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For 50 years, graffiti and street art have been challenging conventions and stimulating debate around our perceptions of what constitutes art. As the genre enters its sixth decade, this ground-breaking book presents a new interpretation of where these alternative art forms are situated today.
Ursula Schulz-Dornburg’s The Land in Between presents the complex bond between landscape and human civilization, exploring the construction of power though the built environment and its inevitable impermanence. By looking back at areas of past historical or political importance her images highlight how conflict, destruction, time and decay transforms the...
You may have found an old Konica at the thrift store or inherited a Leica, or you may be one of the many younger photographers who are being drawn to analogue for the first time, as a way to enrich and expand their practice. In either case, this book provides all the information needed to help you understand your camera and get out and start using it.
"David Wojnarowicz: History Keeps Me Awake at Night" comprehensively examines the life and art of David Wojnarowicz (1954–1992), who came to prominence in New York’s East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal.
Topographical Histories presents Robert Polidori’s photos of the interior walls of an old german building, whose glorious crumbling layers—fourteenth-century structures of wattle and daub, clay bricks and plaster, and remnants of paint and wallpaper from different centuries—bear witness to living history.
Incoming was made in collaboration with cinematographer Trevor Tweeten and composer Ben Frost and was co-commissioned by Barbican Gallery and National Gallery of Victoria, Melbourne. The book is published alongside an installation of Mosse’s 3-screen video work.
Der französische Künstler Raymond Hains (1926–2005) war Zeit seines Lebens ein unermüdlicher Neuerer, der in seiner Kunst immer wieder zeitgemäße Ausdrucksmittel und neue Chiffren fand. Bereits in den frühen Nachkriegsjahren experimentierte er mit Fotogrammen und optisch verzerrenden Kameralinsen in der von ihm so genannten hypnagogischen Fotografie.