We found – 52 articles for Poet

« Berlin-Praha Barter » Group Show opens on 16.05.2019 in Prague

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

BERLIN PRAHA BARTER

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.
The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in 2012 in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Berlin- Praha Barter (at Trafo Gallery in Prague)

After the first exhibition, titled « Praha Berlin Barter » (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called « Berlin Praha Barter« .

Berlin Praha Barter

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.

The graphite drawings of Lars Wunderlich are part of a series from 2017 titled « East German Realities », whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been « post-graffiti abstraction », i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in Berlin-Friedrichshain in 2012 as a 400 sqm « artist-run » space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



12.04 NОМ – The Kings of St.Petersburg – in Berlin

NOM first time in Berlin with full line-up including their original vocalist Alexander Liver.

Nikolai Gusev: Keyboard/ vocal
Andrei Kagadeev: Bass guitar / vocal
Varvara Zverkova: Accordion / vocal
Alexei Zubkov: Electric guitar / vocal
Vadim Latyshev: Drums
Alexander Liver: vocal
Nikolai Kopeikin: vocal

NOM is an acronym for the Russian “Informal Youth Organization” (Neformalnoe Obyedinenie Molodezhi), the term used by the official Soviet press in the 80es. The band “NOM” appeared in St. Petersburg in 1987 as an absurdistic-ironical answer to rock bands in post-soviet Russia. The band used musical cliches mixed queerly together with elements of mimic show of idiots, thus reaching strong emotional effect over the audience.

« The kings of St.Petersburg » remain unique phenomenon of Russian music culture. For the 32 years of existence the band created their own style, in which you can discover elements of progressive rock, punk, electronic minimalism, symphonic music , Russian folk, Soviet music and even opera. Lyrics plays very important role for NOM who follows traditions of such bright representatives of modern Russian poetry like Nikolay Gogol, Daniil Kharms, Nikolay Oleynikov and others. Critics called NOM « The last bastion of ruthless Russian satire ».

Their discography includes 15 studio and 4 concert albums, several compilations, remixes, and a special release « Russisches scweine » on British Manufracture label.

http://morezvukov.nl/artist-roster/nom/
https://en.wikipedia.org/wiki/N.O.M.



Pankow, Tara in Tibet live // Herzschlag

PANKOW (IT)

Pankow, founded in Florence back in 1981, are one of the very first electronic/industrial acts coming out from Italy. The founding member Maurizio FM Fasolo and his five co-band members at that time created sounds inspired by the likes of Throbbing Gristle, Cabaret Voltaire and early Kraftwerk.

After various line-up changes and the arrival of charismatic lead-singer and poet Alex Spalck, the project started to become noted also abroad and a first live-appearance in Berlin in 1984 marked the start of a long ongoing and successful career for the band.

Following a few cassette-releases and compilation appearances, Kindergarten Records – in collaboration with Polygram – released a first 4-tracks EP in 1984, that included the first more accessible, EBM-Electro-like tracks (even though the term ‘EBM’ was not ‘invented’ by that time…): songs like ‘God’s Deneuve’ and ‘Wodkachaos’ became major hits in Italy. The first LP came in 1987 on Contempo Records, and was produced by Adrian Sherwood.

Since 2016 Pankow started to collaborate with the Canadian label Artoffact by releasing their first official cassette (« Throw out Rite », 1984) and a 10 « vinyl (Times) with the first songs released only in some Italian compilations before and a couple unpublished ones.

The band is currently active and based in France/Belgium with the frontman singer Bram Declercq.

https://www.facebook.com/pankowband/
http://www.pankow.co.uk
https://pankow.bandcamp.com/

TARA IN TIBET (IT)

Berlin-based Tara in Tibet is a project of Alessio de Felice, co-runner of label She Lost Kontrol records and owner of Last Europa Kiss records.

His perfomances are waving between noise and groovy industrial, with a touch of esoterism.

