We found – 54 articles for Walls

First Show of 2020: “WALLS” A Collective Exhibition Featuring 30 International Artists

For their first show of 2020, Urban Spree Galerie presents « WALLS », a collective exhibition featuring 30 international artists and dedicated to the notion of the « wall ». 

Curated by Fabrice Douar and Cyrille Gouyette (Le Louvre Museum, Paris) and co-curated by Pascal Feucher (Urban Spree Galerie, Berlin), « WALLS » invites prominent artists from the comics & street art scenes to create graphic works of fiction related to walls, interpreted either as simple architectural elements, ominous symbols of segregation, canvases and vessels to convey meaning, textures, or imaginary playgrounds and labyrinths. 

Jorge Rodriguez-Gerada. Painting on a fragment of a wall

 

While some antique artefacts appear in the show to testify of their immortal, silent presence, in the 21st Century, the Minotaur doesn’t wait at the center of his realm but has clearly moved outside, demultiplied its presence, and is building more walls.

The exhibition’s direction is therefore resolutely multifaceted, contemporary and graphic-oriented, spanning several topographies (Europe, South Korea, Middle East, Hong Kong, Cuba…), and art forms (painting, photography, installations, videos).

 

Philippe Echaroux – Amazonia, Petit Chef – c-print mounted on Alu Dibond, 84 x 150 cm, 2016

30 Artists: Alias, Andreas, Jim Avignon, Bault, Enki Bilal, Broken Fingaz Crew, Isaac Cordal (installation), Hendrik Czakainski, Christian Durieux, Philippe Écharoux (mapping installation), EVOL, Jean Faucheur, Flix, Jorge Rodriguez-Gerada, Miles Hyman, Kim Jung Gi, Levalet, Stéphane Levallois, Loustal, Marc-Antoine Mathieu, Mode2, Alexandra Novosseloff, Ernest Pignon-Ernest, Michal Škapa, Pen So, Thom Thom, Sam Tse, Santiago Valenzuela, Lars Wunderlich, Zevs.

 

Bault – Rond Point de la Tour de Babel, Acrylic on Canvas

In cooperation with Galerie David Ghezelbash, Galerie Huberty & Breyne, and Galerie Lelong & Co.

 

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WALLS

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Vernissage: Friday, January 17th, 2019 from 18:30

Exhibition: 17.01.2019 – 29.02.2019

Wed – Sat –  12:00-18:30 or by appointment

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Info: galerie@urbanspree.com

Download the Press Kit: 
https://www.urbanspree.com/press/

Facebook Event:
https://business.facebook.com/events/603236363595075/

List of available artworks (posted regularly): 
https://www.artsy.net/show/urban-spree-galerie-walls



WALLS

For their first show of 2020, Urban Spree Galerie presents « WALLS », a collective exhibition featuring 30 international artists and dedicated to the notion of the « wall ». 

Curated by Fabrice Douar and Cyrille Gouyette (Le Louvre Museum, Paris) and co-curated by Pascal Feucher (Urban Spree Galerie, Berlin), « WALLS » invites prominent artists from both the comics scene and the street art scene to create graphic works of fiction related to walls, interpreted either as simple architectural elements, ominous symbols of segregation, canvases and vessels to convey meaning, textures, or imaginary playgrounds and labyrinths. 

Fragment of an antique wall, Pompeii. Courtesy Galerie David Ghezelbash

 

While some antique artefacts appear in the show to testify of their immortal, silent presence, in the 21st Century, the Minotaur doesn’t wait at the center of his realm but has clearly moved outside, demultiplied its presence, and is building more walls.

The exhibition’s direction is therefore resolutely multifaceted, contemporary and graphic-oriented, spanning several topographies (Europe, South Korea, Middle East, Hong Kong, Cuba…), and art forms (painting, photography, installations, videos). 

Levalet: “Voie de contournement”, China ink on paper, 70x100cm, 2019

30 Artists: Alias, Andreas, Jim Avignon, Bault, Enki Bilal, Broken Fingaz Crew, Isaac Cordal (installation), Hendrik Czakainski, Christian Durieux, Philippe Écharoux (mapping installation), EVOL, Jean Faucheur, Flix, Jorge Rodriguez-Gerada, Miles Hyman, Kim Jung Gi, Levalet, Stéphane Levallois, Loustal, Marc-Antoine Mathieu, Mode2, Alexandra Novosseloff, Ernest Pignon-Ernest, Michal Škapa, Pen So, Thom Thom, Sam Tse, Santiago Valenzuela, Lars Wunderlich, Zevs.

 

Enki Bilal. Excerpt from the Portfolio “Die Mauer Berlin”, Futuropolis 1982

 

In cooperation with Galerie David Ghezelbash, Galerie Huberty & Breyne, and Galerie Lelong & Co.

