We found – 5 articles for Tunnels

The 10 Best Street Art Books of 2018

Berlin-based specialized bookshop and gallery Urban Spree releases the list of the “10 Best Street Art Books of 2018“, a compilation of this year’s best titles. Although purely subjective, it reflects several trends playing in the book market:

 

– a renewed focus on the works of the pioneers of the 1960-70s through an academic approach;

– an increase in artist monographs which put more emphasis on their studio works;

– we have entered the era of “post-graffiti”

– but vandal graffiti and underground street art resist well the assimilation;

 

The list of the best publications of 2018 comes in no particular order.

 

1° John Divola: Vandalism

One of the most striking books of the year, “Vandalism” singles out itself by the sobriety of its approach.It consists of a black-and-white photographic series shot over 2 years in the mid-70s by the American photographer John Divola. Divola travelled across L.A. in search of vacant and dilapidated properties in which to shoot his project. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic series, painting abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, torn arrangements of cardboard, and photographing it.

Vandalism” is not per se a “street art book” but rather a photobook crossing over both genres. The best example of a crossover book would be Bruce Davidson’s “Subway“, a series of portraits shot on the gritty NYC subway in the 70s where graffiti abounds but is only a sub-context, not the main topic (unlike Martha Cooper and Henry Chalfant’s vernacular documentary photographic oeuvre whose main purpose is to specifically document graffiti).

 

Published by MACK Books, UK, in April 2018

Embossed paper-bound hardback

120 pages, 23.5 cm x 23.5 cm

Buy it here

 

2° Rafael Schacter: Street to Studio

“These are artists who are thus not slavishly reproducing their exterior practice within an interior realm but who are, rather, taking the essence of graffiti – its visual principles, its spatial structures, its technical methods, its entrenched ethics – and reinterpreting them with the studio domain,”writes Rafael Schacter in his introduction of his book Street to Studio.

We have entered the post-graffiti era. At a time where the graphic codes of street art are permeating most spheres of culture and entertainment, street artists have simultaneously enjoyed the favor of galleries and collectors and therefore have strongly developed their studio practice, when it was not in their ADN since the begining. What comes out is a blended space, where the artist works on both surfaces, the wall and the canvas, oscillating between different scales, the large and the intimate. Is this becoming a new paradigm in the art world?

The book introduces the concept of  ‘Intermural Art’ – art in-between the walls – to reflect that transition and has the merit of putting the emphasis on more conceptual players in the game (Brad Downey, Ian Strange, Boris Tellegen…) rather than usual suspects.

 

Published by Lund Humphries in July 2018

Edited by Rafael Schacter with a foreword by Carlo McCormick

Hardcover, 218 colour illustrations

224 Pages, 27 × 24,9 cm

Buy it here

 

3° David Wojnarowicz: History Keeps Me Awake At Night

Beginning in the late 1970s, the American artist David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, and activism. Largely self-taught, he came to prominence in New York in the 1980s, a period marked by creative energy, financial precariousness, and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, and neo-expressionist painting—made New York a laboratory for innovation. Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures, he varied his repertoire to better infiltrate the prevailing culture.

Wojnarowicz’s work documents and illuminates a desperate period of American history: that of the AIDS crisis and culture wars of the late 1980s and early 1990s. But his rightful place is also among the raging and haunting iconoclastic voices, from Walt Whitman to William S. Burroughs, who explore American myths, their perpetuation, their repercussions, and their violence. Wojnarowicz, who was thirty-seven when he died from AIDS-related complications, wrote: “To make the private into something public is an action that has terrific ramifications.”

 

Published by Yale University Press in July 2018

Hardcover, 384 pages

160 color + 100 b/w illustrations

Buy it here

 

4° BLU: Minima Muralia

Italian street artist BLU is one of the few street artists refusing to compromise with the art market, unwilling to translate his brillant art onto canvas, staying true to the origins of the movement – an underground, non-monetized, ephemeral, illegal & outdoor art practice for which the context and the meaning are the most important elements.

While Banksy excels in subverting the codes of the art world, BLU refuses them and strikes back, erasing the murals he painted to fight their monetization (Bologna, Berlin).

Minima Muralia” presents each mural painted by the artist during the last 15 years, more than 200 walls.

 

 

Published by Zooo Press in March 2018

288 full color pages

17×24 cm, lay flat swiss binding

Buy it here

 

5° One Week With 1UP

Which brings us to the last frontier within the realm of the urban arts: graffiti. “One Week with 1UP” is the second published book by and about the legendary Berlin-based vandal graffiti crew 1UP.  This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps in a first-hand account.

1UP is the ultimate modern graffiti crew in the 21st century: large, everywhere, powerful, fearless, defiant, invisible.

