We found – 19 articles for Catalogue

Marina Zumi: Techno Poetry

Urban Spree Galerie is proud to invite the Argentinian street, light and visual artist Marina Zumi for her first solo show with Urban Spree Galerie. The exhibition’s Opening on September 12th coincides with the closing ceremony of the Berlin UrbanArtWeek.

On this occasion, the Berlin-based artist will create an ambitious presentation of new works on canvas in the gallery space as well as a special immersive light installation in our newly created dark room. Last but not the least, Marina will paint the Urban Spree Artist Wall.

 

« There´s no light without shadows – always in pairs, always in conflict and often deceptive.
In her work Zumi lives the apparent polarity of the two worlds. The refraction of her crystals, the world of the Shadowen just before the sunrise and her technocratic light installations, address the duel between progress and poetry.

« Techno Poetry » is a snapshot of this artistic balancing act. Marina Zumi can not be an artist without becoming a mathematician. In her creation, technology is much more of a continuation than an exclusion of the poetic.
Thus works have been created that are hermaphrodites between the two poles, seemingly from another lifetime. »
Denis Leo Hegic

 

Marina Zumi
« Techno Poetry »

Urban Spree Galerie
Revaler Str. 99
10245 Berlin

Vernissage: Thursday, September 12th, 2019 from 19:00

Exhibition; 12.09.2019 – 06-10-2019

Tu-Su 12:00-19:00

Infos & Catalogue: pascal@urbanspree.com



Jim Avignon: Here Comes the Bad News

Jim Avignon returns to Urban Spree Galerie for his second solo show « Here Comes the Bad News », 2 years after « Permanent Jetlag ».

In his only exhibition in Berlin for the year 2019, Jim Avignon describes the mood in the world and in Berlin in particular with his usual wit.

Gentrification, Global Warming, Surveillance Capitalism, Alt Right… here comes indeed the bad news. His paintings are a mash-up of cartoony figuration, expressionistic composition, – a maximum of expression with a minimum of lines.

 

Jim Avignon is a painter, illustrator and conceptual artist. Always ready to confront the establishment he is torn between pop art, street art, Picasso on acid or simply being the fastest painter in the world. His signature style consists of vivid colours, a biting humor, unpretentious materials and a mind numbing output. His art works like pop music in DIY mode.

According to the legend, the artist became stranded in the Provence city of Avignon at some point in the ’80s when his car unexpectedly broke down. He resorted to painting Dali images onto pavements, gradually raising money to repair his car. The name stayed.

In the early 90s, he became an ubiquitous painter of the techno movement, designing makeshift clubs and Love Parade trucks.

By creating a colorful flood of affordable, rapidly-produced works, Jim disrupts the well-oiled art market and pervades it with black humor and self-irony. Avignon’s images caricature the modus operandi of the art market and are also aimed at people who are bored or deterred by the gold-framed aura of so-called high art. « Good Artists Go To The Museum, Bad Artists Go Everywhere ».

 

Jim Avignon

« Here Comes the Bad News »

Solo Show at Urban Spree Galerie

Vernissage: Friday, August 09th, 2019

Exhibition: 09.08.2019 – 08.09.2019

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Info and catalogue: pascal@urbanspree.com



Igor Revelis/Klone: The be(Longing)

Urban Spree Galerie presents « The be(Longing) », the 3rd solo exhibition of Tel-Aviv based artist Klone with Urban Spree Galerie.

After a decade exploring the medium of paper, « The be(Longing) » marks the return of the artist to the medium of canvas. Bringing his spray can technique of shadows and gradients to perfection, Klone paints monochrome compositions where the matter of the canvas blends into geometric shapes and abstract landscapes.

« The be(Longing) is an investigation of hybrid identity, a portal into a parallel realm tucked away from the increasingly globalized and visually homologized world. Set against the backdrop of dark gallery walls, restless portraits and landscapes can be peered at, stripped of all contextual clues, the painful human relation between object-subject tugs at the primal root of abstraction. There are no nouns in this landscape, everything is a verb, the gaze is an action. » Mika Bar-On Nesher

A few signed copies of the latest artist’s monograph – « FEWMOMENTSAGOIWASHERE »,  looking over the last 8 years of exhibitions, mural projects, installation, and animations, will be available at the opening.

