Modern Bön IV
We found – 50 articles for resident
Urban Spree Galerie presents New York Perspectives, a duo show featuring Chris « Daze » Ellis and Joe Conzo, curated by Mode2. The vernissage will be on Friday, November 22nd, at 18:30, in presence of the two artists.
Through the work of two New York City-born artists, a painter and a photographer, this exhibition is an attempt to show aspects of New York City life, through the eyes and the work of two very different individuals; though both come from a part of its counterculture.
The drawings and paintings of the artist Chris “Daze” Ellis, and those many moments and people captured by the photography of Joe Conzo show us how the youth that were more in osmosis with the steel, the concrete, the glass, the streets and the city’s subway system, could develop new forms of visual dialogue that could form a bridge between their own social and cultural background, and a movement that would infiltrate the artworld and become a global phenonmenon.
Coming from different neighbourhoods and cultural backgrounds, both have lived long enough to have witnessed first hand the huge transformations that the city has gone through over these last decades, while their “work”, which was actually their hobby, passion and life pretty much, has documented seminal eras during that time.
These tumultuous years of cultural flux; of blossoming, blooming, destruction and rebirth, are often overlooked by today’s focus on the “now” of street art, and the way through which this eclipses the very alchemy that gave birth to the way in which artists express themselves in the street today, or the way in which they document city life.
It is doubtful that much of what is happening today in visual art, music, dance and written or spoken word ever would have happened, if generations of youth in New York City had not lived what they did many decades ago; and we can count ourselves lucky that a few rare individuals happened to be there and have the instinct to document it.
Here then, are views of New York from two different perspectives, they themselves being a complex accumulation of all of life’s experiences, and how they shape each individual’s understanding of the world around them; and the ways by which they choose to express and share this with us.
Urban Spree Prints will release two 18″x 24″ silk screen prints by Daze on the opening night and online.
The gallery and the curator heartily thank Henry Chalfant for letting us show his documentary movie “From Mambo to Hip Hop: A South Bronx Tale.”
Poster Artwork by Tyler Askew.
“New York Perspectives »
Christopher « Daze » Ellis / Joe Conzo
Curated by Mode2
22.11 – 21.12.2019
Urban Spree Galerie
Revaler Str. 99
Opening: Friday 22.11.2019 at 18:30
Exhibition: Tu-Sa – 12:00 – 18:30
Info & Catalogue: email@example.com
Chris « Daze » Ellis
Growing up in Crown Heights, Brooklyn, Chris Daze Ellis (b. 1962) was aware from early on of the names and the odd characters that would be dancing along the trains that wove their way through the city. When he started out at the High School of Art & Design in 1976, he found that there was a whole community of very diverse yet like-minded individuals there, also involved with this scene; some of whom would go on to make a name for themselves in the art world.
Being a fan of drawing and comic books already, Daze camouflaged his nighttime activities under his parents’ gaze, exploring and expanding his visual vocabulary, combining the traditional with the dynamism of a new and challenging environment, with stimulus of its own.
Having mastered the medium and the environment, Daze would go on to shape his own personal vision of the world, looking as much inwards as outwards, in the relationship between the trains and walls, and what he could further explore in the studio. The strength of his successful life as an artist in his own right would develop from then on.
From his participation in his first group show, Beyond Words, at the Mudd Club in 1981, before having his own solo show at Fashion Moda (the historical South Bronx art space that bridged the established art world with the raw talent and energy coming out of New York City), Daze embraced the wide horizon that opened up before him.
From then on, Daze began to show in many different cities around the world, whether it be galleries and museum, in solo shows as well as group formats. He has participated in many public or educational art projects around the world, working with students and communities from South Korea to Brazil via Haiti, while often visiting Europe as well, and contributing to New York mural initiatives like the Leap Arts Program or Thrive Collective.
From his appearances in the film Style Wars, to being an art consultant on the Netflix series The Get Down in 2017, to participating in public painting projects from the Star Ferry Terminal in Hong Kong in 1993, painting an entire Hannover train station with fellow artists Lee Quinones and John Crash Matos, or being commissioned for murals by private clients like the law firm, Cleary, Gottlieb, Steen & Hamilton in Washington D.C. 2018; Daze has constantly had his hands on a whole range of different projects.
Daze’s paintings have found themselves in many private collections including Eric Clapton, Natalie Imbruglia, and Madonna. His work can also be found in the permanent collections of The Whitney Museum, NY, Museum of Modern art, NY, The Museum of the city of New York, The Ludwig Museum, Aachen, Yale University art Gallery, New Haven, Addison Museum of American Art at the Phillips Academy, Andover.