Highly recommended for fans of occult sex parties, Italian police movies and dirty raw esthetics.

https://lasteuropakiss.bandcamp.com/
https://clandestinerecords.bandcamp.com/album/spirit-violence

TIQ

TIQ is a minimal-synth party loved and supported by different alternative scenes. DJ-sets are rigid, cold, rough-edge, blind-alley and the drum machine beats always like a metronome. No matter if the sound comes from the past, the present or the future, we are more and more devoted to select the best minimal-synth-wave music, so called « quadratic wave ».

Quadratic-wave is a word game and a concept from sound physics too, but the best way to catch it is to dance it, and the best way to dance it is by being concentrated and confined in a quadrangle as Die Tödlich Doris sang in their song Tanz im Quadrat: « Wir tanzen im Viereck, wir tanzen konzentriert ».

https://www.mixcloud.com/DJNEUEK/
https://www.facebook.com/tiqberlinquadraticwave/

 

FB EVENT



Kælan Mikla + Some Ember live

[aufnahme + wiedergabe] presents:

Kælan Mikla live
[ISL, Artoffact Records / Fabrika Rec]
www.kaelanmikla.bandcamp.com 

Icelandic post-punk meets death-synth trio Kælan Mikla returns for the group’s third album, Nótt Eftir Nótt.

Topping a year that catapulted the band onto stages shared with the likes of The Cure and Placebo, Nótt Eftir Nótt is Kælan Mikla at their most confident, and their most deadly. It’s been five years since Margrét Rósa Dóru-Harrysdóttir, Laufey Soffia, and Sólveig Matthildur Kristjánsdóttir formed the band in Reykjavik, but after several tours and high-profiles stages, as well as two critically-acclaimed albums, Kælan Mikla has brought their A-game in a big way.

Starting off quietly with a creepy, gothed-out ethereal intro, Nótt Eftir Nótt erupts with post-punk brilliance and synthlines that harken back to the bad old days of the Batcave, big hair, and Egyptian-inspired eye-liner. Tracks like the melancholy “Hvernig kemst ég upp?” are wonderfully delightful, while the band goes for the big goth dance number on “Skuggadans,” succeeding with glorious ease. Near the end of Nótt Eftir Nótt, when you’ve already ingested a healthy dose of Diamanda Galas meets The Birthday Party, the title track, produced by popular Icelandic electronic wizard Bang Gang, is basically perfect.

Hot on the heels of shows at Roadburn, Meltdown, and The Cure’s 40th Anniversary, as well as a Fall tour supporting King Dude, Kælan Mikla are set to take their place as one of darkest aural poets on the world stage.

Some Ember live
[US, Third Coming Records]
www.someember.bandcamp.com 

SUBMERGING THE SUN, the second LP by Some Ember, is a journal of climatological grief, intimate vulnerability, and transcendental sadness. Self-produced by songwriter Dylan Travis, the record’s sparse arrangements are weighted by bleak ambience and dramatic vocal turns. Icy synthesizers pierce veils of fog-like drones, delivering sorrow and catharsis. Tides of dissonance ebb to reveal glittering mirages of hope, which are just as soon swept away.

Long a fixture of the Oakland, CA musical underground, Some Ember has seen many forms – a solo dream pop bedroom project, a four-piece goth rock outfit, then a hardware-based synth duo, and now a solo performance project once more. Following cassettes on Crash Symbols, Night-People and Ascetic House, the band released their first LP on Dream in 2014. In 2015, Travis and longtime collaborator Nina Chase made the move to Berlin. After a tumultuous two years (which saw a further cassette released on Dream, “DEBTS OF LOVE”), the band will release SUBMERGING THE SUN, as well as a companion cassette EP, SUBMERGED, on Third Coming Records in November 2018.

Urban Spree (RAW-Area)
Revaler Str. 99/Warschauer Str.
10245 Berlin
www.urbanspree.com 
www.facebook.com/urbanspree 

www.aufnahmeundwiedergabe.de

 

FB Event



The 10 Best Street Art Books of 2018

Berlin-based specialized bookshop and gallery Urban Spree releases the list of the « 10 Best Street Art Books of 2018« , a compilation of this year’s best titles. Although purely subjective, it reflects several trends playing in the book market:

 

– a renewed focus on the works of the pioneers of the 1960-70s through an academic approach;

– an increase in artist monographs which put more emphasis on their studio works;

– we have entered the era of « post-graffiti »

– but vandal graffiti and underground street art resist well the assimilation;

 

The list of the best publications of 2018 comes in no particular order.

