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Sold Out: Molchat Doma | Detriti Records • Urban Spree

Molchat Doma is back in Berlin.

Presented by BLENDING & Detriti Records:

Molchat Doma LIVE
Words and Actions LIVE

Online Pre-Sale: https://bit.ly/2lWo0IZ

Doors: 8pm

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Molchat Doma / Молчат Дома

Rising from the last Soviet country of Europe Molchat Doma unites Lo-Fi Coldwave, Russian vocals and cold, drum machine heavy sounds. Some of you might know the Belarus based band from Youtube, where their second LP “Etazhi” has attracted international attention.

► Molchat Doma
► https://detritirecords.bandcamp.com/album/molchat-doma-etazhi
► Listen to “Etazhi”: https://bit.ly/2C6nVb9

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Words and Actions

Words and Actions is an electronic post punk project from Italy, now Berlin based, formed in 2010.
French coldwave gloominess meets the energy and minimalism of the German old school EBM and the charm of the Yugoslavian darkwave.
Borghesia, Malaria!, DAF, Liaisons Dangereuses but also the Italian CCCP are the main inspirations.
Low-fi sounds, xerox graphics cassette tapes and VHS videos hold up the raw image of this project whose loyalty to 80s DIY underground post punk is undeniable.

► Words and Actions
► https://detritirecords.bandcamp.com/album/words-and-actions-senza-veleno

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DETRITI RECORDS

Detriti Records, the Berlin based creature of Davide Lace, it’s one of the most unique labels in the contemporary European underground scene.
Born in 2015, Detriti focuses on the experimental side of 80s underground music. Industrial, Acid House, EBM, Synthwave, New Beat, Darkwave are the main genres hosted by the label.

► Detriti Records
► https://detritirecords.bandcamp.com
► https://www.instagram.com/detriti_records

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“Here Comes the Bad News”: New Solo Show with Jim Avignon

Jim Avignon returns to Urban Spree Galerie for his second solo show “Here Comes the Bad News”, 2 years after « Permanent Jetlag ».

In his only exhibition in Berlin for the year 2019, Jim Avignon describes the mood in the world and in Berlin in particular with his usual wit.

Gentrification, Global Warming, Surveillance Capitalism, Alt Right… here comes indeed the bad news. His paintings are a mash-up of cartoony figuration, expressionistic composition, – a maximum of expression with a minimum of lines.

Jim Avignon is a painter, illustrator and conceptual artist. Always ready to confront the establishment he is torn between pop art, street art, Picasso on acid or simply being the fastest painter in the world. His signature style consists of vivid colours, a biting humor, unpretentious materials and a mind numbing output. His art works like pop music in DIY mode.

According to the legend, the artist became stranded in the Provence city of Avignon at some point in the ’80s when his car unexpectedly broke down. He resorted to painting Dali images onto pavements, gradually raising money to repair his car. The name stayed.

In the early 90s, he became an ubiquitous painter of the techno movement, designing makeshift clubs and Love Parade trucks.

By creating a colorful flood of affordable, rapidly-produced works, Jim disrupts the well-oiled art market and pervades it with black humor and self-irony. Avignon’s images caricature the modus operandi of the art market and are also aimed at people who are bored or deterred by the gold-framed aura of so-called high art. “Good Artists Go To The Museum, Bad Artists Go Everywhere”.

 

Jim Avignon

“Here Comes the Bad News”

Solo Show at Urban Spree Galerie

Vernissage: Friday, August 09th, 2019

Exhibition: 09.08.2019 – 08.09.2019

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Info and catalogue: pascal@urbanspree.com



Jim Avignon: Here Comes the Bad News

Jim Avignon returns to Urban Spree Galerie for his second solo show “Here Comes the Bad News”, 2 years after « Permanent Jetlag ».

In his only exhibition in Berlin for the year 2019, Jim Avignon describes the mood in the world and in Berlin in particular with his usual wit.

Gentrification, Global Warming, Surveillance Capitalism, Alt Right… here comes indeed the bad news. His paintings are a mash-up of cartoony figuration, expressionistic composition, – a maximum of expression with a minimum of lines.

 

Jim Avignon is a painter, illustrator and conceptual artist. Always ready to confront the establishment he is torn between pop art, street art, Picasso on acid or simply being the fastest painter in the world. His signature style consists of vivid colours, a biting humor, unpretentious materials and a mind numbing output. His art works like pop music in DIY mode.

