We found – 13 articles for Berlin Calling

Berlin Calling” Book Launch Party and Discussion

The American, Berlin-based author Paul Hockenos will present his latest book Berlin Calling: A Story of Anarchy, Music, the Wall and the Birth of the New Berlin (The New Press) at Urban Spree Galerie on June 17, 2017.

An exhilarating journey through the subcultures, occupied squats, and late-night scenes in the anarchic first few years of Berlin after the fall of the wall Berlin Calling is a gripping account of the 1989 “peaceful revolution” in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It’s the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day.

In a story stocked with fascinating characters from Berlin’s highly politicized undergrounds—including playwright Heiner Müller, cult figure Blixa Bargeld of the industrial band Einstürzende Neubauten, the internationally known French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto (founder of Love Parade), and David Bowie during his Ziggy Stardust incarnation—Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today.

Just as Mike Davis captured Los Angeles in his City of Quartz, Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.

Paul Hockenos is an American journalist and author who writes for The Nation, the Chronicle of Higher Education, Foreign Policy, the New York Times, and many other media outlets. He has held prize fellowships with the American Academy in Berlin, the European Journalism College, the German Marshall Fund of the United States, and the Carnegie Endowment for International Peace. He is the author of three books, including Joschka Fischer and the Making of the Berlin Republic, and lives in Berlin.

“Can unruly artists change the world? Or do they just provide the soundtrack to history? The Berlin of the 1980s is famous for two things: a wild counterculture and the surprising end of the Cold War. Paul Hockenos, who knows the city inside out, brings them together in a fast-paced, sometimes astonishing story of underground clubs, squatters, and dissidents.” Brian Ladd, author of The Ghosts of Berlin.



Berlin Calling” Book Launch Party and Discussion

The American, Berlin-based author Paul Hockenos will present his latest book Berlin Calling: A Story of Anarchy, Music, the Wall and the Birth of the New Berlin (The New Press) at Urban Spree Galerie on June 17, 2017.

An exhilarating journey through the subcultures, occupied squats, and late-night scenes in the anarchic first few years of Berlin after the fall of the wall Berlin Calling is a gripping account of the 1989 “peaceful revolution” in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It’s the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day.

In a story stocked with fascinating characters from Berlin’s highly politicized undergrounds—including playwright Heiner Müller, cult figure Blixa Bargeld of the industrial band Einstürzende Neubauten, the internationally known French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto (founder of Love Parade), and David Bowie during his Ziggy Stardust incarnation—Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today.

Just as Mike Davis captured Los Angeles in his City of Quartz, Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.

Paul Hockenos is an American journalist and author who writes for The Nation, the Chronicle of Higher Education, Foreign Policy, the New York Times, and many other media outlets. He has held prize fellowships with the American Academy in Berlin, the European Journalism College, the German Marshall Fund of the United States, and the Carnegie Endowment for International Peace. He is the author of three books, including Joschka Fischer and the Making of the Berlin Republic, and lives in Berlin.

“Can unruly artists change the world? Or do they just provide the soundtrack to history? The Berlin of the 1980s is famous for two things: a wild counterculture and the surprising end of the Cold War. Paul Hockenos, who knows the city inside out, brings them together in a fast-paced, sometimes astonishing story of underground clubs, squatters, and dissidents.” Brian Ladd, author of The Ghosts of Berlin

 

18:00 Opening of Berlin photographer Stefan Schilling exhibition on Mitte 1990

18:30 Open discussion with Paul Hockenos led by Felix Denk of Dummy magazine

19:00 – Planet’s former DJ Disko Daniel Bier on the console

 

 



Berlin Calling in Heerlen

Urban Spree Galerie is proud to be associated with “Berlin Calling”, a Berlin-themed and graffiti oriented Group Show at the Encore Concept Gallery in Heerlen in the Netherlands.

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Powered by Heerlen Murals, the show opens on Sunday, August 28th and features Berlin-based artists such as Base 23, Bruce, Mina, Chrisse Kunst, Felix Gephart, Matthias Gephart, Low Bros, Stohead, Untune and Poet.

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Berlin Calling

Encore concept gallery

Pancratiusstraat 48, 6411 KC Heerlen

28.09 – 02.10.2016



Automatic – Urban Spree, Berlin

 

Like all the best bands, Automatic found each other in an organic way. Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals) met in the DIY band scene of Los Angeles and started jamming together in 2017. Over the last year, they have become an important part of the L.A. Club circuit, sharing the stage with bands like Surfbort, Wand and Flatworms. On 27 September 2019 their debut album “Signal” will be released on Stones Throw / PIAS.

