We found – 35 articles for Point of Space

Jan Kaláb: “Point of Space” – Book Release and Signing

 

Urban Spree and Jan Kaláb invite you at Urban Spree Galerie next Saturday 24.11 at 18:00 for the Berlin release of the much-awaited first published monograph of the influential Czech post-graffiti artist Jan Kaláb.

Published in November 2018 by Prague-based Trafo Gallery on the occasion of the artist’s new solo exhibition in Prague (02.11-20.12-2018), the 320-page book – edited by the artist himself with the support of critic Petr Volf and graphic designer Jan Novák – encompasses the many different aspects of Jan Kaláb’s artistic career, from the early graffiti bombings as CAKES and POINT to his versatile works in public & indoor spaces, murals, sculptures, installations and paintings.

Signed copies will be available in our Berlin shop and online after the event. Please make your order on our webstore now to reserve a signed copy. All orders placed before 25.11.2018 will receive a signed copy.

In addition to the book signing event, Urban Spree Prints and Jan Kaláb releaseShine Around Blue 1118“, a very limited silkscreen print on Saturday 24.11.2018 at 18:00.

Edited by Urban Spree Prints and printed by Dolly Demoratti (Mother Drucker/Urban Spree Studio), the print is a 6-colour, 70 cm x 70 cm hand-pulled screen print, with vibrant colors and a hologram glitter layer.

The print is edited in a very limited run of 18 prints. 9 prints are reserved for the Berlin event while the remaining 9 prints are available to the subscribers of the Urban Spree newsletter (you can join our newsletter by signing in on the bottom of this page and by clicking on any of the sub-categories).

 

Jan Kaláb: Point of Space

Book Release and Signing

Saturday 24.11.2018 from 18:00

Urban Spree Galerie
Revaler Str. 99
10245 Berlin

 

Jan Kaláb: Point of Space

Book Release and Signing

Saturday 24.11.2018 from 18:00

Urban Spree Galerie
Revaler Str. 99
10245 Berlin



Jan Kaláb: “Point of Space” – Berlin Book Release & Signing

Urban Spree and Jan Kaláb invite you at Urban Spree Galerie next Saturday 24.11 at 18:00 for the Berlin release of the much-awaited first published monograph of the influential Czech post-graffiti artist.

Published in November 2018 by Prague-based Trafo Gallery on the occasion of the artist’s new solo exhibition in Prague (02.11-20.12-2018), the 320-page book – edited by the artist himself with the support of critic Petr Volf and designer Jan Novák – encompasses the many different aspects of Jan Kaláb’s artistic career, from the early graffiti bombings as CAKES and POINT to his versatile works in public & indoor spaces, murals, sculptures, and paintings.

Signed copies will be available in our Berlin shop and online after the event. Please make your order on our webstore now to reserve a signed copy. All orders placed before 25.11.2018 will receive a signed copy.

In addition to the book signing event, Urban Spree Prints and Jan Kaláb releaseShine Around Blue 1118“, a very limited silkscreen print on Saturday 24.11.2018 at 18:00.

Edited by Urban Spree Prints and printed by Dolly Demoratti (Mother Drucker/Urban Spree Studio), the print is a 6-colour, 70 cm x 70 cm hand-pulled screen print, with vibrant colors and a hologram glitter layer.

The print is edited in a very limited run of 18 prints. 9 prints are reserved for the Berlin event while the remaining 9 prints are available to the subscribers of the Urban Spree newsletter (you can join our newsletter by signing in on the bottom of this page and by clicking on any of the sub-categories).

 

 

 

Jan Kaláb: Point of Space

Book Release and Signing

Saturday 24.11.2018 from 18:00

Urban Spree Galerie
Revaler Str. 99
10245 Berlin



The 10 Best Street Art Books of 2018

Berlin-based specialized bookshop and gallery Urban Spree releases the list of the “10 Best Street Art Books of 2018“, a compilation of this year’s best titles. Although purely subjective, it reflects several trends playing in the book market:

 

– a renewed focus on the works of the pioneers of the 1960-70s through an academic approach;

– an increase in artist monographs which put more emphasis on their studio works;

– we have entered the era of “post-graffiti”

– but vandal graffiti and underground street art resist well the assimilation;

 

The list of the best publications of 2018 comes in no particular order.

 

1° John Divola: Vandalism

One of the most striking books of the year, “Vandalism” singles out itself by the sobriety of its approach.It consists of a black-and-white photographic series shot over 2 years in the mid-70s by the American photographer John Divola. Divola travelled across L.A. in search of vacant and dilapidated properties in which to shoot his project. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic series, painting abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, torn arrangements of cardboard, and photographing it.

