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Redlake Circus New Album THELEMA Release Show

The wait is over!! After almost 5 years of been around Europe, U.S.A and Mexico, Redlake Circus now set home at the German and World’s Art Capital “BERLIN”. Where they have recorded their new album “THELEMA” , mixed and mastered by Peter Tamborini at Red Raven Recording Studios.

THELEMA is a conceptual album that will take you into differents passages of the history, full of Sex, Bondage, Rituals, Wars and Blood all created by Religion.

THELEMA includes tracks like LAND OF OZ ,that talks about a True Story of a Priest in the States who was found out dealing Metampethamine and buying a Porn Shop for Money laundry named Land of Oz and the Dorothy’s Place, then you can enjoy SHIVAKTI which goes more into the spiritual Tantra Sex Healing or BETHEL a 9 mins lenght track that will make you enjoy a nice inner travel experience.

HANDGAZER will be the opening act of the nite, One of the best new Berlin Stoner Rock band in the scene.



Märry Kristmas Kino – Street Food | Cinema | Art & Design Market

Märry Kristmas Kino – Street Food | Cinema | Art & Design Market 
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Mobile Kino invites you to join some of Berlin’s favourite food trucks, designers and artists as we celebrate the Christmas season together. Enjoy a mug of Glühwein while roaming through the design market. Or grab yourself some popcorn and catch one of our Christmas classics on a big screen.Mobile Kino & Urban Spree present a full Christmas market with three areas including an indoor 100 seat cinema, an art and design corner, and a winter garden filled with food trucks, heaters, bonfires and lighting displays.| Märry Kristmas Kino |

Thursday December 10th – Saturday December 12th, 2015 @ Urban Spree

Market Opening Times
10.12 Thursday 17.00 – 24.00
11.12 Friday 17.00 – 24.00
12.12 Saturday 12.00 – 01.00

Market: Entry by donation
Cinema Tickets: 5€ / screening

| Märry Kristmas Kino – Programme |

Home Alone
Thursday 10th of December – 20:00
Friday 11th of December – 18:00
Saturday 12th of December – 16:00, 20:00

Kevin – Allein zu Haus
Saturday 12th of December – 12:00

Gremlins
Friday 11th of December – 21:45
Saturday 12th of December – 18:00

Scrooged
Friday 11th of December – 20:00
Saturday 12th of December – 21:45

Bad Santa
Thursday 10th of December – 18:00

The Nightmare Before Christmas
Saturday 12th of December – 14:00

Batman Returns
Thursday 11th of December – 21:45

| Street Food |

Bunsmobile
PIC NIC 34
Born Again Chicken
Tartatata
La Cuina Gourmet Food
Maria Maria Arepas
Chutnify
TATAS
Bourbon Dogs
Orlando – Sicilian Food of Happiness

| Art & Design Market |

Urban Spree – Art & Design Shop
Serigraffeur
Aufschnitt
Schwesterherz & Küchenliebe
Crazy Bastard Sauce
Moonkid
The Missing Button
Pink Cadillac

 

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Concert: TREPANERINGSRITUALEN + CREMATION LILY + ANEMONE TUBE + SVARTVIT live in Berlin

10922392_994851303876211_7925032430711515314_oTREPANERINGSRITUALEN explores themes of religion, magic and the occult realms of consciousness, taking its musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation, TREPANERINGSRITUALEN conjures forth bleak but mesmerizing visions of the end-times.

CREMATION LILY is the project of UK based Z. Zsigo. For the past 5 years Zsigo has been consistently working under most people’s radars with his distinctly personal take on power electronics, developing a modest cult following and a respectable catalog of releases through his Strange Rules label. CREMATION LILY’s sound is harsh, sometimes rhythmic noise with underlying dark melodies and atmospherics.

The audio works of ANEMONE TUBE are a unique blend of dark ambient/noise, industrial and soundart with a strong psychogenic impact. The use of constantly shifting and altering sounds and moods is possibly one of the most intruiging things about their audio creations.

SVARTVIT is a Dutch project that breaches the gap between harsh noise sound experimentation and performance art. It was founded in 2008 by sound artist Kevin Jansen and is currently residing in the city of Den Hague, The Netherlands.

Tickets:
http://aufnahmeundwiedergabe.bigcartel.com/product/tickets-trepaneringsritualen-cremation-lily-anemone-tube-svartvit-live-in-berlin

http://www.koka36.de/trepaneringsritualen+_+cremation+lily_veranstaltung_63421.html

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Disagio Party

#sentitinadeguato

A grande (???) richiesta dopo oltre due anni arriva il primo Disagio Party.

