We found – 29 articles for printing

Berlin Risofest – Celebration of DIY Printing

The Berlin Risofest is the first event to bring together the city’s top Risograph printers, artists and studios, in a day of exhibitions, workshops, performances, booklaunches and parties.

Featuring:

– A showcase of the work of:
Colorama
Drucken3000 Risografie
Lucky Punch Press / Die Brueder
PogoBooks / Outer Space Press
Zirkumflex
We make it
BLINKBLINK
Penthaus für schöne Formate / Kunst Werk Stadt Berlin
Riso Club Leipzig
Inkwell Press (https://www.instagram.com/inkwellspa)

The events confirmed so far include:

– a Riso-printed wallpaper installation curated by Luca Bogoni Design Studio, with guest artist Bene Rohlmann, Guillaume Kashima, Anna Niestroj

– the launch (at long last) of the English version of the book RISOMANIA, a project by Vetro Editions, published by Niggli Verlag

– a live mimeograph printing/poetry reading performance by poet Martin Jackson, among many other things the author of what may be the only poem ever written about the Riso

Kunsthochschule Berlin Weißensee‘s mimeographed artworks

– DJs Stella Zekri and Dj Die Soon playing during the day and night, as well as more special guests. Live music performance by Infinite Livez (Big Dada). And we are delighted to have Flux FM on board!

FB Event

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PROGRAM:

14.00: LIVE VINYL SETS from Stella Zekri and LaGazo.

15.00: RISOGRAPH WORKSHOP 1 with Drucken 3000 and Colorama.

15.00: LIVE DRAWING from Guillaume Kashima, fusing illustration and Riso printing.

1600: RISO WALLPAPER INSTALLATION.

1700: LAUNCH of Spektrum Crush zine 2, a Riso-printed visual anthology of artists working with video games or digital garbage as a medium.

18.00: RISOGRAPH WORKSHOP 2 with Drucken 3000 and Colorama.

19.00: BOOK LAUNCH the English version of the book RISOMANIA, a project by Vetro Editions, published by Niggli Verlag.

19.30: MIMEO/POETRY with live mimeograph printing and poetry reading performance by Martin Jackson.

20.00: RISO PRINT AUCTION, all proceeds going to The Source Berlin – Sustainable Food Projects.

21.00: LIVE MUSIC from the legendary Infinite Livez (Ninja Tune/Big Dada)

22.00: DJ SET from Dj Die Soon.

23.01: DJ SET from DJ Scotch Bonnet (Small But Hard)

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Subscriptions for the Riso-printing workshop here:
https://www.facebook.com/events/201567207022966/?notif_t=plan_user_joined&notif_id=1493368228562385



“Expensive Ass Pastrami” by Jonni Cheatwood

Urban Spree Prints releases Jonni Cheatwood’s exceptional screen print “Expensive Ass Pastrami” on Tuesday, October 22nd at 09:00 PDT (LA) / 06:00 pm CET (Berlin) on the Urban Spree website and in our Berlin shop.

The print is a 30-color+ hand-pulled silk screen print produced in Berlin by master printer Dolly Demoratti (Mother Drucker / Urban Spree Studios).

This print was built closely with the artist and in total trust, based on a canvas of the same name painted in Berlin and exhibited during Jonni Cheatwood’s solo show “Tyger Tyger” at Urban Spree Galerie in July 2019.

 

We were certainly heading for an ambitious print, working on all the matters, vibrant colors and fabric-like textures that Jonni incorporates into his canvases; however, during the whole screen printing process. it was clear that something more was happening: a dialogue was silently building up between the painting and the screen printer.

Dolly started an immersive relationship and at some point, lost count of all layers and colors after 30, trying to reach perfection, not as in a perfect “reproduction”, but as in a perfect symbiosis between the art of the painter and the art of the screen printer (or, in that perfect example, the art of the “screen painter”.)

Having built a relationship in Berlin during the artist’s summer residency at Urban Spree for a month helped a lot to understand how the painter works and intuitively translates this into a screen printing vocabulary, replacing some of the techniques used by Jonni by innovative ones such as layers of puff ink, a special ink that “puffs” when heated and adds real texture to the print.

