We found – 9 articles for Point of Space

Jan Kaláb: „Point of Space“ – Berlin Book Release & Signing

Urban Spree and Jan Kaláb invite you at Urban Spree Galerie next Saturday 24.11 at 18:00 for the Berlin release of the much-awaited first published monograph of the influential Czech post-graffiti artist.

Published in November 2018 by Prague-based Trafo Gallery on the occasion of the artist’s new solo exhibition in Prague (02.11-20.12-2018), the 320-page book – edited by the artist himself with the support of critic Petr Volf and designer Jan Novák – encompasses the many different aspects of Jan Kaláb’s artistic career, from the early graffiti bombings as CAKES and POINT to his versatile works in public & indoor spaces, murals, sculptures, and paintings.

Signed copies will be available in our Berlin shop and online after the event. Please make your order on our webstore now to reserve a signed copy. All orders placed before 25.11.2018 will receive a signed copy.

In addition to the book signing event, Urban Spree Prints and Jan Kaláb releaseShine Around Blue 1118„, a very limited silkscreen print on Saturday 24.11.2018 at 18:00.

Edited by Urban Spree Prints and printed by Dolly Demoratti (Mother Drucker/Urban Spree Studio), the print is a 6-colour, 70 cm x 70 cm hand-pulled screen print, with vibrant colors and a hologram glitter layer.

The print is edited in a very limited run of 18 prints. 9 prints are reserved for the Berlin event while the remaining 9 prints are available to the subscribers of the Urban Spree newsletter (you can join our newsletter by signing in on the bottom of our homepage and by clicking on any of the sub-categories).

Jan Kaláb: Point of Space

Book Release and Signing

Saturday 24.11.2018 from 18:00

Urban Spree Galerie
Revaler Str. 99
10245 Berlin



Urban Spree celebrates 10 years of the Astronaut Cosmonaut Wall

To mark the 10-year anniversary of the iconic „Astronaut Cosmonaut“ mural painting in Berlin Kreuzberg, Urban Spree Galerie invites the French street artist Victor Ash for a special pop up exhibition.

The exhibition will be centered around the cult figure of the Astronaut with numerous original/stenciled works on paper and a mural at Urban Spree. A series of screen prints is expected to be released as well.

Alongside Blu’s now gone white characters on the Cuvrybrache, Victor Ash’s „Astronaut Cosmonaut“ has achieved a cult mural status for Berlin.

Standing in Berlin-Kreuzberg near Kottbusser Tor and painted during the legendary Backjumps Festival #3 in 2007, the painting of a floating astronaut on 22 x 14 meters strikes a particular chord in Berlin.

For the parisian artist born in 1968 and fascinated by the Cold War, space exploration, graffiti, subcultures & electronic music, Berlin was to become from the mid to late 80s and since then a focal point of his attention, with regular trips to the city alongside artistic projects and residencies.

Victor Ash photographed by Soren Solkaer in 2013

In 2007, the Backjumps Festival – brilliantly curated by Adrian Nabi, gives Victor Ash the occasion to paint a big wall. Victor wants to concentrate and express his past experiences and vision of Berlin, the space race between the USSR and the USA but also the different Berlin subcultures and the desire to escape reality. „I got inspired by the song from David Bowie „Space Oddity“ from 1969 in which he tells the story of a astronaut who gets lost in space and later on with the song „Ashes to Ashes“ in 1981 where Bowie tells us that the spaceman was in fact a junkie on a trip“.

For the artist, the „Astronaut/Cosmonaut“ represents the will to escape to other universes, „like as a little child, I escaped to a fantasy world with my space drawings and as a teenager, I escaped to subcultures to find my identity in the urban environment where I grew up“.