 

1° John Divola: Vandalism

One of the most striking books of the year, « Vandalism » singles out itself by the sobriety of its approach.It consists of a black-and-white photographic series shot over 2 years in the mid-70s by the American photographer John Divola. Divola travelled across L.A. in search of vacant and dilapidated properties in which to shoot his project. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic series, painting abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, torn arrangements of cardboard, and photographing it.

« Vandalism » is not per se a « street art book » but rather a photobook crossing over both genres. The best example of a crossover book would be Bruce Davidson’s « Subway« , a series of portraits shot on the gritty NYC subway in the 70s where graffiti abounds but is only a sub-context, not the main topic (unlike Martha Cooper and Henry Chalfant’s vernacular documentary photographic oeuvre whose main purpose is to specifically document graffiti).

 

Published by MACK Books, UK, in April 2018

Embossed paper-bound hardback

120 pages, 23.5 cm x 23.5 cm

Buy it here

 

2° Rafael Schacter: Street to Studio

“These are artists who are thus not slavishly reproducing their exterior practice within an interior realm but who are, rather, taking the essence of graffiti – its visual principles, its spatial structures, its technical methods, its entrenched ethics – and reinterpreting them with the studio domain,”writes Rafael Schacter in his introduction of his book Street to Studio.

We have entered the post-graffiti era. At a time where the graphic codes of street art are permeating most spheres of culture and entertainment, street artists have simultaneously enjoyed the favor of galleries and collectors and therefore have strongly developed their studio practice, when it was not in their ADN since the begining. What comes out is a blended space, where the artist works on both surfaces, the wall and the canvas, oscillating between different scales, the large and the intimate. Is this becoming a new paradigm in the art world?

The book introduces the concept of  ‘Intermural Art’ – art in-between the walls – to reflect that transition and has the merit of putting the emphasis on more conceptual players in the game (Brad Downey, Ian Strange, Boris Tellegen…) rather than usual suspects.

 

Published by Lund Humphries in July 2018

Edited by Rafael Schacter with a foreword by Carlo McCormick

Hardcover, 218 colour illustrations

224 Pages, 27 × 24,9 cm

Buy it here

 

3° David Wojnarowicz: History Keeps Me Awake At Night

Beginning in the late 1970s, the American artist David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, and activism. Largely self-taught, he came to prominence in New York in the 1980s, a period marked by creative energy, financial precariousness, and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, and neo-expressionist painting—made New York a laboratory for innovation. Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures, he varied his repertoire to better infiltrate the prevailing culture.

Wojnarowicz’s work documents and illuminates a desperate period of American history: that of the AIDS crisis and culture wars of the late 1980s and early 1990s. But his rightful place is also among the raging and haunting iconoclastic voices, from Walt Whitman to William S. Burroughs, who explore American myths, their perpetuation, their repercussions, and their violence. Wojnarowicz, who was thirty-seven when he died from AIDS-related complications, wrote: “To make the private into something public is an action that has terrific ramifications.”

 

Published by Yale University Press in July 2018

Hardcover, 384 pages

160 color + 100 b/w illustrations

Buy it here

 

4° BLU: Minima Muralia

Italian street artist BLU is one of the few street artists refusing to compromise with the art market, unwilling to translate his brillant art onto canvas, staying true to the origins of the movement – an underground, non-monetized, ephemeral, illegal & outdoor art practice for which the context and the meaning are the most important elements.

While Banksy excels in subverting the codes of the art world, BLU refuses them and strikes back, erasing the murals he painted to fight their monetization (Bologna, Berlin).

« Minima Muralia » presents each mural painted by the artist during the last 15 years, more than 200 walls.

 

 

Published by Zooo Press in March 2018

288 full color pages

17×24 cm, lay flat swiss binding

Buy it here

 

5° One Week With 1UP

Which brings us to the last frontier within the realm of the urban arts: graffiti. « One Week with 1UP » is the second published book by and about the legendary Berlin-based vandal graffiti crew 1UP.  This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps in a first-hand account.