Vandalism” is not per se a “street art book” but rather a photobook crossing over both genres. The best example of a crossover book would be Bruce Davidson’s “Subway“, a series of portraits shot on the gritty NYC subway in the 70s where graffiti abounds but is only a sub-context, not the main topic (unlike Martha Cooper and Henry Chalfant’s vernacular documentary photographic oeuvre whose main purpose is to specifically document graffiti).

 

Published by MACK Books, UK, in April 2018

Embossed paper-bound hardback

120 pages, 23.5 cm x 23.5 cm

Buy it here

 

2° Rafael Schacter: Street to Studio

“These are artists who are thus not slavishly reproducing their exterior practice within an interior realm but who are, rather, taking the essence of graffiti – its visual principles, its spatial structures, its technical methods, its entrenched ethics – and reinterpreting them with the studio domain,”writes Rafael Schacter in his introduction of his book Street to Studio.

We have entered the post-graffiti era. At a time where the graphic codes of street art are permeating most spheres of culture and entertainment, street artists have simultaneously enjoyed the favor of galleries and collectors and therefore have strongly developed their studio practice, when it was not in their ADN since the begining. What comes out is a blended space, where the artist works on both surfaces, the wall and the canvas, oscillating between different scales, the large and the intimate. Is this becoming a new paradigm in the art world?

The book introduces the concept of  ‘Intermural Art’ – art in-between the walls – to reflect that transition and has the merit of putting the emphasis on more conceptual players in the game (Brad Downey, Ian Strange, Boris Tellegen…) rather than usual suspects.

 

Published by Lund Humphries in July 2018

Edited by Rafael Schacter with a foreword by Carlo McCormick

Hardcover, 218 colour illustrations

224 Pages, 27 × 24,9 cm

Buy it here

 

3° David Wojnarowicz: History Keeps Me Awake At Night

Beginning in the late 1970s, the American artist David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, and activism. Largely self-taught, he came to prominence in New York in the 1980s, a period marked by creative energy, financial precariousness, and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, and neo-expressionist painting—made New York a laboratory for innovation. Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures, he varied his repertoire to better infiltrate the prevailing culture.

Wojnarowicz’s work documents and illuminates a desperate period of American history: that of the AIDS crisis and culture wars of the late 1980s and early 1990s. But his rightful place is also among the raging and haunting iconoclastic voices, from Walt Whitman to William S. Burroughs, who explore American myths, their perpetuation, their repercussions, and their violence. Wojnarowicz, who was thirty-seven when he died from AIDS-related complications, wrote: “To make the private into something public is an action that has terrific ramifications.”

 

Published by Yale University Press in July 2018

Hardcover, 384 pages

160 color + 100 b/w illustrations

Buy it here

 

4° BLU: Minima Muralia

Italian street artist BLU is one of the few street artists refusing to compromise with the art market, unwilling to translate his brillant art onto canvas, staying true to the origins of the movement – an underground, non-monetized, ephemeral, illegal & outdoor art practice for which the context and the meaning are the most important elements.

While Banksy excels in subverting the codes of the art world, BLU refuses them and strikes back, erasing the murals he painted to fight their monetization (Bologna, Berlin).

Minima Muralia” presents each mural painted by the artist during the last 15 years, more than 200 walls.

 

 

Published by Zooo Press in March 2018

288 full color pages

17×24 cm, lay flat swiss binding

Buy it here

 

5° One Week With 1UP

Which brings us to the last frontier within the realm of the urban arts: graffiti. “One Week with 1UP” is the second published book by and about the legendary Berlin-based vandal graffiti crew 1UP.  This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps in a first-hand account.

1UP is the ultimate modern graffiti crew in the 21st century: large, everywhere, powerful, fearless, defiant, invisible.

 

Self-Published, Berlin, 2018

A project by Martha Cooper, Ninja K. and 1UP

English/German, 144 pages, 31 x 22 cm

Buy it here

 

6° Klone: “Few Moments Ago I Was Here”

Klone is an Ukrianian-born, Tel-Aviv based street artist, a pioneer of graffiti in Israel and a visual artist who was the first to exhibit at Urban Spree and one of the reasons why we did the space in the first place. I stumbled upon his fist published book – “Don’t Sleep”– in 2011 and was so moved by its personal content, poetry, freedom, that I wanted to meet the man and work with him.

