We found – 180 articles for painting

« Expensive Ass Pastrami » by Jonni Cheatwood

Urban Spree Prints releases Jonni Cheatwood’s exceptional screen print “Expensive Ass Pastrami” on Tuesday, October 22nd at 09:00 PDT (LA) / 06:00 pm CET (Berlin) on the Urban Spree website and in our Berlin shop.

The print is a 30-color+ hand-pulled silk screen print produced in Berlin by master printer Dolly Demoratti (Mother Drucker / Urban Spree Studios).

This print was built closely with the artist and in total trust, based on a canvas of the same name painted in Berlin and exhibited during Jonni Cheatwood’s solo show « Tyger Tyger » at Urban Spree Galerie in July 2019.

 

We were certainly heading for an ambitious print, working on all the matters, vibrant colors and fabric-like textures that Jonni incorporates into his canvases; however, during the whole screen printing process. it was clear that something more was happening: a dialogue was silently building up between the painting and the screen printer.

Dolly started an immersive relationship and at some point, lost count of all layers and colors after 30, trying to reach perfection, not as in a perfect « reproduction », but as in a perfect symbiosis between the art of the painter and the art of the screen printer (or, in that perfect example, the art of the « screen painter ».)

Having built a relationship in Berlin during the artist’s summer residency at Urban Spree for a month helped a lot to understand how the painter works and intuitively translates this into a screen printing vocabulary, replacing some of the techniques used by Jonni by innovative ones such as layers of puff ink, a special ink that « puffs » when heated and adds real texture to the print.

« I enjoyed working on this print so much because I paint myself. I like to work on pieces by painters because I can understand, I can almost see how they build it up. I’m improvising on an intuitive feeling of what’s need to be done, what’s need to be brighter, what needs to be stronger, softer, push parts backwards, pull parts forward. You can’t pre-plan it from the beginning. »  // Dolly Demoratti

 

« Expensive Ass Pastrami »

30+ color hand-pulled silk screen print

Limited Edition of 75

70x 90 cm (27 1/2″ x 35 1/2″)

Hand-deckled edges

Printed in Berlin by Dolly Demoratti (Mother Drucker Printing)

Edited by Urban Spree Prints

2019

Shipping with tracking number and insurance

 



Jim Avignon: Here Comes the Bad News Finissage

Join us in the gallery on Sunday afternoon for the finissage of the exhibition « Here Comes the Bad News« .

Between 16:00 and 19:00, Jim Avignon will spin 7″ records, meet the audience, sign books and goodies (our new limited edition mugs!) and there will be a raffle of a painting!

 

Jim Avignon

Here Comes the Bad News Finissage

Sunday, September 8th, 2019

16:00 – 19:00



Jim Avignon x Urban Art Week 2019

On the occasion of the 2nd Edition of the Berlin Urban Art Week and within the frame of his current exhibition « Here Come the Bad News », Jim Avignon will realize a large live painting in the gallery on Friday, September 6th, 2019 from 19:00 to 21:00.

Jim Avignon

Live Painting at Urban Spree

Friday 06.09.2019 from 19:00 to 21:00

Brazilian beats by DJ Holger



« Here Comes the Bad News »: New Solo Show with Jim Avignon

Jim Avignon returns to Urban Spree Galerie for his second solo show « Here Comes the Bad News », 2 years after « Permanent Jetlag ».

In his only exhibition in Berlin for the year 2019, Jim Avignon describes the mood in the world and in Berlin in particular with his usual wit.

Gentrification, Global Warming, Surveillance Capitalism, Alt Right… here comes indeed the bad news. His paintings are a mash-up of cartoony figuration, expressionistic composition, – a maximum of expression with a minimum of lines.

Jim Avignon is a painter, illustrator and conceptual artist. Always ready to confront the establishment he is torn between pop art, street art, Picasso on acid or simply being the fastest painter in the world. His signature style consists of vivid colours, a biting humor, unpretentious materials and a mind numbing output. His art works like pop music in DIY mode.

According to the legend, the artist became stranded in the Provence city of Avignon at some point in the ’80s when his car unexpectedly broke down. He resorted to painting Dali images onto pavements, gradually raising money to repair his car. The name stayed.

In the early 90s, he became an ubiquitous painter of the techno movement, designing makeshift clubs and Love Parade trucks.

By creating a colorful flood of affordable, rapidly-produced works, Jim disrupts the well-oiled art market and pervades it with black humor and self-irony. Avignon’s images caricature the modus operandi of the art market and are also aimed at people who are bored or deterred by the gold-framed aura of so-called high art. « Good Artists Go To The Museum, Bad Artists Go Everywhere ».