 

 

Urban Spree celebrates 10 years of the Astronaut Cosmonaut Wall

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening Reception: 17.11.2017 from 18:30

Exhibition: 17.11.2017 to 10.12.2017

Tuesday-Saturday 12:00-18:30 or by appointment

Gallery and Press enquiries: galerie@urbanspree.com

FB Event

www.victorash.net

instagram: victor__ash // #victorash



J.C. Satàn & Jessica93

Dawn of the Dance and GreyZone Concerts & Promotion present

J.C.Satàn + JESSICA93 LIVE

J.C.Satàn
J.C. Satàn is the meeting between the talented Arthur from Bordeaux, France (Polar Strong, The Meatards, Crane Angels..) and Paula from Torino, Italy (drawer, dj and booker of underground shows). They were noticed from their first two LPs Sick Of Love (2010) and Hell Death Samba (2011) on the american label Slovenly Recordings which had major critical and public success. For their audacious and perplexing third album Faraway Land (2012), they join the young and talented parisian label Teenage Menopause Records. In between a US tour in 2013, an european tour with Ty Segall in 2015, a China tour in 2016 and plenty of shows in France and European festivals, they released two more LPs with the trendy french label Born Bad Records, « S/T » (2015) and the brand new Centaur Desire (march 2018). As usual the band refuses to fall into repetition and instead, travels out of the comfort zone. They are exploring the musical landscapes of Pixies and The Queen of the Stone Age but never losing their own style and sound. Known to be some kind of stage warriors, their shows rise above their records. Someone talk about psychedelism, someone about punk-garage, it’s hard to define them.

http://www.jcsatan.com/
https://jcsatan.bandcamp.com/
https://www.facebook.com/jcsatan/

JESSICA93
French one man project Jessica93 is a powerful and emotional force of hypnotic loops, grungy riffs and cold beats, all wrapped up in an impressive sense of delicate and to-the-point song writing.

Even Paris, the city of love, hosts its bleak and dingy suburbs. With the promise of magic so close within one’s reach, the lack of it becomes even more evident. In the midst of this space of hope turned disappointment, Geoff LaPorte goes on an escapist trip and takes on the moniker of Jessica93. Where others see beauty, he sees the rats. But Jessica is the coolest chick in class. She’s desirable and she has ability to transcend the mundane reality of Paris’ dirty streets. Or at least she tries. Jessica stands for all that we wish to be, but can’t. Instead, let’s embrace the dark humour of the universe. After all, it’s not for nothing Jessica93’s 2013 debut is called “Who cares”, with a picture of a bag of crack cocaine on the cover.

As one man playing all instruments, along with a trusty drum machine; Jessica93 builds his music with layers – balancing the raw and minimalist with a trippy warmth. This sense of dream and romance is present in all his songs, sometimes numbed in an opiate high, sometimes as matter-of-fact melancholia. This isn’t some pedal-fest without substance, or, for that matter, a total downer – some of those beats sounds like John Bonham trapped inside an ice box, and the groove is undeniable. Something wants to reach out for sure, and on stage this part-shoegaze-part-grunge-part-cold-wave operation of one does just that: reaches out and goes for the stars. It might all get buried in a heap of dirty clothes once back on earth, but still.

Using very little to achieve a lot – Jessica93 goes straight to the core of every aspect of his music – illuminating a brilliant song writer in the process. Nothing to hide, nothing to lose.

https://jessica93.bandcamp.com/
https://www.facebook.com/thejessica93/

 

+++++

Facebook Event



Milk Me Presents: Crack Cloud

Crack Cloud is a multimedia collective, comprising members from different cities, ethnicities and origins, who contribute to the sound, visual aesthetic and beyond – but their latest release, Anchoring Point, is helmed by seven key members. Taking its sonic influence from the likes of Gang Of Four, Fela Kuti and Talking Heads, its visuals from hip hop and the found footage aesthetic of the ‘90s, and its political ethos from thinkers like Malcolm X and Lydia Lunch, Anchoring Point is a barbed, lurching thing, a cacophony of punchy fragments, funk-laced bass riffs and experimental soundscapes. “We wanted to be expressive in a way that could be erratic but cohesive at the same time,” explains Choy. “Emotionally, it zig-zags. We wanted it to take a life of its own; a life in flux.”

