We found – 94 articles for Alt Går Bra

Big ‡ Brave • My Disco • Nonn

 

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⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

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presale ends thursday may 16th 6pm.
limited to 250 spots!
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⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

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Reverend Beat-Man & Izobel Garcia – Record Release Tour

Presenting the release of their new album
BAILE BRUJA MUERTO !
LIVE on stage :
Reverend Beat-Man & Izobel Garcia

+++ Support Act : Trixie & The Trainwrecks !!

The master of Blues Trash and sister Izobel finally released their hit-album.

Let’s celebrate a mass !

Come tall, come small to the church of Rock’n’Roll !
Get down to the sounds of Voodoo Rhythm !

Reverend Beat-Man Teams up with Los Angeles/ Mexican Femme Mysteria and Voice of the Century Izobel Garcia and gives you the full blast in Blues Trash Folk Noir and Dark Cumbia incl. obnoxious Cover Versions from: Venom, the Doors and Chavela Vargas.

Tickets available here.



Berlin Risofest – Celebration of DIY Printing

The Berlin Risofest is the first event to bring together the city’s top Risograph printers, artists and studios, in a day of exhibitions, workshops, performances, booklaunches and parties.

Featuring:

– A showcase of the work of:
Colorama
Drucken3000 Risografie
Lucky Punch Press / Die Brueder
PogoBooks / Outer Space Press
Zirkumflex
We make it
BLINKBLINK
Penthaus für schöne Formate / Kunst Werk Stadt Berlin
Riso Club Leipzig
Inkwell Press (https://www.instagram.com/inkwellspa)

The events confirmed so far include:

– a Riso-printed wallpaper installation curated by Luca Bogoni Design Studio, with guest artist Bene Rohlmann, Guillaume Kashima, Anna Niestroj

– the launch (at long last) of the English version of the book RISOMANIA, a project by Vetro Editions, published by Niggli Verlag

– a live mimeograph printing/poetry reading performance by poet Martin Jackson, among many other things the author of what may be the only poem ever written about the Riso

Kunsthochschule Berlin Weißensee‘s mimeographed artworks

– DJs Stella Zekri and Dj Die Soon playing during the day and night, as well as more special guests. Live music performance by Infinite Livez (Big Dada). And we are delighted to have Flux FM on board!

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PROGRAM:

14.00: LIVE VINYL SETS from Stella Zekri and LaGazo.

15.00: RISOGRAPH WORKSHOP 1 with Drucken 3000 and Colorama.

15.00: LIVE DRAWING from Guillaume Kashima, fusing illustration and Riso printing.

1600: RISO WALLPAPER INSTALLATION.

1700: LAUNCH of Spektrum Crush zine 2, a Riso-printed visual anthology of artists working with video games or digital garbage as a medium.

18.00: RISOGRAPH WORKSHOP 2 with Drucken 3000 and Colorama.

19.00: BOOK LAUNCH the English version of the book RISOMANIA, a project by Vetro Editions, published by Niggli Verlag.

19.30: MIMEO/POETRY with live mimeograph printing and poetry reading performance by Martin Jackson.

20.00: RISO PRINT AUCTION, all proceeds going to The Source Berlin – Sustainable Food Projects.

21.00: LIVE MUSIC from the legendary Infinite Livez (Ninja Tune/Big Dada)

22.00: DJ SET from Dj Die Soon.

23.01: DJ SET from DJ Scotch Bonnet (Small But Hard)

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Subscriptions for the Riso-printing workshop here:
https://www.facebook.com/events/201567207022966/?notif_t=plan_user_joined&notif_id=1493368228562385



