We found – 89 articles for Eris

Eris – An All Female Art Presentation

Eris – An All Female Art Presentation

In ancient Greek mythology, Eris was the Goddess of Chaos – The eldest daughter of Nyx (The dark night) – The rebellious daughter, born of the night & causing discord and strife. Berlin is a city where the multitude of creative scenes converge constantly and we shall be embracing this on the night.

Featuring exhibitions of visual art, performance, photography, music and fashion from an all-female, Berlin based selection of artists.

Entry is via a voluntary donation basis and will be split between the artists.

Gallery opening at 8pm –

Live Art Performances:

9:30pm Viva Lamore
10 – Lello Li
10:30 – Julietta la Doll
11:30pm – Belen Resnikowski
12:30 – Elle Peril

DJs:

8 – 10: Jen Black
10 – 12: S A NN I
12 – 2: Laura de Vasconcelos

Featuring:

Alana Richards
http://alanarichards.co.uk/
Alana Richards presents a new series of figurative portraits. Rather than bestowing a statement or concept, she creates emotional value in her paintings. Using slow-drying oil paint in a traditional manner building up layers, she gives the portrayed a contemporary charisma of mixed messages to the viewer.

Jessine
www.jessine.com
Art is the language spoken of the lonely ones.

Mayliss Salles
A.K.A White Rabbit
mygonzotrip.com
The Chaøs Chrønicles
“I don’t mind living in a man’s world, as long as i can be a woman in it”.
Machism, violence, war. The men’s world I living in. In the chaos of the street they may hear the sound of the heels of a women wandering cities around the world. The glamour nomad of the new 20’s I start to be.

Sarahlikesprettygirls
http://Sarahlikesprettygirls.tumblr.com/
Erotic analogue photography by Sarah Zak.

Dionne Kitching Illustration
www.dionnekitching.co.uk
Illustrator and Print maker, Dionnes work is about patterns and nature, and patterns in nature, and our connection to nature.

Belen Resnikowski
Telaraña Radioactiva
Belen Resniowski is a female artist working in Berlin using a selection of different mediums such as collage, video, animation, instalation and mix media with a critical view of social, political and cultural issues. Playing with the destruction, transformation and profanation of symbols, as liberating act of catarsis.

Olivia Berger :.
www.olivia-berger.com
Olivia Berger is a Mauritian-German autodidact artist.
A playful mind between realistic and abstract interpretation of mystical and metaphysical thoughts.

Natassja Velociraptor
www.montassj.com
http://montassj.tumblr.com/
https://www.instagram.com/montassj/
A Design Ninja/Visual Viking, inspired by: Film Noir, Femme Fatales, Nordic Mythology, Doom, Cheese and Irony. Most of my work ‘dark-hours-inspired’ art is created with acrylic paint on canvas, salvaged pre-loved skateboard decks, used snowboards and other recycled objects.

Dánae Cuesta
https://www.instagram.com/danae.cuesta/
Shooting exclusively on film, dánae uses photography as a political weapon and the internet as a platform for deterritorialising the segmentation of the public and private space, portraying her friends, lovers and herself in experimental practices in which new spheres of action and subjectivation are created through an exploration of intimacy and desire as a dynamic power that stimulates processes of transformation and reappropiation of the flows of gender.

Julietta la Doll
Drawn to the glamour of old world wonders a wide-eyed Lolita raised in East Berlin took her wanderlust to the road. Creating burlesque and sideshow spectacle performances that embody a variety of inspirations from many timeless fantasies of dangerously desirable women. Fulfilling a dream to runaway and join the circus. Our sideshow sweetheart has more tricks than just unveiling her beauty to command the imaginations of audiences. Exposing secrets separated between fine lines of pleasure and pain.

Viva Lamore
Viva Lamore is a performance artist and published art model from New York City whose bump and grind comes with a twist. A teenage runaway, she lived in a cage in the basement of a theater and worked at Coney Island Sideshows by the Seashore as Blade Box Girl and Electric Girl.

Lello Li
https://lelloli-rope.tumblr.com/
Ropemodel, Rigger and Performer from Berlin.

Laura de Vasconcelos
Zona_berlin
soundcloud.com/lauradevasconcelos
From Disco, Post-Punk and Rock to a bassline-driven Techno and House reduced to their essence influenced from mainstream pop via club music in the broadest sense.
Born brazilian, 2007 saw Laura relocating to Berlin to further her focus on DJing tailoring her approach to each show with a meticulous ear. From being lost in reverie, total seriousness, pure delight, wit and grit, Laura is surely one of the most independent, versatile and inspiring characters in today’s club scene.