8 years later comes Few Moments Ago I Was Here“,  looking over those past 8 years of exhibitions, mural projects, installation, and animations.

“Few Moments Ago I Was Here” is an artist book. By this, we mean a book which is mainly thought, designed, created and published by the artist himself. We always try to get as many self-published and artist books in the bookshop because they are precious and unconventional. Of course they are difficult to source, as we can get our hands only on a small stock, they sell out fast and we need to replace them but we can’t get enough of them.

 

Self-Published, Tel Aviv, November 2018 (Hell No Publication)

Limited edition of 500 copies.

Softcover. Full colour offset print on Munken lynx paper.

Buy it here

 

7° Ian Strange: Islands 2015-2017

Continuing on the self-publication mood and echoing John Divola, the Australian artist Ian Strange  publishes “Islands 2015-2017”, a photographic monograph documenting his interventions on American suburban homes, in the wake of Gordon Matta-Clark or David Wojnarowicz.

Through photography, sculpture, research, found artefacts and drawings, “Island” reflects on the home through the metaphor of the desert island, a place of personal sovereignty but simultaneously entrapment. “Island” interplays the monumental with the intimate and intangible. Exploring the icon of the home as a deeply vulnerable object and personal vessel for memory, identity and aspiration.

 

Self-published

Limited edition of 400 hand numbered and signed books with a concertina print

25 x 34 cm

Buy it here

 

8° Jan Kalab: Point of Space

“Point of Space” is the first published monograph of the Czech graffiti and visual artist Jan Kaláb, covering 25 years of his urban and studio creations, through multiple art forms (paintings, 3D graffiti, bombings, sculptures, installations).

Jan Kaláb started as a pure graffiti writer and achieved fame under the monikers “CAKES” and “POINT”. From there, his practice evolved to murals and studio works, sculptures and canvases and this evolution, patiently documented, is fascinating to follow.

The book was edited by the artist himself with texts by the czech art critic Petr Volf.

 

 

Published by Trafacka/Trafo Gallery Prague, in November 2018

320 pages

Hard Cover, 25 cm x 32,5 cm

Texts by Petr Volf and book design by Jan Novák

Buy it here

 

9° Swet: Book of the Year

 

One of the last published books of 2018, “Book of the Year” is a comprehensive monograph encompassing 1 year of walls by the danish graffiti writer SWET.

A graffiti “tour de force”, all the walls depicted in the book were painted in 2017 and amount to over 300 wall pieces, almost one per day, all of them documented in the book, including some sketches.

The book is bound with a piece of a canvas specially painted by SWET for this project and each book has a different binding, which also highlights the precise work of the dutch artisan publishing house Chemistry Publishing.

 

 

Published in November 2018 by Chemistry Publishing

First Edition of 500

240 pages printed on Munken Crystal Rough

Cover embossed with green linen, 24 x 28,5 cm

Buy it here

 

10° Russian Urban Art: History and Conflict

Street art books are usually more about photographs and visual documentation than text. Few history books actually exist on the graffiti and street art movements, let alone about a peripheral movement such as street art in Russia.

It is therefore the merit of the Russian artist and curator Igor Ponosov to examine the power of street art in Russia by exploring its historical background, extending from the avant-garde movements of the early 20th century, to the non-conformists and the actionists of the 21st century.

 

 

Self-Published, Moscow, June 2018

Edition of 500

Hardcover, 20 x 15 cm, 96 pages, English

Buy it here

 



Automatic – Urban Spree, Berlin

 

Like all the best bands, Automatic found each other in an organic way. Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals) met in the DIY band scene of Los Angeles and started jamming together in 2017. Over the last year, they have become an important part of the L.A. Club circuit, sharing the stage with bands like Surfbort, Wand and Flatworms. On 27 September 2019 their debut album “Signal” will be released on Stones Throw / PIAS.

Lola was born into a punk household (her father is Kevin Haskins, the drummer of Bauhaus) and joined her first band, the art-rock outfit Blackblack, when she was just 13 years old. Halle and Izzy met in local bands in the northeast of L.A.; Izzy was a guitarist and singer, and Halle liked to plug her fretless bass into a guitar amp. Unimpressed by the masculine energy of the local scene and the rock music on the radio – “pumped out like plastic bottles into the ocean” – Izzy changed guitars into synths and joined Halle and Lola in 2017. They called themselves “Automatic” after a song by the Go-Go’s – the only (!) purely female band that ever wrote and recorded an entire album that reached number 1 in the charts in the USA.