In un’atmosfera di totale inadeguatezza, potrai fare da tappezzeria (come del resto hai sempre fatto fino ad oggi) oppure scatenarti rendendoti ridicolo al centro della pista, o ancora farti leggere i tarocchi da una strega in un angolo buio del locale.
Per gli amanti dei trasformismi, angolo travestimenti e make-up pazzerelli e poi via a postare selfie imbarazzanti con hashtag inutili.

Dress-code: difficoltà (s.m.), imbarazzo (s.m.), malessere (s.m.), fastidio (s.m.), impiccio (s.m.), seccatura (s.m.), incomodo (s.m.), mancanza di agi (s.m.), scomodità (s.m.), bisogno (s.m.), povertà (s.m.), miseria (s.m.), privazione (s.m.), carenza (s.m.)

Guest star: i controllori della BVG.

L’unica cosa che non sarà disagiata, la musica: techno, house, disco, funky e molto altro con:

FARFISA LAURITO aka Musica Matta
(deep house speziata//techno al torroncino)

U B B B R R R U
(disco funk club presabbene sexy selecta)

Antarktyda & Syl
(electronic)

Orario: 23:30 – ???

Biglietti in prevendita esclusiva per i membri gruppo Disagiati a Berlino: 6,51 euro

Biglietti in cassa: 8 euro

Urban Spree

*******English*******

By popular demand (????) after more than two years comes the first Disagio Party.

In an atmosphere of total inadequacy, you can be a wallflower (as you have always done until now) or unleash making yourself ridiculous in the center of the dancefloor, or even get a tarot card reading by a witch in a dark corner of the room. For lovers of transforming, corner disguises and make-up, and then off to post embarrassing selfies with useless hashtags.

Dress-code: difficulty (s.m.), embarrassment (s.m.), malaise (s.m.), discomfort (s.m.), entanglement (s.m.), annoyance (s.m.), uncomfortable (s.), inconvenience (s.m.), lack of comfort (s.m.), discomfort (s.m.), need (s.m.), poverty (s.m.), misery (s.m.), deprivation (s.m.)

Guest star: BVG controllers.

The only thing that won’t be inconvenienced will be the music with DJ selection by:

Musica Matta

UBBBRRRU

Antarktyda & Aivlis

Opening hours: 23:30 – ???

Exclusive pre-sale tickets for the Group members in Berlin: 6.51 euros

Tickets at the cash desk: 8 euro

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New York Perspectives

Urban Spree Galerie presents New York Perspectives, a duo show featuring Chris “Daze” Ellis and Joe Conzo, curated by Mode2. The vernissage will be on Friday, November 22nd, at 18:30, in presence of the two artists.

    Through the work of two New York City-born artists, a painter and a photographer, this exhibition is an attempt to show aspects of New York City life, through the eyes and the work of two very different individuals; though both come from a part of its counterculture.

    The drawings and paintings of the artist Chris “Daze” Ellis, and those many moments and people captured by the photography of Joe Conzo show us how the youth that were more in osmosis with the steel, the concrete, the glass, the streets and the city’s subway system, could develop new forms of visual dialogue that could form a bridge between their own social and cultural background, and a movement that would infiltrate the artworld and become a global phenonmenon.

   Coming from different neighbourhoods and cultural backgrounds, both have lived long enough to have witnessed first hand the huge transformations that the city has gone through over these last decades, while their “work”, which was actually their hobby, passion and life pretty much, has documented seminal eras during that time.

  These tumultuous years of cultural flux; of blossoming, blooming, destruction and rebirth, are often overlooked by today’s focus on the “now” of street art, and the way through which this eclipses the very alchemy that gave birth to the way in which artists express themselves in the street today, or the way in which they document city life.

    It is doubtful that much of what is happening today in visual art, music, dance and written or spoken word ever would have happened, if generations of youth in New York City had not lived what they did many decades ago; and we can count ourselves lucky that a few rare individuals happened to be there and have the instinct to document it.

  Here then, are views of New York from two different perspectives, they themselves being a complex accumulation of all of life’s experiences, and how they shape each individual’s understanding of the world around them; and the ways by which they choose to express and share this with us.

Urban Spree Prints will release two 18″x 24″ silk screen prints by Daze on the opening night and online.

The gallery and the curator heartily thank Henry Chalfant for letting us show his documentary movie “From Mambo to Hip Hop: A South Bronx Tale.”

Poster Artwork by Tyler Askew.

