We found – 1288 articles for Urban Spree

Redscale – South Grove – Heavy Heavy | Urban Spree

Church of Moon – Swamp Conspiracy – DUSTOWN presents
“A Danger Can Of Thounderous Sludgy Headbangs”
FFO: Stoner, Blues, Sludge, Doom, Punk, Psych & Heavy RAWK!

“REDSCALE deliver large in tone and tonnage, bearing enough resonant mass to sate beast king and listener alike. Colosseum-sized chordage, hippodrome-heavin’ hooks and ziggurat-rockin’ rhythms are hammered and tempered in the grand sonic forge, until a set of eight amplified artifacts emerge. High-octane riffage and groovin’ emissions host a vocal conquest that is potent and total, bringing hard rain to a cold dawn and warm song to all there beyond.”
New album FEED THEM TO THE LIONS available on all digital streaming services, limited edition black vinyl in sleeve case with handmade printed labels now available on Bandcamp:
https://redscale-berlin.bandcamp.com

South Grove are four friends that grew up in Athens, who came together in Berlin to share something they love.
The fundament of their live performances is the energy, on which a mixture of stoner rock riffs and blues rhythms breathe through melodic breakdowns that end up tasting soulfully intense.
2ND ALBUM IN THE MAKING FOR RELEASE LATER IN 2020!
http://southgrove.bandcamp.com

Berlin’s HEAVY HEAVY formed in early 2019 by members from the Ukraine, Finland and the US. Inspired by bands like Royal Blood, All Them Witches, Highly Suspect, Death From Above, they set out to rediscover dirty rock music, armed with gritty riffs and thunderous rhythms. DEBUT SINGLE OUT NOW!
https://heavyheavyberlin.bandcamp.com/releases

20:00 doors (open – not the band!)
21:00 Heavy Heavy
22:00 South Grove
23:00 Redscale
00:00 The Ballroom Bang
feat. DJs Rob Monstar – Säsh Dustown – Gustav Moustache
“BRO – do you even riff??” – yeth, we spliff ‘n’ riff !!!

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Flashdance * 80s * Disco Rave * Hip Hop * Boogie at Urban Spree

Der Disco Rave im Herzen Berlin’s. Direkt im Urban Spree geht es auf den schönsten Flashback dieser Tage.

💫 80s Laser Disco Floor 💫

Funkarella
Resoul ( Soultrade / Heideglühen )
Ray Bang

⚡️ Hip Hop Gang Bang Floor ⚡️

Special Guests
Jayroe ( Konichiwa Gang Berlin )

Wir reisen zurück, in die Zeit, wo Laser noch Laser waren und der Discolifestyle noch mit allen Sinnen gelebt wurde.

Kommt und nehmt an unserer kleinen Gala der Neonwertschätzung teil. Dafür haben wir weder Kosten noch Mühen gescheut und die Creme De La Creme der Dj Götter einberufen.

/// Laser Show auf dem Disco Floor ///

/// URBAN SPREE ///
/// REVALER STR. 99 ///
/// 10245 BERLIN ///
/// WWW.URBANSPREE.COM ///


Arabs Do It Better Berlin • 18.01.20 • Urban Spree

Arabs Do It Better
Electronic Hafla • حفلة الكترونية

18.01.2020 | Saturday
السبت | ١٨.١.٢٠

Urban Spree
Revaler Str. 99, 10245 Berlin

DOORS OPEN : MIDNIGHT
افتتاح الابواب: الساعة ٢٤:٠٠

Entrance: 10 Euros (Tickets at the entrance)
سعر التذكرة: ١٠ يورو (الدفع على الباب)

ELECTRONIC HAFLA FLOOR
ساحة الحفلة الاكتروني
_____________________________
DAVID PEARL (Arabs Do It Better)
Mehmet Aslan (FLEETING WAX / HAMAM HOUSE)
MARWAN HAWASH (Arabs Do It Better)

SOUL KEBAB FLOOR | Funky sexy vinyls
ساحة السول كباب | موسيقى على اسطوانات
________________________________________
Paloma Colombe (Paris/Alger – Panafrican Beats)

It’s too dark and cold outside this time of the year and we all deserve a nice portion of some warm beats to heat us up. So we are preparing a very special fiesta for you Berliners with a very special dj guests.

In the ELECTRONIC HAFLA FLOOR the Arabs Do It Better crew – Marwan Hawash & David Pearl will host a very special guest, one of our favorite eclectic selectors, music diggers, producers and Dj’s:
MEHMET ASLAN (FLEETING WAX/ HAMAM HOUSE)
Coming to take the dance floor and dive into a journey full of trippy sounds from the east, full of percussion and warm synths with the right strings.

