We found – 34 articles for Artist Series

HELL’O COLLECTIVE: BALANCE

Opening on Friday 01.06 at 19:00, Urban Spree Galerie invites you to the Opening of “Balance“, a solo presentation of new works by the famed belgian duo Hell’O Collective in our main galerie space and their first solo show in Germany.

Running in parallel with their retrospective museum solo show at the BAM in Mons (Musée des Beaux-Arts de Mons, Belgium), “Balance” brings a brand new series of paintings on canvas and on paper to the Berlin audience.

For the Brussels-based duo, “Balance” reflects upon the constant search of the equilibrium between shape, color, and momentum in their painting practice.

Hell’O will also sign their new monograph “Untitled Oddyssey“, published in early May by CFC Editions, and Urban Spree Prints will also release 2 screenprints specially made by the duo for the occasion.

Hell’O is a belgian artistic duo consisting of Antoine Detaille and Jérôme Meynen, active in murals as well as studio works and installations.

Several characteristics of their art indicate a filiation with the middle-age universe close to Jerome Bosch: an elegant and precise graphism, a taste for multiple, intertwined universes, and abundant references to a corpus of grotesque iconography, albeit perfectly mastered. Abstracted human bodies are among the many recurrent elements that are present in their paintings together with abstract, geometric signs, creating an overall rich personal mythology.

 

 

Hell’O Collective

« Balance » 

Opening: Friday, June 1st, 2018 at 19:00

Exhibition: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

 



La Vallée/BAF at Urban Spree

Urban Spree invites our Brussels-based friends from LaVallée and Brussels Art Factory for a week-end long mini festival in Berlin focused around arts, music, workshops, and performances!

Opening on Friday 01.06, we start the evening with the Opening of « Balance », a solo presentation of new works by the famed belgian duo Hell’o in our main galerie space. Running in parallel with their retrospective museum solo show at the BAM in Mons (Musée des Beaux-Arts de Mons, Belgium), « Balance » brings a new series of paintings on canvas and drawings on paper to the Berlin audience. Hell’o will also sign their new monograph « Untitled Oddyssey », published early May by Maison CFC – éditions & librairie. Urban Spree Prints will also release 2 screenprints specially made by the duo for the occasion.

The Brussels-based collectives Farm Prod and Ice Screen will display recent original works and prints in our Galerie « Ecke » and run various screen printing workshops during the weekend.

Fred Penelle & Yannick Jacquet from the collective Antivj will present « Mécaniques discursives », an immersive installation mixing etchings, prints and video projections.

On Saturday evening, the visual and street artist Vincent Glowinski a.k.a. BONOM and the drummer Teun Verbruggen will present their performance « Duo à l’encre » in our garden. Bonom will sign his 2 published monographs on Saturday in our bookshop.



Annulé: Heavy Mental: In Zaire, Tau

Swamp Booking and MILK ME and Schmutz present:
Heavy Mental concert series: #3

In Zaire

Tribal psychsters In Zaire are just as confusing to pin down sound-wise as is their origin. The quartet bring the audience into a psychedelic trip through a unique mix of dub-funk rhythms, African percussion, eastern bass guitar melodies, drifting Arabic voices, minimal electronic sounds and not too hidden heavy metal influences.
After their 2013 debut album “White Sun Black Sun”, In Zaire returns with “Visions Of The Age To Come”, just released on Sound Of Cobra Records in the spring, an eightfold kaleidoscope coming into blissful focus which sees the band dancing feverishly towards the edges of hard rock heritage and psychedelic outlands.

https://www.facebook.com/In-Zaire-109050415832929
https://inzaire1.bandcamp.com/

TAU

The stories of myth tell us that the desert is a place of transformation where the physical emptiness of the landscape creates a potent space for connecting with the invisible and intangible forces of the numinous. History is full of seekers, artists, mystics and musicians who have travelled to the desert to enter into such an experience

It was after being lead on a pilgrimage through “Wirikuta”, the sacred desert of the Wixarika, native to the land the land of north west Mexico that Dublin-born Berlin resident Nunutzi was inspired to form Tau, meaning Father Sun. A shifting and fluid collaborative project with Nunutzi at the helm along with partner-in-sound, Venezuelan-born Gerald Pasqualin, the result is Tau’s debut album released through Fuzz Club on Sept 9th.

TAU TAU TAU is a wild archaic scream from the heart, woven from a seamless thread of prayers, chants, psychedelic invocations, and as Nunutzi says “songs of praise” in English, Spanish and Gaelic, shaken through pre-hispanic drums, bells, shakers, synths and acoustic guitar played “through an amp with a very shitty pick up that gives a weird sound.”

https://www.facebook.com/tauberlin/
https://tauofficial.bandcamp.com/

 

FB Event 



Cronovisione Italiana

Undogmatisch,
presents the new release « Cronovisione Italiana » by Carlo Domenico Valyum.