Oranssi Pazuzu – Aluk Todolo – Cobalt

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Oranssi Pazuzu
“The trick is to avoid all the bands that are bragging about genre breaking or how mind blowing they are and just listen to Oranssi Pazuzu”. This quote from Fenriz’s radio show couldn’t have been a better spot on statement for the phenomenon that is Finland’s Oranssi Pazuzu.
Since their inception, Oranssi Pazuzu has never been satisfied to stick with a formula. Each album has seen the band expand upon its previous incarnation and then, like a supernova, blow it up and transform again into something recognizable but completely new. With their first two albums, they slowly built a fuzz for their unique take on black metal’s pscyhedelia and despite using this genre as a platform it was their third album, Valonielu (2013), that solidified the band’s position as one of the most forward-thinking and interesting metal bands and gave purists a ran for their money. With press and fans praising the brilliance of that album, their live shows established them even more to the point where their live experience could be compared to the ones of Pink Floyd, Swans and Neurosis. And that’s coming from everybody that witnessed them on their tours and festivals performances all around Europe.
Their return on 2016 with their fourth album, Värähtelijä, gives the band much more room to diverge and explore the vast regions of hypnotic progressive psychedelia and the nebulous outer limits of Scandinavian black metal. Songs explode with radiant ultraviolet color and plunge into the deep black darkness of innermost consciousness. If ‘Valonielu’ was the creation of a universe, ‘Värähtelijä’ is the magnification and expansion of its infinite boundaries. With the album ending up on many best albums of the year lists, and not only in the metal circles, 2017 will be the busiest year for the band on stage starting with the “Mental Possessed Tour” where the band brings with them 2 of their peers, Aluk Todolo and Cobalt (on their first European tour) on selected days and making this tour not to be missed!
The “Mental Possessed Tour” will also coincide with the reissues of Oranssi Pazuzu’s backcatalogue including their first 2 albums, which have been sold out since their release, an EP consisting of the band’s material from their 2010 split with Candy Cane and also a limited 10” vinyl with two unreleased songs, which will be sold only on their live dates!
Not meant for genre purists, Oranssi Pazuzu are on a trip all their own; modern electric pioneers on an expedition to unlock the keys to the hidden spaces all around and inside us.

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ALUK TODOLO is an instrumental power trio performing Occult Rock since 2004. Their music is a methodical exploration of the powers of musical trance. Part occult black metal fiend and part snide kraut menace, the band conjures rabid obsessive rhythms and abyssal disharmonic guitars, subliminal spiritualist vibrations and bizarre, magick summonings. ALUK TODOLO reduces psychedelic improvisation to a bare, telluric instrumentation, in which dry, spare percussion grievously mines the scrapes, shrieks and shimmer of mutated guitar and bass. The band’s sound is monolithic and stabbing, hypnotic but unpredictable, minimalist yet teeming: a dangerous, noxious coil of all things black.

The name ALUK TODOLO was brought back from a mountainous region of South Sulawesi in Indonesia, it’s an ancient religion with animist beliefs meaning «the Way of the Ancestors». The band toured in USA in 2009 and 2012, Southern Europe in May 2010 (France, Switzerland, Spain, Portugal), Northern Europe in April 2011 with MENACE RUINE (France, UK, Belgium, Netherlands, Germany, Denmark, Sweden, Czech republik, Switzerland) and Eastern Europe in May 2013 with the one man band LUSSURIA from New York (Belgium, Netherlands, Czech Republik, Poland, Austria, Hungaria, Croatia, Solvenia, Italia, France), around the Alps in June 2016 with SUM OF R from Switzerland (France, Switzerland, Germany, Poland, Czech Republik, Hungary, Austria). ALUK TODOLO opened for FAUST (German krautrock pioneers) in New York in October 2009. They have been invited by SUNN O))) to play the Roadburn Festival 2011 in the Tilburg – Netherlands and opened for them in June 2012. They played festivals such as Incubate (Netherlands), Stella Natura (usa), Dark Bombastic Evening (Romania), Mega Therion (Finland), Colmar Jazz Off (France), Luff (Switzerland), le Guess Who ? (Netherlands), Sonic Protest (France), Funkelfug (Austria), Amplifest (Portugal), Chaos Descends (Germany), and will play in 2017 the Stardust IV (New York USA) and the Roadburn (Netherlands).

An archive collection of rare recordings from their first decade will be released in 2017 as well as the 4 albums on tape on Seratusribu records from Indonesia.

Bandcamp (online discography): http://aluktodolo.bandcamp.com/

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Cobalt

War Metal is the most fitting title Cobalt could choose to kick off their career. There is a deep sense of struggle and urgency, a devastating cause that left absolute carnage through its path that the band’s music radiated since the time of their inception. Cobalt, as nature, is red in tooth and claw, and there is no desire of hiding it.