There’s a political undertone to much of Anchoring Point – its lyrics, its sound, even the EP’s artwork, which declares itself to be “how they refer to the latest vendible thing from Crack Cloud. For fun and profit!” But if there’s an agenda to their music, says Choy, “the agenda is humanity and compassion. We invite people to meditate openly about their privilege. Their vice. Their pride and their vulnerability.” Both he and partner Mohammad Ali Sharar are immigrants who struggled with addiction – Choy’s triggered by the death of his father, Mohammad Ali from the cultural turbulence that came from the racism he experienced from outside his community, and the rejection from within it when he started to question Islam. They’ve redefined themselves in sobriety and work together in the mental health industry, facilitating safe spaces based on the harm reduction model for vulnerable and marginalized people in Downtown Vancouver. Crack Cloud is informed by these experiences, past and present.

These experiences inform the work in ways Choy and the collective don’t always attempt to tame or control. ‘Empty Cell’, for example, is a “stream-of-consciousness piece,” made up of different voices from different angles. It follows EP opener ‘Graph Of Desire’, a punky duet of sorts, with shades of early Bowie, that comes in at just a minute and a half long, and precedes ‘Image Craft’, which has a melody like a ticking clock and a video that evokes Lynch’s Eraserhead. “Each song on Anchoring Point,” says Choy, “is one piece of the pie.”

And what does the pie as a whole look like? Choy’s not sure exactly. “It creates a messy picture. We hope people can resonate with its messiness. Thoughts and feelings are ephemeral and there is always a new insight to have and a new connection to be sought after, and it’s a celebration of that. Old and new. And the Anchoring Point in-between.”

FB Event



Cronovisione Italiana

Undogmatisch,
presents the new release „Cronovisione Italiana“ by Carlo Domenico Valyum.

CRONOVISIONE ITALIANA’s concept is a space-time journey by the researcher, experimenter, inventor, Carlo Domenico Valyum, through the TV media since its invention. Graduated in engineering and born in Turin at the end of the nineteenth century.
……………………..……………………..……………………..……………………..…………….

_ CARLO DOMENICO VALYUM _ A/V live (Undogmatisch)

_ T.RAUMSCHMIERE _ Ambient Set live (Shitkatapult/Kompakt)

_ JD ZAZIE _ dj set (Burp Enterprise)
……………………..……………………..……………………..……………………..…….………

CARLO DOMENICO VALYUM

…“After years of constant work on the development of his machines in February of ’37, Carlo Domenico manages to intercept anomalous audio/video electromagnetic waves. This important finding will be all that remains as a real testimony to his enormous work as a researcher and inventor. No other documents or inventions, to provide evidence of Carlo Domenico’s realisations, have so far come to light; including his much sought after secret diary and personal notes
Since 1939, news of him has become evermore a mystery. Some documents testify to his presence in various places at the same time, creating a sometimes confused map with many question marks but confirming his ability of physical and temporal bilocation,
At the end of August 2014, in Berlin, the existence of the briefcase containing the material intercepted in 1937, recorded on to VHS in the 70s, is casually discovered. And what is immediately clear is that Carlo Domenico Valyum in February 1937 had intercepted and further recorded electromagnetic waves coming from future Italian television broadcasts over a period of time between 1976 up until December 9, 1989, the day before his alleged death.
To date, all the documents are filed together along with the analogue copy under the title Dossier Carlo Domenico Valyum“.

https://soundcloud.com/user-789185925
https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
……………………..……………………..……………………..……………………..…………….

