We found – 18 articles for Never Too Late

Mode2 and Urban Spree release “Never Too Late…”

10 years after its publication, we are happy to re-release the second edition of Mode2’s legendary book “Never Too Late…” in 2 different editions.

The book will be released exclusively on the Urban Spree webshop here on Friday April 3rd at 18:00 CET (Berlin time).

Originally published in 2008 in a 64-page hardcover version, the book sold out instantly. A second, revised softcover edition of 80 pages was commissioned in the wake but was never properly released.

Since it’s “Never Too Late…”, we are finally releasing the book for its 10th Anniversary Year.

To celebrate the return of the prodigal book, in addition to the regular trade edition, Mode2 has designed a Special Edition of 100 copies. Each of the 100 book covers has been spray-painted and each copy is signed and numbered.

Numbers 001-050 come with a screen-printed tee-shirt of the cover’s motive, printed in-house at Urban Spree (Earth Positive brand, organic, fair trade cotton) while numbers 051-100 will be only the signed and numbered edition of the book.

 

Published by Lazarides Gallery, London, in April 2010

Book Design by Mode2

Second Edition

Softcover

80 pages

16,5 x 24 cm



Protomartyr • Berlin

Protomartyr
02.05.2020 + 03.05.2020 Urban Spree

Doors: 20:00 / Start: 21:00
Tickets: 18 € , plus fees
Tickets for the 02.05.: http://bit.ly/2P7Lsie
For the 03.05.: http://bit.ly/3bPhgCd

… presented by: GreyZone Concerts & Promotion

In 2011 the band from Detroit (around Joe Casey (vocals) / Greg Ahle (guitar) / Scott Davidson (bass) and drummer Alex Leonard) stood in the recording studio together for the first time. The result was “No Passion All Technique” and cost only four hours and a case of beer.

“No Passion All Technique” is sold out and sold out shortly after its original release on Urinal Cake Records in October 2012. Intellectual, heartbreaking, funny – a random tour de force that has also become an unlikely collector’s item. “My Memory is shot,” says Casey, “but looking back now, I appreciate how raw and spontaneous it was. There are tons of flaws in it, and it wasn’t because we planned it. The first album is never really the best but I’m glad the album didn’t suck in the end. It opened the door to what we wanted to do later. ”

Their current EP “Consolation” was released in 2018.

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Postponed: Protomartyr • Berlin

Protomartyr
02.05.2020 + 03.05.2020 Urban Spree

Doors: 20:00 / Start: 21:00
Tickets: 18 € , plus fees
Tickets for the 02.05.: http://bit.ly/2P7Lsie
For the 03.05.: http://bit.ly/3bPhgCd

… presented by: GreyZone Concerts & Promotion

In 2011 the band from Detroit (around Joe Casey (vocals) / Greg Ahle (guitar) / Scott Davidson (bass) and drummer Alex Leonard) stood in the recording studio together for the first time. The result was “No Passion All Technique” and cost only four hours and a case of beer.

“No Passion All Technique” is sold out and sold out shortly after its original release on Urinal Cake Records in October 2012. Intellectual, heartbreaking, funny – a random tour de force that has also become an unlikely collector’s item. “My Memory is shot,” says Casey, “but looking back now, I appreciate how raw and spontaneous it was. There are tons of flaws in it, and it wasn’t because we planned it. The first album is never really the best but I’m glad the album didn’t suck in the end. It opened the door to what we wanted to do later. ”

Their current EP “Consolation” was released in 2018.

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Trumans Water • Trigger Cut • Fleuves Noirs • Dead Sentries

obnoxious ouroboros
presents

⊙ TRUMANS WATER ⊙
(San Diego – California)
https://trumanswater.bandcamp.com
https://www.facebook.com/trumanswater
https://en.wikipedia.org/wiki/Trumans_Water
The Water took shape in ’91, when the Fender-bending brothers Branstetter hooked up with singer-guitarist-catalyst Glen Galloway; soon San Diego had a rollicking avant-rock angle to its music scene in TW, the kind of band that, say, could righteously open for/tour with the Boredoms or Stereolab (Trumans did). But after their self-made albums Of Thick Tum, Spasm Smash, the Godspeed tetralogy and numerous singles had sent their sounds worldwide, Glen exited to marry, concentrate on his Holy Spirit-stoked Soul-Junk group and stay in SD as Trumans continued touring, eventually moving to Oregon. What amazed many was how quick a study then-bassist Kevin B. proved to be when Glen G. passed on lead vocal and co-guitar-ing duties. Empowered, the younger Branstetter picked up the torch, carrying it still. From time to time, Galloway would return as a guesting full member to augment Trumans albums.
Trumans Water never really went away. But the veteran American spazz-rock/squiggle-core group’s live shows have been rare in recent years (outside of the Pacific Northwest, that is.) TW has become increasingly more obscure as well, relatively unknown to untold pods of younger blog-rockin’ folk sharp-eared discerners, who might well luv TW were they to know TW still deemed legendary by those who, a) remember Trumans’ halcyon days in America’s early/mid-90s guitar-rock underground;
b) recall the life-altering praise from abroad, with the late great all-time tip-top good-taste-making radio
DJ John Peel championing them over international airwaves, and the Melody Maker making this pithy 1993 assessment: Sonic freaks with a lust for life, Trumans Water make Pavement sound like U2. TW has continued, doing it all even with key co-founding brothers living miles apart: lanky guitarist-vocalist Kirk Branstetter in Portland, Oregon, where the band relocated in 1995 (they formed in San Diego in 1991); and savvy vox/gtr/bass/etc. guy Kevin Branstetter, who married French and lives south of Paris w/ wife and offspring (and is known to offer pro road/liaison services for indie/outie music types touring lEurope).
Trumans is rounded out by versatile bassist/veteran cohort Mike Coumatos (also known as 50% of fine ongoing Portland party-rock duo the Bugs) and drumming dynamo Geoff Soule (of Fuck and Sad Horse). The TW identity has remained: the ever-active, wildly clawing, rough-toned brace of guitars; the sour-sweet sing-shout screech-croon ‘n’ power-yowl; the explosive rhythms, herking here and jerking there, none too predictable anywhere. And some fun sound-play with thoughtfully goofin’ verbiage.
TW has been recording over the past years but not releasing anything. They are currently assembling some of those songs for release previous to tour. What’s more, Trumans is planning to catch up any interested parties in coming months by digitally re-releasing the 1st four elusive albums of the Trumans Water discography. Their coming tour will be a celebration of those first four albums along with new material.