“I enjoyed working on this print so much because I paint myself. I like to work on pieces by painters because I can understand, I can almost see how they build it up. I’m improvising on an intuitive feeling of what’s need to be done, what’s need to be brighter, what needs to be stronger, softer, push parts backwards, pull parts forward. You can’t pre-plan it from the beginning.”  // Dolly Demoratti

 

“Expensive Ass Pastrami”

30+ color hand-pulled silk screen print

Limited Edition of 75

70x 90 cm (27 1/2″ x 35 1/2″)

Hand-deckled edges

Printed in Berlin by Dolly Demoratti (Mother Drucker Printing)

Edited by Urban Spree Prints

2019

Shipping with tracking number and insurance

 



“Berlin-Praha Barter” Group Show opens on 16.05.2019 in Prague

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

BERLIN PRAHA BARTER

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.
The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in 2012 in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Berlin- Praha Barter (at Trafo Gallery in Prague)

After the first exhibition, titled “Praha Berlin Barter” (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called “Berlin Praha Barter“.

Berlin Praha Barter

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.
Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.

The graphite drawings of Lars Wunderlich are part of a series from 2017 titled “East German Realities”, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been “post-graffiti abstraction”, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp‘s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

—————————————————————————————————-

Urban Spree Galerie was created in Berlin-Friedrichshain in 2012 as a 400 sqm “artist-run” space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Roman Klonek: Cut the Crap

Urban Spree Galerie presents “Cut the Crap“, a new series of woodcut printings by Düsseldorf-based visual artist Roman Klonek that will be exhibited in our Galerie Ecke.

The Opening Cererony will take place on Friday, September 7th, from 19:00 and occurs during Berlin’s Urban Art Week (05-12 September 2018).

In “Cut the Crap”, the traditional craftsmanship of wood carving meets experimental forms of narration. The stories are free of categorical specifications, neither temporally nor spatially clear.

Comparably perhaps most likely with a multi-layered sketchbook, which one may imagine here once the paper would be transparent and everything “drawn” a hopeless gibberish and confusion.

 

 

 

“Maybe I should now mention that I love to make a mess to clean it up afterwards. If it comes to an unexpected coincidence of two or more ideas (which often happens in a natural way), it may well happen that these encounters cause a moment of happiness in me because of their originality.

As far as the combination of ideas or picture elements is concerned, I like to move in the tradition of the so-called B-Movies, which are an alternative to the calculable mainstream cinema, with much more risk-taking and no consideration for conceptual rigor, often show the key features in telling stories – the moments of surprise.”

 

https://www.instagram.com/roman_klonek/

For information about the show, please get in touch with galerie@urbanspree.com

“Cut the Crap”
New Woodcut Printings
A Solo Show by Roman Klonek
Urban Spree Galerie (Ecke)
Opening: 07/09/2018 from 1:00
Exhibition: 08/09/2018 – 30/09/2018
Tu-Su 12:00/19:00



Roman Klonek: Cut the Crap

Urban Spree Galerie presents “Cut the Crap“, a new series of woodcut printings by Düsseldorf-based visual artist Roman Klonek that will be exhibited in our Galerie Ecke.

The Opening Cererony will take place on Friday, September 7th, from 19:00 and occurs during Berlin’s Urban Art Week (05-12 September 2018).

In “Cut the Crap”, the traditional craftsmanship of wood carving meets experimental forms of narration. The stories are free of categorical specifications, neither temporally nor spatially clear.
Comparably perhaps most likely with a multi-layered sketchbook, which one may imagine here once the paper would be transparent and everything “drawn” a hopeless gibberish and confusion.
“Maybe I should now mention that I love to make a mess to clean it up afterwards. If it comes to an unexpected coincidence of two or more ideas (which often happens in a natural way), it may well happen that these encounters cause a moment of happiness in me because of their originality. As far as the combination of ideas or picture elements is concerned, I like to move in the tradition of the so-called B-Movies, which are an alternative to the calculable mainstream cinema, with much more risk-taking and no consideration for conceptual rigor, often show the key features in telling stories – the moments of surprise.”

 

https://www.instagram.com/roman_klonek/

For information about the show, please get in touch with galerie@urbanspree.com

“Cut the Crap”
New Woodcut Printings
A Solo Show by Roman Klonek
Urban Spree Galerie (Ecke)
Opening: 07/09/2018 from 1:00
Exhibition: 08/09/2018 – 30/09/2018
Tu-Su 12:00/19:00