T.RAUMSCHMIERE

Marco Haas started his musical career as an inventor.
First, he invented a framework, and then himself. Initially, the record company founded by him and Marcus Stolz in Heidelberg served as a mere vehicle for the recordings of his band “Stormbow”. It was the year 1997 and “Stormbow” was an eminently talented band with Marco Haas on drums – one of several eminently talented bands, however, to be found in Baden-Württemberg, the Palatinate, the Ruhr region. Unique, on the other hand, was that newly minted vehicle called “Shitkatapult”.
In 1998, Marco Haas relocated his life and label operations to Berlin – and to the world of electronic music, which he took into his dark heart and as an opportunity to rename himself after characters of a William S. Burroughs story: the Dreamcops, translated into 50’s German as “Traumschmiere” and marked for a new tomorrow by a smartly placed period. T.Raumschmiere was born, and a bold new chapter of electronic music from Berlin was being written. His first full-length releases on Shitkatapult were dedicated to the darkly charged traces of an electronic music that combined bass drum and ambient, snottiness and greatness: Stromschleifen (Shitkatapult, 2000), Zartbitter (Shitkatapult 2002). At the same time, some 12″es were spotted on Cologne’s Kompakt imprint: Boltzplatz (Kompakt 2000), Musick (Kompakt 2001). The latter were big rave news with a terrific sawtooth confidence, an iconized rock masculinity that didn’t only go all jolly and funny, but also big and serious.
On Kompakt, the real shit always pointed more towards Wolfgang Voigt, to the realm of inventions. In 2002, Marco Haas as T.Raumschmiere topped off this era with a milestone ambient double album on the it-label at the time, Chicago’s Hefty, rated artistically worthwhile and endowed with yet another clearcut name from the treasure chest of awesome inventions: Anti (Hefty 2002). Worldwide tours followed quickly.
And it’s precisely here that the next stunner drops: the man, not a studio nerd (although he is), but first and foremost an event beyond compare, a performer extraordinaire who puts rave and techno, rock and roll, live and crass and black and dark all into one word, one riff like never before, in an endless series of smashed tables, exploded mixing desks and open mouths. A star was born. Self-made and crazed-out. The whole shebang got consolidated on a Shitkatapult album, cobbled together from the most important material of the aforementioned releases and one ingenious claim: T.Raumschmiere – The Great Rock N Roll Swindle (Shitkatapult, 2003). A pretty big whopper in the techno circus.
Freak-outs ensued. Daniel Miller had to have it and T.Raumschmiere got signed on Novamute, the club outlet from London’s Mute label, which was just about to swim towards the EMI shark, or rather whale belly. T.Raumschmiere was in the right place at the right time, a big label with towering fellows such as Luke Slater, Plastikman, Speedy J, Motor, Cristian Vogel and so on and so forth. T.Raumschmiere scored a mega hit with Monstertruckdriver (Novamute, 2003) and became a staple in the line-ups of all the essential clubs and festivals.
But by the time his second Novamute full-length Blitzkrieg Pop (Novamute, 2005) came around, he was already sick of it and presented a dumbfounded audience with a rock-primed album full of songs and riffs that carved out their niche somewhere between Nick Cave, Nine Inch Nails and Bohren, also relaunching T.Raumschmiere as an actual live band.
Quite honestly, many were disapointed with the new rock paradigm and the tattooed insolence. Where’s our Sawtooth Rave King? It led right to the demise of EMI, a logical consequence among others. T.Raumschmiere released two more full-lengths on Shitkatapult… the dramatically underrated ambient masterpiece Random Noize Sessions Vol.1 (Shitkatapult, 2006), and his most-accomplished rock album I Tank U (Shitkatapult, 2008). But the fans were still demanding the “Monstertruckdriver” and a T.Raumschmiere trio bravely battled its way through gigs and tours. The next 5 years happened off-road, outside of the mainstream. And the ever-cooperating Marco Haas focussed on his studio work, especially for others such as Dieter Meier of Yello fame, Andreas Dorau, Fraktus, Ofrin or Barbara Morgenstern. In doing so, he also devotes himself to the depth of the technology and its systems. And constantly reinvents himself in the process.
In 2016, Shitkatapult sub label “Albumlabel” presented a pretty big ambient album without a tilte, which Haas recorded together with friend and colleague Ben Lauber (also known as drummer for the T.Raumschmiere band, Dendemann, Olli Schulz or as orchestral arranger and hero of projects). Marco Haas on a mission! Two full-lengths emerge from his collab with Ulli Bomans aka Schieres under the Shrubbn!! monicker (Echos, Shitkatapult 2012, and Europa, Shitkatapult 2016), alongside remixes for Dave Gahan, Warren Suicide or Apparat (for which Shrubbn!! also played support slots in Europe). A series of concerts with the exceptional Jazz/Noise guitarist Caspar Brötzmann (a collaborative 10″ will be released in April 2017 via Shitkatapult) furthered T.Raumschmiere’s steady quest for uncharted terrain. And didn’t exhaust the artist, but rather exploited full potential.
May 2017 will see Cologne’s Kompakt releasing his new, epic solo album called Heimat. Back to the roots – but also into heaven! This new full-length presents another side of T.Raumschmiere, which was always present, but never got much airtime: the artist, the author – the composer with the crystal-clear sound. A wonderful techno album that neither excludes Ambient, nor gets reduced to a constant ass kicking. It’s perhaps the best recording from this man who asks so deeply, so extensively, so much. And at some point even answers.