In SOULKEBAB FLOOR we’re excited to host Paloma Colombe, coming to us from Paris/Alger with her special mix between old & new, organic & electronic tunes, from funk and disco beats to the Mediterranean rhythm.

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ساحة الحفلة الاكتروني
___________________
دافيد پيرل
مهمط اصلان
مروان هواش

ساحة السول كباب | موسيقى على اسطوانات
______________________________________
پالوما كولومب (پاريس/الجزائر)

الطقس بارد برا والشمس تركتنا لفترة، فحضرنا ليلة خاصة اتدفينا في هاي الفترة مع مسطونين/ات مميزين ومميزات في برلين!

في الساحة الالكترونية فريق ‘الارابز’ رح يستضيف احد المنتجين والمسطونين المفضلين في ساحات الرقص:
مهمط اصلان (فليتينج واكس / حمام هاوس)، رح يوخدنا إلى رحلة سطونة موسيقية في عالم الإيقاع البديل والحديث مع أصوات الكيبورد والأوتار الشرقية.

في ساحة ال-‘صول كباب’ – موسيقى على اسطوانات (مش بس) من عالم الفانك، الديسكو، الالكتروني والاورغاني. رح نستضيف المسطونة ‘پالوما كولومب’ (الجزائر/پاريس) لكل الليلة!

Listen • استمعو
MEHMET ASLAN >
https://bit.ly/2SiSzqC + https://bit.ly/2SkWP8T
PALOMA COLOMBE >
https://bit.ly/2EFOyEF + https://bit.ly/2ZjA8TZ
MARWAN HAWASH > https://bit.ly/2oNWwUJ
DAVID PEARL > https://bit.ly/2C82Xeh

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Pharmakon – Urban Spree, Berlin

Doors: 20h, Start: 21h.

“Devour” marks the fourth full-length record from New York City based artist Margaret Chardiet’s project Pharmakon and the most intense output of her 12 plus years creating industrial noise. Like her previous albums, Devour comes with a strong concept that is exorcised throughout the five demolishing tracks on the album, using imagery and language of self-cannibalism as allegory for the self-destructive nature of humans. Each of the five songs echoes a stage of grief associated with this cyclical chamber of self-destruction and the chaos surrounding us that leads us to devour ourselves in an attempt to balance the agony.

The album was recorded by Ben Greenberg (Uniform) and is the first Pharmakon album recorded live in studio. The A and B sides were each recorded as a continuous take with vocals from start to finish, marking a totally new process for the artist that allows the ferocity and immediacy of her live performance to resonate throughout. Devour also explores new sonic territory, with denser electronics, groovier hooks, and moments of her most unhinged vocal deliveries to date. As one of the premiere vanguards of modern industrial and power electronics, Chardiet continuously pushes the genres and everyone involved in them, and with the release of Devour, she has once again changed the game.

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Shopping – Urban Spree, Berlin

New album All Or Nothing out on 7th February 2020

The DIY ‘supergroup’ Shopping formed in 2012, respected players on a young, queer, East London scene that counted basement venue Power Lunches (RIP) as its hub. Their sound – kinetic, minimalist dance-punk inspired by the likes of ESG, Gang of Four, Slits and Au Pairs – has won them glowing press from all quarters (NME, Pitchfork, NPR), impressive co-signs (Sleater-Kinney’s Corin Tucker is a fan) and a loyal, cross-continent following accrued over three, acclaimed albums: self-released debut Consumer Complaints [2013], a short-run, DIY-distributed release that sold out in a matter of months and was subsequently reissued by FatCat; Why Choose [2015, FatCat], which saw the band touring the States for the first time; and The Official Body [2018, FatCat] – produced by indie pop legend Edwyn Collins.

Along with cleaner, new production values, their brand new album “All Or Nothing” (out on February 7th, 2020 on FatCat) sees Shopping experiment further with the sonic additions that coloured The Official Body. Jubilantly ‘80s synths and electronic percussion add new textures to their signature minimalist dynamic, flourishes that show up on the accelerating zooms of ‘Follow Me’ and the frenetic, propulsive robotics of ‘For Your Pleasure’. “We introduced both of these sounds on the last album and just decided to be more liberal with them this time,” explains Easter. Aggs – feted for her dexterous, Highlife-inspired fret work – went so far as to down guitars for a number of tracks (‘For Your Pleasure’, ‘Follow Me’, ‘Lies’). “It’s been so fun developing quite a specific guitar style within Shopping, but I think we were all getting a little sick of it to be honest! It felt very stale to just have every song be the same formula so I’m glad we did away with the guitar for a few songs.”

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