We found – 35 articles for The 5 Elements

Agent Side Grinder

[aufnahme + wiedergabe] presents:

Agent Side Grinder (SWE) live -> Listen

Sweden’s electronic giants Agent Side Grinder are back with their fifth album « A/X ». This is the first record with their new singer Emanuel Åström and the follow-up to the award-winning
album « Alkimia » from 2015.

From « A/X » we have been treated with two singles: « Doppelgänger » and « Stripdown ». The latter quickly became an underground hit and has been frequently played on Swedish National Radio this winter. It was named « song of the year » in Release Magazine, Synth.nu,
Synthguiden and Elektroskull to name a few. Well-known music journalist Fredrik Strage praised the song on TV4, National morning TV.

The singles introduced a more electronic and danceable sound, but all the elements that have made ASG a genre standout are intact on « A/X »: Metallic beats, infectious basslines, sweeping synth melodies and extremely strong tracks.

« A/X » holds 9 tracks produced by Jon Bordon and contains guest appearances by Gustav Bendt (Club Killers) and the Danish-Canadian coldwave-singer Sally Dige.

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Christopher Stead: Acid Reign

Urban Spree Galerie presents « Acid Reign« , the first solo show in Germany of the British visual artist Christopher Stead.

Acid Reign is the culmination of a long-term residency at Lab Kalkhost in North Germany. Christopher Stead produced on the shores of the Baltic Sea several large format works, using a process mixing graffiti techniques and natural elements.

Cans of paint are burst with nails, sand and mud is flung. An alchemy between the paint and the land turns into a painterly concrete, cementing ideas, solidifying a tangible truth. The paintings are stuffed into rucksacks and returned to the studio where Ikea bags full of previous endeavours lie dormant ready to rework. A fecund process is born.

The fences used in the supports of the pieces are taken from decaying plots on the train lines.

Rusty fences, transgressed and twisted by nature are transported to the studio. The erosion of the metal emasculates the sterile man-made purity of the material. This gives each painting a story and a history. Every fence painting starts at night on the train tracks with a pair of bolt cutters and finds its way into the light of the studio and finally into the gaze of the public domain.

Artist Statement:

« Once upon a time, on a small island called Great Britain, there lived a lady called Margaret Thatcher. Margaret along with her Tory Party ruled the land with an iron fist and squeezed the living life out of its people. Fed up of a decade of draconian rule, the people began to gather and dance their woes away at their own party. They called this the Acid House party.

Race and class barriers were dissolved as the people united and raved as one big family. The Tory party didn’t like this as they weren’t invited, so they invented a law to stop the gathering of 20 or more people, dancing to the sounds of repetitive beats. Techno, Jungle, call it what you want. It had to stop. Whilst this may sound like a children’s horror story, it was in fact or certainly a young adults nightmare. 30 years on, the nightmare continues. Britain is again been torn apart by the right.

The paintings in Acid Reign were made on the beaches of former East Germany. 30 years ago these beaches were patrolled by the military to stop East Germans defecting to the west. Cans of paint were popped and squeezed upon the sand soaked canvas to create the acid rain.

The works seeks new places to hang. Inspired by Foucault’s concept of heterotopia, it finds solace in spaces of otherness. Informed by a youth growing up free, painting graffiti on the trains. Painting in the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Buildings which housed these parties. Places of abandon and neglect. Again, the work finds itself back in its familiar territory.

Acid Reign is emblematic of the freedom of movement in open spaces without borders. A freedom which is slowly being choked out of the people once again. »  Christopher Stead

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Christopher Stead (b. 1974, UK) lives and works in London.

Tangled, torn, popped, squeezed and then hung in spaces of other, the work exists to evade the paradigms of commercial obedience, white cube boredom, and the polarities regimented by cultural hegemony.

Informed by Thatchers dystopian Britain and her Acid House love child, the work explores free movement in spaces without borders. The paintings are made on the beaches of Spain and Finland. Some are made in the sludge of a low tide River Thames. Others were born on the Northern coast of Germany. 

