We found – 37 articles for Point of Space

Jan Kaláb: new print release with Urban Spree

Urban Spree Prints will be releasing a silk screen print designed by Jan Kaláb on Saturday 24.11.2018 on the occasion of the czech artist’s book presentation and signing at Urban Spree Berlin.

Edited by Urban Spree Prints and masterly printed by Dolly Demoratti (Mother Drucker/Urban Spree Studio), the print is a 6-colour hand pulled screen print on Hahnemühle 300 g/sm paper and comes in a very limited edition of 18 prints, signed and numbered. The outer layer of the print is printed with a subtle green hologram glitter.

9 prints are reserved directly for the Berlin book event whereas 9 other prints are available by subscribing to the Urban Spree newsletter at the bottom of this page until Saturday 24.11.2018 at 12:00 (noon). Subscribers will be then informed about the ordering process.

 



Hendrik Czakainski returns to Urban Spree with his 3rd solo show “SWITCH-OVER”

Urban Spree Galerie presents “SWITCH-OVER“, the third solo exhibition of the Berlin-based visual artist Hendrik Czakainski at Urban Spree Galerie.

Hendrik Czakainski’s materia prima is the urban matter captured at different stages of dereliction. Adopting a bird’s eye view, the artist creates large-scale post-architectural panels which are dark anatomical explorations of the urban body.

The artist becomes a forensic architect, collecting evidence of disasters, past, present and future, incorporating them in surreal compositions of large proportions, creating 3-dimensional landscapes which have become void of human presence and frightfully beautiful at the same time. His creations bring us to a state of contemplation and fascination, owing to the combination of shape and colour.

His monumental cuts, holes, and excisions to his fantastic architectural matter reach us beyond the scope of architecture and strip down those man-made artefacts to the minimum, lay them bare, and essentially on the brink of abstraction.

In SWITCH-OVER, the artist distantiates himself from the highly densified housing settlements he has been creating in the past years to pursue a more radical approach. His apocalyptic tableaux give away few clues as to when the mutations happened, what exactly happened, how was it even possible to switch from one state to the next, and which situation we are actually in, leaving the spectator forging his own clues. Are we investigating a foregone reality, are we already processing the next move, or are we trapped in between ?

In his new compositions, we ask ourselves if humanity is still part of the global equation or if the tipping point has been already reached; if a reversal is even possible.

Most works of the show are constructed in two or three parts, creating a dynamic impulse, searching for life in interstitial space, infusing tension, and establishing a mutual dialog, a new social contract of what’s left.

 

Hendrik Czakainski

SWITCH-OVER

Einzelaustellung

Opening: Friday 26.10.2018 at 18:30 (FB Event)

Exhibition Dates: 26.10.2018 – 24.11.2018

Tu-Sa 12 :00-18:30

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

 


Galerie Enquiries:

Pascal Feucher: pascal@urbanspree.com

www.urbanspree.com

Press Enquiries:

Wayra Gonzalez: press@urbanspree.com


http://www.hendrikczakainski.com

https://www.instagram.com/hendrik_czakainski/



Hendrik Czakainski: SWITCH-OVER

Urban Spree Galerie presents “SWITCH-OVER“, the third solo exhibition of the Berlin-based visual artist Hendrik Czakainski at Urban Spree Galerie.

Hendrik Czakainski’s materia prima is the urban matter captured at different stages of dereliction. Adopting a bird’s eye view, the artist creates large-scale post-architectural panels which are dark anatomical explorations of the urban body.

The artist becomes a forensic architect, collecting evidence of disasters, past, present and future, incorporating them in surreal compositions of large proportions, creating 3-dimensional landscapes which have become void of human presence and frightfully beautiful at the same time. His creations bring us to a state of contemplation and fascination, owing to the combination of shape and colour.

His monumental cuts, holes, and excisions to his fantastic architectural matter reach us beyond the scope of architecture and strip down those man-made artefacts to the minimum, lay them bare, and essentially on the brink of abstraction.

In SWITCH-OVER, the artist distantiates himself from the highly densified housing settlements he has been creating in the past years to pursue a more radical approach. His apocalyptic tableaux give away few clues as to when the mutations happened, what exactly happened, how was it even possible to switch from one state to the next, and which situation we are actually in, leaving the spectator forging his own clues. Are we investigating a foregone reality, are we already processing the next move, or are we trapped in between?

