We found – 5 articles for hand-sprayed

“THIS!”: 3rd Print in the Mode 2 “Lockdown” Series

“Straight outta Lockdown / The Freedom Prints” is a series of vintage Mode 2 prints (from the mid 2000s to the early 2010s), hand-painted or hand-sprayed in 2020, and re-numbered in very limited runs.

“THIS!” is the third release of the series and by far the oldest print, having been published in 2003 by PoW in London.

Based on a flyer for the “THIS!” parties at Bar Rumba initially drawn in Mode 2’s blackbook, the motive was digitally printed in quadtone and has been hand-sprayed by Mode 2 in June 2020 with 3 matching tones of Belton.

The final run of this new series amounts to 24 prints only, signed and numbered.

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“THIS!” 68cm X 45cm One of three series of vintage prints, a full colour digital print, customised and renumbered edition of 24. . I met @swifty_grafix with @robiwalters a show at the Blue Note club in London, December 1996. He had @kambhogal_  and @freddeak.in working with them up in Ladbroke Grove, at #studiobabylon . They plugged me in to a part of the London club scene, connected to labels like Talking Loud or to (Straight No) Chaser magazine and so on. . @mitchy_bwoy joined springtime 1997, running the London club flyer scene; from Jah Shaka, to Passenger, or Movement at Bar Rumba itself among many others. . Discovering “That's How It Is” at Bar Rumba was love at first sight. In 1993, @janinedingwalls and @gillespeterson were offered a night at a West End venue, and Gilles suggested Mondays, a clean break from the weekend crowd. He suggested to have @unkleofficial join him, while @beesayed backed Janine up on all her club sessions. @ben_wilcox99 later joined the team, and then there were also illustrious guests. . My blackbook drawing (photos by @louis_curiosities ) shows the parachute on the ceiling, hiding the @funktiononeofficial speakers delivering an eclectic serving of music that attracted the faithful from the world over. . I did a few banners over the years (the one at the door getting stolen!), with paint reacting to black light, but the drawing was first used in 1999, when the name switched to “THIS!”; and from it came a bunch of other drawings of club scenes and dancing crowds. . When @stevelazarides asked me to join PYMCA in 2003, the flyer became one of four prints I did for him. I rescued what I could carry of all remaining ones from Pictures On Walls in October 2018, then decided during the lockdown that we should re-release them; not without enhancing each one with matching Belton colours from @legacybln , and transforming them into something much more personalised. . “Sofa Spank”, “Oh Sh…” and “THIS!” go on sale at @urban_spree this Thursday 9th of July at 18:00 CET. Link in bio. . That's it. There will be no more left stashed away after that. . #mode2official #mode2 #londonnights #clubnights #vintageprint #customised #straightnochaser

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The first series of 3 HPM prints will be available on Thursday, July 9th, at 18:00 CET on the Urban Spree online shop and in the galerie in Berlin.

Mode 2

“This!”

Digital print on 300g/sm archival paper

Originally published by Pictures on Walls (PoW) in 2003

Hand-sprayed and re-numbered in 2020

Each print is different

45 x 68 cm

Edition of 24

Signed & Numbered 1-24



“Oh Sh…”: 2nd Print in the “Straight outta Lockdown” Mode 2 series

“Straight outta Lockdown / The Freedom Prints” is a series of vintage Mode 2 prints (from the mid 2000s to the early 2010s), hand-painted or hand-sprayed in 2020, and re-numbered in very limited runs.

The second print of the series is called “Oh Sh…”, originally produced in 2009 but never released owing to some specks of alien colors spotted on most prints while signing them. Mode 2 decided subsequently to call off the run and keep only the good prints for future use.

11 years later, the message conveyed by the print couldn’t actually be more acute, in a news ecosystem battered down by fake news, outright lies, and state violence.

The prints have been reconfigured in a 40-print run, all hand-sprayed with 3 different colors matching the original tones (gray, red, white), signed and numbered by Mode 2.

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“Oh Sh…” One of three series of vintage prints released by @urban_spree ; a 3-colour silkscreen print, customised and renumbered as an edition of 40. . Back in 2006, I started subscribing to @mondediplo , a monthly French newspaper part-owned by its subscribers, editorially more independent and impartial than most. I rarely finish all articles during busy months, as each reads like a university thesis in its complexity; bringing historical, cultural and geopolitical context to the saturation of 24/7/365 selected data parading as news today. . It's a depressing read at times, exposing and deconstructing the dysfunctions of our world; which is what inspired the original “Oh Sh…” drawing. I often wonder where would society be if many more people were less complacent and apathetic in the way they informed themselves on the world around them. It would greatly help in the crucial and polarising debates of today. . I only have a digital scan of the original drawing, as the A5 blackbook that it was in was stolen in Barcelona, January 2007, during the Bread & Butter trade show. . Ten of us sitting around a big table outside of a bar, and nobody saw a thing, when I went to the bathroom. NEVER leave people in charge of what is irreplacable for you. Thieves are SLICK over there! . In October that same year, I decided to release a print of it for my #party&bullshit show at @mahahardy 's DPMHI shop, for which I also did a painting on linen of the same visual. . I found far too many prints with tiny spots of pastel yellow on, when signing and numbering; so I pulled the series from the show, keeping only the good ones. They are now being re-released, after having been individually enhanced with grey, white and red spray-paint; the Belton black stock caps giving that “spittle” technique. . “Oh Sh…” is an apt metaphor of the shock of this pandemic, the protests sparked by the murder of George Floyd, and how governments use this to railroad in new measures, colluding with the deluge of lies and contradictions fed to us by once trustworthy news sources.    . #mode2official #mode2 #ohshit #vintageprint #customised #badnews #protests #breadandbutter

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The first series of 3 HPM prints will be available on Thursday, July 9th, at 18:00 CET on the Urban Spree online shop and in the galerie in Berlin.

