We found – 16 articles for collages

Lars Wunderlich: What Are We Looking For?

Urban Spree Galerie presents “What Are We Looking For?“, a solo show of new works by Berlin-based visual artist Lars Wunderlich.

What Are We Looking For?” is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, integrates economic cycles, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the “New Leipzig School”, albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

 

“It Is And It Isn’t” – Acrylic on Canvas – 172 cm x 137 cm – 2019

 

 

Biography:

Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew “The Weird” (Nychos, Low Bros, DXTR, Vidam…) under the moniker “Look the Weird”.

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. “What are we looking for?” is his first solo exhibition with Urban Spree Galerie.

 

Lars Wunderlich

“What Are We Looking For?”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com



Praha-Berlin Barter

In March/April 2019, Urban Spree Galerie invites Prague-based Trafo Gallery for a group show and gallery exchange.

“Praha-Berlin Barter” will take place from 28.03.2019 to 21.04.2019 and will display the works of 8 prominent Czech artists from the Trafo gallery.

Curated by Trafo Gallery Director Blanka Čermáková, the group show oscillates between contemporary urban arts (Jan Kaláb, Michal Škapa), pop surrealism (Jan Vytiska), contemporary drawing, sculpture, digital art, animation (Jakub Janovský, Michal Cimala, Jakub Nepraš), and geometric abstraction paintings (Robert Šalanda, Ira Svobodová). All artists have been involved in the old Trafacka space in Prague before its destruction and are actively involved into the new Trafo Gallery.

This group exhibition marks the first exchange between 2 independent European galleries sharing the same values and a similar history.

Trafacka was created in 2006 as a gallery and residential space located in an old power station in an industrial district of Prague.
After a couple of years, the place was occupied by more than 100 living and working artists in 36 studios, exhibiting in Trafo Gallery. More than 200 projects took place over the course of 8 years, until the place was finally destroyed in 2014. In 2016, the gallery managed to relocate in a former slaughterhouse (Vietnamese market of Prague, across the river from the historical center). Trafo Gallery was reborn with a 200 sqm gallery space and 4 artist studios. The artist-run gallery presents six exhibitions and six books per year with a focus on the new contemporary Czech art scene and the genres of street art, sculptures, abstraction painting, and digital art.

In the words of Blanka Čermáková, Director of Trafo Gallery: “One exhibition per year is a sort of barter with international projects and galleries which this year leads us to Berlin, city of art, angels and friends. Eight artists based in Prague, united with a long term bond to Trafo Gallery and our history, – Ira Svobodová, Jan Kaláb, Jakub Nepraš, Michal Cimala, Michal Škapa, Jan Vytiska, Robert Šalanda and Jakub Janovský – represent strong personalities and different art expressions. Ira Svobodová paints exact architectural compositions and builds perspective with colors and shadows, Jan Kaláb, a well known artist to Urban Spree with strong street art roots and perfect color and shapes styles, Jakub Nepraš shape sculptures as a platform for his vivid videocollages of microscopic worlds of nature and human babylons, Michal Cimala composes sculptures made often from collected material to existentialist compositions. Graffiti legend Michal Škapa works with urban scenery, apocalyptic and architecture destruction or using expressive colors when writing his crypted rune texts on canvases. Jan Vytiska is a painter of zombie romantic and surrealistic stories often based in forest neighbourhood or in postapocalyptic times. Robert Šalanda works with paper collages of abstract color shapes and transpose it to canvases where playfully upgrades new compositions with gradient colors. Last but not least Jakub Janovský is recognizable with his figurative drawings and often black and white coloring, silicon, enamel or airbrush outlines and ironic reflecting of society problems and characters.

All of these artists, whether picturing abstract motives, displaying the view of their world around or in their visions, are the subatomic particles bonding Trafo Gallery fluidum together. Without them, Trafo Gallery would never exist”.

In May 2019, Urban Spree’s artists will be hosted in Prague by Trafo Gallery.

 

Praha-Berlin Barter

Urban Spree Galerie

Opening: Thursday, 28.03.2019 from 19:00

Exhibition: 29.03.2019 – 21.04.2019

Tu-Su: 12:00-19:00

Revaler Str. 99

10245 Berlin

Info & Catalogue: galerie@urbanspree.com



Opening of SP38 Art Residency Exhibition “Post Vandal 2”

Berlin-based street artist SP38 was invited by Urban Spree Galerie and Boddinale for a special gallery residency alongside the film festival (15-25.02.2018).

After 2 weeks of daily indoor work and street interventions in Friedrichshain, we invite the public to discover the outcome of the art residency over the upcoming weekend together with the artist. 