In his new compositions, we ask ourselves if humanity is still part of the global equation or if the tipping point has been already reached; if a reversal is even possible.

Most works of the show are constructed in two or three parts, creating a dynamic impulse, searching for life in interstitial space, infusing tension, and establishing a mutual dialog, a new social contract of what’s left.

 

Hendrik Czakainski

SWITCH-OVER

Einzelaustellung

Opening: Friday 26.10.2018 at 18:30 (FB Event)

Exhibition Dates: 26.10.2018 – 08.12.2018

Tu-Sa 12 :00-18:30

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

 

 

Galerie Enquiries :

Pascal Feucher: pascal@urbanspree.com

www.urbanspree.com

Press Enquiries:

Wayra Gonzalez: press@urbanspree.com

———

http://www.hendrikczakainski.com

https://www.instagram.com/hendrik_czakainski/

 



J.C. Satàn & Jessica93

Dawn of the Dance and GreyZone Concerts & Promotion present

J.C.Satàn + JESSICA93 LIVE

J.C.Satàn
J.C. Satàn is the meeting between the talented Arthur from Bordeaux, France (Polar Strong, The Meatards, Crane Angels..) and Paula from Torino, Italy (drawer, dj and booker of underground shows). They were noticed from their first two LPs Sick Of Love (2010) and Hell Death Samba (2011) on the american label Slovenly Recordings which had major critical and public success. For their audacious and perplexing third album Faraway Land (2012), they join the young and talented parisian label Teenage Menopause Records. In between a US tour in 2013, an european tour with Ty Segall in 2015, a China tour in 2016 and plenty of shows in France and European festivals, they released two more LPs with the trendy french label Born Bad Records, « S/T » (2015) and the brand new Centaur Desire (march 2018). As usual the band refuses to fall into repetition and instead, travels out of the comfort zone. They are exploring the musical landscapes of Pixies and The Queen of the Stone Age but never losing their own style and sound. Known to be some kind of stage warriors, their shows rise above their records. Someone talk about psychedelism, someone about punk-garage, it’s hard to define them.

http://www.jcsatan.com/
https://jcsatan.bandcamp.com/
https://www.facebook.com/jcsatan/

JESSICA93
French one man project Jessica93 is a powerful and emotional force of hypnotic loops, grungy riffs and cold beats, all wrapped up in an impressive sense of delicate and to-the-point song writing.

Even Paris, the city of love, hosts its bleak and dingy suburbs. With the promise of magic so close within one’s reach, the lack of it becomes even more evident. In the midst of this space of hope turned disappointment, Geoff LaPorte goes on an escapist trip and takes on the moniker of Jessica93. Where others see beauty, he sees the rats. But Jessica is the coolest chick in class. She’s desirable and she has ability to transcend the mundane reality of Paris’ dirty streets. Or at least she tries. Jessica stands for all that we wish to be, but can’t. Instead, let’s embrace the dark humour of the universe. After all, it’s not for nothing Jessica93’s 2013 debut is called “Who cares”, with a picture of a bag of crack cocaine on the cover.

As one man playing all instruments, along with a trusty drum machine; Jessica93 builds his music with layers – balancing the raw and minimalist with a trippy warmth. This sense of dream and romance is present in all his songs, sometimes numbed in an opiate high, sometimes as matter-of-fact melancholia. This isn’t some pedal-fest without substance, or, for that matter, a total downer – some of those beats sounds like John Bonham trapped inside an ice box, and the groove is undeniable. Something wants to reach out for sure, and on stage this part-shoegaze-part-grunge-part-cold-wave operation of one does just that: reaches out and goes for the stars. It might all get buried in a heap of dirty clothes once back on earth, but still.

Using very little to achieve a lot – Jessica93 goes straight to the core of every aspect of his music – illuminating a brilliant song writer in the process. Nothing to hide, nothing to lose.

https://jessica93.bandcamp.com/
https://www.facebook.com/thejessica93/

 

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Facebook Event



Milk Me Presents: Crack Cloud

 

Crack Cloud is a multimedia collective, comprising members from different cities, ethnicities and origins, who contribute to the sound, visual aesthetic and beyond – but their latest release, Anchoring Point, is helmed by seven key members. Taking its sonic influence from the likes of Gang Of Four, Fela Kuti and Talking Heads, its visuals from hip hop and the found footage aesthetic of the ‘90s, and its political ethos from thinkers like Malcolm X and Lydia Lunch, Anchoring Point is a barbed, lurching thing, a cacophony of punchy fragments, funk-laced bass riffs and experimental soundscapes. “We wanted to be expressive in a way that could be erratic but cohesive at the same time,” explains Choy. “Emotionally, it zig-zags. We wanted it to take a life of its own; a life in flux.”

