developing events with several clubs and galleries in Berlin, Rome, LA, Portland, Melbourne as well as being active in the music scene in Europe, US and Australia since the 90’s.www.unknownplesauresfactory.com

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U N D O G M A T I S C H

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UNDOGMATISCH 7

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In this occasion we’ll celebrate the official launch of Undogmatisch as music label and Inner8 debut album.

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_ S13 (Secret Thirteen) – dj
_ INNER8 + sYn (Undogmatisch / Farmacia 901) – A/V live
_ RETINA.IT (Semantica / Hefty Records / Glacial Movements) – A/V live
_ HONZO + Fax (3th Rec / Haunter Rec) – A/V live
_ SUBKUTAN (Vertigo / IfZ) – dj
+ SECRET SHOW – A/V live

_ FAX / sYn – Visuals

_ VALENTINA BARDAZZI – Artwork

_ MIRCO MAGNANI / VALENTINA BARDAZZI – Chilling Area Installation

S13 (Secret Thirteen)
S13 aka Justinas Mikulskis is the DJ, curator, promoter, journalist and the mastermind behind the acclaimed experimental music and art platform www.secretthirteen.org . Having started as the producer of ethereal and multilayered drum’n’bass he soon discovered much broader horizons and immersed in the world of experimental /contemporary music, jazz, noise, fieldrecordings, industrial and other genres pushing the boundaries of our sonic perception. However, in his DJ sets and mixes S13 weaves all this diverse palette into a coherent whole, thus constructing interesting sound narratives with unexpected stylistic twists, radical mood swings and powerful, sometimes even surreal atmospherics. Strict rhythmic patterns might be suddenly overturned by abstract drone voyages or disengaged improvisations dismantling the common musical structures.
The recent live achievements of S13 are also quite telling. Having performed in the major Lithuanian festivals and shared the stage with such electronic music projects as Esplendor Geométrico, Emptyset , Demdike Stare , Lebanon Hanover , Polar Inertia , Perc, he recently played in Arma17 gig in Moscow next to Mika Vainio , Fennesz, Atom ™ and Berlin Atonal next to Subtext Records’ artists. The rich musical background allows Justinas to constantly surprise his listeners and always reinvent himself for the new sound researches. It is also reflected in his mixes for such concept music platforms as Electronic Explorations, Experimedia , A Strange Isolated Place , Headphone Commute , Modyfier’s Process mix series and a few others.
http://secretthirteen.org/
https://soundcloud.com/s13
https://www.mixcloud.com/secretthirteen/

INNER8 (Undogmatisch / Farmacia 901)
Inner8 is Daniele Antezza, a multi-faceted thinker and electronic music producer, member of Dadub duo, sound engineer at Artefacts Mastering Studio and Undogmatisch co-founder, whose regular invocation of the term praxis begins to hint at his creative aims: a primary synthesis of contemplation and action that, in turn, encourages a secondary and entirely unpredictable set of syntheses dependent upon the listener’s unique interpretation. Though the Inner8 moniker has been in existence for several years as a private nickname for, as Antezza puts it, his “experimental anarchist sounds,” a full-length LP is just now surfacing which will reveal just how much this project has to communicate.
Daniele also takes pride in the ritualistic quality of Inner8’s live sets; a mobile laboratory of dynamic tension in which his theories manifest as massive physical vibrations.
https://soundcloud.com/inner8

RETINA.IT (Semantica / Hefty Records / Glacial Movements)
Retina.it (Lino Monaco and Nicola Buono), is born in the first half of 90’s.This duo,placed near the Vesuvio (Naples), explored all the capabilities of analogic synths since the beginnings, developing an its own idea of sound.
The undifferentiated manipulation of sounds extracted from modular and digital synths or objects / environment sound’s recording, leads this original duo to a continuos research of a sonic identity.
Retina.it’s music has been released from labels such as Hefty records (Us) , Mousikelab (It), Flatmate/Storung (Spain) and Glacial Movements (It). They have worked with different personalities of music business and visual arts, such as John Hughes, Marco Messina, Claudio Sinatti, Gabriella Cerritelli, Giorgio Li Calzi , Red Sector A. Moreover, the deep live performing activity has led Retina.it to share important stages of International contest (such as Storung, Sonar…) with prestigious artists like Kraftwerk, Matmos, Telefon Tel aviv,T.A.G.C., Rechenzentrum , Oval, Noto, F. Bretschneider, Plaid, Apparat, Biosphere and many more.
http://www.retinait.com/
https://soundcloud.com/retina-it

HONZO (3TH Records / Haunter Records)
Davide’s new Honzo project born out of his keen interest in human psychology (primary emotions like fear, anger, sadness, which are common for all humans of all cultures) and desire to reveal the bipolarity of his musical expression. By incorporating submerged futuristic-breakbeats, haunting cinematic soundscapes, cutting edge modulations and the whole dark palette of sonorous sounds, Davide is figuratively painting a dramatic, yet post-apocalyptic and to some extent brutal and hopeless world’s fragment. With his distorted, drony and hallucinatory recordings Davide is definitely building a new musical perspective to techno music. It can be heard at Honzo’s debut 12″ record “In A Bipolar Disorder” which was released in the late 2013. February 2015 will be marked by his new record on 3TH Records. Moreover, Honzo is also working on new material which is planned to be released on Haunter and Arboretum labels.
https://www.facebook.com/honzomusic/timeline

SUBKUTAN (Vertigo / IfZ)
No pianos, scarce vocals, no light – nevertheless a tapestry of sound that reaches deep beneath the skin. As co-organizer and resident of Vertigo, Subʞutan has quickly made his mark on Leipzig’s electronic music scene and has expanded upon facets of music that, until now, have been painfully missed. His name stands for the melancholic and dark sounds of techno, going beyond the experimental to where a 4/4 pulse finds its place. In Subʞutan’s sets, hard, dry kickdrums stomp tirelessly through a post-industrial tristesse, behind which you can always clearly hear the beating of a human heart.
https://soundcloud.com/to_be
http://www.residentadvisor.net/dj/subkutan

FAX (Arboretum)
Italian artist, born in 1987, lives and works in Berlin, Germany.
His works encompass from Vjiing, Audio/Visual Interactions, Mapping, Interactive installations to Scenic-design and investigate mostly on the decomposition of micro/macro cosmos.
In 2013 he also founded, together with Marco Berardi (Mogano) and Giuseppe Bifulco (Drøp) the Records Label Arboretum, a cooperative platform for Audio/Video experiments.
http://famifax.com/

VALENTINA BARDAZZI (Undogmatisch)
Valentina is a painter.
“True perfection does not exist, the sense of beauty comes from imperfection.” In the attainment of perfection, there is always the need for some elements of ugliness and of madness. When the ugliness is there, it is often overlooked, either intentionally or unintentionally, but perhaps when it is overlooked, true perfection is obtained.
http://www.pinterest.com/valentinabardaz/works/

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