 

WALLS

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Vernissage: Friday, January 17th, 2019 from 18:30

Exhibition: 17.01.2019 – 29.02.2019

Wed – Sat –  12:00-18:30 or by appointment

info and catalogue: galerie@urbanspree.com

To download the Press Kit: https://www.urbanspree.com/press/



Kid Cash interviewed by Widewalls ahead of his solo show

Kid Cash was interviewed by Widewalls ahead of his solo show “Very Necessary” at Urban Spree.

Widewalls: Let’s start with the title of the show at Urban Spree, “Very Necessary”. It points out the necessity of showing street artworks in a gallery context: what can you tell us about this necessity?

KID CASH: At the end of the 1970s, the works of graffiti artists like Dondi, Lady Pink and Futura were exhibited in galleries. From today’s perspective it seems that the undertaking didn’t work. Around 2005 there was a veritable street art boom and again, there was the will to bring art from the streets into galleries. This development is still going on. Some artists have managed to exhibit their works regularly in white-cube galleries. But in my view, their reputation as „being authentic“ results from their work in public spaces. One fundamental finding is for me that it’s hardly possible to bring authenticity from the streets into the gallery. The reason for this is that is very simple: The space is just different. That’s why the artworks in galleries differ so much from those in the streets. I chose this simple fact to become the theme of my exhibition.

I want to describe an example: When I paint on a wall in the street, the wall tells me some stories. It is full of traces and has different surfaces. It is raw, full of holes, rock-hard, sprayed, and also full of insects. On the streets, people just take a glimpse at walls. The viewers pass by quickly and therefore the murals are quickly recognisable. They were painted to be seen from a distance or sometimes only for being photographed only. That’s why they tend to be relatively rough.

In contrast, when I paint on a canvas in my studio, the canvas is usually smaller than the walls outside in the streets. The surface of the canvas is smooth and it gives way. The fine structure is perceptible. At an artwork hanging in a gallery can be looked at from very close and intensively. The exhibition visitors can take a lot of time to look at the artworks.

For me it’s clear that my artworks on canvases differ from those I paint on walls in public spaces. In a gallery context, I just can’t do the same that I do on the streets! But both approaches get mutually inspired. That’s how I came to the title which became at the same time my topic. (…)

Read the full interview on Widewalls here.



Widewalls interviews Hendrik Czakainski

Swiss-based urban and contemporary arts blog Widewalls just released an in-depth interview with Hendrik Czakainski on the occasion of his current solo show at Urban Spree Galerie.

Hendrik explains his vision, process, atelier work and connexions to our modern environment.

You can read the interview here.

The exhibition is on display until 17.10 in Berlin.

You can request the catalogue by writing an email to: galerie@urbanspree.com

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FantastiCore Presents: DUAL ROYAL #1

 

fantasticore is glad and exited to declare the first round of DUAL ROYAL! a fresh new line of konzerts where 2 bands gonna face each other on stage untill their last drop of sweat is sucked dry in the walls of the venue!
the night will be followed by our amazing host THE SAMURAI SKLONT and by our special judge which who da fuck is he to even judge someone.
it’s time to bring berlin the next level of konzerts with more fun and more theatrical concept!
WE DESERVE THE BEST!!!

ON STAGE!:
darwins rache VS dead tourists
evil livers VS Throatstabber
××××××××××××××××××××

$$$$$$$$$$$$$$$$$$$$$$$$
put on your silliest outfit
and u may win big prizes!
$$$$$$$$$$$$$$$$$$$$$$$$
at the beloved URBAN SPREE
21:00 o’clock

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Charlotte Adigery | Berlin

Charlotte Adigéry
+ Support: Kaleo Sansaa
13.11. Berlin, Urban Spree
Einlass: 19 Uhr | Beginn: 20 Uhr

With her new EP Zandoli, Belgian-Caribbean artist Charlotte Adigéry proves herself to be a consummate storyteller. Sometimes patently silly, sometimes deeply introspective, Adigéry’s ever-wandering mind spins tales that are absurd and poignant and ridiculously fun. Having been taught the ropes by her Martinique-born mother –namely rhythm’s relationship to musicality and the importance of a sense of humour– Adigéry is a persuasive young artist who can sing about lizards one moment and latex the next.

A descendent of a Nigerian Yoruba tribe that worked its way out of slavery on the faraway island of Martinique, Adigéry likes to draw inspiration from her Caribbean ancestors’ musical traditions. Opening track ‘Paténipat’ features a chanted chorus of “zandoli pa té ni pat” –a Creole mnemonic that means “the gecko didn’t have any legs”– which perfectly enunciates the rhythms of the GWO KA dances that would have swayed the islanders of Martinique a century ago. A zandoli, by the way, is a lizard normally found climbing the walls of Caribbean homes.

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