The exhibition opens on Saturday, February 24th from 14:00 to 23:00 and will continue on Sunday February 25th from 12:00 to 23:00. Visitors will be able to acquire the original works on canvas and paper produced during the residency in addition to a selection of screen prints and stickers.

SP38 will also screen print “Post Vandal” tote bags live on Saturday!

Post Vandal 2“, explores the notion of vandalism at the age of post-graffiti.

A relentless urban wanderer and street typographer, SP38 (b.1960) uses different lo-fi techniques (collages, paste-ups, stickers, screenprints, paintings) to imprint his vision of the city and his letters to the walls. Involved at an early stage with the “Figuration Libre” movement in Paris and participant to the first graffiti and street art meeting in 1985 with Vive la Peinture, Speedy Graphito, Futura, Miss Tic, and Blek Le Rat, SP38 has navigated in different squat scenes (including the infamous Berlin’s Tacheles) before moving to Berlin in 1995.

A prime witness of the fast-paced gentrification of the metropolis, his art subtly reveals the fractures of the city through successive campaigns and catchy slogans (“Who kills Berlin?”, “Erased”, “Escape”, “Occupy”, “Vive la Bourgeoisie”, Vive la Crise”…), where the intimate, personal level often collides with the bigger scale.

 

SP38: “Post-Vandal 2”

Art Residency at Urban Spree Galerie

12-02-2018 – 25-02-2018

Opening of the Exhibition: Saturday 24.02.2018 // 14:00 – 23:00

Exhibition: Sunday 25.02.2018 // 12:00 – 23:00

Free Entrance

https://www.instagram.com/sp.38/

http://www.sp38.com



SP38 invades Urban Spree

The French & Berlin-based street artist SP38 is invited by Urban Spree Galerie and Boddinale for a special gallery residency of 2 weeks alongside the film festival.

A Berlin sequel to his 2-month long residency held in Seoul, South Korea, at the end of 2017, “Post Vandal 2“, explores the notion of vandalism at the age of post-graffiti.

“ERASED”
 
When street art pays homage to toying.
 
“Erased” – “Effacé” – “Ausradiert”
 
Erased: the walls, the city, the memories, 1UP, childhood, history, words, life, empty monuments, hope, innocence, dreams, signs, green trees.
 
Erase oblivion, rub out memory.
 
Erase the work before it’s finished, self-efface one’s own work by covering it with its duplicate.
 
Erase history, both recent and distant. Erase the cruel crystalline nights with repetitive blood red slogans like so many mute, slowly illegible words. Turn a piece of wall lost in a rigid historical street into an evolving and unfinished artwork that derides content by erasing-replacing the same signs, the same forms, the same useless repetitions.
 
ERASED was written on a large roll of paper found in the trashcan at a kindergarten. The series ran until
the paper ran out. The first one hit the street the day Fidel Castro died …
 
Pasted up mainly in Berlin, Paris, Seoul, Wilhelmshaven …
 
“Street art must reinvent or erase itself before it’s too late.” SP38, Berlin 2017 (Transl. Nicholas Grindell)

A relentless urban wanderer and street typographer, SP38 (b.1960) uses different lo-fi techniques (collages, paste-ups, stickers, screenprints, paintings) to imprint his vision of the city and his letters to the walls. Involved at an early stage with the “Figuration Libre” movement in Paris and participant to the first graffiti and street art meeting in 1985 with Vive la Peinture, Speedy Graphito, Futura, Miss Tic, and Blek Le Rat, SP38 has navigated in different squat scenes (including the infamous Berlin’s Tacheles) before moving to Berlin in 1995.

A prime witness of the fast-paced gentrification of the metropolis, his art subtly reveals the fractures of the city through successive campaigns and catchy slogans (“Who kills Berlin?”, “Erased”, “Escape”, “Occupy”, “Vive la Bourgeoisie”, Vive la Crise”…), where the intimate, personal level often collides with the bigger scale.

The residency will follow its own strenuous path and will increment itself everyday from 12:00 onwards. The public is invited to witness the progression of the residency. A vernissage is scheduled at the end of the residency, on Saturday and Sunday, 24 & 25th of February from 12:00.

SP38: “Post-Vandal 2”

Art Residency at Urban Spree Galerie

12-02-2018 – 25-02-2018

From 12:00 to open end (23:00 maximum)

Free Entrance

https://www.instagram.com/sp.38/

http://www.sp38.com

 



Opening of SP38: Post-Vandal 2 Residency

Berlin-based street artist SP38 was invited by Urban Spree Galerie and Boddinale for a special gallery residency alongside the film festival (15-25.02.2018).

After 2 weeks of daily indoor work and street interventions in Friedrichshain, we invite the public to discover the outcome of the art residency over the upcoming weekend together with the artist. 