1UP is the ultimate modern graffiti crew in the 21st century: large, everywhere, powerful, fearless, defiant, invisible.

 

Self-Published, Berlin, 2018

A project by Martha Cooper, Ninja K. and 1UP

English/German, 144 pages, 31 x 22 cm

Buy it here

 

6° Klone: « Few Moments Ago I Was Here »

Klone is an Ukrianian-born, Tel-Aviv based street artist, a pioneer of graffiti in Israel and a visual artist who was the first to exhibit at Urban Spree and one of the reasons why we did the space in the first place. I stumbled upon his fist published book – « Don’t Sleep »– in 2011 and was so moved by its personal content, poetry, freedom, that I wanted to meet the man and work with him.

8 years later comes « Few Moments Ago I Was Here« ,  looking over those past 8 years of exhibitions, mural projects, installation, and animations.

« Few Moments Ago I Was Here » is an artist book. By this, we mean a book which is mainly thought, designed, created and published by the artist himself. We always try to get as many self-published and artist books in the bookshop because they are precious and unconventional. Of course they are difficult to source, as we can get our hands only on a small stock, they sell out fast and we need to replace them but we can’t get enough of them.

 

Self-Published, Tel Aviv, November 2018 (Hell No Publication)

Limited edition of 500 copies.

Softcover. Full colour offset print on Munken lynx paper.

Buy it here

 

7° Ian Strange: Islands 2015-2017

Continuing on the self-publication mood and echoing John Divola, the Australian artist Ian Strange  publishes « Islands 2015-2017 », a photographic monograph documenting his interventions on American suburban homes, in the wake of Gordon Matta-Clark or David Wojnarowicz.

Through photography, sculpture, research, found artefacts and drawings, « Island » reflects on the home through the metaphor of the desert island, a place of personal sovereignty but simultaneously entrapment. « Island » interplays the monumental with the intimate and intangible. Exploring the icon of the home as a deeply vulnerable object and personal vessel for memory, identity and aspiration.

 

Self-published

Limited edition of 400 hand numbered and signed books with a concertina print

25 x 34 cm

Buy it here

 

8° Jan Kalab: Point of Space

« Point of Space » is the first published monograph of the Czech graffiti and visual artist Jan Kaláb, covering 25 years of his urban and studio creations, through multiple art forms (paintings, 3D graffiti, bombings, sculptures, installations).

Jan Kaláb started as a pure graffiti writer and achieved fame under the monikers « CAKES » and « POINT ». From there, his practice evolved to murals and studio works, sculptures and canvases and this evolution, patiently documented, is fascinating to follow.

The book was edited by the artist himself with texts by the czech art critic Petr Volf.

 

 

Published by Trafacka/Trafo Gallery Prague, in November 2018

320 pages

Hard Cover, 25 cm x 32,5 cm

Texts by Petr Volf and book design by Jan Novák

Buy it here

 

9° Swet: Book of the Year

 

One of the last published books of 2018, « Book of the Year” is a comprehensive monograph encompassing 1 year of walls by the danish graffiti writer SWET.

A graffiti « tour de force », all the walls depicted in the book were painted in 2017 and amount to over 300 wall pieces, almost one per day, all of them documented in the book, including some sketches.

The book is bound with a piece of a canvas specially painted by SWET for this project and each book has a different binding, which also highlights the precise work of the dutch artisan publishing house Chemistry Publishing.

 

 

Published in November 2018 by Chemistry Publishing

First Edition of 500

240 pages printed on Munken Crystal Rough

Cover embossed with green linen, 24 x 28,5 cm

Buy it here

 

10° Russian Urban Art: History and Conflict

Street art books are usually more about photographs and visual documentation than text. Few history books actually exist on the graffiti and street art movements, let alone about a peripheral movement such as street art in Russia.

It is therefore the merit of the Russian artist and curator Igor Ponosov to examine the power of street art in Russia by exploring its historical background, extending from the avant-garde movements of the early 20th century, to the non-conformists and the actionists of the 21st century.

 

 

Self-Published, Moscow, June 2018

Edition of 500

Hardcover, 20 x 15 cm, 96 pages, English

Buy it here