 

Jim Avignon

« Here Comes the Bad News »

Solo Show at Urban Spree Galerie

Vernissage: Friday, August 09th, 2019

Exhibition: 09.08.2019 – 08.09.2019

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Info and catalogue: pascal@urbanspree.com



Jim Avignon: Here Comes the Bad News

Jim Avignon returns to Urban Spree Galerie for his second solo show « Here Comes the Bad News », 2 years after « Permanent Jetlag ».

In his only exhibition in Berlin for the year 2019, Jim Avignon describes the mood in the world and in Berlin in particular with his usual wit.

Gentrification, Global Warming, Surveillance Capitalism, Alt Right… here comes indeed the bad news. His paintings are a mash-up of cartoony figuration, expressionistic composition, – a maximum of expression with a minimum of lines.

 

Jim Avignon is a painter, illustrator and conceptual artist. Always ready to confront the establishment he is torn between pop art, street art, Picasso on acid or simply being the fastest painter in the world. His signature style consists of vivid colours, a biting humor, unpretentious materials and a mind numbing output. His art works like pop music in DIY mode.

According to the legend, the artist became stranded in the Provence city of Avignon at some point in the ’80s when his car unexpectedly broke down. He resorted to painting Dali images onto pavements, gradually raising money to repair his car. The name stayed.

In the early 90s, he became an ubiquitous painter of the techno movement, designing makeshift clubs and Love Parade trucks.

By creating a colorful flood of affordable, rapidly-produced works, Jim disrupts the well-oiled art market and pervades it with black humor and self-irony. Avignon’s images caricature the modus operandi of the art market and are also aimed at people who are bored or deterred by the gold-framed aura of so-called high art. « Good Artists Go To The Museum, Bad Artists Go Everywhere ».

 

Jim Avignon

« Here Comes the Bad News »

Solo Show at Urban Spree Galerie

Vernissage: Friday, August 09th, 2019

Exhibition: 09.08.2019 – 08.09.2019

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Info and catalogue: pascal@urbanspree.com



Christopher Stead: Acid Reign

Urban Spree Galerie presents « Acid Reign« , the first solo show in Germany of the British visual artist Christopher Stead.

Acid Reign is the culmination of a long-term residency at Lab Kalkhost in North Germany. Christopher Stead produced on the shores of the Baltic Sea several large format works, using a process mixing graffiti techniques and natural elements.

Cans of paint are burst with nails, sand and mud is flung. An alchemy between the paint and the land turns into a painterly concrete, cementing ideas, solidifying a tangible truth. The paintings are stuffed into rucksacks and returned to the studio where Ikea bags full of previous endeavours lie dormant ready to rework. A fecund process is born.

The fences used in the supports of the pieces are taken from decaying plots on the train lines.

Rusty fences, transgressed and twisted by nature are transported to the studio. The erosion of the metal emasculates the sterile man-made purity of the material. This gives each painting a story and a history. Every fence painting starts at night on the train tracks with a pair of bolt cutters and finds its way into the light of the studio and finally into the gaze of the public domain.

Artist Statement:

« Once upon a time, on a small island called Great Britain, there lived a lady called Margaret Thatcher. Margaret along with her Tory Party ruled the land with an iron fist and squeezed the living life out of its people. Fed up of a decade of draconian rule, the people began to gather and dance their woes away at their own party. They called this the Acid House party.

Race and class barriers were dissolved as the people united and raved as one big family. The Tory party didn’t like this as they weren’t invited, so they invented a law to stop the gathering of 20 or more people, dancing to the sounds of repetitive beats. Techno, Jungle, call it what you want. It had to stop. Whilst this may sound like a children’s horror story, it was in fact or certainly a young adults nightmare. 30 years on, the nightmare continues. Britain is again been torn apart by the right.

The paintings in Acid Reign were made on the beaches of former East Germany. 30 years ago these beaches were patrolled by the military to stop East Germans defecting to the west. Cans of paint were popped and squeezed upon the sand soaked canvas to create the acid rain.

The works seeks new places to hang. Inspired by Foucault’s concept of heterotopia, it finds solace in spaces of otherness. Informed by a youth growing up free, painting graffiti on the trains. Painting in the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Buildings which housed these parties. Places of abandon and neglect. Again, the work finds itself back in its familiar territory.

Acid Reign is emblematic of the freedom of movement in open spaces without borders. A freedom which is slowly being choked out of the people once again. »  Christopher Stead

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Christopher Stead (b. 1974, UK) lives and works in London.

Tangled, torn, popped, squeezed and then hung in spaces of other, the work exists to evade the paradigms of commercial obedience, white cube boredom, and the polarities regimented by cultural hegemony.

Informed by Thatchers dystopian Britain and her Acid House love child, the work explores free movement in spaces without borders. 

In 2016 Stead graduated with a First Class BA Hons in Fine Art at the City and Guilds of London Art School, London, where he received the Painter – Stainers Scholarship Prize and Brian Till Art History Thesis Award. 

https://www.christopherstead.co.uk/


 

Christopher Stead

« Acid Reign »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com