The exhibition opens on Saturday, February 24th from 14:00 to 23:00 and will continue on Sunday February 25th from 12:00 to 23:00. Visitors will be able to acquire the original works on canvas and paper produced during the residency in addition to a selection of screen prints and stickers.

SP38 will also screen print “Post Vandal” tote bags live on Saturday!

Post Vandal 2“, explores the notion of vandalism at the age of post-graffiti.

“ERASED”
 
When street art pays homage to toying.
 
“Erased” – “Effacé” – “Ausradiert”
 
Erased: the walls, the city, the memories, 1UP, childhood, history, words, life, empty monuments, hope, innocence, dreams, signs, green trees.
 
Erase oblivion, rub out memory.
 
Erase the work before it’s finished, self-efface one’s own work by covering it with its duplicate.
 
Erase history, both recent and distant. Erase the cruel crystalline nights with repetitive blood red slogans like so many mute, slowly illegible words. Turn a piece of wall lost in a rigid historical street into an evolving and unfinished artwork that derides content by erasing-replacing the same signs, the same forms, the same useless repetitions.
 
ERASED was written on a large roll of paper found in the trashcan at a kindergarten. The series ran until
the paper ran out. The first one hit the street the day Fidel Castro died …
 
Pasted up mainly in Berlin, Paris, Seoul, Wilhelmshaven …
 
“Street art must reinvent or erase itself before it’s too late.” SP38, Berlin 2017 (Transl. Nicholas Grindell)

 

A relentless urban wanderer and street typographer, SP38 (b.1960) uses different lo-fi techniques (collages, paste-ups, stickers, screenprints, paintings) to imprint his vision of the city and his letters to the walls. Involved at an early stage with the “Figuration Libre” movement in Paris and participant to the first graffiti and street art meeting in 1985 with Vive la Peinture, Speedy Graphito, Futura, Miss Tic, and Blek Le Rat, SP38 has navigated in different squat scenes (including the infamous Berlin’s Tacheles) before moving to Berlin in 1995.

A prime witness of the fast-paced gentrification of the metropolis, his art subtly reveals the fractures of the city through successive campaigns and catchy slogans (“Who kills Berlin?”, “Erased”, “Escape”, “Occupy”, “Vive la Bourgeoisie”, Vive la Crise”…), where the intimate, personal level often collides with the bigger scale.

The residency will follow its own strenuous path and will increment itself everyday from 12:00 onwards. The public is invited to witness the progression of the residency. A vernissage is scheduled at the end of the residency, on Saturday and Sunday, 24 & 25th of February from 14:00.

SP38: “Post-Vandal 2”

Art Residency at Urban Spree Galerie

12-02-2018 – 25-02-2018

Opening of the Exhibition: Saturday 24.02.2018 // 14:00 – 23:00

Exhibition: Sunday 25.02.2018 // 14:00 – 23:00

Free Entrance

https://www.instagram.com/sp.38/

http://www.sp38.com

 



Vacant #7

URBAN SPREE & CORPO 6 Present:

VACANT #7
LIVE SETS / SOUND VIDEO PERFORMANCES:
SLOW SLOW LORIS – somatic visual vocal noise music _ berlin
LA MUERTE ROJA – drone concrete noise improv ensemble _ berlin
JERK IN THE CAN – experimental industrial noise pop duo _ vancouver

URBAN SPREE | Revaler Straße 99 _ 10245 Berlin


Vacant is an open platform that investigates since 2012 the communal resonance of different languages.

Performance, experimental live set, video installations will create a different equilibrium, designing a synergy of references.

A public exorcism. An exposure of vital forces. Focusing on inner strength of each media, Vacant proposes an analysis of the art practices as a dense injection of reality into the unreality of daily life. Art as a practice and source of directions versus a daily existence cracked with countless crisis of perspectives.
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VACANT #7 ARTISTS:

SLOW SLOW LORIS
somatic visual vocal noise music _ berlin

http://www.slowslowloris.com/
https://soundcloud.com/slow-slow-loris

“An epic, sweeping live performance using vocal melodies, samples, various instruments, live
looping and multiple pedal chains to coax the music out of the noise. They enter raw emotional imagination to give the nuances of one`s subconscious permission to come forth…a sensitive blend of music meeting noise, reaching a wide range of audiences and venues from clubs and festival stages to concert halls and art galleries.”

Slow Slow Loris use voice and electronics to search for the intersections where melody meets noise, emotional meets avant- garde, feminine meets industrial, non-rhythm meets accuracy, and raw meets craft. Following up their debut album, From Monster till Mourning on Staaltape, they look forward to releasing their next album, Of Heroes in Helium soon.