They seek new places to hang. Inspired by Foucault’s concept of heterotopia, solace is found in spaces of otherness. Informed by a youth growing up painting graffiti on the trains, a youth that bled into adulthood. 20 years painting within the freedom of the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Places of abandon and neglect. Hetrotopias of deviation. Again, the work finds itself back in its familiar territory. 

In 2016 Stead graduated with a First Class BA Hons in Fine Art at the City and Guilds of London Art School, London, where he received the Painter – Stainers Scholarship Prize and Brian Till Art History Thesis Award. 

https://www.christopherstead.co.uk/


 

Christopher Stead

« Acid Reign »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

 

 



Jakuzi

Jakuzi
support: ‘A Tribute to February Montaine’
08.05.2019 Berlin – Urban Spree
Einlass: 20:00 Uhr, Beginn: 21:00 Uhr
Tickets: https://bit.ly/2FT6zBS

Istanbul synthpop vanguards Jakuzi turned heads in 2017 with the release of their unique and exciting debut album ‘Fantezi Müzik’ which showcased modern Turkish underground music to the world. Two years later their new album, “Hata Payı” (meaning literally ‘’a part of the mistake”), brings a more refined and darker sound to their arsenal, exploring the depths of relationships and the human condition.

When Jakuzi released their debut ‘’Fantezi Müzik“ as a cassette in 2016, no one expected that this would leave its circle in Istanbul. But the record was rereleased with new tracks in early 2017 via City Slang records and immediately became a favorite amongst critics and music fans alike. The band embraced a manifold of musical elements, layering pop fragments with slabs of Low-Fi, New Wave and Post Punk. They effortlessly created one of the most unique sounding albums of the year and gained attraction internationally.

The album is less heterogeneous than the debut but yet, the unique sounds stay intact. The first single “Süphe” (translates to “Doubt ») is the saddest track you can cry dance to since A Flock Of Seagulls “Wishing“. Then there’s “Yangın” (“Fire ») which writes synthpop history with its mad genius half-time / crescendo, or “Gördüğüm Rüya“ (« The Dream I See ») that starts with a very familiar guitar riff just to morph into an epic dreamwave anthem. “Toz” (“Dust ») recalls the lively experiments of a young Martin Gore, and it doesn’t’ stop there. “Hata Payı” is full of ideas and energy, the songs take well nuanced twists and turns and prove that even in the darkest hours, Jakuzi never shy away from glorious pop moments.



Lars Wunderlich: What Are We Looking For?

Urban Spree Galerie presents « What Are We Looking For?« , a solo show of new works by Berlin-based visual artist Lars Wunderlich.

« What Are We Looking For? » is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, integrates economic cycles, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the « New Leipzig School », albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

« It Is And It Isn’t » – Acrylic on Canvas – 172 cm x 137 cm – 2019

Biography:

Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew « The Weird » (Nychos, Low Bros, DXTR, Vidam…) under the moniker « Look the Weird ».

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. « What are we looking for? » is his first solo exhibition with Urban Spree Galerie.

Lars Wunderlich

« What Are We Looking For? »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com



Holygram

Direct Concerts, Contra Promotion GmbH, Sonic Seducer Musikmagazin, HiMate, ASK HELMUT, bleistiftrocker.de & t-arts.com present:

HOLYGRAM
+ Support: Night Nail & TRAITRS

MODERN CULTS TOUR 2019

Tickets: Presale: 15€ (plus fees) | Doors: 18€

YouTube: http://y2u.be/YcVfSe0cygg
Spotify: https://spoti.fi/2PPjTNb

Instagram: https://www.instagram.com/holygram_band/
Homepage: http://www.holygram.band

Music for the lost: HOLYGRAM‘s music blends post-punk and new wave with Krautrock and shoegaze elements into a headstrong, multi-layered and thoroughly contemporary homage to the sound of the 1980s, including a resolute look to the future: driving, dark and full of catchy moments. The wide range of influences of the five band members, who got together in Cologne’s vibrating musical landscape in 2015, are unmistakable: New Order meets NEU!. Their unpretentious approach to their own icons proves that references to the past must always be future-oriented, too. Previously impossible-to-combine elements come together cleverly to become the soundtrack of a city that appears threatening in the twilight.

 

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