We found – 14 articles for Andreas

Mira Mann Andreas Spechtl – Double Releaseshow

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Mira Mann
“Ich mag das” Releaseshow
Okt 2019 Problembär Records / Seayou Entertainment

Andreas Spechtl
“Strategies” Releaseshow
Mai 2019 bureau b

Mira Mann (Candellilla) und Andreas Spechtl (Ja Panik!)
haben tolle Alben aufgenommen, die sie bei ihrer Berlin Double Record Releaseshow am 25. Oktober live vorstellen werden
https://taz.de/Andreas-Spechtls-Album-Strategies/!5604763

Vorverkauf

Ticketbude
https://tinyurl.com/y2xa92p9

KoKa36
http://tinyurl.com/yy9bhh7r

gefördert durch die Musicboard Berlin GmbH.
inklusives, barrierefreies Konzert

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Tonbruket – Berlin

Tonbruket are heading into their 10th year of existence with the release of their fifth album in the autumn of 2019. They have won a Swedish Grammy for all their previous four studio albums in the category jazz, but their music is the very example of cross over. With members having backgrounds in bands as E.S.T., Wildbirds and Peacedrums and The Soundtrack of Our Lives the music travels from jazz, folk, rock, world and back again.

The fifth, yet untitled, album will be released by ACT Music in the autumn of 2019.

Tonbruket are:
Dan Berglund – Double bass
Johan Lindström – Guitars, pedal steel
Martin Hederos – Piano, keyboards, violin
Andreas Werliin – Drums

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Cronovisione Italiana

Undogmatisch,
presents the new release “Cronovisione Italiana” by Carlo Domenico Valyum.

CRONOVISIONE ITALIANA’s concept is a space-time journey by the researcher, experimenter, inventor, Carlo Domenico Valyum, through the TV media since its invention. Graduated in engineering and born in Turin at the end of the nineteenth century.
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_ CARLO DOMENICO VALYUM _ A/V live (Undogmatisch)

_ T.RAUMSCHMIERE _ Ambient Set live (Shitkatapult/Kompakt)

_ JD ZAZIE _ dj set (Burp Enterprise)
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CARLO DOMENICO VALYUM

…“After years of constant work on the development of his machines in February of ’37, Carlo Domenico manages to intercept anomalous audio/video electromagnetic waves. This important finding will be all that remains as a real testimony to his enormous work as a researcher and inventor. No other documents or inventions, to provide evidence of Carlo Domenico’s realisations, have so far come to light; including his much sought after secret diary and personal notes
Since 1939, news of him has become evermore a mystery. Some documents testify to his presence in various places at the same time, creating a sometimes confused map with many question marks but confirming his ability of physical and temporal bilocation,
At the end of August 2014, in Berlin, the existence of the briefcase containing the material intercepted in 1937, recorded on to VHS in the 70s, is casually discovered. And what is immediately clear is that Carlo Domenico Valyum in February 1937 had intercepted and further recorded electromagnetic waves coming from future Italian television broadcasts over a period of time between 1976 up until December 9, 1989, the day before his alleged death.
To date, all the documents are filed together along with the analogue copy under the title Dossier Carlo Domenico Valyum“.

https://soundcloud.com/user-789185925
https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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T.RAUMSCHMIERE