http://www.raumschmiere.com/
……………………..……………………..……………………..……………………..…………….

JD ZAZIE

Born in Bolzano (IT), JD ZAZIE is a DJ, avant-turntablist and sound artist based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.
Intended as music instruments CDjs, turntables and mixer are her tools to mix the specific sound-sources she plays (mostly electronic music, electroacoustic music, musique concrète, field recordings and improvised music).
The typology of the sound-sources varies from already existing audio publications and sound effects, to self recorded audio files – as live-set and field-recordings -, to selected pre-mixed material. Juxtaposition, decontextualization, fragmentation, repetition, sonic texture, scratch and error are elements of the grammar adopted to relate, organize and rearrange the sound material.
In her sound installations she explores everyday life, refers to urbanism and relates to sound atmosphere.
She is a member of the Italian label Burp Enterprise and co-runs Staalplaat Radio.
She has participated in numerous exhibitions and events including Simultan festival (RU), Berlin Atonal (DE), All Ears (NO), Heroines of Sound (DE), Reheat festival (AT), High Zero festival (US), Music Unlimited #27 (AT), Tuned City Bruxelles (BE), Open Provocation festival (UK), Festival Rue du Nord (CH), Audiograft 2012 (UK), Echtzeitmusiktage 2010 (DE), STEIM’s Turntable Night #7 (NL), Avantgarde Festival Schiphorst (DE).

jdzazie.tumblr.com
www.burpenterprise.com/burp/units/jd-zazie/
……………………..……………………..……………………..……………………..…………….

Presentation:of Carlo Domenico Valyum „CRONOVISIONE ITALIANA“ Limited Edition Box Set hardback bound in cloth with hotstamp (2xLP/VHS/CD/Booklet).

Carlo Domenico Valyum „CRONOVISIONE ITALIANA“ (UNDOGMA2) is distributed by ready made Distribution, Audioglobe and on Bandcamp (release date February, 23rd, 2018).
……………………..……………………..……………………..……………………..…………….

Urban Spree
Revalerstrasse 99
Berlin

Entrance: 10,- €
……………………..……………………..……………………..……………………..…………….

https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
……………………..……………………..……………………..……………………..



Noise Testament II

NOISE TESTAMENT // TURN OFF, TUNE OUT, DROP DEAD!

Second edition of berlin’s infamous experimental and extreme musick festival

fri.feb.9th:
20:00 DOORS
21:00 VORDEMFALL
22:00 MNHM
23:00 BILLY BAO
00:00 TRANSITIONAL
01:00 ORTURE
02:00 HUMAN INFERNO
03:00 NERVØS!

sat.feb.10th:
20:00 DOORS
21:00 TATSUMI RYUSUI
22:00 PILORI
23:00 UUUU
00:00 FANGE
01:00 CARLTON MELTON
02:00 JAMES WELBURN
03:00 WRNGDNG

PRESALE:
ends february 8th at 18:00!
there will be only 250 tickets available at
Staalplaat (no fees)
BIS AUFS MESSER Recordstore (+1€ fee)
KOKA36 (+fees)
https://www.koka36.de/noise-testament_ticket_93594.html
20€ / friday ticket
25€ / saturday ticket
35€ / festival ticket