 

“New York Perspectives”

Christopher “Daze” Ellis / Joe Conzo

Curated by Mode2

22.11 – 21.12.2019

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening: Friday 22.11.2019 at 18:30

Exhibition: Tu-Sa – 12:00 – 18:30

Info & Catalogue: contact@urbanspree.com

 

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BIOGRAPHIES: 

 

Chris “Daze” Ellis

Growing up in Crown Heights, Brooklyn, Chris Daze Ellis (b. 1962) was aware from early on of the names and the odd characters that would be dancing along the trains that wove their way through the city. When he started out at the High School of Art & Design in 1976, he found that there was a whole community of very diverse yet like-minded individuals there, also involved with this scene; some of whom would go on to make a name for themselves in the art world.

Being a fan of drawing and comic books already, Daze camouflaged his nighttime activities under his parents’ gaze, exploring and expanding his visual vocabulary, combining the traditional with the dynamism of a new and challenging environment, with stimulus of its own.

Having mastered the medium and the environment, Daze would go on to shape his own personal vision of the world, looking as much inwards as outwards, in the relationship between the trains and walls, and what he could further explore in the studio. The strength of his successful life as an artist in his own right would develop from then on.

From his participation in his first group show, Beyond Words, at the Mudd Club in 1981, before having his own solo show at Fashion Moda (the historical South Bronx art space that bridged the established art world with the raw talent and energy coming out of New York City), Daze embraced the wide horizon that opened up before him.

From then on, Daze began to show in many different cities around the world, whether it be galleries and museum, in solo shows as well as group formats. He has participated in many public or educational art projects around the world, working with students and communities from South Korea to Brazil via Haiti, while often visiting Europe as well, and contributing to New York mural initiatives like the Leap Arts Program or Thrive Collective.

From his appearances in the film Style Wars, to being an art consultant on the Netflix series The Get Down in 2017, to participating in public painting projects from the Star Ferry Terminal in Hong Kong in 1993, painting an entire Hannover train station with fellow artists Lee Quinones and John Crash Matos, or being commissioned for murals by private clients like the law firm, Cleary, Gottlieb, Steen & Hamilton in Washington D.C. 2018; Daze has constantly had his hands on a whole range of different projects.

Daze’s paintings have found themselves in many private collections including Eric Clapton, Natalie Imbruglia, and Madonna. His work can also be found in the permanent collections of The Whitney Museum, NY, Museum of Modern art, NY, The Museum of the city of New York, The Ludwig Museum, Aachen, Yale University art Gallery, New Haven, Addison Museum of American Art at the Phillips Academy, Andover.

Chris Daze Ellis continues to live and work in New York City.

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Joe Conzo

Joe Conzo was born in the Bronx during an era of great upheaval, when the construction of the Cross Bronx Expressway was nearing its end, having destroyed the communities that lay in its path, and condemning those parts of the borough around it to social and economic decline. The apocalyptic landscapes of urban devastation, and the high criminality associated to it are emblematic of that era.

President Truman’s Urban Renewal announced in 1949, ruthlessly applied by Robert Moses, targetted the more modest and ethnically diverse neighbourhoods of New York City whose resistance to forced removal would fall on deaf ears, as private developers grabbed the prime lots. The Bronx represented both the laboratory and the collateral damage for these extreme experiments of urban renewal.

And yet, out of what looked like an urban war zone, the city’s youth began to pick up the pieces, and, out of the desolation around them, began to build their own road out of it. Realising that the state was not going to do anything positive for them, their survival instincts eventually kicked in; and out of the gang culture, the drugs, and the sheer nihilism that had reigned for a while over much of the borough, new and greener shoots were beginning to break through.

Joe Conzo’s cultural capital, and that of his peers, was probably key to his survival and his blossoming during those harsh years; grandson of Dr. Evelina López Antonetty, a political activist who played a huge role in developing educational programmes for Puerto Rican children, and son of Joe Conzo Snr., who was in the thick of the huge Latin music scene of that bridged those decades; hanging with all the main players of that era, and having been the biographer of Tito Puente.

While studying at the Agnes Russell School on the campus of Columbia University, he discovered photography, the medium that would enable him to document what went on around him; from the world of latin culture through his father’s connections, to the collision of art forms that would later be called Hip Hop; a word that eclipses the sum of its parts.

Having lived many ups and downs in the eighties, to a rebirth of sorts, Joe Conzo went on to become a qualified medical nurse, then worked for the New York City Fire Department, being among the first responders on 9/11. At some point along the way, he was reunited with the camera, and began shooting again…

Whether as the photographer of rap crew The Cold Crush Brothers, a hugely influential group of MCs from the early days, or just a boy from the Bronx who had a camera and curious eyes, Joe Conzo’s photos provided reference material to Henry Chalfant ‘s documentary “From Mambo to Hip Hop: A South Bronx Tale.”, and were documented in a book called “Born In The Bronx: A Visual Record of the Early Days of Hip Hop”.

His negatives have been digitalised and archived at Cornell University, providing a unique and indispensable resource for those wishing to research the those eras.