We found – 9 articles for 1980s

HERZSCHLAG: Das Ding (NL), Afghan Dance (DE), The Hollow Man (DE) + Herzschlag 1 year anniversary

10830540_1091536167529126_1663521370043498423_o   01.05.2015 HERZSCHLAG: Live: Das Ding (NL) Das Ding is Danny Bosten, who was active in the early 1980s releasing his music and friends music via his own cassette label called Tear Apart Tapes. While studying graphic design in art school, he designed all the tape covers himself. Meanwhile, he recorded his own music as Das Ding. Powerful dark electro, some tracks are quite addictive and danceable while others are more for at home listening enjoyment. At the time, it seemed that everyone was making music, or noises of some sort. This scene seemed to warrant the establishment of a full-blown cassette-label, and so Bosten, together with Johan de Koeyer, who was operating as ‘Les Yeux Interdits’, set up ‘Tear Apart Tapes’. Their first release was a split C-20 cassette featuring ‘Das Ding’ and ‘Les Yeux Interdits’. In 2007, 433rpm, of the exhaustive music blog ‘No Longer Forgotten Music’, posted some of his old Das Ding tapes, and Veronica Vasicka- who runs the New York based ‘Minimal Wave’ label and specializes in reissues of 80s synth-wave- contacted Danny, now living in Rotterdam, to propose the release of a Das Ding album. Old tapes were uncovered, and Minimal Wave released a remastered version of ‘HSTA’ and other tracks, in 2010. A wave of renewed interest followed the record’s release and soon people were in touch to propose live shows. Twenty years later, and after some deliberation, Das Ding was reincarnated under its old moniker but now with a revised line-up and a working set-up that reflected inevitable technological change. Suddenly, Das Ding was a ‘Dutch electro-pioneer’ and the apparent pinnacle of ‘Minimal Wave’. Afghan Dance (DE) www.afghandance.bandcamp.com/releases Like an abrasive perception, Afghan dance blend low-frequencies, acid drum machines and a beating bass guitar to create his obscure-enveloping sound. It’s the project of the Berlin based Alessandro Nieri (SATO SATO / ex M!R!M), joined by Jaakko Saarilahti at the synthesisers and machines. He released the first single ‘’Eyes’’ at the end of 2014, followed by ‘’Sea shepherd’’ and a handful of shows in Germany. The Hollow Man (DE) Regressive Electronika www.thehollowman.net https://soundcloud.com/thehollowman The instrumental music of «The Hollow Man» is a mixture of dark atmospheric soundtracks, bittersweet melodies and mean unexpected musical ambushes. Over the years he played live shows with acts like «Venetian Snares», «The Young Gods» and «Sole & The Skyrider Band», recorded several solo-albums, worked with many other artists and did some remix work as well as soundtracks for short movies. After a long break he will be releasing his new and final album «Walking Ghost Phase» at the end of May 2015. At the «Herzschlag»-Event he will present a collection of songs from his 2009 album «Mabuse» as well as some tracks from his new album, played live for the first time. DJs: Jaakko Hanzel Anaesthesija + Guest DJ Pre OpTrans +++ Herzschlag 1 year anniversary +++ First Herzschlag party was held in The Chelsea Bar 29.05.2014 and till so far we had 11 partys in different locations. Bands that played in Herzschlag during this year were 77 TM, Afghan Dance, Alles, Ben Bloodygrave, Cosmetics, Die Selection, Monowelt, Sato Sato, Transfigure, Qual and Winter Severity Index. We hope you have enjoyed and hope to see you in coming parties also  Thank you for your support.

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Berlin Premiere of the 'Sign Painter' Movie + Workshop

SignPainterMoviePosterMake! Skilled Hands and Urban Spree invite you to the Berlin Premiere of ‘Sign Painters‘, a documentary movie about the art of hand-sign painting. The screening will be enhanced by a special brush lettering workshop with veteran Mike Meyer, also featured in the movie and exceptionally present in Berlin.

The screening will be followed by a party with Urban Spree good buddies Diskorobot (Klub7) and Efalive of the Jazoburbs, and you can always count on their immense vinyl skills to make it funky, groovy, disko and full of good vibes.

There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint. But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper. The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade.

In 2010 filmmakers Faythe Levine and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. Sign Painters, the first anecdotal history of the craft, features the stories of more than two dozen sign painters working in cities throughout the United States. The documentary and book profiles sign painters young and old, from the new vanguard working solo to collaborative shops such as San Francisco’s New Bohemia Signs and New York’s Colossal Media’s Sky High Murals.



Wild Art Book Release Event

WILD ART book shotUrban Spree Galerie and Phaidon invite you to the Berlin release event of the much-anticipated book Wild Art, a visual exploration of everything and anything from outside the exclusive and rarefied spectrum of the ‘Art World’.

Authors David Carrier and Joachim Pissarro will be here at Urban Spree to talk about the book and dialogue with the public. Given their academic, curatorial & art critic background, the discussion on urban art & urban interventions promise to be enlightening and passionate.

Wild Art presents a highly illustrated account of the most exciting examples of ‘other’ art worlds – mostly left unmentioned within the art literature – that proliferate outside the boundaries of the Art World. The art that most professionals – art critics, art historians, artists, auctioneers, collectors and dealers tend to ignore.

At its heart, this book raises the question of what constitutes ‘art’ by celebrating the artists and art forms that are usually ignored by the art establishment.

312-3 Tilt

About the authors:

 

David Carrier is an American philosopher and art & culture critic. He has written extensively on the history and philosophy of art writing, raising questions about the relativism of art writing in different eras by comparing texts written about the same artwork and analyzing changing styles of interpretation. His works include Principles of Art History Writing (1991), The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s (1994), Museum Skepticism: A History of the Display of Art in Public Galleries (2006) and A World Art History and Its Objects (2009). He has written for Apollo, artcritical, ArtForum, the Brooklyn Rail and the Burlington Magazine.

 

Joachim Pissarro is currently the Bershad Professor of Art History and Director of the Hunter College Galleries at the City University of New York (CUNY). He was formerly a Curator in the Department of Painting and Sculpture at The Museum of Modern Art (MoMA) in New York. His teaching and writing presently focus on the challenges facing art history due to the unprecedented proliferation of art works, images, and visual data. His recent writings include the book Individualism and Inter-Subjectivity in Modernism: Two Case Studies of Artistic Interchanges: Camille Pissarro and Paul Cézanne: Robert Rauschenberg and Jasper Johns (2006) and the essay ‘Joseph Beuys: Set Between One and All’ (2010).

 

 

More information about the book here on the Phaidon website.

An in-depth interview about the book’s concept with Phaidon’s editor Jennifer Lawson can be read here.

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