TICKETS AT THE DOOR OF Urban Spree:
only available if not sold out in presale!
25€ / friday ticket
30€ / saturday ticket
45€ / festival ticket

⊙ smash racism, sexism, genderism, homophobia, drugism, religionism, lookism, nationalism, fascism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

UUUU
(uk/swe – new band with members of COIL, DOME, WIRE, TOMAGA)
!!! GERMAN PREMIERE SHOW !!!
UUUU is a new outfit featuring Edvard Graham Lewis, Thighpaulsandra, Matthew Simms and Valentina Magaletti.
Individually these humans have implanted feathers in caps such as Coil, Dome, Wire, Tomaga, etc. Collectively they form UUUU, a powerhouse construction of fierce and free sonic exploration, as liberating as it is frightening, resulting in, the richly rewarding. The artists united present a project of exquisite curiosity and confident chaos where the individual thumbprints mesh into a gloriously muscular frenetic free sonic soup. It’s Going All Over The Floor presents itself as a terse meeting between dance, ambient, abstraction and improvisation. The Latent Black Path Of Summons Served proceeds in a tense energy field where random elements bounce around until locking into a fourth world pattern designed to fall into a dense mass of ecstatic noise. Boots with Wings is classic Lewis – a pop tune from the other side of the mind.
UUUU is a schizophrenic seething/soothing masterpiece of a past/present hybrid equally at home in the club, the home and the mind.
https://uuuuemego.bandcamp.com/

TRANSITIONAL
(uk – members of NOVATRON, RAMLEH, HEAD OF DAVID, JESU, GREYMACHINE , GOD, TERMINAL CHEESCAKE)
!!! FIRST AND ONLY GERMANY SHOW !!!
Transitional is a project from United Kingdom of musician producer Kevin Laska (Novatron) and long time Justin Broadrick and Kevin Martin collaborator Dave Cochrane who also appears on Greymachine.
This is a band which can deliver both sonic tranquility and extremely heavy slabs of dense music and just about everything in between; Heavy electronic machinery, juggernaut bass lines and hypnotic guitars go from passive relaxation to an unstoppable machine within a single surge.
Kevin Laska’s woven creations of bleak electronic / organic mesmerizing mayhem and bliss has found a new level. Now joined by legendary bassist Dave Cochrane who played with the likes of Kevin Martin in God, Ice and The Bug and Justin Broadrick in Jesu and Head of David.
Born in September 2006 Laska’s found himself in another quality up with Cochrane, following his last collaboration with a.o. Russel Smith and Anthony Difranco (Ramleh, ex Skullflower) as Novatron. Transitional; a solid, textured and dynamic sonic journey through a world that is both self deprecating and enlightening, but either way leaves you wanting more.
In 2009 they added Phil Petrocelli on Transitional‘ drums and published their second full length studio album Stomach of the Sun.
From devouring linear drones, lush melancholy to pure unadulterated rage experienced through a back drop of churning rhythms, using Cohesive experimental recording techniques combined with discordant world eating riffs enveloped in a signature approach to atmosphere and interspersing melody.
This performance will mainly consist of material from the bands first two albums “Nothing Real, Nothing Absent” & the unsung “Stomach of the Sun”. A rare opportunity to see a performance from stalwarts of the underground UK Industrial scene.
http://www.myspace.com/transitionaluk

BILLY BAO
(sp – members of LA SECTA, YOGUR, ATOM-RHUMBA, GUTARIKO BAT)
!!! FIRST GERMANY SHOW !!!
„When I came from Lagos (Nigeria) to San Francisco (Bilbao)
life was tough here or there. I did not mind, I had a purpose in my life: to fight the system that screws everyday of our life. Back in my hometown, I was an unknown songwriter but, as soon as I arrived to the streets of Bilbao, I discovered Punk Rock. It had energy and attitude and was exactly what I needed.
Next thing was to get a band. I found out the most primitive drummer in Bilbao, Alberto Lopez (ex-La Secta, ex-Yogur, ex-Atom-Rhumba), and the noisiest guitarrists around, Mattin & Xabier Erkizia (ex- Gutariko Bat). The band was formed under my name, it could not have been any other way.
These songs go beyond what rock and roll is and what it could be, in fact they are the degenereation of Rock&Roll against the regeneration of Bilbao.“ – Billy Bao, Bilbao Dec 2004
http://www.mattin.org/2_Billy_Bao.html

