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Slowly but steadily we become immersed in what Henrik Malmström saw and photographed from the window of his living room. The pages of A Minor Wrongdoing unfold as a hypnotic sequence of candid shots taken at the neighbourhood of St. Georg in Hamburg, between 2011 and 2014.
Salt Pans is a photobook by Edward Burtynsky’s situated in his acclaimed ongoing series of photographs exploring different industrialized landscapes across the world. Consisting of 31 aerial photos of the salt pans in the Little Rann of Kutch, the project is the result of months of intricate negotiations and preparations.
Igor Ponosov examines the power of street art in Russia by exploring its historical background, extending from the avant-garde movements of the early 20th century, to the non-conformists and the actionists of the 21st century. The book is first paper focused on Russian Urban Art in English.
Mural Masters is a stunning showcase of work by more than ninety street painters, including legends like C215, Hendrik Beikirch, Herakut, Logan Hicks, INTI, Faith XLVII, Felipe Pantone, NYCHOS and Saner as well as a who’s-who of up-and-coming mural artists
In this dark and beautiful book, Takashi Homma traces the blood trails of deer killed in Shiretoko National Park on the Japanese island of Hokkaido. Like ritualistic stains or calligraphic compositions, the photographs, which Homma made in the winters of 2009 to 2018, are at once abstract and symbolic.
These photographs were made on long walks through the streets of African capitals, including Johannesburg, Durban, Maputo, Beira, Harare, Nairobi, Kigali, Kampala, Addis Ababa, Luanda, Libreville, Accra, Dakar and Dar es Salaam, and the series takes its title from the Museum of the Revolution in Maputo, Mozambique.
For eight years and across several continents, Alex Majoli has been photographing events and non-events. Political demonstrations, humanitarian emergencies, and quiet moments of everyday life. What holds all these images together is a sense of theatre.
Taking its name from a line in the Wallace Stevens’ poem “The Gray Room,” Alec Soth’s latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren’t about any particular place or population.
Amandine Urruty lives and works on her bed, with a suit case full of pens always nearby. After studying at University for long years and a brief career in underground music, Amandine Urruty spreads her repertoire of beasts and her gallery of weird characters on all kind of mediums, on paper as on walls.