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Urban Spree Galerie presents Justin Person’s “Pink Show”

Justin Person is displaying a series of new paintings and drawings in the Galerie’s “Ecke” for 2 weeks.

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Having pasted up numerous posters in Berlin in the last decade from his ubiquitous series with the masked personae, Justin Person is now coming back to the Hauptstadt with a mix of masked/unmasked characters and new compositions.

The artist is also producing a special series of screen printed t-shirts, screen prints, and different home made goodies specially for the Pink Show, available at the Opening.

 

Urban Spree Galerie (Ecke)

Opening: Thursday, July 7th, 2016 at 19:00

Exhibition: From July 8th to July 17th

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Justin Person: Pink Show

Urban Spree Galerie presents “Pink Show”, a solo show in the Galerie Ecke by French artist Justin Person.

Now based in France, former Berlin-based artist Justin Person is displaying a series of new paintings, drawings, and objects for 2 weeks. Having pasted up numerous posters in Berlin in the last decade from his ubiquitous series with the masked personae, Justin Person is now coming back to the Hauptstadt with a mix of masked/unmasked characters and new compositions.

birdhead the chopThe artist is also producing a special series of screen printed t-shirts, screen prints, and different home made goodies specially for the Pink Show.

 

 

Urban Spree Galerie (Ecke)

Opening: Thursday, July 7th, 2016 at 19:00

Exhibition: From July 8th to July 17th

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www.justinperson.com



Popmonitor presents: DEAD LEAF ECHO (US), AUTIST, VV & THE VOID + JUSTIN DEAKTIVERE

Live:
Dead Leaf Echo (NY, USA)
www.deadleafechonyc.com
Brooklyn’s Dead Leaf Echo is an music/art collective that released their debut LP “Thought and Language” in 2013. The album had clear 4AD influences as it was mixed by John Fryer (Lush, NIN, Depeche Mode) with artwork by the label’s legendary designer V23’s Vaughan Oliver (Pixies, Bauhaus). Their latest EP “true.deep.sleeper” released in 2014 saw them working with Monte Vallier (Weekend, Wax Idols)
They are finishing recording their 2nd LP again w/ Vallier and also contributions from Jorge Elbreht (Ariel Pink, No Joy) at Mexican Summer’s studio in Greenpoint. A 7″ single was released in September followed by a North American tour and appearance at Desert Stars Festival in Joshua Tree w/ Swervedriver and The Lemonheads.

Autist
www.autist.tv

AUTIST is a 3 piece live electronic band from Berlin that borders on a mix of psych, grunge, dance and punk. Formed in 2014, it consists of former members of the electro-punk band Aniaetleprogrammeur (2005-2013) and drummer Christopher Chartrand (Crystal Castles, Cauldron).

VV & The Void
www.facebook.com/vvandthevoid

Often described as ethereal, gothic, minimal-drone, noir, and dark wave, VV & the Void’s music is the singular celebration of earthly and lucid dichotomy of grace and disproportion, the feminine and the masculine, the moon and the sun, birth and death, and the war of consciousness from the perspective of unconsciousness.

JUSTIN DEAKTIVERE (LA, USA)
www.soundcloud.com/illuminati-sex-party

weitere Infos:
www.popmonitor.de/dead-leaf-echo-us-autist-vv-the-void-justin-deaktivere-12-04-urban-spree

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Acid Mothers Temple • Sunn Trio • Stereocilia • Sturle Dagsland

 