 

Self-Published, Berlin, 2018

A project by Martha Cooper, Ninja K. and 1UP

English/German, 144 pages, 31 x 22 cm

Buy it here

 

6° Klone: “Few Moments Ago I Was Here”

Klone is an Ukrianian-born, Tel-Aviv based street artist, a pioneer of graffiti in Israel and a visual artist who was the first to exhibit at Urban Spree and one of the reasons why we did the space in the first place. I stumbled upon his fist published book – “Don’t Sleep”– in 2011 and was so moved by its personal content, poetry, freedom, that I wanted to meet the man and work with him.

8 years later comes Few Moments Ago I Was Here“,  looking over those past 8 years of exhibitions, mural projects, installation, and animations.

“Few Moments Ago I Was Here” is an artist book. By this, we mean a book which is mainly thought, designed, created and published by the artist himself. We always try to get as many self-published and artist books in the bookshop because they are precious and unconventional. Of course they are difficult to source, as we can get our hands only on a small stock, they sell out fast and we need to replace them but we can’t get enough of them.

 

Self-Published, Tel Aviv, November 2018 (Hell No Publication)

Limited edition of 500 copies.

Softcover. Full colour offset print on Munken lynx paper.

Buy it here

 

7° Ian Strange: Islands 2015-2017

Continuing on the self-publication mood and echoing John Divola, the Australian artist Ian Strange  publishes “Islands 2015-2017”, a photographic monograph documenting his interventions on American suburban homes, in the wake of Gordon Matta-Clark or David Wojnarowicz.

Through photography, sculpture, research, found artefacts and drawings, “Island” reflects on the home through the metaphor of the desert island, a place of personal sovereignty but simultaneously entrapment. “Island” interplays the monumental with the intimate and intangible. Exploring the icon of the home as a deeply vulnerable object and personal vessel for memory, identity and aspiration.

 

Self-published

Limited edition of 400 hand numbered and signed books with a concertina print

25 x 34 cm

Buy it here

 

8° Jan Kalab: Point of Space

“Point of Space” is the first published monograph of the Czech graffiti and visual artist Jan Kaláb, covering 25 years of his urban and studio creations, through multiple art forms (paintings, 3D graffiti, bombings, sculptures, installations).

Jan Kaláb started as a pure graffiti writer and achieved fame under the monikers “CAKES” and “POINT”. From there, his practice evolved to murals and studio works, sculptures and canvases and this evolution, patiently documented, is fascinating to follow.

The book was edited by the artist himself with texts by the czech art critic Petr Volf.

 

 

Published by Trafacka/Trafo Gallery Prague, in November 2018

320 pages

Hard Cover, 25 cm x 32,5 cm

Texts by Petr Volf and book design by Jan Novák

Buy it here

 

9° Swet: Book of the Year

 

One of the last published books of 2018, “Book of the Year” is a comprehensive monograph encompassing 1 year of walls by the danish graffiti writer SWET.

A graffiti “tour de force”, all the walls depicted in the book were painted in 2017 and amount to over 300 wall pieces, almost one per day, all of them documented in the book, including some sketches.

The book is bound with a piece of a canvas specially painted by SWET for this project and each book has a different binding, which also highlights the precise work of the dutch artisan publishing house Chemistry Publishing.

 

 

Published in November 2018 by Chemistry Publishing

First Edition of 500

240 pages printed on Munken Crystal Rough

Cover embossed with green linen, 24 x 28,5 cm

Buy it here

 

10° Russian Urban Art: History and Conflict

Street art books are usually more about photographs and visual documentation than text. Few history books actually exist on the graffiti and street art movements, let alone about a peripheral movement such as street art in Russia.

It is therefore the merit of the Russian artist and curator Igor Ponosov to examine the power of street art in Russia by exploring its historical background, extending from the avant-garde movements of the early 20th century, to the non-conformists and the actionists of the 21st century.

 

 

Self-Published, Moscow, June 2018

Edition of 500

Hardcover, 20 x 15 cm, 96 pages, English

Buy it here

 



“One Week with 1UP”: Opening at Urban Spree

One Week with 1UP” is an exceptional exhibition of photographs and artworks by Martha Cooper, 1UP Crew, and Ninja K. to coincide with the publication of the book “One Week With 1UP“.

The show is only the second solo Berlin exhibition ever made by the legendary Berlin-based vandal graffiti crew 1UP after their first show at Urban Spree in 2014 – “I Am 1UP”.

This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps…

One Week with 1UP” is a first-hand and behind-the-scenes account of the most important European crew of the 21st century.

The Opening Night will start at 19:00 with the vernissage of the exhibition and the release of the book in presence of Martha Cooper. A new screen print, “Letters of 1UP“, as well as the brand new tees & hoodies will be also released.

Open end outdoor party with Beathoavenz, That Fucking Sara, Sara Wave. At 21:30, special video release. On top: 1UP Flash tatoos in partnership with our resident Amor de Madre #Berlin & African cuisine by DeDeeDe.

 

Urban Spree Galerie presents: ONE WEEK WITH 1UP

A Project by 1UP, Martha Cooper and Ninja K.