Jen Black
www.modern-movement.com
www.brave-exhibitions.com
www.endorcism.org
www.jenniferblack.net
JEN BLACK (aka Blix) is the founder of Modern Movement, established in Berlin in 2010. She is also co-founder of Brave Exhibitions (London/Berlin) and endorcism (Berlin). She has been internationally hosting and DJing Cold Wave, Minimal, No Wave, Post-Punk, Experimental and Avant-garde events with live acts and performances since 2008. Her publication Modern Movement is an exclusive document of today’s Berlin underground.

S A NN I
SPRINGSTOFF
soundcloud.com/sanniest
Trans*feminist multi-artist Sanni brings in her new DJ set house and techno mixed with influences that go from classic to indie rock. Self-produced tracks and live vocals included.
FB Event



Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

FB EVENT



Die Wände – Im Flausch (Offizielle Releaseshow) Support: Lafote

 

 

Nach
5 Jahren Bandgeschichte
4 Touren
3 x Pizza am Tag
2 EPs
nun also

1 Album: “Im Flausch” ab dem 8.3.2019 via Späti Palace erhältlich

Support: LAFOTE

Präsentiert von Späti Palace & ASK HELMUT

Carsten von Postel, Jann Petersen und Mathias Wolff gründen ihre Band 2013 während des gemeinsamen Studiums an der UdK (Universität der Künste Berlin) auf Basis einer beschwipst-euphorischen SMS. Alle Bandmitglieder kommen zu der Zeit aus unterschiedlichsten musikalischen Richtungen, sind neu in ihrer Rolle am jeweiligen Instrument und starten unter dem Namen “girlie” in Richtung Post-Punk. Eines ihrer ersten Konzerte spielen sie im mittlerweile abgerissenen Club Antje Øklesund und finden in dessen sozialer Umgebung schnell ein Zuhause. Im Oktober 2015 veröffentlichen sie über das Berliner Label Späti Palace ihre erste gleichnamige EP auf Kassette & digital, touren und spielen auf Festivals (u.a. beim Jenseits von Millionen, c/o pop, Alinae Lumr und dem Incubate in den Niederlanden). Der Musikexpress kürt sie zu einem der besten Newcomer auf dem c/o pop Festival 2016. Im gleichen Jahr veröffentlichen sie eine gemeinsame Split-EP (12“ Vinyl und digital) mit der Berliner Band Pigeon, anlässlich derer die TAZ ihren Sound als Weiterführung von 80er-Jahre Gruppen wie Dinosaur Jr., Sonic Youth oder The Wedding Present einordnet.

Diese Genre-Schublade werden sie in 2017/2018 jedoch in Teilen verlassen und beginnen an ihrem Debütalbum zu arbeiten. Im Zuge dessen entschließen sie sich, mit deutschsprachigen Texten weiterzuarbeiten, und veröffentlichen einen ersten Song mit Im Automaten. Die Stimmung der Songs wird offener, zwischen die Instrumentalparts kehrt so etwas wie Popmusik ein – ausgebreitet auf immer wieder gern 5 bis 7 Minuten Spielzeit. So etwa der Im Flausch eröffnende Song Im Park und im Café: So elegant, so träumerisch konkret und ja, so poppig waren sie noch nie. Es ist ihr Kommst du mit in den Alltag. Zwischendurch lassen sie unbeirrt ihre Feedbacks kreischen, die für „frischen Wind in stürmischen Zeiten“ sorgen. Passend raten sie in 11:55 Uhr vor einer Noiseattacke noch schnell „zieh dir ein Jäckchen an, draußen ist es kalt“.

Es ist ein unironisches Nebeneinander von schroffen Oberflächen und einladendem Gestus, von Noise und Pop, von Frustration (Halten Sie Ihre Pläne geheim) und Euphorie (die Chöre!), ja von der grauen Welt (auch der in einem selbst) und von etwas, dass sie Utopie nennen könnten. Wie diese aussieht? „Alles ist weich / alles ist warm / alles ist leicht / alles ist behütet“ singt der Chor in Projektor – nur um durch ein trockenes „konturlos“ ergänzt zu werden, das wie eine Absage an den aufkommenden Eskapismus des Stückes klingt. Keine Flucht möglich also, stattdessen: „Anspruch und Wirklichkeit haben Streit“ (11:55 Uhr). Der titelgebende Flausch ist Sehnsuchtsort und Lethargiefalle in einem (Formgedächtnispolymer).