ANY (angela nina yeowell) transmits data through voice and noise music. Along with processed samples,
she plays broken melodies on misshapen instruments, and sings to the resulting waves of intensity and
silence, boredom and splendor. Her espionage of the sub-conscious can sometimes result in visuals, such as
the creation of, and performance with non-musical instruments and sonic costumes.

G6PD (Robert Heim) shapes sculptures of sound with unpredictable outcomes, like subconsciously painting
emotions. With a non-conceptual, experimental approach, he uses and abuses audio, destroys song
structures and music styles, and collages unexpected tunes that often lead into a sonic weird deep electro-
acoustic mess.

*

LA MUERTE ROJA
drone concrete noise improv ensemble _ berlin

https://soundcloud.com/corpo-6-recordings/syria-la-muerte-roja
https://www.youtube.com/watch?v=ggz6hOj6KDMhttps://www.facebook.com/lamuerterojacorpo6/

La Muerte Roja, adopting different approaches – tonal, atonal, improv, noise – defines, ritualistically, in a high saturated media context – performance, installation, video installation – , a sacred area of being.

La Muerte Roja is an oxymoron. Death in life. And vice versa. And it means rebirth. A Circularity of simplicity.

For VACANT # 7 and for the first time live, La Muerte Roja will perform SYRIA, their last work – published in cassette by CORPO 6 recordings -. SYRIA, recorded in 2016, between Foggia – Apulia, South Est of Italy -, Rome and Berlin evokes the sacrality of a border, where the mystifications of the global power are taking place. And together it tries to embodied the ecstatic cadence of the middle est Zoroastrian rhythms.

La Muerte Roja ensemble, performing SYRIA, will be: Diego Ferri – flute and cassette, Angel Cervera – lute and pedals, Adolfo Spezzaferro – drums, Bianca Ringwald – piano, Fabio Campagna – objects and feedback on electric guitar.
La Muerte Roja will perform live scoring the exp-movie
: -1+1=0.

-1+1=0, shot by Fabio Campagna between 2015-2016 (Video, 41’42’’) closes a trilogy about Berlin. A personal diary through
the eterotopic, free interstices of Berlin in the attempt to present the nude factual – the unpredictability of reality. A route
trough the city. Through its autonomous, dirty, peripheral zones. An ideal map of the liminal spaces of Berlin.

An archetype emerges in the simplest of things. A communal sphere. A sharing, an harmonic unity. A community of
imagination and desire. Resembling the idea of the Mediterranean – medio terrae, the sea, core of our civilization that unifies
the opposites, the North and the South, the Ovest and the East – .

A symbol of Berlin and ultimately of our contemporary
condition. The convergence of the antinomic edges of reality into one single, organic, shape. A sacred uterus that unifies,
combining opposites into the centrality of symmetry. The relation and the equation between opposites is finally exposed – as
the livid fundamental truth. The city reflects upon itself and creates a vacuum that defies contradictions and promote the
inclusion of the different.

*

JERK IN THE CAN
experimental industrial noise pop duo _ Vancouver

http://jerkinthecan.com/
https://www.youtube.com/watch?v=eR1TalUYMMo

“Jerk in the Can showcase a balance of eerie dream pop — reminiscent of Australia’s HTRK — that divulges into aggressive industrial noise, taking direct influence from Skinny Puppy or early Nine Inch Nails, sprinkled with an aesthetic suitable for an Insane Clown Posse worship band.

Jerk in the Can have several videos posted to their website, some are performance videos of the band, some are purely
performance art. Synthesizers, drum machine, samples, vocals from Marc and sometimes accompanied by saxophone.

However, the understated, minimalist synthesizer punk Jerk in the Can’s duo create on Big Crime Baby -their last album – goes over much more smoothly than you’d imagine. The eight songs on the album show diversity in sound, structure as well as varying sonic ideas.

Out of damp, reverb drenched, bit-crushed pools of darkness come bouncy analog arps, cheesily dreamy synth pads and big minimal drum machine grooves. These elements coat the clear vocals, which switch from ghostlty ballads and awkward raps to heavily modulated screams of agony.”

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CORPO 6, after three years – 2012 / 2014 – in Herzbergstrasse 55, Lichtenberg – area objectified as an elementargedanken
(A. Bastian)- the zone of transmutations – , has been started a nomadic gnosis troughout Berlin.

CORPO 6 is an art project by Fabio Campagna which focuses through a series of crossing media and site specific projects, on
the examination of the concept of limen – border in Latin – within the articulation of the city.

http://www.youblisher.com/p/1300193-CORPO-6-JOURNAL-May-2012-December-2015-BERLIN-Texts-Projects-
Exhibitions/

http://www.youblisher.com/p/1299657-FABIO-CAMPAGNA-LUMINOUS-INTERSTICES-Essays-Criticism-Rome-Berlin-2006-2015/