According to the legend, the artist became stranded in the Provence city of Avignon at some point in the ’80s when his car unexpectedly broke down. He resorted to painting Dali images onto pavements, gradually raising money to repair his car. The name stayed.

In the early 90s, he became an ubiquitous painter of the techno movement, designing makeshift clubs and Love Parade trucks.

By creating a colorful flood of affordable, rapidly-produced works, Jim disrupts the well-oiled art market and pervades it with black humor and self-irony. Avignon’s images caricature the modus operandi of the art market and are also aimed at people who are bored or deterred by the gold-framed aura of so-called high art. “Good Artists Go To The Museum, Bad Artists Go Everywhere”.

 

Jim Avignon

“Here Comes the Bad News”

Solo Show at Urban Spree Galerie

Vernissage: Friday, August 09th, 2019

Exhibition: 09.08.2019 – 08.09.2019

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Info and catalogue: pascal@urbanspree.com



Automatic – Urban Spree, Berlin

 

Like all the best bands, Automatic found each other in an organic way. Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals) met in the DIY band scene of Los Angeles and started jamming together in 2017. Over the last year, they have become an important part of the L.A. Club circuit, sharing the stage with bands like Surfbort, Wand and Flatworms. On 27 September 2019 their debut album “Signal” will be released on Stones Throw / PIAS.

Lola was born into a punk household (her father is Kevin Haskins, the drummer of Bauhaus) and joined her first band, the art-rock outfit Blackblack, when she was just 13 years old. Halle and Izzy met in local bands in the northeast of L.A.; Izzy was a guitarist and singer, and Halle liked to plug her fretless bass into a guitar amp. Unimpressed by the masculine energy of the local scene and the rock music on the radio – “pumped out like plastic bottles into the ocean” – Izzy changed guitars into synths and joined Halle and Lola in 2017. They called themselves “Automatic” after a song by the Go-Go’s – the only (!) purely female band that ever wrote and recorded an entire album that reached number 1 in the charts in the USA.

Automatics guitarless setup seemed to leave a void in the sound at first, but their interplay gave them strength and they took their place in the scene. Empowerment in the best sense. They refined their sound and, informed by Neu! and Suicide, combined their preference for dub reggae, motoric rhythms and gnarled synthesizers with their cinematic pop understanding. In collaboration with sound engineer and producer Joo Joooo Ashworth (FROTH), they started working on their GarageBand demos and their debut album.

Their first single “Calling It” captures the feeling of drifting in an endless space, tearing everything apart and starting anew. Elsewhere on “Signal”, songs speak directly from the band members’ experiences: “Humanoid” and “Too Much Money” are reflections on boredom, misfortune and the disappointing falsehood of social media personae, while the title track “Signal” is about “being trapped in the drudgery of a shitty life/job and realizing that no one but yourself will save you from it.” “Signal” is the title track of the band’s album. A shocking near-death accident in her apartment inspired Izzy to write “Electrocution” – an experience alluded to in the cover packshot, which shows a switch on a red background.

Izzy studied film at college and Halle used to work at the legendary video store “Kims Video” in New York, so it’s no wonder that the band also mentions film as an important influence on their music. David Lynch and Dario Argentos in particular have left their mark on the ambiguous lyrics and eerie atmospheres.

The red thread that runs through “Signals” is the feeling of fear and alienation, possibly one of the most formative experiences of the early 21st century: the feeling of being on the edge of the world. Or as Automatic put it: “The world is so fucked. I don’t know how a musician could say: ‘That’s all great.'”

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Birds in Row / Life in Vacuum / Bystander

 

Birds in Row -> Listen

Birds in Row is an experimental hardcore punk/metal trio who write punitive, exasperated tunes with equisitite, dark textures. Their members maintain a level of anonymity to pin the focus on the music itself rather than those who create it. Birds in Row is committed to a true DIY ethic, placing all their efforts into the creation of a deep fan-to-artist connection.

Life in Vacuum -> Listen

Life In Vacuum make a messy, chaotic brand of aggressive weirdo punk sure to get you amped. They easily balance technical song construction with raw, free-form jam sections to create an intense, gnarly listening experience. Their live show takes the bands grizzly, brutal sound to the next level — showcasing their powerful, sonically oppressive presence.

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