We found – 37 articles for Catalogue

Johannes Mundinger: Flurstück – Exhibition and Catalogue Release

Two years after his solo show at Urban Spree Galerie (“Unterm Nebel” in march 2016), Urban Spree Resident Artist Johannes Mundinger returns to the gallery with a 4-day pop-up retrospective exhibition of his solo show “Flurstück” that was held in December 2017 – January 2018 in the eight room gallery space of the Kunstverein Offenburg Mittelbaden e.V. with more than 30 large scale works on display.

 

Alongside a large selection of the paintings that were displayed in his native city of Offenburg and which will be shown in Berlin for the first time, Mundinger will release and sign two printed catalogues: “Painted Walls“ (a selection of his best murals painted between 2012-2017) and „Flurstück“ the official catalogue of the exhibition at Kunstverein Offenburg-Mittelbaden.

 


Opening: Thursday, February 8th, from 18:30
Exhibition:
Friday – Saturday, 13:00-19:00
Sunday: 13:00-18:00

 

 

Urban Spree Galerie
Revaler Str. 99
10245 Berlin



Johannes Mundinger: Flurstück – Exhibition and Catalogue Release

Two years after his solo show at Urban Spree Galerie (“Unterm Nebel” in march 2016), Urban Spree Resident Artist Johannes Mundinger returns to the gallery with a 4-day pop-up retrospective exhibition of his solo show “Flurstück” that was held in December 2017 – January 2018 in the eight room gallery space of the Kunstverein Offenburg Mittelbaden e.V. with more than 30 large scale works on display.

 

Alongside a large selection of the paintings that were displayed in his native city of Offenburg and which will be shown in Berlin for the first time, Mundinger will release and sign two printed catalogues: “Painted Walls“ (a selection of his best murals painted between 2012-2017) and „Flurstück“ the official catalogue of the exhibition at Kunstverein Offenburg-Mittelbaden.

 

Johannes Mundinger, born in 1982 in Offenburg, has studied in Münster and Brussels. Since 2011, he lives and works in Berlin. His works have been shown by the Museum Kunstpalast Düsseldorf, the Museum Weserburg, Bremen, the Freiburger Kunstverein and numerous galleries.
In 2013, he was awarded the jury price of the Berliner Kunstverein. Since 2012 he is a resident artist of the Urban Spree Galerie, Berlin.

His paintings oscillate between abstraction and figuration, the installation of his work is often determined through site-specific elements, which function as integral aspects of his paintings.


Opening: Thursday, February 8th, from 18:30
Exhibition:
Friday – Saturday, 13:00-19:00
Sunday: 13:00-18:00

 

Urban Spree Galerie
Revaler Str. 99
10245 Berlin



Christopher Stead: Acid Reign

Urban Spree Galerie presents “Acid Reign“, the first solo show in Germany of the British visual artist Christopher Stead.

Acid Reign is the culmination of a long-term residency at Lab Kalkhost in North Germany. Christopher Stead produced on the shores of the Baltic Sea several large format works, using a process mixing graffiti techniques and natural elements.

Cans of paint are burst with nails, sand and mud is flung. An alchemy between the paint and the land turns into a painterly concrete, cementing ideas, solidifying a tangible truth. The paintings are stuffed into rucksacks and returned to the studio where Ikea bags full of previous endeavours lie dormant ready to rework. A fecund process is born.

The fences used in the supports of the pieces are taken from decaying plots on the train lines.

Rusty fences, transgressed and twisted by nature are transported to the studio. The erosion of the metal emasculates the sterile man-made purity of the material. This gives each painting a story and a history. Every fence painting starts at night on the train tracks with a pair of bolt cutters and finds its way into the light of the studio and finally into the gaze of the public domain.

Artist Statement:

“Once upon a time, on a small island called Great Britain, there lived a lady called Margaret Thatcher. Margaret along with her Tory Party ruled the land with an iron fist and squeezed the living life out of its people. Fed up of a decade of draconian rule, the people began to gather and dance their woes away at their own party. They called this the Acid House party.

Race and class barriers were dissolved as the people united and raved as one big family. The Tory party didn’t like this as they weren’t invited, so they invented a law to stop the gathering of 20 or more people, dancing to the sounds of repetitive beats. Techno, Jungle, call it what you want. It had to stop. Whilst this may sound like a children’s horror story, it was in fact or certainly a young adults nightmare. 30 years on, the nightmare continues. Britain is again been torn apart by the right.

The paintings in Acid Reign were made on the beaches of former East Germany. 30 years ago these beaches were patrolled by the military to stop East Germans defecting to the west. Cans of paint were popped and squeezed upon the sand soaked canvas to create the acid rain.

