We found – 11 articles for minimalism

Sold Out: Molchat Doma | Detriti Records • Urban Spree

Molchat Doma is back in Berlin.

Presented by BLENDING & Detriti Records:

Molchat Doma LIVE
Words and Actions LIVE

Online Pre-Sale: https://bit.ly/2lWo0IZ

Doors: 8pm

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Molchat Doma / Молчат Дома

Rising from the last Soviet country of Europe Molchat Doma unites Lo-Fi Coldwave, Russian vocals and cold, drum machine heavy sounds. Some of you might know the Belarus based band from Youtube, where their second LP “Etazhi” has attracted international attention.

► Molchat Doma
► https://detritirecords.bandcamp.com/album/molchat-doma-etazhi
► Listen to “Etazhi”: https://bit.ly/2C6nVb9

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Words and Actions

Words and Actions is an electronic post punk project from Italy, now Berlin based, formed in 2010.
French coldwave gloominess meets the energy and minimalism of the German old school EBM and the charm of the Yugoslavian darkwave.
Borghesia, Malaria!, DAF, Liaisons Dangereuses but also the Italian CCCP are the main inspirations.
Low-fi sounds, xerox graphics cassette tapes and VHS videos hold up the raw image of this project whose loyalty to 80s DIY underground post punk is undeniable.

► Words and Actions
► https://detritirecords.bandcamp.com/album/words-and-actions-senza-veleno

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DETRITI RECORDS

Detriti Records, the Berlin based creature of Davide Lace, it’s one of the most unique labels in the contemporary European underground scene.
Born in 2015, Detriti focuses on the experimental side of 80s underground music. Industrial, Acid House, EBM, Synthwave, New Beat, Darkwave are the main genres hosted by the label.

► Detriti Records
► https://detritirecords.bandcamp.com
► https://www.instagram.com/detriti_records

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Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard “band” tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called “Young”, a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled “Wrapped Coast.” The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled “Severe” and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

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RAWS: #Neograffism

Urban Spree Galerie presents “#Neograffism“, the first solo show of the Berlin-based post-graffiti artist Kai “RAWS” Imhof with Urban Spree.

In “#Neograffism”, a term coined by the artist as being representative of his studio philosophy, RAWS strips down his years of graffiti practice and complexity build-up to lay bare the basic essence of graffiti through color and shape in a visually stunning arrangement of colors, contrasts, and gradients.

RAWS explores the tipping point where the core aesthetics of graffiti, after being deconstructed and re-arranged, becomes acceptable as a form of art while retaining its purity. The artist uses a mixed technique in his studio works, using both the spray can and the acrylic brush, as a hybridation of both worlds, the studio and the outdoor.

When it comes to design, I try to combine my preferences for letters, graphics and minimalism in my work. Many of the works were done using acrylic paints and spray cans. The use of these media also emphasizes the duality of graphics and graffiti. In my canvases I have mostly worked with gradients. These are created exclusively with aerosol and can be a symbol of the movement and transience of graffiti.

In his “Black Series”, writing his name becomes a subdued background while the colorful gradients are windows to his artistic world.

 

 

Biography:

Kai “RAWS” Imhof (b. 1990 in in Königs Wusterhausen) is a Berlin-based German graffiti artist and graphic designer.

 

RAWS started painting graffiti in his neighborhood in his early teens, extensively bombing the city from 2004 to 2008, where issues with law enforcement led to the start of his studio career. Trained as a graphic designer at the Best-Sabel Designschule in Berlin, RAWS is also an accomplished designer, having designed products for Reebok, Marvel, Nike, the fashion designer MarcCain, MontanaCans, Über-Skateboards etc.

Marvel’s Spider-Man: Graffiti backgrounds for the PS4 game

In parallel, RAWS paints murals all over the world and participates to group shows since 2017 ( The Haus in Berlin, Monumenta in Leipzig, or Wandelism in Berlin). #Neograffism is his first solo show.

https://www.instagram.com/rawsofficial/

Private Commission for Tim Raue, 2-Star Michelin Berlin Chef

 

RAWS

“#neograffism”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

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12.04 NОМ – The Kings of St.Petersburg – in Berlin

NOM first time in Berlin with full line-up including their original vocalist Alexander Liver.

