The Cosmic Dead are a jam rock collective from Glasgow, Scotland, playing a mixture of psych, drone, space and kraut elements.
The Cosmic Dead are a jam rock collective from Glasgow, Scotland, playing a mixture of psych, drone, space and kraut elements.
obnoxious ouroboros presents
⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
presale (in 3 simple steps):
1. send 15€ per person to email@example.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door
presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door
spread the gospel, invite your grannies & join the madness
⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙
Forensics presents Automelodi and Luminance live in Berlin
【 LIVE 】
❯ Automelodi [Montréal]
Automelodi is Montréal based producer and
songwriter Xavier Paradis, whose 2013 full-length
Surlendemains Acides remains one of the most well
produced and memorable synth-based works of the
On March 30, 2018 Holodeck Records is
proud to reissue this evocative collection of songs on
LP, cassette and digital download. Delivered in
French, Automelodi is the result of Paradis’ passion
for analog electronics and devotion to brooding pop
sensibilities. Surlendemains Acides has been out of
print for several years, and now to the delight of
hardware enthusiasts and fans alike, this classic is
given a second life.
Paradis is a well-established figure in Montréal’s
dense electronic music culture, and Automelodi has
become one of the most innovative projects to come
out of the region that has produced pioneers like
Marie Davidson and Tim Hecker. Paradis shows the
exquisite ability to arrange with a careful ear for
texture, forming each song element with rich
expression and character. His process of composing
with analog synthesizers and drum machines like the
Moog MG-1 and the Roland TR-808 is used in
combination with field recorded “found sound”
allowing Paradis to write with a palate that is
aesthetically wide-ranging but chosen with precision.
Paradis’ persona as a weary romantic is at the heart
of Surlendemains Acides and extends well beyond
the studio. Paradis’ charm and sleek aesthetic
translate smoothly to his live show and music videos,
with swaggering stage presence and seductive
Automelodi is internationally recognized in
underground electronic circles as an artist of the
highest caliber with an inspiring but rare discography.
Holodeck is honored to work with Automelodi and
add Surlendemains Acides to its catalog.
❯ Luminance [Brussels]
LUMINANCE is a project of DA (also guitarist of band Soror Dolorosa), founded in Brussels in 2012 .
The music is a mix of new wave , synthpop , electronic with cold and cloudy vibes floating around it, inspired by cold wave, synthpop, post punk, and all kinds of music from the 80’s but definitely bathing in the present moment.
Echoing drums in the distance, vaporous winds bearing the old voices, here to guide us through the coldness of the city, towards the ancestral light.
【 DJ SETS 】
Based in Berlin, Al Niklaus grew up in Paris where he evolved in the goth and punk scenes in his early teenage years.
After moving to Berlin almost 10 years ago, he discovered techno and noise music which have since completed his sets. Former DJ at Drone Berlin, a rhythmic noise and industrial techno event, he has since DJed at many wave and goth events such as TIQ Berlin and at industrial techno festivals.
Always expanding his playlist, Al Niklaus is versatile and a true chameleon, playing in turns wave, goth, noise, industrial, techno and EBM.
Now resident DJ at Tech Noire in Paris and Night Shift in Berlin since their inception, he is also one of the producers behind the projects.
He is also the co-president of 𝔉𝔬𝔯𝔢𝔫𝔰𝔦𝔠𝔰, an art collective that aims to promote subcultures and alternative music through the production of events, parties, concerts and festivals, and the representation of multifaceted artists.
Dinamita: third person singular, present simple. The event promoter and DJ Aurelia Dinamita (Trash Me, Dis/Tanz) has been enabling controlled explosions through her wave and post-punk sets that can induce to unpredictable states of stomp-dancing.
Aurelia started setting up fundraising events at underground squats that were summits where post-punk and wave joint forces along with queer and feminist politics. So much so that Trash Me, an event which had its sibling in Madrid at Sala Maravillas, was where she established herself as a DJ together with Schatten Voraus, her partner at the decks. Eventually, Trash Me became a bigger concept together with Dis/Tanz, a collective that throws sexpositive feminist soliparties.
As Amperia, she buries souls with rough industrial sets. Under this moniker, she is in charge of Autopoiesis together with dj Vela, which takes place at another berliner time hole, the notorious ://about blank.
Aurelia, who was born in the southern suburbs of Madrid, not only performs and digs into the art of mixing, but is also a workshop teacher and a sound technician along with the Sound Systers.
FRIDAY, MAY 10TH
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“Add Land” Record Release show
12. April 2019 Bureau B
ALEX ST JOAN
“Kick & Rise” EP Release show
3. Mai 2019 Zellephan Records
Dj ALBERTINE SARGES
For a decade TELLAVISION has been one of our most exciting sonic inventors, carving out her own inimitable style through her previous three albums, two EPs and countless tracks. New music abstractions echo against a backdrop of old Krautrock mechanical-motorik rhythms, allied to the physically gripping immediacy of techno and noise. Her concerts have consistently been nothing less than spectacular: she has sung and sampled beats from every imaginable and unimaginable variety of live percussion instruments; a loop station virtuoso, an engineer of a technically crafted musical “i” in which the innate and the alien mirror one another ad infinitum.
