We found – 24 articles for Urban Spree Artist Series

Force Field 2-Night Event w Gigsta & Aquarian

This time for the course of a full weekend, Force Field is insanely excited to present Gigsta and Aquarian, both masters of their own distinct sounds.

Host of Cashmere Radio’s Frictions show Gigsta + recent Bedouin Records’ signee Aquarian, will be presenting two very different interpretations of bass-heavy sounds, from skeletal riddims to juicy bangers and beyond.
Our one-off weekend will also be presenting several debuting projects: Two first-ever duo sets by Aquarian b2b RO Zar + a first Force Field resident b2b between RO Zar and Misantrop (latter of who will also be playing a solo set). Finally we’re excited to present Wesley, geriatric-digger yet tenderfoot-DJ, Force Field confidant Jonathan Clark.

GIGSTA (03.08)
A regular host on Cashmere Radio with her show Fictions, Gigsta has been working across many fields of musical theory and practice over the last decade. She is currently writing a PhD on Techno Criticism and spends all of her time away from the library, dancing, playing and digging for sounds. Her sets bring together a variety of genres and she explores different tempos, rhythms, colors and sounds with a specific fascination for lower frequencies.

AQUARIAN (04.08)
Aquarian makes raw, arresting and immediate music aimed squarely at the dance floor. His sound draws from both sides of the Atlantic, combining Drexcyian electro, old school jungle and UK grime with vertical singularity. The Canadian born, Brooklyn/Berlin based artist broke out with a trio of records for UNO NYC, with his 2014 self titled EP cementing him as an artist to watch while landing him a mix on Resident Advisor’s coveted podcast series. Since then he has released records through his own culinary-rave imprint, Hanger Management (described by RA as “Aquarian at his best: searing club melodrama, built from whip-crack breaks, ground-splitting bass and acrid techno adornments), also releasing a lauded experimental cassette for Quiet Time Tapes, a standout track on Allergy Season x Discwoman’s Physically Sick compilation and mixing for Rob Booth’s Seminal Electronic Explorations series.
2018 saw his debut collaborative EP with Deapmash (Leisure System) as AQXDM on UAE’s Bedouin Records with early support from the likes of Ben UFO, Objekt, Avalon Emerson, Dax J, and Emmanuel and championed by the likes of Pitchfork, Mixmag and Resident Advisor. The former wrote: “…scrupulously de-signed, hi-def…crisp and propulsive, “Aegis” is more than a slice of dark and unforgiving techno; it’s some sorely needed dancefloor euphoria.”

FORCE FIELD
Force Field is an event venture gathering the sonic perspectives of selectors RO Zar and Misantrop.
Anything goes—it’s a vibrant melting pot of divergent sounds and disparate tempos, orbiting around bass diasporas, off-kilter riddims, the hardcore continuum, a spectrum of euphoria, modern angularity, oddball gems, and further filth. Cheeky fun for the dancers who like to be kept on their toes.

https://www.residentadvisor.net/events/1139195



Force Field 2-Night Event w Gigsta & Aquarian

This time for the course of a full weekend, Force Field is insanely excited to present Gigsta and Aquarian, both masters of their own distinct sounds.

Host of Cashmere Radio’s Frictions show Gigsta + recent Bedouin Records’ signee Aquarian, will be presenting two very different interpretations of bass-heavy sounds, from skeletal riddims to juicy bangers and beyond.
Our one-off weekend will also be presenting several debuting projects: Two first-ever duo sets by Aquarian b2b RO Zar + a first Force Field resident b2b between RO Zar and Misantrop (latter of who will also be playing a solo set). Finally we’re excited to present Wesley, geriatric-digger yet tenderfoot-DJ, Force Field confidant Jonathan Clark.

GIGSTA (03.08)
A regular host on Cashmere Radio with her show Fictions, Gigsta has been working across many fields of musical theory and practice over the last decade. She is currently writing a PhD on Techno Criticism and spends all of her time away from the library, dancing, playing and digging for sounds. Her sets bring together a variety of genres and she explores different tempos, rhythms, colors and sounds with a specific fascination for lower frequencies.