Im Flausch wurde im Frühjahr 2018 in 7 Tagen live in Prinzhöfte, einer Gemeinde gleich hinter Delmenhorst mit knapp 700 Einwohner*innen, auf dem Dachboden eines leerstehenden Bauernhofhauses fertiggeschrieben und eingespielt. Während nachts der harte norddeutsche Wind durch das alte Gebälk des Hauses pfiff, schliefen Band und die mit den Aufnahmen beauftragten Freunde aus dem Flennen Kollektiv – Alexander Günther (Molde) und Julius Berger (Go Lamborghini Go) – mangels Betten auf Luftmatratzen und Isomatten inmitten der mikrofonierten Verstärker und Drums. Umgeben von nichts als Pferdekoppeln und einem kleinen Waldstück, gestaltete sich der Aufnahmeprozess so intensiv und einnehmend, dass Teile der Band das Haus tagelang nicht verlassen. Einen Tag nach Aufnahmeschluss, wird das Anwesen nach langem Leerstand verkauft. Gesangsaufnahmen und Overdubs entstehen in den darauffolgenden Wochen in einem Berlin-Lichtenberger Proberaumhaus, aufgenommen von Christian Ramisch (NOJ), umgeben von Plattenbausiedlungen. Die Band benennt sich in Die Wände um und beendet damit ihre Neuerfindung. Das Debütalbum der Wände erscheint Mitte März 2019 auf Vinyl und digital bei Späti Palace.



Urban Spree Galerie at Urvanity Art Fair

Urban Spree Galerie will participate to the 3rd Edition of Urvanity Art (28.02-03-03.2019) at COAM in the center of Madrid.

The fair is dedicated to urban contemporary arts and for its first participation to a Spanish art fair, the gallery has designed on 60 sqm a program with 9 artists, mainly based or linked to Berlin, as well as a solo show of works from Hendrik Czakainski

As for the graffiti part, we are showing photographic works from Martha Cooper/1UP of the acclaimed series “One Week with 1UP”, whose exhibition about the Berlin-based graffiti vandal crew was created at Urban Spree in May 2018 and toured worldwide ever since.

Cpt_Olf is joining the roster as well with an iconic image about the Berlin Kidz/Os Cururu.

Bisco Smith (NYC) and Sicoer (Krakow) will be showing  their calligraffiti/handstyle skills, both on canvases as well as on paper, through a series of medium-sized inks.

EVOL is a German artist renowned for his detailed stencils on cardboard, his large installations, and his outdoor works on electric boxes, depicting Berlin cityscapes and houses, Plattenbau, and the constant evolution and fragility of the metropolis.

We will also be showing new works on paper from Marion Jdanoff (the half of of French duo Palefroi) and from Victor Ash, adding some portraits painted by Anthony Lister under the influence of Picasso during his Berlin residency at Urban Spree in September 2018.

Last but not the least, we will introduce 3 new paintings from Lars Wunderlich (a.k.a. Look The Weird) as a preview to his upcoming solo show with the gallery in April 2019.

Please contact the gallery ahead of the fair with any questions or requests you may have.

 

Urban Spree Galerie / Urvanity Art Fair

Booth 14

LASEDE COAM 

Calle Horteleza 63

28004 Madrid, Spain



Night Shift 1st Year Anniversary

𝔉𝔬𝔯𝔢𝔫𝔰𝔦𝔠𝔰 presents: Night Shift

The sun comes down and with it the day shift comes to an end. It is time for the night shift to take over.

Creatures of the night, replicants, angelic faces and spectators hungry for strangeness give themselves to the carefreeness of the 80s in a club turned for a night into a house of the underground.

For its 8th edition, Night Shift celebrates its first anniversary! One year of synthetic hits, dark beats, teased wigs and torn tights!

On the program: LIVE concert, Drag Shows, New Wave, Synthpop, Dark Wave, Goth, Minimal Wave, EBM, Post-Punk, Italo-disco, Retro Wave and Techno!

