We found – 34 articles for 90s

Suicide Friday – Grunge / 90s Rock / Alternative mit Nape, Mencouch, Pandora’s Bliss

Scheiß auf 2000, fick den ganzen Elektroschiss und die 80er gleich mit, schmeiß dein Handy weg, es ist Suicide Friday!

Livebands:
Die Berliner Alternative Grunger von Nape werden mit ihrem 90er Grunge-Noise-Sound und Liveshow zum Abgehen einladen.
Ebenfalls ein Kracher und für eine wahnsinns Live Show bekannt sindMencouch mit ihrem 90s-Crossover-NuMetal, der an Größen wie Rage, Slipknot und Silverchair erinnern mag, wird gesprungen und genickt was der Nacken hergibt!
Und dann haben wir ganz frisch dazu bekommen Pandora’s Bliss. Diese Grunge Göttinnen (+ einen Drum-Tier) werden euch so dermaßen den Arsch rocken! Ein absolutes Glück diese Band in diesem Rahmen sehen zu können, nicht verpassen!!!

Aftershow:
DJ Pearl Jeans und DJ Masche (Star FM) werden zur Aftershow die verstaubten 90er MixTapes mit Rock, Grunge, und Noise auf das Parkett werfen.

Nape (Grunge-Noise-Alternative)
https://www.youtube.com/watch?time_continue=8&v=RRx4by2NfzY

Mencouch (NuMetal-Crossover)
https://www.youtube.com/watch?v=iG9OadNTWJY



Svartanatt, Mourning Ritual, The Steve Burner Project Experience

Easy Tiger and Electric Avenue Music Present:

Svartanatt – Sweden
Mourning Ritual – Berlin
The Steve Burner Project Experience – Sauerland/ Berlin

SVARTANATT (Sweden – 60’s/70’s heavy rock) – This Stockholm based Swedish band has a classic and timeless sound that can be traced back in time to the 60´s and 70´s. With sharp vocals on top of organ driven heavy guitar rock, the songs come alive and tell a story of their own.

Listen: https://thesignrecords.bandcamp.com/album/svartanatt-svartanatt
Watch: https://youtu.be/f2xHQcrmPTE
Follow: https://www.facebook.com/svartanatt/

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MOURNING RITUAL (Berlin – Doom) – Crushingly heavy Doom/ Sludge band started by 4 degenerates hailing from America and England with only one thing on their minds, creating thunderous music that makes the earth shake and faces melt.

Follow: https://www.facebook.com/MourningRitualBand/

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THE STEVE BURNER PROJECT EXPERIENCE – (Sauerland/Berlin – Hot Rock) – Wer sich da nicht die Finger verbrennt ist selber schuld. Wenn Steve Burner mit seiner Project Experience loslegt gibt es kein entkommen. Mit ihrem Mix aus Hard Rock, Punk und Blues zeigen sie, wie man selbst heute noch den Rock der 70er leben kann.
Live kommt man auch schnell mal in den Genuss einer brennenden Gitarre oder findet sich selbst auf einer gestürmten Bühne wieder. Wo die Fachpresse Ähnlichkeiten zu Turbonegro nennt hört der ein oder andere doch eher den Einfluss von Bands wie ZZ Top oder Motörhead. Fakt ist: Es macht tierisch Bock; und dank Selbstironie und Hingabe entsteht etwas völlig Einzigartiges.
Also folgt dem BURNING WAY OF LIFE!!!

Watch and listen: https://youtu.be/YAa_Fj80VGY
Follow: https://www.facebook.com/TheSteveBurnerProjectExperience/

 

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Milk Me Presents: Crack Cloud

 

Crack Cloud is a multimedia collective, comprising members from different cities, ethnicities and origins, who contribute to the sound, visual aesthetic and beyond – but their latest release, Anchoring Point, is helmed by seven key members. Taking its sonic influence from the likes of Gang Of Four, Fela Kuti and Talking Heads, its visuals from hip hop and the found footage aesthetic of the ‘90s, and its political ethos from thinkers like Malcolm X and Lydia Lunch, Anchoring Point is a barbed, lurching thing, a cacophony of punchy fragments, funk-laced bass riffs and experimental soundscapes. “We wanted to be expressive in a way that could be erratic but cohesive at the same time,” explains Choy. “Emotionally, it zig-zags. We wanted it to take a life of its own; a life in flux.”

There’s a political undertone to much of Anchoring Point – its lyrics, its sound, even the EP’s artwork, which declares itself to be “how they refer to the latest vendible thing from Crack Cloud. For fun and profit!” But if there’s an agenda to their music, says Choy, “the agenda is humanity and compassion. We invite people to meditate openly about their privilege. Their vice. Their pride and their vulnerability.” Both he and partner Mohammad Ali Sharar are immigrants who struggled with addiction – Choy’s triggered by the death of his father, Mohammad Ali from the cultural turbulence that came from the racism he experienced from outside his community, and the rejection from within it when he started to question Islam. They’ve redefined themselves in sobriety and work together in the mental health industry, facilitating safe spaces based on the harm reduction model for vulnerable and marginalized people in Downtown Vancouver. Crack Cloud is informed by these experiences, past and present.

These experiences inform the work in ways Choy and the collective don’t always attempt to tame or control. ‘Empty Cell’, for example, is a “stream-of-consciousness piece,” made up of different voices from different angles. It follows EP opener ‘Graph Of Desire’, a punky duet of sorts, with shades of early Bowie, that comes in at just a minute and a half long, and precedes ‘Image Craft’, which has a melody like a ticking clock and a video that evokes Lynch’s Eraserhead. “Each song on Anchoring Point,” says Choy, “is one piece of the pie.”