Klone (b.1983) is an Ukrianian-born, Tel-Aviv based street artist, a pioneer of graffiti in Israel and a visual artist

 

The be(Longing)

Solo Exhibition by Igor Revelis / Klone

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening: Friday, July 5th, 2019 from 19:00
Exhibition from 05.07 to 04.08
Tu-Su: 12:00 – 19:00

Info and catalogue: galerie@urbanspree.com

https://www.kloneyourself.com

https://www.instagram.com/kloneyourself

 



Jonni Cheatwood: Tyger Tyger

Urban Spree Galerie presents « Tyger Tyger« , the first solo show in Europe of the L.A. based visual artist Jonni Cheatwood.


URBAN SPREE STUDIO, JUNE 2019

The American artist spent a month at Urban Spree in Berlin as an Artist-in-Residence to create 12 large format artworks that will be exhibited in the galerie from July 5th, 2019 to August 4th, 2019.

Jonni Cheatwood incorporates found fabrics into his canvases, which he himself cuts and saws, in order to create variations and move away from the uniform surface of the canvas. Some fabrics have geometric patterns whereas some others are figurative. The Residency enabled Jonni to source local fabrics, found in the Turkish market or in the street. Once the patchwork is assembled, Cheatwood paints blocks of colors on it, adding multiple layers of paint and agglomerating texture, freely outlining the shapes to convey dynamism and balance.

Jonni Cheatwood is an abstract painter whose work is about balance, shape and color and who can be related to the « Figuration narrative » movement. Here, Roy Lichtenstein makes an appearance in most canvases of the series as a reference and a cultural bridge as some fabrics sourced in Berlin include some embroidered stories derived from the American painter.

Jonni’s work is also close to the post-graffiti movement as we can also view his color shapes and black outlines as deconstructed graffiti.

Overall, his work is very dynamic, balanced and superbly colorful.

« Tyger Tyger burning bright, 
In the forests of the night: 
What immortal hand or eye,
Dare frame thy fearful symmetry? »

 

Jonni Cheatwood
« Tyger Tyger »

Solo Show at Urban Spree Galerie

Opening: Friday, July 5th, 2019 from 19:00
Exhibition from 05.07 to 04.08
Tu-Su: 12:00 – 19:00

Info and catalogue: galerie@urbanspree.com

https://www.jonnicheatwood.com

https://www.instagram.com/jonni_cheatwood/`

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Christopher Stead: Acid Reign

Urban Spree Galerie presents « Acid Reign« , the first solo show in Germany of the British visual artist Christopher Stead.

Acid Reign is the culmination of a long-term residency at Lab Kalkhost in North Germany. Christopher Stead produced on the shores of the Baltic Sea several large format works, using a process mixing graffiti techniques and natural elements.

Cans of paint are burst with nails, sand and mud is flung. An alchemy between the paint and the land turns into a painterly concrete, cementing ideas, solidifying a tangible truth. The paintings are stuffed into rucksacks and returned to the studio where Ikea bags full of previous endeavours lie dormant ready to rework. A fecund process is born.

The fences used in the supports of the pieces are taken from decaying plots on the train lines.

Rusty fences, transgressed and twisted by nature are transported to the studio. The erosion of the metal emasculates the sterile man-made purity of the material. This gives each painting a story and a history. Every fence painting starts at night on the train tracks with a pair of bolt cutters and finds its way into the light of the studio and finally into the gaze of the public domain.

Artist Statement:

« Once upon a time, on a small island called Great Britain, there lived a lady called Margaret Thatcher. Margaret along with her Tory Party ruled the land with an iron fist and squeezed the living life out of its people. Fed up of a decade of draconian rule, the people began to gather and dance their woes away at their own party. They called this the Acid House party.

Race and class barriers were dissolved as the people united and raved as one big family. The Tory party didn’t like this as they weren’t invited, so they invented a law to stop the gathering of 20 or more people, dancing to the sounds of repetitive beats. Techno, Jungle, call it what you want. It had to stop. Whilst this may sound like a children’s horror story, it was in fact or certainly a young adults nightmare. 30 years on, the nightmare continues. Britain is again been torn apart by the right.