This struggle, this unbroken will to battle and conflict was peaked with the genre-defining Eater of Birds, a testament to the spirit of the US black metal scene. Pouring with aggression and oozing with a primal energy, Cobalt showcased a unique blend of bitter black metal, a traditional approach that was rehashed and in turn rejuvenated. The additions of Americana, folk and noise do not necessarily provide an experimental approach to black metal, but rather a different interpretation of its historic, pure form. The imagery of Hemingway on the cover of Gin makes perfect sense, depicting the literary background of Gin and its influence on Cobalt’s ethos: the perfection of one’s craft, the certainty and conviction to one’s belief and the stoic perspective.

Hemingway’s famously writes: “The world breaks everyone, and afterward, some are strong at the broken places.” This could not be more true for Cobalt, who saw the departure of vocalist Phil McSorley in 2014. Mainman Erik Wunder did not allow this to become the end of the road for his black metal endeavors, and recruiting Charlie Fell (ex-Lord Mantis) has worked wonders for the band and the quality of their releases. In 2016 they proved that they belong at the very top of the food chain releasing what is their finest work in Slow Forever, a double album filled with all the elements that their glorious past has produced, but also with an eye staring at the future and the path that lays ahead. This is Cobalt at its best. Uncompromising, relentless, hungry, constantly hunting and out for blood.

https://www.facebook.com/COBALT-109020659128531/

 

Presale Tickets (VVK) 

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Rusconi & Hildegard Lernt Fliegen Live in Berlin

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RUSCONI sind Stefan Rusconi (piano, synth, vocals, space echo & sound preparations), Fabian Gisler (double bass, guitar, vocals) und Claudio Strüby (drums, percussion, vocals, glockenspiel & tape). Seit Ihrer Gründung in Zürich haben sie während über 300 Konzerten ein fast telepathisches Verständnis füreinander und die Kräfte der jeweiligen Musen entwickelt. Wild wird von Komposition zu Improvisation gewechselt, elektronische und analoge Instrumente durcheinander gemischt. Scheinbar divergente Einflüsse, wie Miles Davis und Aphex Twin, Radiohead und Paul Bley sowie Sonic Youth und Nils Wogram schmelzen zu einer Musik die ohne Zweifel ihre eigene ist.

„History Sugar Dream“ macht mächtig Freude und beweist (wenn man denn einen Beweis benötigt), dass Innovation und Experimentierfreudigkeit nicht nur zugänglich sondern geradezu wahrhaftig abenteuerlich sein kann.

TEXT von Hanspeter ‚Düsi’ Künzler, Februar 2014, London

HILDEGARD LERNT FLIEGEN ist keine Band, sondern ein Sturm. Man kauft ein Ticket und erwartet ein Konzert, doch was man bekommt ist ein theatralischer Anschlag auf das Musikverständnis, eine Dada-Party, eine einzige Aufregung. Bandkopf Andreas Schaerer lässt seine sprudelnde Fantasie mit Vollgas aufs Publikum los, und das feiert das Schweizer Sextett wie die Rettung der Kunst vor sich selbst. Das namenlose Debütalbum schlug ein, der Nachfolger ebenso, und die Band tourte mit ihrer Mischung aus Jazzrock, Tarantella, Zirkus-Blues, Swing und Oper durch halb Europa, Russland und China. Der Drittling von Hildegard lernt fliegen “The fundamental rhythm of unpolished brains” setzt dort an wo die Band aufgehört hat. Gewitzt setzen die Schweizer ängstlichen Biedermeiern frische Ideen entgegen, stürzen sich als Sandkorn ins Getriebe des Gleichklangs. Die Band lässt Konventionen hinter sich, erhebt Nonkonformismus nicht zum Dogma und zeigt bei aller Präzision umwerfenden Witz. Für Hildegards hinreißende Frechheiten weiß Andreas Schaerer eine griffige Formel: „im Jazz gibt’s kein richtig oder falsch!“ Eine ewig zappende Gruppe – ein famoses Chaos!

Mehr Infos hier:
http://www.hildegardlerntfliegen.ch/

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