AQUARIAN (04.08)
Aquarian makes raw, arresting and immediate music aimed squarely at the dance floor. His sound draws from both sides of the Atlantic, combining Drexcyian electro, old school jungle and UK grime with vertical singularity. The Canadian born, Brooklyn/Berlin based artist broke out with a trio of records for UNO NYC, with his 2014 self titled EP cementing him as an artist to watch while landing him a mix on Resident Advisor’s coveted podcast series. Since then he has released records through his own culinary-rave imprint, Hanger Management (described by RA as “Aquarian at his best: searing club melodrama, built from whip-crack breaks, ground-splitting bass and acrid techno adornments), also releasing a lauded experimental cassette for Quiet Time Tapes, a standout track on Allergy Season x Discwoman’s Physically Sick compilation and mixing for Rob Booth’s Seminal Electronic Explorations series.
2018 saw his debut collaborative EP with Deapmash (Leisure System) as AQXDM on UAE’s Bedouin Records with early support from the likes of Ben UFO, Objekt, Avalon Emerson, Dax J, and Emmanuel and championed by the likes of Pitchfork, Mixmag and Resident Advisor. The former wrote: “…scrupulously de-signed, hi-def…crisp and propulsive, “Aegis” is more than a slice of dark and unforgiving techno; it’s some sorely needed dancefloor euphoria.”

FORCE FIELD
Force Field is an event venture gathering the sonic perspectives of selectors RO Zar and Misantrop.
Anything goes—it’s a vibrant melting pot of divergent sounds and disparate tempos, orbiting around bass diasporas, off-kilter riddims, the hardcore continuum, a spectrum of euphoria, modern angularity, oddball gems, and further filth. Cheeky fun for the dancers who like to be kept on their toes.



HELL’O COLLECTIVE: BALANCE

Opening on Friday 01.06 at 19:00, Urban Spree Galerie invites you to the Opening of “Balance“, a solo presentation of new works by the famed belgian duo Hell’O Collective in our main galerie space and their first solo show in Germany.

Running in parallel with their retrospective museum solo show at the BAM in Mons (Musée des Beaux-Arts de Mons, Belgium), “Balance” brings a brand new series of paintings on canvas and on paper to the Berlin audience.

For the Brussels-based duo, “Balance” reflects upon the constant search of the equilibrium between shape, color, and momentum in their painting practice.

Hell’O will also sign their new monograph “Untitled Oddyssey“, published in early May by CFC Editions, and Urban Spree Prints will also release 2 screenprints specially made by the duo for the occasion.

Hell’O is a belgian artistic duo consisting of Antoine Detaille and Jérôme Meynen, active in murals as well as studio works and installations.

Several characteristics of their art indicate a filiation with the middle-age universe close to Jerome Bosch: an elegant and precise graphism, a taste for multiple, intertwined universes, and abundant references to a corpus of grotesque iconography, albeit perfectly mastered. Abstracted human bodies are among the many recurrent elements that are present in their paintings together with abstract, geometric signs, creating an overall rich personal mythology.

 

 

Hell’O Collective

« Balance » 

Opening: Friday, June 1st, 2018 at 19:00

Exhibition: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

 



Cronovisione Italiana

Undogmatisch,
presents the new release « Cronovisione Italiana » by Carlo Domenico Valyum.

CRONOVISIONE ITALIANA’s concept is a space-time journey by the researcher, experimenter, inventor, Carlo Domenico Valyum, through the TV media since its invention. Graduated in engineering and born in Turin at the end of the nineteenth century.
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_ CARLO DOMENICO VALYUM _ A/V live (Undogmatisch)

_ T.RAUMSCHMIERE _ Ambient Set live (Shitkatapult/Kompakt)

_ JD ZAZIE _ dj set (Burp Enterprise)
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CARLO DOMENICO VALYUM

…“After years of constant work on the development of his machines in February of ’37, Carlo Domenico manages to intercept anomalous audio/video electromagnetic waves. This important finding will be all that remains as a real testimony to his enormous work as a researcher and inventor. No other documents or inventions, to provide evidence of Carlo Domenico’s realisations, have so far come to light; including his much sought after secret diary and personal notes
Since 1939, news of him has become evermore a mystery. Some documents testify to his presence in various places at the same time, creating a sometimes confused map with many question marks but confirming his ability of physical and temporal bilocation,
At the end of August 2014, in Berlin, the existence of the briefcase containing the material intercepted in 1937, recorded on to VHS in the 70s, is casually discovered. And what is immediately clear is that Carlo Domenico Valyum in February 1937 had intercepted and further recorded electromagnetic waves coming from future Italian television broadcasts over a period of time between 1976 up until December 9, 1989, the day before his alleged death.
To date, all the documents are filed together along with the analogue copy under the title Dossier Carlo Domenico Valyum“.

