Il y a 0 produit(s) dans votre panier.
Il y a 1 produit dans votre panier
Attention : derniers produits disponibles !
Date de disponibilité
Anthropocene is the newest book by Edward Burtynsky to document human destruction of the earth on a geological scale. In photos as beautiful as they are disconcerting, Burtynsky explores issues such as extinction (large-scale burning of elephant tusks to disrupt illegal trade and the black market, the plight of the last white rhino), technofossils (Nigerian landfill sites entirely of plastic, massive concrete tetrapods to protect Chinese coastline from erosion), and terraforming (mines and industrial agriculture). Containing specially commissioned poems by Margaret Atwood published here for the first time, a statement by Burtynsky and a range of essays, Anthropocene presents compelling artistic and scientific responses to these urgent topics.
The book is one part of the larger “Anthropocene” project, a multi-disciplinary body of work with film-makers Jennifer Baichwal and Nick de Pencier which includes a major traveling exhibition, documentary film and interactive website. Its starting point is the research of the Anthropocene Working Group, an international body of scientists advocating to change the name of our present geological epoch, Holocene, to Anthropocene—the period where human activity dominates climate and environmental change. Including images of the video components and augmented reality experiences from the exhibition, the book, like the overall project, combines traditional and new lens-based media in an innovative and dynamic expression of humanity’s profound and lasting changes on the planet.
About the photographer:
Edward Burtynsky is known as one of Canada's most respected photographers. His remarkable photographic depictions of global industrial landscapes are included in the collections of over fifty major museums around the world, including the National Gallery of Canada, the Bibliothèque Nationale in Paris, the Museum of Modern Art and the Guggenheim Museum in New York, the Reina Sofia Museum, Madrid, and the Los Angeles County Museum of Art in California. He has published so far 8 photobooks, including the acclaimed titles 'China' (2005), 'Quarries' (2007), 'Water' (2013), "Oil" (2014), and "Salt Pans" (2016) all 5 published by Steidl.
Published in October 2018 by Steidl Verlag, Göttingen
236 pages, clothbound, 36 x 28.7 cm