There’s a political undertone to much of Anchoring Point – its lyrics, its sound, even the EP’s artwork, which declares itself to be “how they refer to the latest vendible thing from Crack Cloud. For fun and profit!” But if there’s an agenda to their music, says Choy, “the agenda is humanity and compassion. We invite people to meditate openly about their privilege. Their vice. Their pride and their vulnerability.” Both he and partner Mohammad Ali Sharar are immigrants who struggled with addiction – Choy’s triggered by the death of his father, Mohammad Ali from the cultural turbulence that came from the racism he experienced from outside his community, and the rejection from within it when he started to question Islam. They’ve redefined themselves in sobriety and work together in the mental health industry, facilitating safe spaces based on the harm reduction model for vulnerable and marginalized people in Downtown Vancouver. Crack Cloud is informed by these experiences, past and present.

These experiences inform the work in ways Choy and the collective don’t always attempt to tame or control. ‘Empty Cell’, for example, is a “stream-of-consciousness piece,” made up of different voices from different angles. It follows EP opener ‘Graph Of Desire’, a punky duet of sorts, with shades of early Bowie, that comes in at just a minute and a half long, and precedes ‘Image Craft’, which has a melody like a ticking clock and a video that evokes Lynch’s Eraserhead. “Each song on Anchoring Point,” says Choy, “is one piece of the pie.”

And what does the pie as a whole look like? Choy’s not sure exactly. “It creates a messy picture. We hope people can resonate with its messiness. Thoughts and feelings are ephemeral and there is always a new insight to have and a new connection to be sought after, and it’s a celebration of that. Old and new. And the Anchoring Point in-between.”

FB Event



Tché Ruggi: Deep

Urban Spree and A7MA (Sao Paulo) present an exhibition in Urban Spree Galerie’s Ecke of new works by Sao Paulo based artist Marcelo Ruggi a.k.a. Tché.

Tché created some of the works of his series “Deep” as an Urban Spree Resident Artist in March 2018.

Tché Ruggi and “Submercidade”, his latest series, is the result of a profound dive into “Sea of Perceptions”, his first body of works, when he had the chance to meditate and seek deeper meanings. In the midst of darkness, his forms reflected silvered lights and unveil this submerged city.

Time made the triangular geometries defragment and unraveled what was behind their pyramidal assemblies, finding a new universe of possibilities to explore. “Deep” portrays the current moment of the artist who in his deep immersion, looks at the light and returns towards the surface. Exploring his sensations, senses and memories, he deciphered the “Enigma” and reached the maturity expressed in dynamism and gesture, in his representative aquatic structures.

Text: Enivo
Translation from Portuguese: Marina Zumi

 

About the artist:

In 2004, Tché visited an old house in ruins. The mud and the aggressive action of nature over the construction’s remains seemed like saying , “do not paint in here”.

The space, where in and outside were in harmony as a chess game. The sky was part of the roof and the ground was the soil. The artist waited for an omen.

The sunset arrived touching the destroyed windows, cutting it self through the broken pieces of glass and projecting its own paint of light and shadow over the surfaces as an invisible event, drawing on the walls calling the night.

From this day, the geometry of the shapes projected by the light, small triangles, pointed shapes, hard waves, dry cuts, they all became raw material for the artistic process.

Tche adopted the fragments of this mysterious answer to spread it little by little on his repertory casted in iron, overlaying the layers, pressured on paint, magnetizing fields. It was built the enigma of an impossible pyramid.

Tche Ruggi, graduated at Faculdade Belas Artes de São Paulo, on 2009.

On 2008, he was one of the founders of Atelier 132, that originated the “Coletivo 132”, a collective of graffiti artists. Tche has done exhibitions in Austria, Germany and Brazil. On 2012, he founded with his partners the A7MA Space of Art and Culture, which is growing until today and hopefully for a long time.

 

Opening: Thursday, May 29th
19:00 – 22:00
Urban Spree Galerie
Revaler Str. 99
10245 Berlin