The works seeks new places to hang. Inspired by Foucault’s concept of heterotopia, it finds solace in spaces of otherness. Informed by a youth growing up free, painting graffiti on the trains. Painting in the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Buildings which housed these parties. Places of abandon and neglect. Again, the work finds itself back in its familiar territory.

Acid Reign is emblematic of the freedom of movement in open spaces without borders. A freedom which is slowly being choked out of the people once again.”  Christopher Stead

———————————————————————-

Christopher Stead (b. 1974, UK) lives and works in London.

Tangled, torn, popped, squeezed and then hung in spaces of other, the work exists to evade the paradigms of commercial obedience, white cube boredom, and the polarities regimented by cultural hegemony.

Informed by Thatchers dystopian Britain and her Acid House love child, the work explores free movement in spaces without borders. 

In 2016 Stead graduated with a First Class BA Hons in Fine Art at the City and Guilds of London Art School, London, where he received the Painter – Stainers Scholarship Prize and Brian Till Art History Thesis Award. 

https://www.christopherstead.co.uk/


 

Christopher Stead

“Acid Reign”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

 

 



RAWS: #Neograffism

Urban Spree Galerie presents “#Neograffism“, the first solo show of the Berlin-based post-graffiti artist Kai “RAWS” Imhof with Urban Spree.

In “#Neograffism”, a term coined by the artist as being representative of his studio philosophy, RAWS strips down his years of graffiti practice and complexity build-up to lay bare the basic essence of graffiti through color and shape in a visually stunning arrangement of colors, contrasts, and gradients.

RAWS explores the tipping point where the core aesthetics of graffiti, after being deconstructed and re-arranged, becomes acceptable as a form of art while retaining its purity. The artist uses a mixed technique in his studio works, using both the spray can and the acrylic brush, as a hybridation of both worlds, the studio and the outdoor.

When it comes to design, I try to combine my preferences for letters, graphics and minimalism in my work. Many of the works were done using acrylic paints and spray cans. The use of these media also emphasizes the duality of graphics and graffiti. In my canvases I have mostly worked with gradients. These are created exclusively with aerosol and can be a symbol of the movement and transience of graffiti.

In his “Black Series”, writing his name becomes a subdued background while the colorful gradients are windows to his artistic world.

 

 

Biography:

Kai “RAWS” Imhof (b. 1990 in in Königs Wusterhausen) is a Berlin-based German graffiti artist and graphic designer.

 

RAWS started painting graffiti in his neighborhood in his early teens, extensively bombing the city from 2004 to 2008, where issues with law enforcement led to the start of his studio career. Trained as a graphic designer at the Best-Sabel Designschule in Berlin, RAWS is also an accomplished designer, having designed products for Reebok, Marvel, Nike, the fashion designer MarcCain, MontanaCans, Über-Skateboards etc.

Marvel’s Spider-Man: Graffiti backgrounds for the PS4 game

In parallel, RAWS paints murals all over the world and participates to group shows since 2017 ( The Haus in Berlin, Monumenta in Leipzig, or Wandelism in Berlin). #Neograffism is his first solo show.

https://www.instagram.com/rawsofficial/

Private Commission for Tim Raue, 2-Star Michelin Berlin Chef

 

RAWS

“#neograffism”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

FB Event

 



Lars Wunderlich: “What Are We Looking For?” Solo Show Opening

Urban Spree Galerie presents “What Are We Looking For?”, a solo show of new works by Berlin-based visual artist Lars Wunderlich a.k.a. “Look the Weird”.

The exhibition will kick off during Gallery Weekend Berlin with an Opening on Friday, April 26th, 2019 from 18:30 in presence of the artist.

The exhibition is the outcome of a 3-month Art Residency at Urban Spree.

What Are We Looking For?” is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the “New Leipzig School”, albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

————————————————————-

Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew “The Weird” (Nychos, Low Bros, DXTR, Vidam…) under the moniker “Look the Weird”.

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. “What are we looking for?” is his first solo exhibition with Urban Spree Galerie.

 

Lars Wunderlich

“What Are We Looking For?”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com



Lars Wunderlich: What Are We Looking For?

Urban Spree Galerie presents “What Are We Looking For?“, a solo show of new works by Berlin-based visual artist Lars Wunderlich.

What Are We Looking For?” is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, integrates economic cycles, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the “New Leipzig School”, albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

 

“It Is And It Isn’t” – Acrylic on Canvas – 172 cm x 137 cm – 2019

 

 

Biography:

Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew “The Weird” (Nychos, Low Bros, DXTR, Vidam…) under the moniker “Look the Weird”.

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. “What are we looking for?” is his first solo exhibition with Urban Spree Galerie.

 

Lars Wunderlich

“What Are We Looking For?”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com