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

► LINE-UP ◀︎

LIVE:
Konstantin Unwohl [Hamburg]
4 years straight behind a growing wall of synthesizers. In the beginning there were two self released tapes, now there is a 7’’ out on Kernkrach and more to come.
Songs from a room, with hamburgs rain relentlessly drumming its very own rhythm on the rooftops.
“Man sagt ihm sei die Welt, er sei sich selbst abhanden.”
https://konstantinunwohl.bandcamp.com/
♪ Listen to “Mein Verstand”: https://www.youtube.com/watch?v=_XBuco7biZA

DJ SETS:
Zanias (Fleisch)[Berlin]
https://soundcloud.com/zanias
Al Niklaus (𝔉𝔬𝔯𝔢𝔫𝔰𝔦𝔠𝔰) [Berlin]
https://soundcloud.com/al-niklaus
❯ Eris Vardan [Berlin]

DRAG SHOWS:
Ghōst [Berlin]
https://www.instagram.com/ghostelektra/
Bambi Mercury [Berlin]
https://www.instagram.com/bambi_mercury/
Judy LaDivina [Berlin]
https://www.instagram.com/judy_ladivina/

FLASH TATTOOS:
ZiD Visions [Berlin]
Zid are a Berlin-based queer non-binary hand-poke tattoo artist known for their simple yet effective black contrasting designs.

PROJECTIONS:
Reality Pill
https://www.instagram.com/realitypill/

PARTNERS:
Siegessäule
HART Magazine
Tech Noire

Night Shift is a LGBT+ inclusive bimestrial event.
We pride ourselves on being a safe space for LGBTQIA+ individuals and their allies.
All of our DJs and our drag performers are individuals who identify as being part of a counter-culture and our drag shows also fall under the umbrella of our music genres for a complete immersive experience.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

SATURDAY, FEBRUARY 16TH, 2019
00H00 – 06H00+

URBAN SPREE (RAW-Area)
Revaler Str. 99 / Warschauer Str.
10245 Berlin
www.urbanspree.com
www.facebook.com/urbanspree

☛ Sign up to our newsletter to be kept informed of our news, latest events and future projects: http://eepurl.com/dIKIrT



Pankow, Tara in Tibet live // Herzschlag

PANKOW (IT)

Pankow, founded in Florence back in 1981, are one of the very first electronic/industrial acts coming out from Italy. The founding member Maurizio FM Fasolo and his five co-band members at that time created sounds inspired by the likes of Throbbing Gristle, Cabaret Voltaire and early Kraftwerk.

After various line-up changes and the arrival of charismatic lead-singer and poet Alex Spalck, the project started to become noted also abroad and a first live-appearance in Berlin in 1984 marked the start of a long ongoing and successful career for the band.

Following a few cassette-releases and compilation appearances, Kindergarten Records – in collaboration with Polygram – released a first 4-tracks EP in 1984, that included the first more accessible, EBM-Electro-like tracks (even though the term ‘EBM’ was not ‘invented’ by that time…): songs like ‘God’s Deneuve’ and ‘Wodkachaos’ became major hits in Italy. The first LP came in 1987 on Contempo Records, and was produced by Adrian Sherwood.

Since 2016 Pankow started to collaborate with the Canadian label Artoffact by releasing their first official cassette (“Throw out Rite”, 1984) and a 10 “vinyl (Times) with the first songs released only in some Italian compilations before and a couple unpublished ones.

The band is currently active and based in France/Belgium with the frontman singer Bram Declercq.

https://www.facebook.com/pankowband/
http://www.pankow.co.uk
https://pankow.bandcamp.com/

TARA IN TIBET (IT)

Berlin-based Tara in Tibet is a project of Alessio de Felice, co-runner of label She Lost Kontrol records and owner of Last Europa Kiss records.

His perfomances are waving between noise and groovy industrial, with a touch of esoterism.

Highly recommended for fans of occult sex parties, Italian police movies and dirty raw esthetics.

https://lasteuropakiss.bandcamp.com/
https://clandestinerecords.bandcamp.com/album/spirit-violence

TIQ

TIQ is a minimal-synth party loved and supported by different alternative scenes. DJ-sets are rigid, cold, rough-edge, blind-alley and the drum machine beats always like a metronome. No matter if the sound comes from the past, the present or the future, we are more and more devoted to select the best minimal-synth-wave music, so called “quadratic wave”.

Quadratic-wave is a word game and a concept from sound physics too, but the best way to catch it is to dance it, and the best way to dance it is by being concentrated and confined in a quadrangle as Die Tödlich Doris sang in their song Tanz im Quadrat: “Wir tanzen im Viereck, wir tanzen konzentriert”.

https://www.mixcloud.com/DJNEUEK/
https://www.facebook.com/tiqberlinquadraticwave/

 

FB EVENT