https://soundcloud.com/user-789185925
https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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T.RAUMSCHMIERE

Marco Haas started his musical career as an inventor.
First, he invented a framework, and then himself. Initially, the record company founded by him and Marcus Stolz in Heidelberg served as a mere vehicle for the recordings of his band “Stormbow”. It was the year 1997 and “Stormbow” was an eminently talented band with Marco Haas on drums – one of several eminently talented bands, however, to be found in Baden-Württemberg, the Palatinate, the Ruhr region. Unique, on the other hand, was that newly minted vehicle called “Shitkatapult”.
In 1998, Marco Haas relocated his life and label operations to Berlin – and to the world of electronic music, which he took into his dark heart and as an opportunity to rename himself after characters of a William S. Burroughs story: the Dreamcops, translated into 50’s German as “Traumschmiere” and marked for a new tomorrow by a smartly placed period. T.Raumschmiere was born, and a bold new chapter of electronic music from Berlin was being written. His first full-length releases on Shitkatapult were dedicated to the darkly charged traces of an electronic music that combined bass drum and ambient, snottiness and greatness: Stromschleifen (Shitkatapult, 2000), Zartbitter (Shitkatapult 2002). At the same time, some 12″es were spotted on Cologne’s Kompakt imprint: Boltzplatz (Kompakt 2000), Musick (Kompakt 2001). The latter were big rave news with a terrific sawtooth confidence, an iconized rock masculinity that didn’t only go all jolly and funny, but also big and serious.
On Kompakt, the real shit always pointed more towards Wolfgang Voigt, to the realm of inventions. In 2002, Marco Haas as T.Raumschmiere topped off this era with a milestone ambient double album on the it-label at the time, Chicago’s Hefty, rated artistically worthwhile and endowed with yet another clearcut name from the treasure chest of awesome inventions: Anti (Hefty 2002). Worldwide tours followed quickly.
And it’s precisely here that the next stunner drops: the man, not a studio nerd (although he is), but first and foremost an event beyond compare, a performer extraordinaire who puts rave and techno, rock and roll, live and crass and black and dark all into one word, one riff like never before, in an endless series of smashed tables, exploded mixing desks and open mouths. A star was born. Self-made and crazed-out. The whole shebang got consolidated on a Shitkatapult album, cobbled together from the most important material of the aforementioned releases and one ingenious claim: T.Raumschmiere – The Great Rock N Roll Swindle (Shitkatapult, 2003). A pretty big whopper in the techno circus.
Freak-outs ensued. Daniel Miller had to have it and T.Raumschmiere got signed on Novamute, the club outlet from London’s Mute label, which was just about to swim towards the EMI shark, or rather whale belly. T.Raumschmiere was in the right place at the right time, a big label with towering fellows such as Luke Slater, Plastikman, Speedy J, Motor, Cristian Vogel and so on and so forth. T.Raumschmiere scored a mega hit with Monstertruckdriver (Novamute, 2003) and became a staple in the line-ups of all the essential clubs and festivals.
But by the time his second Novamute full-length Blitzkrieg Pop (Novamute, 2005) came around, he was already sick of it and presented a dumbfounded audience with a rock-primed album full of songs and riffs that carved out their niche somewhere between Nick Cave, Nine Inch Nails and Bohren, also relaunching T.Raumschmiere as an actual live band.
Quite honestly, many were disapointed with the new rock paradigm and the tattooed insolence. Where’s our Sawtooth Rave King? It led right to the demise of EMI, a logical consequence among others. T.Raumschmiere released two more full-lengths on Shitkatapult… the dramatically underrated ambient masterpiece Random Noize Sessions Vol.1 (Shitkatapult, 2006), and his most-accomplished rock album I Tank U (Shitkatapult, 2008). But the fans were still demanding the “Monstertruckdriver” and a T.Raumschmiere trio bravely battled its way through gigs and tours. The next 5 years happened off-road, outside of the mainstream. And the ever-cooperating Marco Haas focussed on his studio work, especially for others such as Dieter Meier of Yello fame, Andreas Dorau, Fraktus, Ofrin or Barbara Morgenstern. In doing so, he also devotes himself to the depth of the technology and its systems. And constantly reinvents himself in the process.
In 2016, Shitkatapult sub label “Albumlabel” presented a pretty big ambient album without a tilte, which Haas recorded together with friend and colleague Ben Lauber (also known as drummer for the T.Raumschmiere band, Dendemann, Olli Schulz or as orchestral arranger and hero of projects). Marco Haas on a mission! Two full-lengths emerge from his collab with Ulli Bomans aka Schieres under the Shrubbn!! monicker (Echos, Shitkatapult 2012, and Europa, Shitkatapult 2016), alongside remixes for Dave Gahan, Warren Suicide or Apparat (for which Shrubbn!! also played support slots in Europe). A series of concerts with the exceptional Jazz/Noise guitarist Caspar Brötzmann (a collaborative 10″ will be released in April 2017 via Shitkatapult) furthered T.Raumschmiere’s steady quest for uncharted terrain. And didn’t exhaust the artist, but rather exploited full potential.
May 2017 will see Cologne’s Kompakt releasing his new, epic solo album called Heimat. Back to the roots – but also into heaven! This new full-length presents another side of T.Raumschmiere, which was always present, but never got much airtime: the artist, the author – the composer with the crystal-clear sound. A wonderful techno album that neither excludes Ambient, nor gets reduced to a constant ass kicking. It’s perhaps the best recording from this man who asks so deeply, so extensively, so much. And at some point even answers.