CRONOVISIONE ITALIANA’s concept is a space-time journey by the researcher, experimenter, inventor, Carlo Domenico Valyum, through the TV media since its invention. Graduated in engineering and born in Turin at the end of the nineteenth century.
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_ CARLO DOMENICO VALYUM _ A/V live (Undogmatisch)

_ T.RAUMSCHMIERE _ Ambient Set live (Shitkatapult/Kompakt)

_ JD ZAZIE _ dj set (Burp Enterprise)
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CARLO DOMENICO VALYUM

…“After years of constant work on the development of his machines in February of ’37, Carlo Domenico manages to intercept anomalous audio/video electromagnetic waves. This important finding will be all that remains as a real testimony to his enormous work as a researcher and inventor. No other documents or inventions, to provide evidence of Carlo Domenico’s realisations, have so far come to light; including his much sought after secret diary and personal notes
Since 1939, news of him has become evermore a mystery. Some documents testify to his presence in various places at the same time, creating a sometimes confused map with many question marks but confirming his ability of physical and temporal bilocation,
At the end of August 2014, in Berlin, the existence of the briefcase containing the material intercepted in 1937, recorded on to VHS in the 70s, is casually discovered. And what is immediately clear is that Carlo Domenico Valyum in February 1937 had intercepted and further recorded electromagnetic waves coming from future Italian television broadcasts over a period of time between 1976 up until December 9, 1989, the day before his alleged death.
To date, all the documents are filed together along with the analogue copy under the title Dossier Carlo Domenico Valyum“.

https://soundcloud.com/user-789185925
https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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T.RAUMSCHMIERE

Marco Haas started his musical career as an inventor.
First, he invented a framework, and then himself. Initially, the record company founded by him and Marcus Stolz in Heidelberg served as a mere vehicle for the recordings of his band “Stormbow”. It was the year 1997 and “Stormbow” was an eminently talented band with Marco Haas on drums – one of several eminently talented bands, however, to be found in Baden-Württemberg, the Palatinate, the Ruhr region. Unique, on the other hand, was that newly minted vehicle called “Shitkatapult”.
In 1998, Marco Haas relocated his life and label operations to Berlin – and to the world of electronic music, which he took into his dark heart and as an opportunity to rename himself after characters of a William S. Burroughs story: the Dreamcops, translated into 50’s German as “Traumschmiere” and marked for a new tomorrow by a smartly placed period. T.Raumschmiere was born, and a bold new chapter of electronic music from Berlin was being written. His first full-length releases on Shitkatapult were dedicated to the darkly charged traces of an electronic music that combined bass drum and ambient, snottiness and greatness: Stromschleifen (Shitkatapult, 2000), Zartbitter (Shitkatapult 2002). At the same time, some 12″es were spotted on Cologne’s Kompakt imprint: Boltzplatz (Kompakt 2000), Musick (Kompakt 2001). The latter were big rave news with a terrific sawtooth confidence, an iconized rock masculinity that didn’t only go all jolly and funny, but also big and serious.
On Kompakt, the real shit always pointed more towards Wolfgang Voigt, to the realm of inventions. In 2002, Marco Haas as T.Raumschmiere topped off this era with a milestone ambient double album on the it-label at the time, Chicago’s Hefty, rated artistically worthwhile and endowed with yet another clearcut name from the treasure chest of awesome inventions: Anti (Hefty 2002). Worldwide tours followed quickly.
And it’s precisely here that the next stunner drops: the man, not a studio nerd (although he is), but first and foremost an event beyond compare, a performer extraordinaire who puts rave and techno, rock and roll, live and crass and black and dark all into one word, one riff like never before, in an endless series of smashed tables, exploded mixing desks and open mouths. A star was born. Self-made and crazed-out. The whole shebang got consolidated on a Shitkatapult album, cobbled together from the most important material of the aforementioned releases and one ingenious claim: T.Raumschmiere – The Great Rock N Roll Swindle (Shitkatapult, 2003). A pretty big whopper in the techno circus.
Freak-outs ensued. Daniel Miller had to have it and T.Raumschmiere got signed on Novamute, the club outlet from London’s Mute label, which was just about to swim towards the EMI shark, or rather whale belly. T.Raumschmiere was in the right place at the right time, a big label with towering fellows such as Luke Slater, Plastikman, Speedy J, Motor, Cristian Vogel and so on and so forth. T.Raumschmiere scored a mega hit with Monstertruckdriver (Novamute, 2003) and became a staple in the line-ups of all the essential clubs and festivals.
But by the time his second Novamute full-length Blitzkrieg Pop (Novamute, 2005) came around, he was already sick of it and presented a dumbfounded audience with a rock-primed album full of songs and riffs that carved out their niche somewhere between Nick Cave, Nine Inch Nails and Bohren, also relaunching T.Raumschmiere as an actual live band.
Quite honestly, many were disapointed with the new rock paradigm and the tattooed insolence. Where’s our Sawtooth Rave King? It led right to the demise of EMI, a logical consequence among others. T.Raumschmiere released two more full-lengths on Shitkatapult… the dramatically underrated ambient masterpiece Random Noize Sessions Vol.1 (Shitkatapult, 2006), and his most-accomplished rock album I Tank U (Shitkatapult, 2008). But the fans were still demanding the “Monstertruckdriver” and a T.Raumschmiere trio bravely battled its way through gigs and tours. The next 5 years happened off-road, outside of the mainstream. And the ever-cooperating Marco Haas focussed on his studio work, especially for others such as Dieter Meier of Yello fame, Andreas Dorau, Fraktus, Ofrin or Barbara Morgenstern. In doing so, he also devotes himself to the depth of the technology and its systems. And constantly reinvents himself in the process.
In 2016, Shitkatapult sub label “Albumlabel” presented a pretty big ambient album without a tilte, which Haas recorded together with friend and colleague Ben Lauber (also known as drummer for the T.Raumschmiere band, Dendemann, Olli Schulz or as orchestral arranger and hero of projects). Marco Haas on a mission! Two full-lengths emerge from his collab with Ulli Bomans aka Schieres under the Shrubbn!! monicker (Echos, Shitkatapult 2012, and Europa, Shitkatapult 2016), alongside remixes for Dave Gahan, Warren Suicide or Apparat (for which Shrubbn!! also played support slots in Europe). A series of concerts with the exceptional Jazz/Noise guitarist Caspar Brötzmann (a collaborative 10″ will be released in April 2017 via Shitkatapult) furthered T.Raumschmiere’s steady quest for uncharted terrain. And didn’t exhaust the artist, but rather exploited full potential.
May 2017 will see Cologne’s Kompakt releasing his new, epic solo album called Heimat. Back to the roots – but also into heaven! This new full-length presents another side of T.Raumschmiere, which was always present, but never got much airtime: the artist, the author – the composer with the crystal-clear sound. A wonderful techno album that neither excludes Ambient, nor gets reduced to a constant ass kicking. It’s perhaps the best recording from this man who asks so deeply, so extensively, so much. And at some point even answers.