CARLTON MELTON
(usa – members of ZEN GUERILLA)
Mendocino County in Northern California is known for its spectacular coastline views, immense redwood trees in ancient forests and abundant nature that remains largely undisturbed by man. It is perhaps the most logical home base for a band like Carlton Melton, who compose and record their music in a geodesic dome (a.k.a. The Dome). It is the perfect setting for a band creating meditative soundtracks freed from the constraints of traditional song composition.
While Carlton Melton’s sound is heavily inspired by psychedelic music, it is equal parts, blues, rock, improvisation and drone. Whether the band is hanging on a well-defined riff reminiscent of Led Zeppelin or Joe Walsh or largely abandoning conventional music structure à la Spacemen 3 and Bardo Pond, Carlton Melton uses layers, textures and repetition to create music that makes full use of the spaces in between notes and chord changes … sonic explorations if you will.
The music that Carlton Melton makes is bold and does not hesitate to “go there” just to see what the heck might be still left out there in the world of unexplored improvisational and psychedelic music. And there is a lot of ground left to explore and cover. Whether it’s in The Dome or in the live setting, Carlton Melton give themselves full permission to realize and create spontaneous sounds and create genuine musical gestures that resonate beautifully with audiences throughout the world. How many bands can claim that?
http://www.carltonmeltonmusic.com/

NERVØS!
(nor)
!!! FIRST AND ONLY GERMANY SHOW !!!
NERVØS! founded in Stjørdal, North Trøndelag, Norway ca 2000/2001 – performing «lydrock» as they call it (or «lautrock» if you wanna be all international about it).
Aiming for a trance state by repetition, blind/stupid rage, and a relation to sound as an overwhelming physical presence.
Each track they relentlessly beat down maximum 1-2 insanely heavy riffs, with filthy as hell distortion, pissed beyond belief vocals and caveman beats from the land before time. Matched with their huge wall of sound, harsh background noise and shifting guitars and drums they will make you crawl on all fours until you forget your mother tongue.
https://nerv0s.bandcamp.com/

JAMES WELBURN
(nor)
James Welburn’s debut album ‚Hold‘, published by Miasmah, was described as „Like watching a massive twisting fire slowly fading into the open skies, accompanied by a drum section so repetitive yet mind bending that you’re unsure if it’s ever going to stop“
Hailing from the UK, but located in both Berlin (DE) and Lillehammer (NO), James has been on a path to catch the perfect drone through the last years, playing an abundance of underground drone and noise sets in Berlin and Norway.
His biography already boasts notable collaborations, such as the one with the legendary drummer Tony Buck of The Necks or those with Tomas Järmyr (of Zu & Motorpsycho), Aidan Baker (of Nadja), Svarte Greiner (aka Erik K Skodvin), Andrea Belfi and the pioneering 60’s New York drone composer Phill Niblock.
Today Welburn performs a live set on the boundary between noise rock and electronica, modifying dirty electric bass sounds with abstract software effects into dark engulfing soundscapes and searing bass drones that breathe with a mysterious forceful energy. A relentless rhythm section drives the music forward, forming epic compositions of sound and noise.
„… Full of sounds and structures to get lost in, to bathe in the layers and wade through the textures that Welburn constructs with consummate skill…marks him out as a solo artist and collaborationist to watch“ – The Quietus
https://soundcloud.com/james-welburn

