We found – 18 articles for post-graffiti

Jonni Cheatwood: Tyger Tyger

Urban Spree Galerie presents “Tyger Tyger“, the first solo show in Germany of the Los Angeles based visual artist Jonni Cheatwood and only his second in Europe.


URBAN SPREE STUDIO, JUNE 2019

The American artist (b. 1986 in Thousand Oaks, California), spent a month at Urban Spree in Berlin as an Artist-in-Residence to create 11 large format artworks that are exhibited in the galerie from July 5th, 2019 to August 4th, 2019.

Jonni Cheatwood incorporates found fabrics into his canvases, which he himself cuts and saws, in order to create variations, a sense of appropriation and move away from the uniform surface of the canvas. Acting as time and identity markers, some fabrics have geometric patterns whereas some others are figurative or overly pop. The Residency enabled Jonni to source local fabrics, found in the Turkish market or in the street. Once the patchwork is assembled, Cheatwood paints blocks and shapes of colors on it, adding multiple layers of paint and agglomerating texture, freely outlining shapes to convey dynamism, movement and balance.

Jonni Cheatwood is an abstract painter whose work is about balance, shape and color and who can be related to the “Figuration narrative” movement. Here, Roy Lichtenstein makes an appearance in most canvases of the series as a reference and a cultural bridge as some fabrics sourced in Berlin include some embroidered stories derived from the American painter.

Jonni’s work is also close to the post-graffiti movement as we can also view his color shapes and black outlines as deconstructed graffiti.

Overall, his work is very dynamic, balanced and superbly colorful, while creating multiple layered & complex identities.

“Tyger Tyger burning bright, 
In the forests of the night: 
What immortal hand or eye,
Dare frame thy fearful symmetry?”

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Latest exhibitions: 

2019

Tyger Tyger | Urban Spree | Berlin, Germany

That’s Dallas Baby | Artual Gallery, Beirut, Lebanon

2018

Dressed Up For the Letdown | Over the Influence, Hong Kong

She’s Heavy on the Razzmatazz | MAKASIINI CONTEMPORARY, Turku, Finland

Volta Show, BEERS London, New York NY, USA

Same Hero, New Boots | TW FINE ART, Brisbane, Australia

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Jonni Cheatwood
“Tyger Tyger”

Solo Show at Urban Spree Galerie

Opening: Friday, July 5th, 2019 from 19:00
Exhibition from 05.07 to 04.08
Tu-Su: 12:00 – 19:00

Info and catalogue: galerie@urbanspree.com

https://www.jonnicheatwood.com

https://www.instagram.com/jonni_cheatwood/`

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“Berlin-Praha Barter” Group Show opens on 16.05.2019 in Prague

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

BERLIN PRAHA BARTER

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.
The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in 2012 in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Berlin- Praha Barter (at Trafo Gallery in Prague)

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

Berlin Praha Barter

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.

The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



RAWS: #Neograffism

Urban Spree Galerie presents “#Neograffism“, the first solo show of the Berlin-based post-graffiti artist Kai “RAWS” Imhof with Urban Spree.

In “#Neograffism”, a term coined by the artist as being representative of his studio philosophy, RAWS strips down his years of graffiti practice and complexity build-up to lay bare the basic essence of graffiti through color and shape in a visually stunning arrangement of colors, contrasts, and gradients.

RAWS explores the tipping point where the core aesthetics of graffiti, after being deconstructed and re-arranged, becomes acceptable as a form of art while retaining its purity. The artist uses a mixed technique in his studio works, using both the spray can and the acrylic brush, as a hybridation of both worlds, the studio and the outdoor.

When it comes to design, I try to combine my preferences for letters, graphics and minimalism in my work. Many of the works were done using acrylic paints and spray cans. The use of these media also emphasizes the duality of graphics and graffiti. In my canvases I have mostly worked with gradients. These are created exclusively with aerosol and can be a symbol of the movement and transience of graffiti.

In his “Black Series”, writing his name becomes a subdued background while the colorful gradients are windows to his artistic world.

 

 

Biography:

Kai “RAWS” Imhof (b. 1990 in in Königs Wusterhausen) is a Berlin-based German graffiti artist and graphic designer.

 

RAWS started painting graffiti in his neighborhood in his early teens, extensively bombing the city from 2004 to 2008, where issues with law enforcement led to the start of his studio career. Trained as a graphic designer at the Best-Sabel Designschule in Berlin, RAWS is also an accomplished designer, having designed products for Reebok, Marvel, Nike, the fashion designer MarcCain, MontanaCans, Über-Skateboards etc.

Marvel’s Spider-Man: Graffiti backgrounds for the PS4 game

In parallel, RAWS paints murals all over the world and participates to group shows since 2017 ( The Haus in Berlin, Monumenta in Leipzig, or Wandelism in Berlin). #Neograffism is his first solo show.

https://www.instagram.com/rawsofficial/

Private Commission for Tim Raue, 2-Star Michelin Berlin Chef

 

RAWS

“#neograffism”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

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Lars Wunderlich: “What Are We Looking For?” Solo Show Opening

Urban Spree Galerie presents “What Are We Looking For?”, a solo show of new works by Berlin-based visual artist Lars Wunderlich a.k.a. “Look the Weird”.

The exhibition will kick off during Gallery Weekend Berlin with an Opening on Friday, April 26th, 2019 from 18:30 in presence of the artist.

The exhibition is the outcome of a 3-month Art Residency at Urban Spree.

What Are We Looking For?” is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the “New Leipzig School”, albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

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Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew “The Weird” (Nychos, Low Bros, DXTR, Vidam…) under the moniker “Look the Weird”.

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. “What are we looking for?” is his first solo exhibition with Urban Spree Galerie.

 

Lars Wunderlich

“What Are We Looking For?”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com



Lars Wunderlich: What Are We Looking For?

Urban Spree Galerie presents “What Are We Looking For?“, a solo show of new works by Berlin-based visual artist Lars Wunderlich.

What Are We Looking For?” is a vertiginous exploration of our tech-dominated and image-centric world. Our global course to an endless progress, always more distant from the natural order, over-leveraging our resources, using ever-expanding technology to achieve a deeper exploration and understanding. But what are we really looking for? And do we understand better?

In this conceptual journey which is an acute exploration of modernity, Lars Wunderlich crafts and paints visual collages, replicates portraits generated by algorithms, integrates economic cycles, and juxtaposes different time elements which generate collisions, distortions and glitches, to better highlight the unreal nature of those representations and the danger thereof.

His paintings bear some similarities with the “New Leipzig School”, albeit with technology at the core, and aesthetics boosted by Artificial Intelligence and modern faux-semblants. They are representations of non-existing representations, real but fake, distorted, whether by time, space, speed, or truth. A perpetual collision of images.

 

“It Is And It Isn’t” – Acrylic on Canvas – 172 cm x 137 cm – 2019

 

 

Biography:

Lars Wunderlich (b. 1981 in Neubrandenburg, GDR) is a German post-graffiti artist, member of the 9-member street art crew “The Weird” (Nychos, Low Bros, DXTR, Vidam…) under the moniker “Look the Weird”.

Besides spraypainting/wallpainting and graphic design, Lars is an accomplished painter. “What are we looking for?” is his first solo exhibition with Urban Spree Galerie.

 

Lars Wunderlich

“What Are We Looking For?”

Solo Show at Urban Spree Galerie

Vernissage: Thursday, April 26th, from 18:30

Exhibition: 27.04.2019-19.05.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com