⊙ TRIGGER CUT ⊙
(Stuttgart – Germany)
https://triggercut1.bandcamp.com
https://www.facebook.com/Triggercut-742161089469022
Trigger Cut are hard hitting to say the least. The drums pack an intense energy behind the high guitar tones which allow for the bass to really punch through. The result is a sound dealing nothing but brute force without the need for any over-engineering and a uniquely raw punk rock experience. The rough and ready vocals perfectly round off the resounding tension with only small doses of any form of melody.

⊙ FLEUVES NOIRS ⊙
(Lille – France)
https://fleuvesnoirs.bandcamp.com
https://www.facebook.com/FleuvesNoirs
Fleuves Noirs is an experience of collective madness in a form of a great tribal ritual. The dance is led by a tribal beat with incantory and hallucinated vocals, all leading to an inevitable chaos. Fleuves Noirs performances are like an Ayahuasca ritual, they don’t leave anyone unscathed.

⊙ DEAD SENTRIES ⊙
(Berlin – Germany)
https://deadsentries.bandcamp.com
https://www.facebook.com/DeadSentries
Minimalistic. Ritualistic. Hypnotic. Dead Sentries play edge of your seat, noisy, outsider punk rock. Focusing on mesmerising rhythms, pulsating basslines and discordant, razor sharp guitar, Dead Sentries are brash and compelling. The music swaggers, struts and swings. The sound is visceral and primal.

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction at the door

presale ends friday october 11th 18:00
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies, join the madness & turn off your mind!

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

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Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

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Vomito Negro + Kris Baha ☨☨ Herzschlag & She Lost Kontrol

Herzschlag & She Lost Kontrol present

Vomito Negro (Metropolis Records, BE)
Kris Baha (She Lost Kontrol, AU)

After Party DJs:
Errata Paranoia, Evropa & Tara In Tibet (She Lost Kontrol)
Hanzel & Jaakko (Herzschlag)

Music: // Cold Wave // Minimal Synth // EBM // Industrial

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Vomito Negro

The band already took off way back in 1982, and over the past years established a name for themselves as uncompromising aural architects, combining power with emotion, electro with vision.
From the start on, flexibility is one of their major qualities.
Vomito Negro is never content with a certain formula: their musical approach, essentially based on the European “Industrialist” tradition of the early eighties, takes a different angle with every record.
Tracing back their history through albums as diverse as “Vomito Negro” (their haunting debut from 1985) to “Wake Up” (1992) one hears growth and evolution in Vomito Negro”s varied soundscapes.
Vomito Negro’s synthesized psychodramas range from danceable to contemplative, from instrumental and ambient to voice-ridden and brutal. Live Vomito Negro stands for a never seen punch of electro power, hammering sequences, pumping live percussion, harsh synths, and vocals that will blow your brain out.

Kris Baha

Much time has passed since Kris Baha swapped the parched red earth and searing midday sun of the Australian outback for the brutalist buildings, communist-era apartment blocks and slate-grey skies of East Berlin.
Now firmly embedded in his adopted city, Baha bas become known for a trademark DJ and production style inspired by sun-baked hallucinatory visions and the clandestine, concrete-clad industrial hum of the metropolis after dark.
Just before the end of 2018, Kris Baha released his EP – “In Your Arms”, a record filled with restless melancholy, chopped beats, sinister frequencies and dramatic twists.

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She Lost Kontrol
She Lost Kontrol (SLK) is an independent record label founded in August 2016 somewhere between Naples and Berlin.
The label is focused on Electronic Body Music // New wave // Synth Wave // Dark wave // Neo Folk // Industrial // Experimental // Drone // Noise // Avantgarde.

Herzschlag
Herzschlag is a Berlin based event / party organization born in 2014, bringing the finest selections of Cold Wave, Post-Punk, Minimal Synth and EBM.
Herzschlag greets every sound emerging out of the dark, industrial, future-noir, technical dystopia.

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Venue: Urban Spree
Revaler Str. 99, 10245 Berlin

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