Chris Daze Ellis continues to live and work in New York City.
Joe Conzo was born in the Bronx during an era of great upheaval, when the construction of the Cross Bronx Expressway was nearing its end, having destroyed the communities that lay in its path, and condemning those parts of the borough around it to social and economic decline. The apocalyptic landscapes of urban devastation, and the high criminality associated to it are emblematic of that era.
President Truman’s Urban Renewal announced in 1949, ruthlessly applied by Robert Moses, targetted the more modest and ethnically diverse neighbourhoods of New York City whose resistance to forced removal would fall on deaf ears, as private developers grabbed the prime lots. The Bronx represented both the laboratory and the collateral damage for these extreme experiments of urban renewal.
And yet, out of what looked like an urban war zone, the city’s youth began to pick up the pieces, and, out of the desolation around them, began to build their own road out of it. Realising that the state was not going to do anything positive for them, their survival instincts eventually kicked in; and out of the gang culture, the drugs, and the sheer nihilism that had reigned for a while over much of the borough, new and greener shoots were beginning to break through.
Joe Conzo’s cultural capital, and that of his peers, was probably key to his survival and his blossoming during those harsh years; grandson of Dr. Evelina López Antonetty, a political activist who played a huge role in developing educational programmes for Puerto Rican children, and son of Joe Conzo Snr., who was in the thick of the huge Latin music scene of that bridged those decades; hanging with all the main players of that era, and having been the biographer of Tito Puente.
While studying at the Agnes Russell School on the campus of Columbia University, he discovered photography, the medium that would enable him to document what went on around him; from the world of latin culture through his father’s connections, to the collision of art forms that would later be called Hip Hop; a word that eclipses the sum of its parts.
Having lived many ups and downs in the eighties, to a rebirth of sorts, Joe Conzo went on to become a qualified medical nurse, then worked for the New York City Fire Department, being among the first responders on 9/11. At some point along the way, he was reunited with the camera, and began shooting again…
Whether as the photographer of rap crew The Cold Crush Brothers, a hugely influential group of MCs from the early days, or just a boy from the Bronx who had a camera and curious eyes, Joe Conzo’s photos provided reference material to Henry Chalfant ‘s documentary “From Mambo to Hip Hop: A South Bronx Tale.”, and were documented in a book called “Born In The Bronx: A Visual Record of the Early Days of Hip Hop”.
His negatives have been digitalised and archived at Cornell University, providing a unique and indispensable resource for those wishing to research the those eras.
« Paradox x CPT.OLF 16-19 » – The Exhibition – shows for the first time the exceptional photographs of Cpt.Olf shot during his 4-year stint as resident photographer of Paradox, Berlin’s most secretive pixação writer and urban climber.
In addition to original artworks contributed by Paradox, the show will also display Cpt.Olf’s urban exploration photographs.
« CPT.OLF 16-19 » – The Book – is the companion photobook to the exhibition, published in a limited edition of 500 books.
Published for the first time, the photographs of Cpt_Olf represent a milestone in urban photography as well as a first-hand account of the gest of Paradox.
Links to purchase the book (Regular Edition or Collector Edition with a signed and numbered 15×21 cm digital c-print)
« CPT.OLF 16-19 » – The Exhibition:
Urban Spree Galerie
Revaler Str. 99
Opening: Friday 18.10.2019 at 19:00
18.10.2019 – 16.11.2019
Exhibition: Tu-Sa – 12:00 – 18:30
28 sep 2019
Lust Berlin x Acquario x Paranormal Unfall
❂ Nothing Is Real Live (Lounge Squatt)
❂ Hybrid – De (Lounge Squatt)
❂ MüNCH (Acquario – Masada ctronic)
❂ PODBIELSKI (Acquario – Masada ctronic)
❂ Yanozoto (Paranormal Unfall)
❂ FORMAMENTIS (Paranormal Unfall)
❂ SOLIDSTAIT (Paranormal Unfall)
visuals : RionnoiR
2 floors / garden / installations
Satisfaction comes from pleasure, pleasure comes from Lust Berlin
3rd Chapter this time W/ Acquario’s residents finest party in Masada Milano and Berlin collective Paranormal Unfalll.
Graphic design by Sabrina Pippa
Forensics presents Automelodi and Luminance live in Berlin
【 LIVE 】
❯ Automelodi [Montréal]
Automelodi is Montréal based producer and
songwriter Xavier Paradis, whose 2013 full-length
Surlendemains Acides remains one of the most well
produced and memorable synth-based works of the
On March 30, 2018 Holodeck Records is
proud to reissue this evocative collection of songs on
LP, cassette and digital download. Delivered in
French, Automelodi is the result of Paradis’ passion
for analog electronics and devotion to brooding pop
sensibilities. Surlendemains Acides has been out of
print for several years, and now to the delight of
hardware enthusiasts and fans alike, this classic is
given a second life.