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Mode2

“Oh Sh…”

3-colour screen print on archival paper

Originally published by Lazarides Gallery in 2009

Hand-sprayed and re-numbered in 2020

Each print is different

100 x 70 cm

Edition of 40

Signed & Numbered 1-40



Mode 2 x Urban Spree: “Straight Outta Lockdown” HPM prints to be released

“Straight outta Lockdown / The Freedom Prints” is a series of vintage Mode 2 prints (from the mid 2000s to the early 2010s), hand-painted or hand-sprayed in 2020, and re-numbered in very limited runs.

We inaugurate this summer with a series of print releases from the Berlin-based graffiti “legend” (he HATES that term!) Mode 2.

Published originally by Pictures on Walls, Lazarides, MHI or Sergeant Paper, most prints sold out quickly, some runs were never released, and the artist recently came across much of these print archives that had been stashed away years ago; some from his personal quota and the rest returned by the publishers.

The idea came to release them again, though not without hand-finishing each series; even the ones that had already been through this process.
Each print has therefore been custom-painted by Mode 2, to embellish the works with matching Belton spray colors or acrylic paint. Those HPMs have been re-numbered to create a new edition, with added aesthetic value and a marked difference from the original release.


The first print of the series is called “Sofa Spank”, originally released in 2010

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“Sofa Spank” Part of the “Straight Outta Lockdown; the Freedom prints” series. Vintage 3-colour silkscreen print; customised and renumbered as an edition of 20. . When the pandemic hit us all, and our plans were either postponed or cancelled; I realised that I should hold back with originals, looking back into my archives, to see what hidden gems had been stashed away for years. I had reclaimed many of my prints back years ago, knowing that I would re-release them at a later date; transforming them into something a little special, to completely differentiate them from the original releases. . “Sofa Spank” was a double-page drawing in an old A3 sketchbook, from early 2004; a nudge and a wink of sorts to the kind of games that consenting adults get up to in private. I have been attracted to erotica probably since seeing the “Abraxas” cover from Santana as a child, or been exposed to @heavymetal comics maybe a little TOO early. In all my public work though, I have always tried not to cross that line separating sensuality or erotica on one side, from vulgarity and sexism on the other. . In other words, and given the tensions created by the lockdown, this image is more to do with the rediscovered intimacy during prolonged periods of time spent with one's partner, than any kind of allusion to domestic violence; apparently on the rise these past months. . Looking through the chronology of images, “Sofa Spank” was redrawn then made as a pastel drawing on wallpaper for my “A Matter Of Taste” show at the Dragon Bar, late October 2004, as well on 70cm X 100cm heavy card, for “Santa's Ghetto” on Charing Cross Road the following December. No idea WHAT happened to ANY of these pieces! . The drawing was made into a print for my 2010 WeSC show at Galerie Issue in Paris, as one of four erotic print editions, which I withdrew after having sold a third of the run. . I spent some days mid-June customising this and two other prints, with spray-paint supplied by @legacybln ; transforming “Sofa Spank” into a special limited edition that will go on sale via @urban_spree VERY soon… . #mode2official #mode2 #sofaspank #vintageprints #handfinished #erotica #urbanspree

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The first series of 3 HPM prints will be available on Thursday, July 9th, at 18:00 CET on the Urban Spree online shop and in the galerie in Berlin.

——————————————————————————————————————–

Mode 2

“Sofa Spank”

3-colour screen print on archival paper

Originally printed in 2010 by Sergeant Paper

Hand-sprayed with 3 spray colours in 2020

56 x 76 cm

Edition of 20

Signed and re-numbered 1-20



RAWS and Urban Spree Prints release “Through the Slits”

Urban Spree Prints and RAWS release a 5-colour screen print on the occasion of the first solo show of the German artist.

Through the Slits” comes in a regular black edition of 80 prints printed in Berlin by Oliver Nerlich Siebdruck, signed and numbered by the artist. The size is 60 x 60 cm.

In addition to the regular edition, we are releasing a special hand-sprayed version. This 4-colour Special Edition has a red background and the middle slit gradient is individually sprayed by RAWS, making each print a unique variant. This run comes as an edition of 20 prints only.

You can purchase the screen print at Urban Spree Berlin during the exhibition (official launch at 19:00 on May 23rd, 2019) or order it on the Urban Spree website here for the regular edition and there for the Special Edition.

 



New Screen Print Release with Stohead

Urban Spree Prints and Stohead release this Friday “Brewing Out“, a 9-colour hand-pulled screen print based on a mural painted in 2014 by the Berlin-based artist in Linz, Austria. The mural is documented in the book “The Art of Writing Your Name“.

The print is a subtle rendition of a classic Stohead handstyle, morphing into a distillation/dissolution on the bottom of the print, announcing Stohead’s current artistic direction (liquid fumes).

The 60 x 60 cm print comes in a limited Regular Edition of 50 prints, signed and numbered by the artist. In addition, Stohead will produce a Special hand-sprayed Edition, in a limited run of 10 prints.

The prints will be available this coming Friday, May 3rd, 2019, at 17:00 on the Urban Spree website and in our Berlin Shop at the same time.

The print is based on a subsequent canvas painted by the artist after he completed the wall. Mother Drucker’s master printer, Dolly Demoratti, has chosen a complex, 9-colour version, to recreate the subtleness of the motive.

 

 

“Brewing Out”

9-colour hand-pulled silk screen print on Somerset 300g/sm satin archival paper

Printed by Dolly Demoratti for Urban Spree Prints

60 x 60 cm (motive 58 x 58 cm)

Regular Edition of 50 prints + 10 APs

Special Edition of 10 prints

Signed and numbered

Berlin, May 2019