Nikolai Gusev: Keyboard/ vocal
Andrei Kagadeev: Bass guitar / vocal
Varvara Zverkova: Accordion / vocal
Alexei Zubkov: Electric guitar / vocal
Vadim Latyshev: Drums
Alexander Liver: vocal
Nikolai Kopeikin: vocal

NOM is an acronym for the Russian “Informal Youth Organization” (Neformalnoe Obyedinenie Molodezhi), the term used by the official Soviet press in the 80es. The band “NOM” appeared in St. Petersburg in 1987 as an absurdistic-ironical answer to rock bands in post-soviet Russia. The band used musical cliches mixed queerly together with elements of mimic show of idiots, thus reaching strong emotional effect over the audience.

“The kings of St.Petersburg” remain unique phenomenon of Russian music culture. For the 32 years of existence the band created their own style, in which you can discover elements of progressive rock, punk, electronic minimalism, symphonic music , Russian folk, Soviet music and even opera. Lyrics plays very important role for NOM who follows traditions of such bright representatives of modern Russian poetry like Nikolay Gogol, Daniil Kharms, Nikolay Oleynikov and others. Critics called NOM “The last bastion of ruthless Russian satire”.

Their discography includes 15 studio and 4 concert albums, several compilations, remixes, and a special release “Russisches scweine” on British Manufracture label.

http://morezvukov.nl/artist-roster/nom/
https://en.wikipedia.org/wiki/N.O.M.



Milk Me Presents: Horse Lords

MILK ME and Babooshka present Horse Lords

Grafting the relentless repetitions of modern minimalism onto the propulsive engine of rock and roll,Horse Lords create an ecstatic forward thrust driven by dueling polyrhythms that curve endlessly past one another. The Baltimore quartet, consisting of saxophonist/percussionist Andrew Bernstein, bassist/synthesist Max Eilbacher, guitarist Owen Gardner, and drummer Sam Haberman, employs arcane tuning systems to achieve their otherworldly harmonies, made possible by guitars refretted by Gardner. The resulting sound is at once stark and lush, tightly interwoven and threatening to fly apart, making their live performances spellbinding and utterly thrilling affairs.

Their 2016 full length Interventions on Northern Spy Records showcases this visceral approach to live performance, as well their interest in crafting studio compositions that pull apart and reassemble the constituent parts of their music into more abstract forms. Interventions was featured on several 2016 year end “best-of” lists, including Red Bull Music Academy and The Wire magazine.

“…hypnotic, fluid and vocal-free: rhythms and tones achieving trancelike effect through repetition and discipline.” Noel Gardner in The Quietus

“On “Interventions,” fast, repeated riffs become collaborative acts, over drones and strong skeletal grooves that stress the upbeat, and the whole thing is held together by concentration, timing and willpower.” Ben Ratliff in the New York Times

“This is a band that believes that experimental music has the potential to be more than merely aesthetic, and every one of their choices—like taking apart their instruments and rebuilding them according to an alternate musical logic—speaks to a desire to upend the status quo.” – Phillip Sherbourne in Pitchfork

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The Myrrors + Perilymph

The David Watts Foundation presents:

THE MYRRORS (Beyond Beyond Is Beyond, USA)

The Myrrors are a band from Tucson, Arizona that makes what they describe as “Sonoran Trance Music”, a hypnotic stew of heavy drone and mountainside krautrock informed equally by pan-national psychedelia and experimental minimalism. The group was formed in 2007 by teenage multi-instrumentalists Nik Rayne and Grant Beyschau, and first gained international attention with their debut album Burning Circles in the Sky (featuring the underground hit “Warpainting”), before a four year hiatus saw the band restructure itself for a series of increasingly-ambitious and politically-minded LPs for cult labels like Cardinal Fuzz and Beyond Beyond is Beyond Records and a high-profile two-month European tour in 2015.

Their most recent album for BBiB, 2017’s Hasta La Victoria, sees the ever-fluctuating ensemble delving even deeper into the Terry Riley-meets-Amon Duul mantras hinted at on previous recordings, with tape loops, saxophones, woodwinds, and South Asian folk instruments taking equal billing to what might be described as your more typical rock-band instrumental lineup.


https://themyrrors.bandcamp.com/

+ Support: Perilymph

8PM doors open
9PM Periylmph
10PM The Myrrors

pre sale: 13,80€
door: 15€

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