http://www.raumschmiere.com/
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JD ZAZIE

Born in Bolzano (IT), JD ZAZIE is a DJ, avant-turntablist and sound artist based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.
Intended as music instruments CDjs, turntables and mixer are her tools to mix the specific sound-sources she plays (mostly electronic music, electroacoustic music, musique concrète, field recordings and improvised music).
The typology of the sound-sources varies from already existing audio publications and sound effects, to self recorded audio files – as live-set and field-recordings -, to selected pre-mixed material. Juxtaposition, decontextualization, fragmentation, repetition, sonic texture, scratch and error are elements of the grammar adopted to relate, organize and rearrange the sound material.
In her sound installations she explores everyday life, refers to urbanism and relates to sound atmosphere.
She is a member of the Italian label Burp Enterprise and co-runs Staalplaat Radio.
She has participated in numerous exhibitions and events including Simultan festival (RU), Berlin Atonal (DE), All Ears (NO), Heroines of Sound (DE), Reheat festival (AT), High Zero festival (US), Music Unlimited #27 (AT), Tuned City Bruxelles (BE), Open Provocation festival (UK), Festival Rue du Nord (CH), Audiograft 2012 (UK), Echtzeitmusiktage 2010 (DE), STEIM’s Turntable Night #7 (NL), Avantgarde Festival Schiphorst (DE).

jdzazie.tumblr.com
www.burpenterprise.com/burp/units/jd-zazie/
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Presentation:of Carlo Domenico Valyum « CRONOVISIONE ITALIANA » Limited Edition Box Set hardback bound in cloth with hotstamp (2xLP/VHS/CD/Booklet).

Carlo Domenico Valyum « CRONOVISIONE ITALIANA » (UNDOGMA2) is distributed by ready made Distribution, Audioglobe and on Bandcamp (release date February, 23rd, 2018).
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Urban Spree
Revalerstrasse 99
Berlin

Entrance: 10,- €
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https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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A MAZE. Berlin 2018

A MAZE. established in 2008 is an international label in the field of independent and alternative games, playful media and games culture. Interdisciplinary, game-centered events and productions transcending media channels and cultures are the signature feature of A MAZE. Our portfolio includes the production of festivals, exhibitions, conferences, workshops, game showcases, game jams, artist in residence programmes and a magazine.

A MAZE. / Berlin is an unique and cultural investigating international platform for games and playful media that invites professionals and creatives from various fields to exchange their knowledge and visions, presenting their projects, playing, making contacts to collaborate on future projects.
A MAZE. / Berlin represents games beyond the mainstream and celebrates the art-form and not the product.

From the 25th to the 29th of April 2018 A MAZE. / Berlin invites general public visitors and professionals to explore the best new independent videogames, virtual reality experiences and playful media projects. In public exhibitions visitors will discover the 25 nominees for the A MAZE. Awards, and many more engaging with with new technologies and ways of digital storytelling.