http://www.raumschmiere.com/
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JD ZAZIE

Born in Bolzano (IT), JD ZAZIE is a DJ, avant-turntablist and sound artist based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.
Intended as music instruments CDjs, turntables and mixer are her tools to mix the specific sound-sources she plays (mostly electronic music, electroacoustic music, musique concrète, field recordings and improvised music).
The typology of the sound-sources varies from already existing audio publications and sound effects, to self recorded audio files – as live-set and field-recordings -, to selected pre-mixed material. Juxtaposition, decontextualization, fragmentation, repetition, sonic texture, scratch and error are elements of the grammar adopted to relate, organize and rearrange the sound material.
In her sound installations she explores everyday life, refers to urbanism and relates to sound atmosphere.
She is a member of the Italian label Burp Enterprise and co-runs Staalplaat Radio.
She has participated in numerous exhibitions and events including Simultan festival (RU), Berlin Atonal (DE), All Ears (NO), Heroines of Sound (DE), Reheat festival (AT), High Zero festival (US), Music Unlimited #27 (AT), Tuned City Bruxelles (BE), Open Provocation festival (UK), Festival Rue du Nord (CH), Audiograft 2012 (UK), Echtzeitmusiktage 2010 (DE), STEIM’s Turntable Night #7 (NL), Avantgarde Festival Schiphorst (DE).

jdzazie.tumblr.com
www.burpenterprise.com/burp/units/jd-zazie/
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Presentation:of Carlo Domenico Valyum « CRONOVISIONE ITALIANA » Limited Edition Box Set hardback bound in cloth with hotstamp (2xLP/VHS/CD/Booklet).

Carlo Domenico Valyum « CRONOVISIONE ITALIANA » (UNDOGMA2) is distributed by ready made Distribution, Audioglobe and on Bandcamp (release date February, 23rd, 2018).
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Urban Spree
Revalerstrasse 99
Berlin

Entrance: 10,- €
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https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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A MAZE. Berlin 2018

A MAZE. established in 2008 is an international label in the field of independent and alternative games, playful media and games culture. Interdisciplinary, game-centered events and productions transcending media channels and cultures are the signature feature of A MAZE. Our portfolio includes the production of festivals, exhibitions, conferences, workshops, game showcases, game jams, artist in residence programmes and a magazine.