HUMAN INFERNO
(nor – members of NO BALLS, ANAL BABES, ASTROBURGER, ex-TURBONEGRO)
!!! FIRST GERMANY SHOW !!!
Human Inferno is an electronic project from Oslo, Norway. They`ve been around, in different mutations, since 2003.
Before then, everyone in the band played noisepunk. This past is also present today.
There have been several vinyl releases since 2003. The latest being „Medication“ on Entr`acte from Antwerpen:
http://entracte.co.uk/projects/human-inferno-e185
The future looks bleak, there is absolutely no info available as to what the gig at NT might sound like.
https://soundcloud.com/entracte/e185

FANGE
(fra – members of HUATA, BRAIN PYRAMID)
!!! FIRST BERLIN SHOW !!!
Formed in late 2013 by Baptiste from Brain Pyramid and Benjamin from Huata, FANGE (meaning “mire” in french) is a simple project. Making harsh riffs and hard beats, playing them loud, with a huge amount of distorted sounds and feedbacks.
All you’ll find here is a huge amount of fuzz and distortion, out of hand feedbacks, low tuning and big amps, heavy beats and fat kicks, distorded vocals, wall of noises. Sinking into a dirty and filthy noise-sludge to exorcize the human grime and primal idioms conveyed by all the summer and warm stuff, we are in deep mud.
https://fange.bandcamp.com/

MNHM
(nl)
!!! FIRST BERLIN SHOW !!!
MNHM give birth to ‘melodic noise’ from a higher and heavier dimension combining elements from post/math-rock and doom. After releasing their well-received debut album Super-Empowered and touring all over Europe, the band teamed up with producer Rocky O’Reilly (And So I Watch You From Afar) to work on their second album ‚Of Empires Past‘ which was released on May 5 2017 on Consouling Sounds
https://mnhm.bandcamp.com/

PILORI
(fra)
!!! FIRST BERLIN SHOW !!!
Formed in Normandy (France) by active members of the local scene, Pilori is crust hardcore band with black metal, powerviolence and grindcore influences. After sharing the stage with bands like Nostromo, Oathbreaker, Regarde Les Hommes Tomber, Cowards, Comity or Harm Done, and releasing their first 4 tracks tape, Pilori just released a split vinyl with an american post-black metal band, Dakhma. Their sound is noisy, dark, oppressive, incisive and filthy, both fast and massive.
https://pilori.bandcamp.com/

ORTURE
(ger)
!!! TAPE RELEASE SHOW !!!
ORTURE is a new band, that crawled up to earth’s crust from different realms of the underground to deliver satanic dadaism. A raw black metal assault with shredding guitars, blasting drums, unholy roar, massive contrabass drones and gut grinding harsh noise layers. Convulsions of the black emperor’s hammer, cold sardonic industrial tremor and the nuclear dragon’s breath will unleash the beast in each and everyone of you.
They will present their first release at Noise Testament!

WRNGDNG
(ger)
VVRNGDNG stands for wrong doing, based in the wrong part of Berlin.
Snitching musick into pieces, with sharp as a shark wrongness.
Wrong party in your scum yard with trash bags full of surprises
like peaky loudness and raspy screaming, drumbeats like origami
and bass bubbles for an unknown future.
http://wrngdng.tumblr.com/

TATSUMI RYUSUI
(jap)
is a Berlin based musician born in Ehime, Japan. He taught himself to play guitar at the age of 10, and since this point has expanded into the world of circuit bending, the collection of field recordings and building his own instruments. He is active within the experimental music scene in Berlin, where he has lived and worked since 2009.
He predominantly performs with the electric guitar, which he processes along with several self built instruments through a system of pedals and effects to generate delicate, yet powerful and astonishing textures that connect drone with the cathartic side of noise. His sound embodies the sonic transition of everyday sounds into ethereal soundscapes and ambient textural improvisation.
https://tatsumiryusui.bandcamp.com/

VORDEMFALL
(ger)
There are limbs and a tongue and it’s all pretty emotionnally unstable. Vordemfall is a constant dry/wet game playing around with elements of progressive, noise and krautrock, into a haunted and moody blend. Their tendencies are based on a deeply rooted paradox. Her riffs and vocals are in turns abrasive and lustful – His hits, tribal or hyperactive.
https://vordemfall.bandcamp.com/