⊙ ACID MOTHERS TEMPLE & THE MELTING PARAISO U.F.O. ⊙
(Japan)
http://acidmothers.com
https://acidmotherstemplethemeltingparaisoufo.bandcamp.com
https://www.facebook.com/acidmotherstempleofficial
Acid Mothers Temple & the Melting Paraiso Underground Freak Out (and subsequent offshoots) is a Japanese psychedelic space rock band, the core of which formed in 1995. The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest musicians.
The band has released albums frequently on a number of international record labels as well as the Acid Mothers Temple family record label, which was established in 1998 to document the activities of the whole collective.
“In a non-stop stream of thrilling noise, they segue from supercharged stomp-rock, through doomy choral chanting and frazzled go-go, to a thundering melee of atonal freakouts. Then on to a pulsating, echo-drenched disco-rock groove, which morphs into a motorik rhythm too rapid even for the autobahn, works itself into a squalling frenzy, breaks cover as a kind of galloping, syncopated, Underworld-with-rabies affair, and flows into a long, chiming trance number climaxing in a collective instrumental howl.” – David Bennun

⊙ SUNN TRIO ⊙
(Phoenix – Arizona)
https://sunntrio.bandcamp.com
https://www.facebook.com/sunntrio
Described as deep spirited, Arabic-music-tinged free jazz-punk and harsh exotica, Sunn Trio’s ever-evolving ensemble digests a number of genres, spitting them back out in creative destruction. Carrying on a long tradition of sun-beaten Phoenix punk, Sunn Trio evokes the sweltering and hallucinatory Arizona desert. Echoes of Sonny Sharrock, John McLaughlin, and Sir Richard Bishop can be heard in Joel Robinson’s fiery blurs of guitar. Imagine the Thinking Fellers Union Local 282 in full force, echoing from behind a curtain of bitter haze. Founded by Robinson in 2010, the ever-changing band has been constantly recording and releasing material, with a recent LP, Fayrus, on Germany’s Unrock Records.
“Wielding Indo-Arabian saz and white lightning six-string shrapnel amidst an alligator snapping turtle’s rhythm section, this trio-quartet-sextet may also sprout horns, flutes, animal skins, or shadow gamelan to faithfully demolish that whiny and predictable listening experience of today’s tepidly lazy, underachieving experimental music scene. Not a ‘safe’ environment.” – Alan Bishop of Sun City Girls
“There’s a woozy, heatstroke feel to the band’s innovative blend of surf rock, free jazz, mystical drone, and world music. Consistently recording and releasing material via self-distributed cassettes, the Trio’s sound mutates in concert, with fantastic flurries of distorted guitars butting up against mantric psychedelic saxophone runs and looping bass.” – Jason Patrick Woodbury

⊙ STEREOCILIA ⊙
(Bristol – Britain)
http://www.stereociliamusic.com
https://stereocilia.bandcamp.com
https://www.facebook.com/Stereocilia1
Stereocilia is Bristol based guitarist and composer, John Scott. John uses his guitar, analog synths and live looping techniques to create dense, rich layers of sound.
Over the past 10 years John has performed all over the UK and Europe with various projects. in the past he has shared a stage with acts including: Gnod, Daniel Lanois, Ex-Easter Island Head, White Hills, Acid Mothers Temple, Ben Frost, Josef Van Wissem, Yuri Landman, Mick Turner (The Dirty Three), Machinefabriek, ThisQuietArmy, Noveller, and performed in three of Rhys Chatham’s guitar Orchestras. He has also presented work for live radio broadcasts, and regularly composes for Short Film.
Spring of 2019 saw the release of Stereocilia’s 4th album, and second for Brighton label, Drone Rock Records.

⊙ STURLE DAGSLAND ⊙
(Stavanger – Norway)
http://sturledagsland.bandcamp.com
https://www.facebook.com/sturledagsland
Sturle Dagsland is a Norwegian artist and musical outfit from Stavanger, Norway, consisting of the brothers Sturle Dagsland and Sjur Dagsland, that play otherwordly experimental Avantgarde Neo-Classical Indie-Folk beyond any description.
They have toured extensively all across the world at festival’s such as Secret Solstice, Sled Island, Fiestas del Pilar, Tallinn Music Week, Fusion Festival, South by Southwest, Canadian Music Week, Oslo Jazzfestival, and more. In 2015, they made their North American debut at Sled Island in Canada.

presale (in 3 simple steps):
1. send 17€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction at the door

presale ends friday october 18th 18:00
limited to 250 spots!
20€ at the door

spread the gospel, invite your grannies, join the madness & turn off your mind!