A MAZE. / Berlin is an unique and cultural investigating international platform for games and playful media that invites professionals and creatives from various fields to exchange their knowledge and visions, presenting their projects, playing, making contacts to collaborate on future projects.
A MAZE. / Berlin represents games beyond the mainstream and celebrates the art-form and not the product.

From the 25th to the 29th of April 2018 A MAZE. / Berlin invites general public visitors and professionals to explore the best new independent videogames, virtual reality experiences and playful media projects. In public exhibitions visitors will discover the 25 nominees for the A MAZE. Awards, and many more engaging with with new technologies and ways of digital storytelling.

The accompanying two day conference program presents a space for interested publics to join artists, game developers and academics in a conversation on new trends in digital media and independent videogames. For the second time the festival will feature a whole track of talks, discussion rounds and workshops concerned with experimental, artistic and critical approaches towards virtual reality. We call it the Other Realities Track. Cutting edge creators will highlight the platform’s possibilities outside of the context of business ventures.

New: This edition we will add an additional track for sound design, music in games and audio-visual programming with game engines. Follow all talks on Voice Republic.

The award, now in its 6th year, presents now a total of 7.000€ in prizes to game developers at the A MAZE. Awards Ceremony, which is one of the main events of the A MAZE. Festival. 25 games each year are nominated by a selection committee of professionals of the games industry. The games are then adjudicated by an international independent jury for a number of award categories. The winner of the top award, « Most Amazing Game », is typically granted a cash prize of 3000€ and the infamous pink trophy.

Awards categories include:

Most Amazing Game Award
Human Human Machine Award
Long Feature Award
Digital Moment Award
Collider Award
Audience Award

Award ceremony will take place on Friday April 27, 2018.

A MAZE. Berlin

April 25th / 29th

Urban Spree

http://a-maze.net



Psyche, Sally Dige + After Party

Friday 30.03.2018
Herzschlag presents

Live:
Psyche (Artoffact Records, CA)
Sally Dige (DKA, Avant! Records, DK/CA)

After Party:
DJs: Hanzel, Jaakko + guest DJ Alekzandra

Music: //Cold Wave // Post-Punk // Minimal Synth // EBM //

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PSYCHE (CAN)

« Their grandiose themes paint the sky, and all that’s left to do is lie back and admire the view » – SOUNDS UK, 1986

PSYCHE are Canada’s best known Dark Synthpop act. The Electro-Pop pioneers who have been bringing their dramatic lyrical soundscapes with a touch of goth atmospherics, and crafty drum machine grooves to life for the past three decades!

An enduring legend of independent electronic music. From cold harsh industrial, through warm synthpop, dancefloor minimal, dark wave, and beyond. Best known for their hits « Unveiling The Secret », « Eternal », « Misery », « Sanctuary », « 15 Minutes », and their world renowned version of Q Lazzarus’ « Goodbye Horses » (which first became famous by its appearance in the movie « Silence Of The Lambs »).

To date, Psyche has released 11 full length albums, several compilations, and a DVD entitled « Imaginary Life » which includes video and live appearances spanning the formative years from as early as 1983 up to 2005.

Website: www.psyche-hq.de
Facebook: www.facebook.com/psyche
YouTube: www.youtube.com/psycheshow

SALLY DIGE (DK/CAN)

Sally Dige is a multidisciplinary artist known for her darkly poetic yet highly danceable electro-pop songs, DIY stylistic videos, design and visual art.
Sally‘s deep and commanding voice, coupled with her analogue-visual-processes and overlapping artistic mediums has formed an identity that oscillates between the edges of aggression and fragility, old and new.

Holding On was created during the time of intense inner turmoil. Despite being stretched to her emotional limits, Sally did not let the weight of her circumstances break her, instead channeling all of her pain and fears into the production of a series of incredibly powerful songs.
Stunningly, Sally used only her voice and a single synth to create this album. Even with so little gear, the songs are anything but minimal. Each song has a minimum of 100 tracks and, for some songs, 100 tracks for just the drum section alone. Every audible sound has 20 other sounds swimming beneath it.
These are songs written for dance floors but are sung about loneliness, death and the meaninglessness of existence. Sally‘s work tows the line between a blissful innocence and a heavy darkness. Think Gina X flavored post punk-disco rubbing against Twitch-era Ministry‘s lost Sade collab or Enya on LSD after a break up.

Holding On is Sally‘s second album, following her debut Hard to Please, out on Avant! in Europe and DKA in North America, with two separate cover designs.

Facebook: https://www.facebook.com/sallydige/
Bandcamp: https://sallydige.bandcamp.com/