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The Voyage of Discovery poses as the scientific report of a mission to discover and describe unknown worlds. The photographs present an inventory of findings, with an encyclopaedic curiosity reminiscent of the expeditionary narratives of James Cook and the ethnological missions of Claude Lévi-Strauss.
Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box.