We found – 124 articles for Look

Dark Beats ~ Cold Waves

LIVE: Roberto Auser and Romance Disaster
DJ: Enfant Terrible and åtåmåtån

ROBERTO AUSER has built a name of his own with releases on Viewlexx, Pinkman and Enfant Terrible. Still he stays something like a best kept secret of the Dutch electronic music scene… this mainly due to his output which is never to be pinned to one specific genre or style… His live sets and his release have recently moved more and more into the direction of harsh pounding beats with a dark mood and industrial sounds… and even a true rave spirit… see you on the dance floor!

ROMANCE DISASTER is a Berlin based “woman-machine” live-act founded by Aga Wilk (former 77TM). The music is a blend between techno and dark electro. On stage, besides vocals, Romance Disaster uses drum machines and synthesizers, frequently changing them to make each performance special. For åtåmåtån she has released the great EP “Girls-Guns” with remixes by Millimetric and Ethan Fawkes, packed with beats, stabs and attitude.

What happens when you put together two label heads with a dark beat obsession? You get a great night of music and one hell of a party. That is what åtåmåtån and Enfant Terrible aim at with their Dark Beats ~ Cold Waves night.

This night by åtåmåtån and Enfant Terrible is a synth drive dance night, modern minded with a healthy tribute to the past, not too much looking backwards but also not moving into too much clubby techno regions, more an 80’s and 90’s vibe but also updated with nowadays dark beats.

Expect a lot of new and old EBM, elektro-wave and new beat influenced sounds. But as it is an open minded night anything with a dark beat could find its way to the floor from acid, and (early/dark) techno to elektro and industrial, as long as it’s fit for the dance floor.

ENFANT TERRIBLE is a Dutch independent record label for music and was founded in 2004. The focus is on electronic / experimental (pop) music in styles such as elektro-wave, (post-)techno and ambient. The Gooiland Elektro is known for putting out off-radar dance music and is loved by
dj’s around the world.
https://www.enfant-terrible.nl/

ÅTÅMÅTÅN is a Berlin based synth label, founded by Swedish Ella Moe. She was also part of the FlexiWave label and synth duo Colouroïd. The focus of åtåmåtån is to release limited vinyl editions made with love and a strong visual focus in tribute to the 80’s DIY scene. Hand folded, golden, risograph printed, numbered sleeve art and hand stamped or lettered labels. Sounds stretch from dark dreams to club rage.
https://atamatan.bigcartel.com/

Upcoming Dark Beats ~ Cold Waves events at Urban Spree:

September 14
Live: Dada Pogrom and Staatseinde

October 5
Live: Twins, Leroy Se Meurt and Zagrebleu



BABY SATAN Nights – Tanning Bats/Avishag C. R./Nunofyrbeeswax

 

Holly Hell!

Have we got a night for you!

Tanning Bats
https://tanningbats.bandcamp.com/
With a tight and funky rhythm section, angsty vocals and twangy, surf guitars, tanning bats have cut through air molecules as a trio for the past 3 years, taking it off where their former punk outfit ‘Ringostarwars’ left it.
With their new debut vinyl LP – ‘On The Assembly Line Of Heads’ they emphasise a satiric critique of humankind’s conflict of foreground and progression on the one side, and cultural and socio-economic decay on the other. The many captured moods on their album consist of machine gun like punk explosion to cozy and semi psychedelic mantra, bumpy danceable post-punk gems.

On The Assembly Line Of Heads – coming out on the 23rd of May! so yeah, release party!

nunofyrbeeswax
https://nunofyrbeeswax.bandcamp.com/
Nunofyrbeeswax write and play a bunch of pop songs as raw as
their hearts in a minimal set up. Their sound has been described as
an idiosyncratic blend of garage rock, post punk and “proto-indie” for whatever that means. Their music escapes easy associations,
however, they have reminded audiences of bands such as Half
Japanese, the Velvet Underground, The Ex, The Fall, Beat
Happening, B52s and The Cramps.

Avishag Cohen Rodrigues (NYC/TLV)!

Avishag Cohen Rodrigues; a musician from Tel Aviv, currently based in Brooklyn, is a unique artist.
starting to perform solo in the last year, she’s half of the duo LAILA, playing guitar with artists like Sloppy Jane and Ryskinder, her shows gives a look into her own world.
a combination of songs both in english and hebrew, some instrumental, creating Ambient, Lo-fi, Mellow, Shoegaze with post punk influences.

her debut solo EP “One Winter, One Hunter” is going to be released on that day!

DJ set by prettyboy Peter Magnüm (8MM)
PARTY!

Funded by Musicboard Berlin GmbH

 

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Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

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“Berlin-Praha Barter” Group Show opens on 16.05.2019 in Prague

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

BERLIN PRAHA BARTER

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.
The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in 2012 in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Berlin- Praha Barter (at Trafo Gallery in Prague)

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

Berlin Praha Barter

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.

The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Urban Spree Galerie at Urvanity Art Fair

Urban Spree Galerie will participate to the 3rd Edition of Urvanity Art (28.02-03-03.2019) at COAM in the center of Madrid.

The fair is dedicated to urban contemporary arts and for its first participation to a Spanish art fair, the gallery has designed on 60 sqm a program with 9 artists, mainly based or linked to Berlin, as well as a solo show of works from Hendrik Czakainski

As for the graffiti part, we are showing photographic works from Martha Cooper/1UP of the acclaimed series “One Week with 1UP”, whose exhibition about the Berlin-based graffiti vandal crew was created at Urban Spree in May 2018 and toured worldwide ever since.

Cpt_Olf is joining the roster as well with an iconic image about the Berlin Kidz/Os Cururu.

Bisco Smith (NYC) and Sicoer (Krakow) will be showing  their calligraffiti/handstyle skills, both on canvases as well as on paper, through a series of medium-sized inks.

EVOL is a German artist renowned for his detailed stencils on cardboard, his large installations, and his outdoor works on electric boxes, depicting Berlin cityscapes and houses, Plattenbau, and the constant evolution and fragility of the metropolis.

We will also be showing new works on paper from Marion Jdanoff (the half of of French duo Palefroi) and from Victor Ash, adding some portraits painted by Anthony Lister under the influence of Picasso during his Berlin residency at Urban Spree in September 2018.

Last but not the least, we will introduce 3 new paintings from Lars Wunderlich (a.k.a. Look The Weird) as a preview to his upcoming solo show with the gallery in April 2019.

Please contact the gallery ahead of the fair with any questions or requests you may have.

 

Urban Spree Galerie / Urvanity Art Fair

Booth 14

LASEDE COAM 

Calle Horteleza 63

28004 Madrid, Spain