Opening: May 9th, 2018, at 19:00 – open end

Exhibition: May 10th, 2018 – May 27th, 2018

Tuesday-Sunday / 12:00-19:00

Info: contact@urbanspree.com



1UP, Martha Cooper & Ninja K.: ONE WEEK WITH 1UP

One Week with 1UP” is an exceptional exhibition of photographs and artworks by Martha Cooper, 1UP Crew, and Ninja K. to coincide with the publication of the book “One Week With 1UP”.

The show is only the second exhibition ever made by the legendary Berlin-based vandal graffiti crew 1UP after their first show at Urban Spree in 2014 – “I Am 1UP”.

This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps…

One Week with 1UP” is a first-hand and behind-the-scenes account of the most important European crew of the 21st century.

 

Urban Spree Galerie presents: ONE WEEK WITH 1UP

A Project by 1UP, Martha Cooper and Ninja K.

Opening: May 9th, 2018, at 19:00 – open end

Exhibition: May 10th, 2018 – May 27th

Tuesday-Sunday / 12:00-19:00

Info: contact@urbanspree.com



“One Week With 1UP” Book Trailer

One Week with 1UP” is the second published book by and about the legendary Berlin-based vandal graffiti crew 1UP.

This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps in a first-hand account.

Here is the official trailer of the book:



MIND RECORDS SHOWCASE

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MIND Records Mini-Tour Showcase Night

Femminielli Noir [CA, QC, DE]

(Jesse Osborne-Lanthier + Bernardino Femminielli)

‘’To us, it is plainly obvious that the act of mixing traditional structured musical visions causes one to become extremely bored. We have chosen hybrids, and hybrids of hybrids. To put it concisely, the flowing forms of any given vision must never clash with the ultimately contrasting endeavour of transforming inventions. In the vapours of all this garbage art and shit music that floats around, misleading us and polluting our minds with mindless stupidities, we have decided to work for the better understanding of the future of conceptual music and performance. We advocate the use of provocative theatrical-devices, concurrently, contemporarily, creating a wide array of heterogeneous genres. More bullshit.’’

https://www.facebook.com/femminiellinoir

https://mindrecordsjapan.bandcamp.com/album/femminielli-noir-malas-influencias

http://thecreatorsproject.vice.com/blog/first-femminielli-noirs-ep-lveil-as-a-psychedelic-sound-exploration

http://passiveaggressive.dk/tag/kronborggade/

https://www.youtube.com/watch?v=_aSGEHMX42A

https://www.youtube.com/watch?v=rJoDhgX3F3A

Night Musik A, PT]

As a composer, songwriter, producer and multi-instrumentalist, Shub Roy has made contributions to the live line-ups and critically acclaimed albums by Dirty Beaches (Drifters/Love Is The Devil, 2013) and Toronto psychedelic collective Yamantaka // Sonic Titan (Yamantaka // Sonic Titan, 2013), not tomention countless other acts (early Sacred Bones lo-fi project Pink Noise, French glam popper Jef Barbara) in the past decade’s Montreal underground. The last few years of Roy’s life have been spent on extensive tours throughout Canada/U.S., UK/Europe, Asia/Japan, Australia, Israel and Russia as a full-time touring member of the eternally wandering Dirty Beaches. These travels brought him through dark clubs and serpentine tunnels, from the afterhours of Berlin and Tokyo, to the night trains of Russia and the bairros of Lisbon and beyond. The result is the birth of new solo project Night Musik. The name itself suggests a genre or even a manifesto, rather than an artist. The album, “Transit,” was written, recorded and produced during these two years on the road (split up by periods living first in Berlin and more recently, Lisbon), evoking the relationship between time and place; time as place; even time as a state of mind. Insomnia music for restless nights. Reflections caught in dancefloor mirrors. What began as a way to pass time in dark hotel rooms and airports (“non-places”) was guided by the nature of life on the road. The cinematic atmospheres of the resulting LP distill shades of techno, acid, industrial, ambient (while never falling back on the conventions of just one) and even conjure the repetitive, mechanical rhythms and hums of vehicles themselves. Adding to the globalism of this release, the album will be issued in LP and digital formats by Mind Records, a label itself based on a partnership between Paris and Osaka.

https://vimeo.com/114696731

Moyō R]

Moyō is Abraham Toledano, founder of MIND Records, Bona fide night-owl DJ and walking encyclopedia of outsider record digging. Fascinated by the bowels of obscure Japanese dance-oriented music his numerous record labels (MIND, Malditos, Mitzvah and Plastic Spoons Records) have been responsible for dozens of fringe wax cuts.

http://noisey.vice.com/fr/read/7-ways-ultra-violence-bobby-sox-reactors

http://www.the-drone.com/magazine/tag/mind%20records

http://www.hartzine.com/who-are-you-mind-records/

http://www.villettesonique.com/la-mixtape-dinferno-toledano-en-ecoute-ici/

http://85.17.94.10/rinse/podcast/LowJackinviteAbrahamToledano251114.mp3

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