Paradis is a well-established figure in Montréal’s
dense electronic music culture, and Automelodi has
become one of the most innovative projects to come
out of the region that has produced pioneers like
Marie Davidson and Tim Hecker. Paradis shows the
exquisite ability to arrange with a careful ear for
texture, forming each song element with rich
expression and character. His process of composing
with analog synthesizers and drum machines like the
Moog MG-1 and the Roland TR-808 is used in
combination with field recorded “found sound”
allowing Paradis to write with a palate that is
aesthetically wide-ranging but chosen with precision.
Paradis’ persona as a weary romantic is at the heart
of Surlendemains Acides and extends well beyond
the studio. Paradis’ charm and sleek aesthetic
translate smoothly to his live show and music videos,
with swaggering stage presence and seductive
Automelodi is internationally recognized in
underground electronic circles as an artist of the
highest caliber with an inspiring but rare discography.
Holodeck is honored to work with Automelodi and
add Surlendemains Acides to its catalog.
❯ Luminance [Brussels]
LUMINANCE is a project of DA (also guitarist of band Soror Dolorosa), founded in Brussels in 2012 .
The music is a mix of new wave , synthpop , electronic with cold and cloudy vibes floating around it, inspired by cold wave, synthpop, post punk, and all kinds of music from the 80’s but definitely bathing in the present moment.
Echoing drums in the distance, vaporous winds bearing the old voices, here to guide us through the coldness of the city, towards the ancestral light.
【 DJ SETS 】
Based in Berlin, Al Niklaus grew up in Paris where he evolved in the goth and punk scenes in his early teenage years.
After moving to Berlin almost 10 years ago, he discovered techno and noise music which have since completed his sets. Former DJ at Drone Berlin, a rhythmic noise and industrial techno event, he has since DJed at many wave and goth events such as TIQ Berlin and at industrial techno festivals.
Always expanding his playlist, Al Niklaus is versatile and a true chameleon, playing in turns wave, goth, noise, industrial, techno and EBM.
Now resident DJ at Tech Noire in Paris and Night Shift in Berlin since their inception, he is also one of the producers behind the projects.
He is also the co-president of 𝔉𝔬𝔯𝔢𝔫𝔰𝔦𝔠𝔰, an art collective that aims to promote subcultures and alternative music through the production of events, parties, concerts and festivals, and the representation of multifaceted artists.
Dinamita: third person singular, present simple. The event promoter and DJ Aurelia Dinamita (Trash Me, Dis/Tanz) has been enabling controlled explosions through her wave and post-punk sets that can induce to unpredictable states of stomp-dancing.
Aurelia started setting up fundraising events at underground squats that were summits where post-punk and wave joint forces along with queer and feminist politics. So much so that Trash Me, an event which had its sibling in Madrid at Sala Maravillas, was where she established herself as a DJ together with Schatten Voraus, her partner at the decks. Eventually, Trash Me became a bigger concept together with Dis/Tanz, a collective that throws sexpositive feminist soliparties.
As Amperia, she buries souls with rough industrial sets. Under this moniker, she is in charge of Autopoiesis together with dj Vela, which takes place at another berliner time hole, the notorious ://about blank.
Aurelia, who was born in the southern suburbs of Madrid, not only performs and digs into the art of mixing, but is also a workshop teacher and a sound technician along with the Sound Systers.
FRIDAY, MAY 10TH
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Wunderblock Records, in a partnership with Berlin-based ready made Distribution, would like to present its new vinyl sublabel Folgsamkeitfaktor [FSFR]. The new sublabel will be focused on heavy industrial and EBM-influenced technopunk sound.
With a first release scheduled for this spring, we plan series of the new label showcases in Berlin, Moscow and St.Petersburg.
The first Showcase is hosted by Berlin’s cult industrial and rock venue – Urban Spree.
BLUSH_RESPONSE [Live] [Berlin DE / A+W / Sonic Groove / Ant-Zen]
Sirio Gry J [Berlin DE / Monolith Records / Liber Null]
Wunderblock [Moscow RU / Berlin DE / WR / FSFR]
t_error 404 [Live] [Moscow RU / WR / FSFR]
Red Nailmaker [Live] [Berlin DE / FSFR]
JOIN the event on RA: https://www.residentadvisor.net/events/1233089