Marco Haas started his musical career as an inventor.
First, he invented a framework, and then himself. Initially, the record company founded by him and Marcus Stolz in Heidelberg served as a mere vehicle for the recordings of his band “Stormbow”. It was the year 1997 and “Stormbow” was an eminently talented band with Marco Haas on drums – one of several eminently talented bands, however, to be found in Baden-Württemberg, the Palatinate, the Ruhr region. Unique, on the other hand, was that newly minted vehicle called “Shitkatapult”.
In 1998, Marco Haas relocated his life and label operations to Berlin – and to the world of electronic music, which he took into his dark heart and as an opportunity to rename himself after characters of a William S. Burroughs story: the Dreamcops, translated into 50’s German as “Traumschmiere” and marked for a new tomorrow by a smartly placed period. T.Raumschmiere was born, and a bold new chapter of electronic music from Berlin was being written. His first full-length releases on Shitkatapult were dedicated to the darkly charged traces of an electronic music that combined bass drum and ambient, snottiness and greatness: Stromschleifen (Shitkatapult, 2000), Zartbitter (Shitkatapult 2002). At the same time, some 12″es were spotted on Cologne’s Kompakt imprint: Boltzplatz (Kompakt 2000), Musick (Kompakt 2001). The latter were big rave news with a terrific sawtooth confidence, an iconized rock masculinity that didn’t only go all jolly and funny, but also big and serious.
On Kompakt, the real shit always pointed more towards Wolfgang Voigt, to the realm of inventions. In 2002, Marco Haas as T.Raumschmiere topped off this era with a milestone ambient double album on the it-label at the time, Chicago’s Hefty, rated artistically worthwhile and endowed with yet another clearcut name from the treasure chest of awesome inventions: Anti (Hefty 2002). Worldwide tours followed quickly.
And it’s precisely here that the next stunner drops: the man, not a studio nerd (although he is), but first and foremost an event beyond compare, a performer extraordinaire who puts rave and techno, rock and roll, live and crass and black and dark all into one word, one riff like never before, in an endless series of smashed tables, exploded mixing desks and open mouths. A star was born. Self-made and crazed-out. The whole shebang got consolidated on a Shitkatapult album, cobbled together from the most important material of the aforementioned releases and one ingenious claim: T.Raumschmiere – The Great Rock N Roll Swindle (Shitkatapult, 2003). A pretty big whopper in the techno circus.
Freak-outs ensued. Daniel Miller had to have it and T.Raumschmiere got signed on Novamute, the club outlet from London’s Mute label, which was just about to swim towards the EMI shark, or rather whale belly. T.Raumschmiere was in the right place at the right time, a big label with towering fellows such as Luke Slater, Plastikman, Speedy J, Motor, Cristian Vogel and so on and so forth. T.Raumschmiere scored a mega hit with Monstertruckdriver (Novamute, 2003) and became a staple in the line-ups of all the essential clubs and festivals.
But by the time his second Novamute full-length Blitzkrieg Pop (Novamute, 2005) came around, he was already sick of it and presented a dumbfounded audience with a rock-primed album full of songs and riffs that carved out their niche somewhere between Nick Cave, Nine Inch Nails and Bohren, also relaunching T.Raumschmiere as an actual live band.
Quite honestly, many were disapointed with the new rock paradigm and the tattooed insolence. Where’s our Sawtooth Rave King? It led right to the demise of EMI, a logical consequence among others. T.Raumschmiere released two more full-lengths on Shitkatapult… the dramatically underrated ambient masterpiece Random Noize Sessions Vol.1 (Shitkatapult, 2006), and his most-accomplished rock album I Tank U (Shitkatapult, 2008). But the fans were still demanding the “Monstertruckdriver” and a T.Raumschmiere trio bravely battled its way through gigs and tours. The next 5 years happened off-road, outside of the mainstream. And the ever-cooperating Marco Haas focussed on his studio work, especially for others such as Dieter Meier of Yello fame, Andreas Dorau, Fraktus, Ofrin or Barbara Morgenstern. In doing so, he also devotes himself to the depth of the technology and its systems. And constantly reinvents himself in the process.
In 2016, Shitkatapult sub label “Albumlabel” presented a pretty big ambient album without a tilte, which Haas recorded together with friend and colleague Ben Lauber (also known as drummer for the T.Raumschmiere band, Dendemann, Olli Schulz or as orchestral arranger and hero of projects). Marco Haas on a mission! Two full-lengths emerge from his collab with Ulli Bomans aka Schieres under the Shrubbn!! monicker (Echos, Shitkatapult 2012, and Europa, Shitkatapult 2016), alongside remixes for Dave Gahan, Warren Suicide or Apparat (for which Shrubbn!! also played support slots in Europe). A series of concerts with the exceptional Jazz/Noise guitarist Caspar Brötzmann (a collaborative 10″ will be released in April 2017 via Shitkatapult) furthered T.Raumschmiere’s steady quest for uncharted terrain. And didn’t exhaust the artist, but rather exploited full potential.
May 2017 will see Cologne’s Kompakt releasing his new, epic solo album called Heimat. Back to the roots – but also into heaven! This new full-length presents another side of T.Raumschmiere, which was always present, but never got much airtime: the artist, the author – the composer with the crystal-clear sound. A wonderful techno album that neither excludes Ambient, nor gets reduced to a constant ass kicking. It’s perhaps the best recording from this man who asks so deeply, so extensively, so much. And at some point even answers.

http://www.raumschmiere.com/
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JD ZAZIE

Born in Bolzano (IT), JD ZAZIE is a DJ, avant-turntablist and sound artist based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.
Intended as music instruments CDjs, turntables and mixer are her tools to mix the specific sound-sources she plays (mostly electronic music, electroacoustic music, musique concrète, field recordings and improvised music).
The typology of the sound-sources varies from already existing audio publications and sound effects, to self recorded audio files – as live-set and field-recordings -, to selected pre-mixed material. Juxtaposition, decontextualization, fragmentation, repetition, sonic texture, scratch and error are elements of the grammar adopted to relate, organize and rearrange the sound material.
In her sound installations she explores everyday life, refers to urbanism and relates to sound atmosphere.
She is a member of the Italian label Burp Enterprise and co-runs Staalplaat Radio.
She has participated in numerous exhibitions and events including Simultan festival (RU), Berlin Atonal (DE), All Ears (NO), Heroines of Sound (DE), Reheat festival (AT), High Zero festival (US), Music Unlimited #27 (AT), Tuned City Bruxelles (BE), Open Provocation festival (UK), Festival Rue du Nord (CH), Audiograft 2012 (UK), Echtzeitmusiktage 2010 (DE), STEIM’s Turntable Night #7 (NL), Avantgarde Festival Schiphorst (DE).

jdzazie.tumblr.com
www.burpenterprise.com/burp/units/jd-zazie/
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Presentation:of Carlo Domenico Valyum “CRONOVISIONE ITALIANA” Limited Edition Box Set hardback bound in cloth with hotstamp (2xLP/VHS/CD/Booklet).