Lola was born into a punk household (her father is Kevin Haskins, the drummer of Bauhaus) and joined her first band, the art-rock outfit Blackblack, when she was just 13 years old. Halle and Izzy met in local bands in the northeast of L.A.; Izzy was a guitarist and singer, and Halle liked to plug her fretless bass into a guitar amp. Unimpressed by the masculine energy of the local scene and the rock music on the radio – “pumped out like plastic bottles into the ocean” – Izzy changed guitars into synths and joined Halle and Lola in 2017. They called themselves “Automatic” after a song by the Go-Go’s – the only (!) purely female band that ever wrote and recorded an entire album that reached number 1 in the charts in the USA.

Automatics guitarless setup seemed to leave a void in the sound at first, but their interplay gave them strength and they took their place in the scene. Empowerment in the best sense. They refined their sound and, informed by Neu! and Suicide, combined their preference for dub reggae, motoric rhythms and gnarled synthesizers with their cinematic pop understanding. In collaboration with sound engineer and producer Joo Joooo Ashworth (FROTH), they started working on their GarageBand demos and their debut album.

Their first single “Calling It” captures the feeling of drifting in an endless space, tearing everything apart and starting anew. Elsewhere on “Signal”, songs speak directly from the band members’ experiences: “Humanoid” and “Too Much Money” are reflections on boredom, misfortune and the disappointing falsehood of social media personae, while the title track “Signal” is about “being trapped in the drudgery of a shitty life/job and realizing that no one but yourself will save you from it.” “Signal” is the title track of the band’s album. A shocking near-death accident in her apartment inspired Izzy to write “Electrocution” – an experience alluded to in the cover packshot, which shows a switch on a red background.

Izzy studied film at college and Halle used to work at the legendary video store “Kims Video” in New York, so it’s no wonder that the band also mentions film as an important influence on their music. David Lynch and Dario Argentos in particular have left their mark on the ambiguous lyrics and eerie atmospheres.

The red thread that runs through “Signals” is the feeling of fear and alienation, possibly one of the most formative experiences of the early 21st century: the feeling of being on the edge of the world. Or as Automatic put it: “The world is so fucked. I don’t know how a musician could say: ‘That’s all great.'”

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Berlin Feminist Film Week 2015: The Silent Revolution: Women in Islam

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On a fifth day of this year’s festival we will turn to Morocco and the documentary Casablanca Calling. Anti-islam is ever so present in the Western media and this program aims to increase the understanding for Arab women’s everyday life as well as highlight the relation between feminism and Islam.

Casablanca Calling is the story of a quiet social revolution in Morocco. In a country where over 60% of women have never been to school, a new generation of women have started work as official Muslim leaders. They are called Morchidats or spiritual guides.

We have invited Prof. Wendy Meryem Kural Shaw, in her lecture “How Change Happens: Visions of Feminism between Here and Elsewhere” she will tell us more about women’s rights in North Africa:

The global struggles for racial and gender equality emerging from French revolutionary thought developed within a modern context of colonialism which mapped hierarchies of East and West onto other regions. As a primary site of French colonial domination, North Africa became a site in which the struggle for national independence and that for women’s rights became deeply intertwined. Wendy Shaw will consider the state intervention engaged through the Mordichat program explored in this documentary film within the context of women’s rights in North Africa from the painting of Eugene Delacroix, Pablo Picasso, and Houria Niati; the analysis of Franz Fanon; and contemporary European equations between women’s rights and the veil.

Turkish writer Göksu Kunak has shared a text with us which will be distributed to all guests to interpret in silence.

Event Info:
Date: Tuesday 10th of March 2015
Time: 8.30pm (Doors from 7.30pm)
Venue: Urban Spree (Revaler Str 99, Friedrichsain)
Tickets: €6

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Light Asylum – Special Intimate Summer Show

aufnahme + wiedergabe presents:

Light Asylum (US / Mexican Summer) / Berlin outdoor summer intimate show

At once brutal and romantic, Light Asylum exists in that space where industrial gives way to goth, where the city meets the outer regions under the cover of night. Calling Shannon Funchess a commanding lead singer is an understatement; there is a heaviness and attack in her vocal delivery that is downright sinister. This is contemporary synth pop to a tee that comes to life during their revered live performances.

DJs:
Venus Fatale
aufnahme + wiedergabe

Urban Spree
Revaler Str. 99/Warschauer Str.
10245 Berlin
www.urbanspree.com
www.facebook.com/urbanspree

Tickets:
www.aufnahmeundwiedergabe.de/tickets