And what does the pie as a whole look like? Choy’s not sure exactly. “It creates a messy picture. We hope people can resonate with its messiness. Thoughts and feelings are ephemeral and there is always a new insight to have and a new connection to be sought after, and it’s a celebration of that. Old and new. And the Anchoring Point in-between.”

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This is Nowhere / Able Bodies / Jealous

Einlass: 20:00 // Beginn: 21:00

Baby Satan Records are a minute before releasing their first compilation and having a night of 3 bands that will take part in the compilation:

This is Nowhere (Thessaloniki, GR)
Able Bodies (Berlin, DE)
Jealous (Berlin, DE)

this is nowhere (Nasoni Records)
Starting in 2009, lost in a no man’s land among psychedelia, noise, blues, experimental and desert rock, This is Nowhere released their first recordings via their collective label “Hands in Sand”.
Fast forward a few years and after several recording sessions and live shows, in January 2014 their first full length LP “Turn On/ Tune Down/ Drop D” was released by the legendary “Nasoni Records” label in Berlin.
Their sound has evolved a bit since then, incorporating elements of noise rock, dub and shoegaze through delays, bass and more bass…
The band’s second album “Music to Relapse” was released in 2016, also by Nasoni records.
The same year, their live reproduction of The Velvet Underground’s “White Light / White Heat” was released by Lotus Releases and Melotron Recordings for the 2016 Record Store Day.
At the end of 2017, moving towards even noisier soundscapes, the band recorded their new album “Grim Pop”.
The band, now with the addition of synths and theremin by new member Eva Duru, is mixing their acid rock with dance rhythms, minimal basslines and pop elements.

https://thisisnowhere.bandcamp.com/

Able Bodies (Baby Satan Records)
Four apathetic, noisy men with a general disdain for doing anything the easy way, Berlin four-piece Able Bodies came together at the end of 2016. Writing punk-informed noise-pop jams that are equal parts sing-along melodies, equal parts droning motorik-repetition and equal parts feedback, the band put out a well-received 3 track demo in Spring 2017 before issuing their first 7” single on Berlin-based Baby Satan records in January 2018.

https://ablebodiesberlin.bandcamp.com/

Jealous (Baby Satan Records)
A fresh new Berlin based band from the edges of the desert (Phoenix / Tel Aviv/ Jerusalem), inspired by lipstick and bad relationships. sounds like 90s pissed off cartoons, sassy and stoned cheerleaders, and 70’s trash-glam-kids.
A bit garagey, a bit grungy, a bit bipolar.
Hard, dirty and sticky sweet.

https://soundcloud.com/jealousbabes

Entrance: 10 €

Timetable:
20:00 doors open
21:00 Jealous
21:50 Able Bodies
22:50 This is Nowhere



T’ien Lai • Xenony

GreyZone Concerts & Promotion and Dawn of the Dance are happy to present

T’ien Lai (PL, band comprising Stara Rzeka) + Xenony (PL)

T’ien Lai is an electronic/organic band playing dirty rhythms. The quartet is comprised of musicians from Innercity Ensemble, Hati, Stara Rzeka, Alameda 5. The band played such festivals as CTM (Berlin), Phono (Odense), Mutek (Montreal), Luminato (Toronto) and Unsound (Krakow). T’ien Lai are known for their extraordinary live shows in which they combine radio sets, samplers, sythesizers, effects and vocals with congas, gongs, bells, horns and cymbals.

They are coming along with Xenony, an electronic trio conducted by Piotr Bukowski (Hokei, Stwory, Duży Jack) exploring the pioneer and imaginative fields of electronics of the early 80s and 90s. This will be the band’s promo tour for their upcoming record out on Instant Classic.



Nocturnal Emissions + Simon Crab

Mannequin (Label + Mailorder), [aufnahme + wiedergabe] and Post-Punk.com present:

Nocturnal Emissions (UK) live
www.earthlydelights.co.uk
www.nocturnalemissions.bandcamp.com

Nocturnal Emissions has been one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-minded artists like Throbbing Gristle and Cabaret Voltaire. The band moved on to using samplers and electronic noise in their early ’80s work, creating a twisted funk sound that would go on to influence everyone from Foetus to Negativland. They still utilized their former tricks, upping the ante with extremist performance art and more professional video displays. The group avoided signing to a major label, instead focusing on releasing their own music more effectively. They followed this path into the ’90s when they started www.earthlydelights.co.uk, an incredibly detailed website that promotes their various ideologies (they are strongly against the British monarchy and believe that citizens should have unlimited access to space travel) and constant release schedule. The band has released countless tapes and CDs of their material, and continues to unleash their noise through their website. Mannequin hast just released a compilation focusing on Nocturnal Emissions’ work between 1980 and 1989

Simon Crab (bourbonese qualk) (UK) live
www.simoncrab.com
www.simoncrab.bandcamp.com

Simon Crab is probably most well known as the founder and main-man of the power-electronics/Industrial, Post-rock, neo-no- wave, electro-acoustic, gabber-techno, dub-ethno-jazz-funk band—Bourbonese Qualk, as well as Sunseaster, an experimental-improvised-electro-acoustic noise project. Crab also learned traditional African and Middle Eastern music and is a member of London’s Gamelan orchestra.

Philipp Strobel (DE)
www.aufnahmeundwiedergabe.de

Alessandro Adriani (IT)
www.mannequinrecords.com

the two men behind [aufnahme + wiedergabe] and Mannequin (Label + Mailorder) will showcase a special selection of influential and contemporary Industrial sounds for this occasion.

URBAN SPREE (RAW-Area)
Revaler Str. 99/Warschauer Str.
10245 Berlin

Tickets: http://aufnahmeundwiedergabe.bigcartel.com/product/tickets-nocturnal-emissions-simon-crab-bourbonese-qualk-live-in-berlin-11-01-2018

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