Carlo Domenico Valyum “CRONOVISIONE ITALIANA” (UNDOGMA2) is distributed by ready made Distribution, Audioglobe and on Bandcamp (release date February, 23rd, 2018).
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Urban Spree
Revalerstrasse 99
Berlin

Entrance: 10,- €
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https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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Book Release & Exhibition: Tacheles-Buch by Stefan Schilling

Urban Spree proudly presents:”TACHELES – die Geschichte des Kunsthauses in Fotografien von Stefan Schilling”, a book release and print exhibition about the story of the defunct and cult Berliner Kunsthaus by one of his longstanding photographers.

tacheles-buch

In 1990, the artist group Tacheles occupied in a temporary legal vacuum between the fall of the wall and Germany’s reunification parts of the decaying department store Wertheim in Oranienburger Straße and saved it for the time being from demolition. It developed to a unique art, action and event center, which was legendary for its mix of art and chaos. Until its eviction in September 2012, Stefan Schilling documented the history of this unique project with his photographs. He was one of the first who joined the artists’ initiative and the last who was expelled by the police during the evacuation of the area.

Stefan Schilling was part of the the underground Super 8 Film scene in the GDR. During his time at Tacheles he worked as a painter, graphic designer, silk screen printer, curator and photographer. Is currently working as assistant professor for graphic design.

 

Urban Spree Galerie

Thursday 16.09, 19:00

Book Signing and Exhibition

Intervention in German by Andreas Rost (Co-Founder Tacheles, Photographer, Curator, Assistant Professor)

Performance: Marva+Maschin-Klan

Marva+Maschin-Klan (mmk) is a strange objects, selfmade /modified instruments, german experimental noise and electro act founded by Marva H. Kübler in 1988. After beeing vocalist and bassplayer in a few punk / funk /wave bands and a performance artist at several festivals and galleries he started a solo-project with music, video art and strange stage objects. Influenced by the early illegal underground techno and hardcore clubs in Berlin at the time MarvaMK developed during the 90s a simplistic “krautrock-elektro” style and played live at some of the most influential music clubs like the SO36 and Tacheles, EIMER and Tresor Berlin. His videos and “weird” stage effects are used in his own shows but they have also been used in several movies and also by other artists and musicians like Rammstein, Bushido and Yvonne Catterfeld. They used MarvaMks work for their videos and on stage. The MMK also produced video DVDs and various CDs and performed with the band Elektronauten in the Feature Film Goodbye Lenin.

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TACHELES-BUCH-Präsentation und Ausstellung:

“TACHELES – die Geschichte des Kunsthauses in Fotografien von Stefan Schilling”

Performance: MARVA+MASCHIN-KLAN

Laudatio von Andreas Rost (Mitbegründer des Tacheles, Footgraf, Kurator, Dozent)

Die Künstlergruppe Tacheles besetzte 1990 im vorübergehend rechtsfreien Raum zwischen Mauerfall und Wiedervereinigung Teile des verfallenen Kaufhauses Wertheim an der Oranienburger Straße und rettete es vorerst vor dem Abriss. Es entwickelte sich ein einmaliges Kunst-, Aktions-und Veranstaltungszentrum, das mit einer Mischung aus Kunst und Chaos legendär war – bis zu seiner Räumung im September 2012. Stefan Schilling erzählt in seinen Fotografien die Geschichte dieses einzigartigen Projektes. Er war einer der Ersten, die sich der Künstlerinitiative anschlossen und der Letzte, den die Polizei bei der Räumung des Geländes verwies.

Über den Autor

Stefan Schilling kommt aus der Super-8-Film Undergroundszene der DDR. Er war im Kunsthaus Tacheles als Maler, Grafiker, Siebdrucker, Kurator und Fotograf tätig. Heute ist er als Dozent für Grafik Design tätig.