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

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Automatic – Urban Spree, Berlin

 

Like all the best bands, Automatic found each other in an organic way. Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals) met in the DIY band scene of Los Angeles and started jamming together in 2017. Over the last year, they have become an important part of the L.A. Club circuit, sharing the stage with bands like Surfbort, Wand and Flatworms. On 27 September 2019 their debut album “Signal” will be released on Stones Throw / PIAS.

Lola was born into a punk household (her father is Kevin Haskins, the drummer of Bauhaus) and joined her first band, the art-rock outfit Blackblack, when she was just 13 years old. Halle and Izzy met in local bands in the northeast of L.A.; Izzy was a guitarist and singer, and Halle liked to plug her fretless bass into a guitar amp. Unimpressed by the masculine energy of the local scene and the rock music on the radio – “pumped out like plastic bottles into the ocean” – Izzy changed guitars into synths and joined Halle and Lola in 2017. They called themselves “Automatic” after a song by the Go-Go’s – the only (!) purely female band that ever wrote and recorded an entire album that reached number 1 in the charts in the USA.

Automatics guitarless setup seemed to leave a void in the sound at first, but their interplay gave them strength and they took their place in the scene. Empowerment in the best sense. They refined their sound and, informed by Neu! and Suicide, combined their preference for dub reggae, motoric rhythms and gnarled synthesizers with their cinematic pop understanding. In collaboration with sound engineer and producer Joo Joooo Ashworth (FROTH), they started working on their GarageBand demos and their debut album.

Their first single “Calling It” captures the feeling of drifting in an endless space, tearing everything apart and starting anew. Elsewhere on “Signal”, songs speak directly from the band members’ experiences: “Humanoid” and “Too Much Money” are reflections on boredom, misfortune and the disappointing falsehood of social media personae, while the title track “Signal” is about “being trapped in the drudgery of a shitty life/job and realizing that no one but yourself will save you from it.” “Signal” is the title track of the band’s album. A shocking near-death accident in her apartment inspired Izzy to write “Electrocution” – an experience alluded to in the cover packshot, which shows a switch on a red background.

Izzy studied film at college and Halle used to work at the legendary video store “Kims Video” in New York, so it’s no wonder that the band also mentions film as an important influence on their music. David Lynch and Dario Argentos in particular have left their mark on the ambiguous lyrics and eerie atmospheres.

The red thread that runs through “Signals” is the feeling of fear and alienation, possibly one of the most formative experiences of the early 21st century: the feeling of being on the edge of the world. Or as Automatic put it: “The world is so fucked. I don’t know how a musician could say: ‘That’s all great.'”

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UZEDA /// Manual for Errors /// Fitzkarraldo

Zeta kids proudly present:
Up to Noise II (Summer Edition)
 

UZEDA
 Uzeda (IT) is a four piece band from Sicily formed in 1987. “Quoqumque jeceris stabit”, their 7th studio album have just seen the light on July 12th, it was recorded and mixed by their longtime friend and collaborator Steve Albini, who also recorded four of their previous albums over the last three decades. Their name is linked with bands such as Shellac, June of 44, Don Caballero and others within those who shaped the corrosive sound of contemporary noise, punk, math and post-rock music.

 

Fitzkarraldo
 The matrimony of the insectile guitar riffs of James Anderson (UK) and the thudding drums of Emanuele Calì (IT) join forces and create Fitzkarraldo. Beginning of 2018 Riccardo Scaramagli (IT) joins the band. Like the Herzog film after which the band is christened, Fitzkarraldo is a raw offering which stands groaning even if it isn’t wanted.

 

Manual for Errors
 Manual For Errors is one of Manlio Maresca’s (Squartet, Neo) many projects: this time, a man and his guitar in the land of electronic music, complete with drum machines, synthesizers and samplers. He’s concerned with his own corrupt aesthetic: the unpredictability of chaos, where the mistake is always coherent.
 

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