We found – 15 articles for Vernissage

Christopher Stead: Acid Reign

Urban Spree Galerie presents « Acid Reign« , the first solo show in Germany of the British visual artist Christopher Stead.

Acid Reign is the culmination of a long-term residency at Lab Kalkhost in North Germany. Christopher Stead produced on the shores of the Baltic Sea several large format works, using a process mixing graffiti techniques and natural elements.

Cans of paint are burst with nails, sand and mud is flung. An alchemy between the paint and the land turns into a painterly concrete, cementing ideas, solidifying a tangible truth. The paintings are stuffed into rucksacks and returned to the studio where Ikea bags full of previous endeavours lie dormant ready to rework. A fecund process is born.

The fences used in the supports of the pieces are taken from decaying plots on the train lines.

Rusty fences, transgressed and twisted by nature are transported to the studio. The erosion of the metal emasculates the sterile man-made purity of the material. This gives each painting a story and a history. Every fence painting starts at night on the train tracks with a pair of bolt cutters and finds its way into the light of the studio and finally into the gaze of the public domain.

Artist Statement:

« Once upon a time, on a small island called Great Britain, there lived a lady called Margaret Thatcher. Margaret along with her Tory Party ruled the land with an iron fist and squeezed the living life out of its people. Fed up of a decade of draconian rule, the people began to gather and dance their woes away at their own party. They called this the Acid House party.

Race and class barriers were dissolved as the people united and raved as one big family. The Tory party didn’t like this as they weren’t invited, so they invented a law to stop the gathering of 20 or more people, dancing to the sounds of repetitive beats. Techno, Jungle, call it what you want. It had to stop. Whilst this may sound like a children’s horror story, it was in fact or certainly a young adults nightmare. 30 years on, the nightmare continues. Britain is again been torn apart by the right.

The paintings in Acid Reign were made on the beaches of former East Germany. 30 years ago these beaches were patrolled by the military to stop East Germans defecting to the west. Cans of paint were popped and squeezed upon the sand soaked canvas to create the acid rain.

The works seeks new places to hang. Inspired by Foucault’s concept of heterotopia, it finds solace in spaces of otherness. Informed by a youth growing up free, painting graffiti on the trains. Painting in the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Buildings which housed these parties. Places of abandon and neglect. Again, the work finds itself back in its familiar territory.

Acid Reign is emblematic of the freedom of movement in open spaces without borders. A freedom which is slowly being choked out of the people once again. »  Christopher Stead

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Christopher Stead (b. 1974, UK) lives and works in London.

Tangled, torn, popped, squeezed and then hung in spaces of other, the work exists to evade the paradigms of commercial obedience, white cube boredom, and the polarities regimented by cultural hegemony.

Informed by Thatchers dystopian Britain and her Acid House love child, the work explores free movement in spaces without borders. The paintings are made on the beaches of Spain and Finland. Some are made in the sludge of a low tide River Thames. Others were born on the Northern coast of Germany. 

They seek new places to hang. Inspired by Foucault’s concept of heterotopia, solace is found in spaces of otherness. Informed by a youth growing up painting graffiti on the trains, a youth that bled into adulthood. 20 years painting within the freedom of the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Places of abandon and neglect. Hetrotopias of deviation. Again, the work finds itself back in its familiar territory. 

In 2016 Stead graduated with a First Class BA Hons in Fine Art at the City and Guilds of London Art School, London, where he received the Painter – Stainers Scholarship Prize and Brian Till Art History Thesis Award. 

https://www.christopherstead.co.uk/


 

Christopher Stead

« Acid Reign »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

 

 



RAWS: #Neograffism

Urban Spree Galerie presents « #Neograffism« , the first solo show of the Berlin-based post-graffiti artist Kai « RAWS » Imhof with Urban Spree.

In « #Neograffism », a term coined by the artist as being representative of his studio philosophy, RAWS strips down his years of graffiti practice and complexity build-up to lay bare the basic essence of graffiti through color and shape in a visually stunning arrangement of colors, contrasts, and gradients.

