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Hibi literally comprises a series of street photographs by renowned Japanese photographer Masahisa Fukase. Each of the black and white images painstakingly attend to the road’s surface – the worn road-markings, the fading lines and arrows eroded by the city’s innumerable inhabitants, a web of fissures in the asphalt.
With Confabulations, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies. Confabulations distorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is...
Germes Gang über alles! is a 40-page A5 book published by Urban Spree on the occasion of the solo show of the portuguese crew at Urban Spree Galerie from 19.08.2016 to 11.09.2016.
Urban Spree and Twoone release a limited edition 3-colour risograph book. Designed during his Residency at Urban Spree in July 2016, the 60-page risograph book ‘Berlin 2014-2016′ is the result of 2 years of intense portrait sketches by the Japanese artist in the german capital.
Born from an interest in exploring the shifting boundaries of virtual space in the contemporary world, Making Memeries is the first photobook of its kind to engage Augmented Reality.
Automagic is a book-object by Dutch visual artist Anouk Kruithof (b. 1981, Dordrecht), which contains images drawn from her “automagic archive,” taken with iPhones and small digital cameras over the past twelve years.
“WILD” is an exploration of wilderness in illustration, uniting 33 illustrators and artists from the Urban Spree universe in an oversized black-and-white, 30 x 40 cm book.
Incoming was made in collaboration with cinematographer Trevor Tweeten and composer Ben Frost and was co-commissioned by Barbican Gallery and National Gallery of Victoria, Melbourne. The book is published alongside an installation of Mosse’s 3-screen video work.
Photographs taken by Ari Marcopoulos in Rome (February - March 2016), and Malibu (August 2016).
Jan Kempenaers has been photographing urban and natural landscapes for over two decades. For this series of images, he applies the formal language of the documentary style, with its detached viewpoint emphasising the isolation and desolation of the strange structures in the frame.
Que font les gens, s'ils sont dans la rue ? Lecture ? Ils attendent ? Peut-on reconnaître l'habitant, l'étranger, le voyageur par ses actions et ses actes dans un cadre urbain ?
A masterpiece of Japanese photobooks... a technical and aesthetic tour-de- force” – Martin Parr and Gerry Badger in The Photobook: A History