The accompanying two day conference program presents a space for interested publics to join artists, game developers and academics in a conversation on new trends in digital media and independent videogames. For the second time the festival will feature a whole track of talks, discussion rounds and workshops concerned with experimental, artistic and critical approaches towards virtual reality. We call it the Other Realities Track. Cutting edge creators will highlight the platform’s possibilities outside of the context of business ventures.

New: This edition we will add an additional track for sound design, music in games and audio-visual programming with game engines. Follow all talks on Voice Republic.

The award, now in its 6th year, presents now a total of 7.000€ in prizes to game developers at the A MAZE. Awards Ceremony, which is one of the main events of the A MAZE. Festival. 25 games each year are nominated by a selection committee of professionals of the games industry. The games are then adjudicated by an international independent jury for a number of award categories. The winner of the top award, « Most Amazing Game », is typically granted a cash prize of 3000€ and the infamous pink trophy.

Awards categories include:

Most Amazing Game Award
Human Human Machine Award
Long Feature Award
Digital Moment Award
Collider Award
Audience Award

Award ceremony will take place on Friday April 27, 2018.

A MAZE. Berlin

April 25th / 29th

Urban Spree

http://a-maze.net



Opening of SP38: Post-Vandal 2 Residency

Berlin-based street artist SP38 was invited by Urban Spree Galerie and Boddinale for a special gallery residency alongside the film festival (15-25.02.2018).

After 2 weeks of daily indoor work and street interventions in Friedrichshain, we invite the public to discover the outcome of the art residency over the upcoming weekend together with the artist. 

The exhibition opens on Saturday, February 24th from 14:00 to 23:00 and will continue on Sunday February 25th from 12:00 to 23:00. Visitors will be able to acquire the original works on canvas and paper produced during the residency in addition to a selection of screen prints and stickers.

SP38 will also screen print “Post Vandal” tote bags live on Saturday!

Post Vandal 2“, explores the notion of vandalism at the age of post-graffiti.

“ERASED”
 
When street art pays homage to toying.
 
« Erased » – « Effacé » – « Ausradiert »
 
Erased: the walls, the city, the memories, 1UP, childhood, history, words, life, empty monuments, hope, innocence, dreams, signs, green trees.
 
Erase oblivion, rub out memory.
 
Erase the work before it’s finished, self-efface one’s own work by covering it with its duplicate.
 
Erase history, both recent and distant. Erase the cruel crystalline nights with repetitive blood red slogans like so many mute, slowly illegible words. Turn a piece of wall lost in a rigid historical street into an evolving and unfinished artwork that derides content by erasing-replacing the same signs, the same forms, the same useless repetitions.
 
ERASED was written on a large roll of paper found in the trashcan at a kindergarten. The series ran until
the paper ran out. The first one hit the street the day Fidel Castro died …
 
Pasted up mainly in Berlin, Paris, Seoul, Wilhelmshaven …
 
“Street art must reinvent or erase itself before it’s too late.” SP38, Berlin 2017 (Transl. Nicholas Grindell)

A relentless urban wanderer and street typographer, SP38 (b.1960) uses different lo-fi techniques (collages, paste-ups, stickers, screenprints, paintings) to imprint his vision of the city and his letters to the walls. Involved at an early stage with the « Figuration Libre » movement in Paris and participant to the first graffiti and street art meeting in 1985 with Vive la Peinture, Speedy Graphito, Futura, Miss Tic, and Blek Le Rat, SP38 has navigated in different squat scenes (including the infamous Berlin’s Tacheles) before moving to Berlin in 1995.

A prime witness of the fast-paced gentrification of the metropolis, his art subtly reveals the fractures of the city through successive campaigns and catchy slogans (« Who kills Berlin? », « Erased », « Escape », « Occupy », « Vive la Bourgeoisie », Vive la Crise »…), where the intimate, personal level often collides with the bigger scale.

The residency will follow its own strenuous path and will increment itself everyday from 12:00 onwards. The public is invited to witness the progression of the residency. A vernissage is scheduled at the end of the residency, on Saturday and Sunday, 24 & 25th of February from 14:00.

SP38: « Post-Vandal 2 »

Art Residency at Urban Spree Galerie

12-02-2018 – 25-02-2018

Opening of the Exhibition: Saturday 24.02.2018 // 14:00 – 23:00

Exhibition: Sunday 25.02.2018 // 14:00 – 23:00

Free Entrance

https://www.instagram.com/sp.38/

http://www.sp38.com