RAWS explores the tipping point where the core aesthetics of graffiti, after being deconstructed and re-arranged, becomes acceptable as a form of art while retaining its purity. The artist uses a mixed technique in his studio works, using both the spray can and the acrylic brush, as a hybridation of both worlds, the studio and the outdoor.

« When it comes to design, I try to combine my preferences for letters, graphics and minimalism in my work. Many of the works were done using acrylic paints and spray cans. The use of these media also emphasizes the duality of graphics and graffiti. In my canvases I have mostly worked with gradients. These are created exclusively with aerosol and can be a symbol of the movement and transience of graffiti. »

In his « Black Series », writing his name becomes a subdued background while the colorful gradients are windows to his artistic world.

 

 

Biography:

Kai “RAWS” Imhof (b. 1990 in in Königs Wusterhausen) is a Berlin-based German graffiti artist and graphic designer.

 

RAWS started painting graffiti in his neighborhood in his early teens, extensively bombing the city from 2004 to 2008, where issues with law enforcement led to the start of his studio career. Trained as a graphic designer at the Best-Sabel Designschule in Berlin, RAWS is also an accomplished designer, having designed products for Reebok, Marvel, Nike, the fashion designer MarcCain, MontanaCans, Über-Skateboards etc.

Marvel’s Spider-Man: Graffiti backgrounds for the PS4 game

In parallel, RAWS paints murals all over the world and participates to group shows since 2017 ( The Haus in Berlin, Monumenta in Leipzig, or Wandelism in Berlin). #Neograffism is his first solo show.

https://www.instagram.com/rawsofficial/

Private Commission for Tim Raue, 2-Star Michelin Berlin Chef

 

RAWS

« #neograffism »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

FB Event

 



Lars Wunderlich: What Are We Looking For?

Urban Spree Galerie presents « What Are We Looking For?« , a solo show of new works by Berlin-based visual artist Lars Wunderlich.

« What Are We Looking For? » is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, integrates economic cycles, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the « New Leipzig School », albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

« It Is And It Isn’t » – Acrylic on Canvas – 172 cm x 137 cm – 2019

Biography:

Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew « The Weird » (Nychos, Low Bros, DXTR, Vidam…) under the moniker « Look the Weird ».

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. « What are we looking for? » is his first solo exhibition with Urban Spree Galerie.

Lars Wunderlich

« What Are We Looking For? »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com



Palefroi: « Étalage » Art Residency + Solo Show

 

« Étalage: stand, stall, barrow,

display, window display, 

showcase, showing off

spreading out, falling flat on one’s face / on the floor »

 

Urban Spree Galerie invites the Berlin-based French duo Palefroi for a month-long residency in our Berlin studio during the first three weeks of July, followed by a week-long residency directly in the gallery, and culminating in a month-long solo show.

Damien Tran and Marion Jdanoff are two French artists currently based in Berlin. Their visual work as a duo is a constant negociation between their respective approaches.. One is formal and abstract, the other narrative and figurative. They are attached to a form of harshness in the lines, to generous proliferation, to spontaneity and wonkiness.

Palefroi is a framework embracing all of their practices: printmaking, self publishing, painting and animated drawings. It is a space of experimentation and collaboration but also a structure supporting both their work as a duo and as individuals.

Following Palefroi’s residency at Urban Spree in July 2018, their solo exhibition Étalage should consist of: wolves, people playing trumpets, a fake tiger, dancing dots, drums solo and wallpapers.

 

Palefroi: “Etalage”

Art Residency + Solo Show

Urban Spree Galerie

Vernissage: Friday 03.08.2018 at 19:00

Exhibition: 04.08.2018 – 02.09.2018

Tu-Su / 12:00-19:00

Info: galerie@urbanspree.com

http://palefroi.net

https://www.instagram.com/palefroi/

 

 

 



5th Pictoplasma Academy Group Show

For the 5th consecutive year, Urban Spree welcomes the alumni of the Pictoplasma Academy for a 1-week group show from May 2nd to May 6th, 2018, on the occasion of the 14th Pictoplasma Festival.