Book Release: Tacheles by Stefan Schilling

Urban Spree proudly presents:“TACHELES – die Geschichte des Kunsthauses in Fotografien von Stefan Schilling”, a book release and print exhibition about the story of the defunct and cult Berliner Kunsthaus by one of his longstanding photographers.

tacheles-buch

In 1990, the artist group Tacheles occupied in a temporary legal vacuum between the fall of the wall and Germany’s reunification parts of the decaying department store Wertheim in Oranienburger Straße and saved it for the time being from demolition. It developed to a unique art, action and event center, which was legendary for its mix of art and chaos. Until its eviction in September 2012, Stefan Schilling documented the history of this unique project with his photographs. He was one of the first who joined the artists’ initiative and the last who was expelled by the police during the evacuation of the area.

Stefan Schilling was part of the the underground Super 8 Film scene in the GDR. During his time at Tacheles he worked as a painter, graphic designer, silk screen printer, curator and photographer. Is currently working as assistant professor for graphic design.

The book is being published by the German publisher Braus.

 

Urban Spree Galerie

Friday 16.09, 19:00

Book Signing and Exhibition

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Intervention in German by Andreas Rost (Co-Founder Tacheles, Photographer, Curator, Assistant Professor)

Performance: Marva+Maschin-Klan

Marva+Maschin-Klan (mmk) is a strange objects, selfmade /modified instruments, german experimental noise and electro act founded by Marva H. Kübler in 1988. After beeing vocalist and bassplayer in a few punk / funk /wave bands and a performance artist at several festivals and galleries he started a solo-project with music, video art and strange stage objects. Influenced by the early illegal underground techno and hardcore clubs in Berlin at the time MarvaMK developed during the 90s a simplistic “krautrock-elektro” style and played live at some of the most influential music clubs like the SO36 and Tacheles, EIMER and Tresor Berlin. His videos and “weird” stage effects are used in his own shows but they have also been used in several movies and also by other artists and musicians like Rammstein, Bushido and Yvonne Catterfeld. They used MarvaMks work for their videos and on stage. The MMK also produced video DVDs and various CDs and performed with the band Elektronauten in the Feature Film Goodbye Lenin.

______________________________________________________________________

TACHELES-BUCH-Präsentation und Ausstellung:

“TACHELES – die Geschichte des Kunsthauses in Fotografien von Stefan Schilling”

Performance: MARVA+MASCHIN-KLAN

Laudatio von Andreas Rost (Mitbegründer des Tacheles, Footgraf, Kurator, Dozent)

Die Künstlergruppe Tacheles besetzte 1990 im vorübergehend rechtsfreien Raum zwischen Mauerfall und Wiedervereinigung Teile des verfallenen Kaufhauses Wertheim an der Oranienburger Straße und rettete es vorerst vor dem Abriss. Es entwickelte sich ein einmaliges Kunst-, Aktions-und Veranstaltungszentrum, das mit einer Mischung aus Kunst und Chaos legendär war – bis zu seiner Räumung im September 2012. Stefan Schilling erzählt in seinen Fotografien die Geschichte dieses einzigartigen Projektes. Er war einer der Ersten, die sich der Künstlerinitiative anschlossen und der Letzte, den die Polizei bei der Räumung des Geländes verwies.

Über den Autor

Stefan Schilling kommt aus der Super-8-Film Undergroundszene der DDR. Er war im Kunsthaus Tacheles als Maler, Grafiker, Siebdrucker, Kurator und Fotograf tätig. Heute ist er als Dozent für Grafik Design tätig.



Matthias Gephart: Rare Shots On Planet X

Urban Spree proudly presents “Rare Shots on Planet X – The Disturbanity Book” – an exuberant solo exhibition and book presentation by german artist Matthias Gephart.

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The Berlin-based artist, whose spectrum ranges from graffiti and typography to collage, illustration and photography, combines this variety of disciplines in a virtuoso manner. The continous fusion of art and life is programmatic here in the graphic melting pot named Disturbanity.

The monograph retraces punk and graffiti and their mutual impact as significant inspirations which extends the artist’s personal story to an assemblage of alternative and attitude, of urban subculture and DIY.” (Annika Hirsekorn, Neurotitan Galerie)

Matthias Gephart’s monograph “Rare Shots on Planet X – The Disturbanity Book” is a journey through 25 years of visual creation. The show will present its content to the Berlin audience for the first time on a large-scale level. Self-financed via crowdfunding, released by publishing house Kettler at the Frankfurt book fair in 2015 and awarded by New Yorks art and design magazine Creative Quarterly, the limited edition book is available at Urban Spree and will be signed for you by the artist at the vernissage evening.

In a positive way: Overkill!” (Andreas Löhr, Fliehende Stürme)

Matthias Gephart: Rare Shots On Planet X

– A Solo Show at Urban Spree Galerie, Berlin –

Opening: Friday 25.03.2016, 19:00 h

DJ: Phillip Strobel (aufnahme+wiedergabe) 

Exhibition: March 26th to April 14th, 2016

Open Tuesday to Sunday, 12:00 – 19:00h

www.disturbanity.com

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