The paintings in Acid Reign were made on the beaches of former East Germany. 30 years ago these beaches were patrolled by the military to stop East Germans defecting to the west. Cans of paint were popped and squeezed upon the sand soaked canvas to create the acid rain.

The works seeks new places to hang. Inspired by Foucault’s concept of heterotopia, it finds solace in spaces of otherness. Informed by a youth growing up free, painting graffiti on the trains. Painting in the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Buildings which housed these parties. Places of abandon and neglect. Again, the work finds itself back in its familiar territory.

Acid Reign is emblematic of the freedom of movement in open spaces without borders. A freedom which is slowly being choked out of the people once again. »  Christopher Stead

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Christopher Stead (b. 1974, UK) lives and works in London.

Tangled, torn, popped, squeezed and then hung in spaces of other, the work exists to evade the paradigms of commercial obedience, white cube boredom, and the polarities regimented by cultural hegemony.

Informed by Thatchers dystopian Britain and her Acid House love child, the work explores free movement in spaces without borders. The paintings are made on the beaches of Spain and Finland. Some are made in the sludge of a low tide River Thames. Others were born on the Northern coast of Germany. 

They seek new places to hang. Inspired by Foucault’s concept of heterotopia, solace is found in spaces of otherness. Informed by a youth growing up painting graffiti on the trains, a youth that bled into adulthood. 20 years painting within the freedom of the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Places of abandon and neglect. Hetrotopias of deviation. Again, the work finds itself back in its familiar territory. 

In 2016 Stead graduated with a First Class BA Hons in Fine Art at the City and Guilds of London Art School, London, where he received the Painter – Stainers Scholarship Prize and Brian Till Art History Thesis Award. 

https://www.christopherstead.co.uk/


 

Christopher Stead

« Acid Reign »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

 

 



RAWS: #Neograffism

Urban Spree Galerie presents « #Neograffism« , the first solo show of the Berlin-based post-graffiti artist Kai « RAWS » Imhof with Urban Spree.

In « #Neograffism », a term coined by the artist as being representative of his studio philosophy, RAWS strips down his years of graffiti practice and complexity build-up to lay bare the basic essence of graffiti through color and shape in a visually stunning arrangement of colors, contrasts, and gradients.

RAWS explores the tipping point where the core aesthetics of graffiti, after being deconstructed and re-arranged, becomes acceptable as a form of art while retaining its purity. The artist uses a mixed technique in his studio works, using both the spray can and the acrylic brush, as a hybridation of both worlds, the studio and the outdoor.

« When it comes to design, I try to combine my preferences for letters, graphics and minimalism in my work. Many of the works were done using acrylic paints and spray cans. The use of these media also emphasizes the duality of graphics and graffiti. In my canvases I have mostly worked with gradients. These are created exclusively with aerosol and can be a symbol of the movement and transience of graffiti. »

In his « Black Series », writing his name becomes a subdued background while the colorful gradients are windows to his artistic world.

 

 

Biography:

Kai “RAWS” Imhof (b. 1990 in in Königs Wusterhausen) is a Berlin-based German graffiti artist and graphic designer.

 

RAWS started painting graffiti in his neighborhood in his early teens, extensively bombing the city from 2004 to 2008, where issues with law enforcement led to the start of his studio career. Trained as a graphic designer at the Best-Sabel Designschule in Berlin, RAWS is also an accomplished designer, having designed products for Reebok, Marvel, Nike, the fashion designer MarcCain, MontanaCans, Über-Skateboards etc.

Marvel’s Spider-Man: Graffiti backgrounds for the PS4 game

In parallel, RAWS paints murals all over the world and participates to group shows since 2017 ( The Haus in Berlin, Monumenta in Leipzig, or Wandelism in Berlin). #Neograffism is his first solo show.

https://www.instagram.com/rawsofficial/

Private Commission for Tim Raue, 2-Star Michelin Berlin Chef

 

RAWS

« #neograffism »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

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