The vernissage will be held on Wednesday, May 2nd, 2018, between 16:00 and 19:00.

 

The Academy All Stars Group Show is the highlight show of the 14. Pictoplasma Festival, with works and installations by the alumni of the Pictoplasma Academy 2017.

Challenged by renowned illustrators, artists, animation filmmakers, and sculptors, participants explored and developed their personal, character-driven projects. The Academy All Stars group show presents their diverse talents and features sculptures, paintings, drawings, interactive installations, and a multitude of new character worlds.

 

PICTOPLASMA ACADEMY ALL STARS

May 02-06, 2018

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Wednesday-Sunday: 12:00-20:00

Saturday: 12:00-22:00. Nocturne for the Club Character Party

Vernissage on Wednesday, May 2nd, 16:00-19:00



Opening of SP38: Post-Vandal 2 Residency

Berlin-based street artist SP38 was invited by Urban Spree Galerie and Boddinale for a special gallery residency alongside the film festival (15-25.02.2018).

After 2 weeks of daily indoor work and street interventions in Friedrichshain, we invite the public to discover the outcome of the art residency over the upcoming weekend together with the artist. 

The exhibition opens on Saturday, February 24th from 14:00 to 23:00 and will continue on Sunday February 25th from 12:00 to 23:00. Visitors will be able to acquire the original works on canvas and paper produced during the residency in addition to a selection of screen prints and stickers.

SP38 will also screen print “Post Vandal” tote bags live on Saturday!

Post Vandal 2“, explores the notion of vandalism at the age of post-graffiti.

“ERASED”
 
When street art pays homage to toying.
 
« Erased » – « Effacé » – « Ausradiert »
 
Erased: the walls, the city, the memories, 1UP, childhood, history, words, life, empty monuments, hope, innocence, dreams, signs, green trees.
 
Erase oblivion, rub out memory.
 
Erase the work before it’s finished, self-efface one’s own work by covering it with its duplicate.
 
Erase history, both recent and distant. Erase the cruel crystalline nights with repetitive blood red slogans like so many mute, slowly illegible words. Turn a piece of wall lost in a rigid historical street into an evolving and unfinished artwork that derides content by erasing-replacing the same signs, the same forms, the same useless repetitions.
 
ERASED was written on a large roll of paper found in the trashcan at a kindergarten. The series ran until
the paper ran out. The first one hit the street the day Fidel Castro died …
 
Pasted up mainly in Berlin, Paris, Seoul, Wilhelmshaven …
 
“Street art must reinvent or erase itself before it’s too late.” SP38, Berlin 2017 (Transl. Nicholas Grindell)

A relentless urban wanderer and street typographer, SP38 (b.1960) uses different lo-fi techniques (collages, paste-ups, stickers, screenprints, paintings) to imprint his vision of the city and his letters to the walls. Involved at an early stage with the « Figuration Libre » movement in Paris and participant to the first graffiti and street art meeting in 1985 with Vive la Peinture, Speedy Graphito, Futura, Miss Tic, and Blek Le Rat, SP38 has navigated in different squat scenes (including the infamous Berlin’s Tacheles) before moving to Berlin in 1995.

A prime witness of the fast-paced gentrification of the metropolis, his art subtly reveals the fractures of the city through successive campaigns and catchy slogans (« Who kills Berlin? », « Erased », « Escape », « Occupy », « Vive la Bourgeoisie », Vive la Crise »…), where the intimate, personal level often collides with the bigger scale.

The residency will follow its own strenuous path and will increment itself everyday from 12:00 onwards. The public is invited to witness the progression of the residency. A vernissage is scheduled at the end of the residency, on Saturday and Sunday, 24 & 25th of February from 14:00.

SP38: « Post-Vandal 2 »

Art Residency at Urban Spree Galerie

12-02-2018 – 25-02-2018

Opening of the Exhibition: Saturday 24.02.2018 // 14:00 – 23:00

Exhibition: Sunday 25.02.2018 // 14:00 – 23:00

Free Entrance

https://www.instagram.com/sp.38/

http://www.sp38.com