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Marina Zumi: Techno Poetry

Urban Spree Galerie is proud to invite the Argentinian street, light and visual artist Marina Zumi for her first solo show with Urban Spree Galerie. The exhibition’s Opening on September 12th coincides with the closing ceremony of the Berlin UrbanArtWeek.

On this occasion, the Berlin-based artist will create an ambitious presentation of new works on canvas in the gallery space as well as a special immersive light installation in our newly created dark room. Last but not the least, Marina will paint the Urban Spree Artist Wall.

 

There´s no light without shadows – always in pairs, always in conflict and often deceptive.
In her work Zumi lives the apparent polarity of the two worlds. The refraction of her crystals, the world of the Shadowen just before the sunrise and her technocratic light installations, address the duel between progress and poetry.

“Techno Poetry” is a snapshot of this artistic balancing act. Marina Zumi can not be an artist without becoming a mathematician. In her creation, technology is much more of a continuation than an exclusion of the poetic.
Thus works have been created that are hermaphrodites between the two poles, seemingly from another lifetime.
Denis Leo Hegic

 

Marina Zumi
“Techno Poetry”

Urban Spree Galerie
Revaler Str. 99
10245 Berlin

Vernissage: Thursday, September 12th, 2019 from 19:00

Exhibition; 12.09.2019 – 06-10-2019

Tu-Su 12:00-19:00

Infos & Catalogue: pascal@urbanspree.com



Lydia Lunch

 

Direct Concerts, Folk Wisdom / Mirage Agency, taz & zitty Berlin present:

Official: Lydia Lunch & Mark Hurtado perform Suicide and Alan Vega songs

+ Support: Candice Gordon

Tickets: Presale • 18€ (plus fees)
Doors: 8PM • Start: 8:30PM

Official: Lydia Lunch
YouTube: http://y2u.be/UIWdbfdHP4A
Spotify: https://spoti.fi/2uHFzhb
Instagram: https://www.instagram.com/lydia.lunch.official/

Candice Gordon
YouTube: http://y2u.be/R0nlEmglwUM
Spotify: https://spoti.fi/2FKPk35

Official: Lydia Lunch ist nicht nur eine Ikone der Punk/Postpunk/No Wave-Szene. Die quirlige Amerikanerin darf man getrost als perfekte Allroundkünstlerin bezeichnen. Sängerin, Spoken Word-Poetin, Schriftstellerin, Schauspielerin, Soundtrackkomponistin, Buchautorin, Regisseurin und Vorreiterin der Riot Grrrl-Bewegung, so lauten nur ein paar Attribute ihrer Karriere.

Bereits die ersten musikalischen Gehversuche mit ihrer Combo Teenage Jesus And The Jerks zeigen die rohe, zornige und dabei vollkommen unbekümmerte Richtung ihres künftigen Schaffens. Damals ein totaler Kommerzflop, genießen diese frühen Platten heute echten Kultstatus. Ein weiteres frühes Highlight veröffentlicht sie 1980 mit dem Solodebüt “Queen Of Siam”, das neben einer berühmt-berüchtigten Version von “Gloomy Sunday” auch Szeneklassiker wie “Atomic Bongos” enthält.

If Elvira, Patti Smith and Nick Cave had a love-child somehow, Candice Gordon would be her shaman priestess. Her songs are potions taken directly out of Dr Caligari’s cabinet, fixing to heal the wounds of the human animal.

 

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“Berlin-Praha Barter” Group Show opens on 16.05.2019 in Prague

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

BERLIN PRAHA BARTER

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.
The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in 2012 in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Berlin- Praha Barter (at Trafo Gallery in Prague)

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

Berlin Praha Barter

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.

The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



12.04 NОМ – The Kings of St.Petersburg – in Berlin

NOM first time in Berlin with full line-up including their original vocalist Alexander Liver.

Nikolai Gusev: Keyboard/ vocal
Andrei Kagadeev: Bass guitar / vocal
Varvara Zverkova: Accordion / vocal
Alexei Zubkov: Electric guitar / vocal
Vadim Latyshev: Drums
Alexander Liver: vocal
Nikolai Kopeikin: vocal

NOM is an acronym for the Russian “Informal Youth Organization” (Neformalnoe Obyedinenie Molodezhi), the term used by the official Soviet press in the 80es. The band “NOM” appeared in St. Petersburg in 1987 as an absurdistic-ironical answer to rock bands in post-soviet Russia. The band used musical cliches mixed queerly together with elements of mimic show of idiots, thus reaching strong emotional effect over the audience.

“The kings of St.Petersburg” remain unique phenomenon of Russian music culture. For the 32 years of existence the band created their own style, in which you can discover elements of progressive rock, punk, electronic minimalism, symphonic music , Russian folk, Soviet music and even opera. Lyrics plays very important role for NOM who follows traditions of such bright representatives of modern Russian poetry like Nikolay Gogol, Daniil Kharms, Nikolay Oleynikov and others. Critics called NOM “The last bastion of ruthless Russian satire”.

Their discography includes 15 studio and 4 concert albums, several compilations, remixes, and a special release “Russisches scweine” on British Manufracture label.

http://morezvukov.nl/artist-roster/nom/
https://en.wikipedia.org/wiki/N.O.M.