Automatics guitarless setup seemed to leave a void in the sound at first, but their interplay gave them strength and they took their place in the scene. Empowerment in the best sense. They refined their sound and, informed by Neu! and Suicide, combined their preference for dub reggae, motoric rhythms and gnarled synthesizers with their cinematic pop understanding. In collaboration with sound engineer and producer Joo Joooo Ashworth (FROTH), they started working on their GarageBand demos and their debut album.

Their first single “Calling It” captures the feeling of drifting in an endless space, tearing everything apart and starting anew. Elsewhere on “Signal”, songs speak directly from the band members’ experiences: “Humanoid” and “Too Much Money” are reflections on boredom, misfortune and the disappointing falsehood of social media personae, while the title track “Signal” is about “being trapped in the drudgery of a shitty life/job and realizing that no one but yourself will save you from it.” “Signal” is the title track of the band’s album. A shocking near-death accident in her apartment inspired Izzy to write “Electrocution” – an experience alluded to in the cover packshot, which shows a switch on a red background.

Izzy studied film at college and Halle used to work at the legendary video store “Kims Video” in New York, so it’s no wonder that the band also mentions film as an important influence on their music. David Lynch and Dario Argentos in particular have left their mark on the ambiguous lyrics and eerie atmospheres.

The red thread that runs through “Signals” is the feeling of fear and alienation, possibly one of the most formative experiences of the early 21st century: the feeling of being on the edge of the world. Or as Automatic put it: “The world is so fucked. I don’t know how a musician could say: ‘That’s all great.'”

FB EVENT



Jan Kaláb: new print release with Urban Spree

Urban Spree Prints will be releasing a silk screen print designed by Jan Kaláb on Saturday 24.11.2018 on the occasion of the czech artist’s book presentation and signing at Urban Spree Berlin.

Edited by Urban Spree Prints and masterly printed by Dolly Demoratti (Mother Drucker/Urban Spree Studio), the print is a 6-colour hand pulled screen print on Hahnemühle 300 g/sm paper and comes in a very limited edition of 18 prints, signed and numbered. The outer layer of the print is printed with a subtle green hologram glitter.

9 prints are reserved directly for the Berlin book event whereas 9 other prints are available by subscribing to the Urban Spree newsletter at the bottom of this page until Saturday 24.11.2018 at 12:00 (noon). Subscribers will be then informed about the ordering process.

 



Hendrik Czakainski returns to Urban Spree with his 3rd solo show “SWITCH-OVER”

Urban Spree Galerie presents “SWITCH-OVER“, the third solo exhibition of the Berlin-based visual artist Hendrik Czakainski at Urban Spree Galerie.

Hendrik Czakainski’s materia prima is the urban matter captured at different stages of dereliction. Adopting a bird’s eye view, the artist creates large-scale post-architectural panels which are dark anatomical explorations of the urban body.

The artist becomes a forensic architect, collecting evidence of disasters, past, present and future, incorporating them in surreal compositions of large proportions, creating 3-dimensional landscapes which have become void of human presence and frightfully beautiful at the same time. His creations bring us to a state of contemplation and fascination, owing to the combination of shape and colour.

His monumental cuts, holes, and excisions to his fantastic architectural matter reach us beyond the scope of architecture and strip down those man-made artefacts to the minimum, lay them bare, and essentially on the brink of abstraction.

In SWITCH-OVER, the artist distantiates himself from the highly densified housing settlements he has been creating in the past years to pursue a more radical approach. His apocalyptic tableaux give away few clues as to when the mutations happened, what exactly happened, how was it even possible to switch from one state to the next, and which situation we are actually in, leaving the spectator forging his own clues. Are we investigating a foregone reality, are we already processing the next move, or are we trapped in between ?

In his new compositions, we ask ourselves if humanity is still part of the global equation or if the tipping point has been already reached; if a reversal is even possible.

Most works of the show are constructed in two or three parts, creating a dynamic impulse, searching for life in interstitial space, infusing tension, and establishing a mutual dialog, a new social contract of what’s left.

 

Hendrik Czakainski

SWITCH-OVER

Einzelaustellung

Opening: Friday 26.10.2018 at 18:30 (FB Event)

Exhibition Dates: 26.10.2018 – 24.11.2018

Tu-Sa 12 :00-18:30

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

 


Galerie Enquiries:

Pascal Feucher: pascal@urbanspree.com

www.urbanspree.com

Press Enquiries:

Wayra Gonzalez: press@urbanspree.com


http://www.hendrikczakainski.com

https://www.instagram.com/hendrik_czakainski/