Tellavision has never sounded so immediate, so confident, so very much in the moment. This is her finest album to date:
“Drop utopia, / drop dystopia, / it’s all here”.
ALEX ST JOAN was born next to a flooded valley in Australia and raised on Greek myths and disco. Her debut EP “Kick & Rise” (Zellephan) features 4 distinctive songs that discard the posturing of youth and lay down what it is to be an adult; vulnerable and fully accountable. Whether using fractured synth-saxophones to hammer out a paean to self-determination or building a song around a heartbeat, ALEX ST JOAN is not taking the easy way out. “All of the things that you see as your failings are made up” is a contender for one of the most emotionally sharp lines of the year, yet it’s delivered with such hopeful romanticism one might be forgiven for not noticing the thorns amongst the flowers. These are adult dilemmas; not boy meets girl but woman meets morality, agency, self-actualisation. In merely 4 songs, ALEX ST JOAN builds a framework for us to face our fears, ask the tough questions and then let them go.
DIGITAL IN BERLIN und jungle.world
gefördert durch die Musicboard Berlin GmbH.
inklusives, barrierefreies Konzert
Gefördert durch die gigmit Initiative “Live Music Accelerator Berlin” (LMAB) mit Unterstützung durch Ticketmaster.
Presale: 14€ (plus fees)
Deathrite are Beff, Andy, Tony, Tom, and Anton. But that wasn’t always the case. As with most bands lineups change, but the original core—Beff, Andy, Tony—started jamming together in Dresden in 2010. Informed by punkandhardcore’s pissed off mentality, inspired by the sounds—namely, the buzzsaw guitar tone resulting from the Boss HM-2 pedal—of early stage Entombed and Dismember, and totally in awe of the opposite ends of grindcore and sludge, Deathrite’s style was unlikely but stabbed strongly at the heart of it all. There was no pretense in Deathrite. Only a bunch of likeminded Germans bonded by thingshard, fast, slow, and heavy..
Conceptually, Nightmare’s Reignisn’t a metaphor. Deathritewrite about death and darkness—literally, the consummation of two themes—most of the time, but on their Century Media debut, the lyrics tackle the topic of nightmares and theirpowerfulinfluence. The Germansare keenly interested in the force of nightmares, what they’re capable of inside and out of dreams.Songs like “Appetite for Murder,” “Bloodlust,” and “Temptation’s Call” were written about the powerful and frightful conditions brought on by nightmares, and how they might influence real-life decisions. Whereas Motörhead’s “Like a Nightmare” scratches the surface, Deathrite’s “Demon Soul” and title track delve deep into the darkest corners.
Tickets > https://bit.ly/2Pv8z3z
After our successful tour in East Asia, and before our next gigs in Spain, another edition of our satelital events is coming.
We are glad to announce our first event in 2019: TEOREMA BERLIN. A gig with high quality local artists, each participant with enormous value within the experimental music circuit.
Our playground in this city is going to be the very well know URBAN SPREE, a place where we aim to make a hot spot for our Teorema destinations in Berlin.
>> Day one- FREE Workshop : At Schneiders Laden
> Friday March 8th: Free workshops (19 to 21 hs)
Workshops are going to be happening at Scheiders Laden, there is no entrance fee. Together with Schneiders we will provide a evening of Modular Synth education on charge of Miquel Dangla.
TO PARTICIPATE, send us an email to firstname.lastname@example.org with the subject WORKSHOP TEOREMA where you will write your full name.
Only 20 spaces are available, deadline is Firday 8th March 15:00.
If you can go, please inform us so someone else can take your spot.
>> Day two- At UrbanSpree : Performances, live music, A/V, visuals and instalation.
> Saturday March 9th: Urban Spree, Berlin (18 to 06 hs)
We can not ask for more!
▓ Spit Mask (Live, USA)
▓ Sabina Ahn (Live, Korea)
▓ Mirages / Miquel Dangla (Live, Berlin)
▓ Loud Neighbor (Live, Berlin)
▓ Yaporigami (Live, Japan)
▓ Rosa Anschütz (Live, Vienna)
▓ BAKÁH (Live, Korea)
▓ Stauffer (Live, Spain)
▓ N u c l e a r A l t a r P r i s m a (Live, Berlin)
▓ Eyes Gone (Live, Berlin)
▓ N01R (Live, Berlin)
▓ Squaric (Arg)
Visual atcs >>
▓ Future Error
▓ Pilar Gost
▓ Andriana Tuesday
Art instalation >>
▓ Miquel Dangla (SchneidersLaden, Berlin)
Modular Synth Masterclass.
Workshops> This edition workshops will be happening at one of the hottest Berlin spots: Schneider Laden. We are proud to announce this partnership.
Education is a key part for Teorema, and so this is for Scheneider, that is why we are offering an evening of workshops learning.
Locatiion: Schneider Laden Skalitzer Str. 135A, 10999 Berlin, Germany
Time 19:00 to 21:00
Entrance fee: FREE with previous inscription.
We are thrilled to have this chance of collaborate.
We hope to see you there
PH by >>
▓ Natalia Garcia
Artwork by Jxxn