We found – 6 articles for Walls Exhibition

WALLS

For their first show of 2020, Urban Spree Galerie presents « WALLS », a collective exhibition featuring 30 international artists and dedicated to the notion of the « wall ». 

Curated by Fabrice Douar and Cyrille Gouyette (Le Louvre Museum, Paris) and co-curated by Pascal Feucher (Urban Spree Galerie, Berlin), « WALLS » invites prominent artists from both the comics scene and the street art scene to create graphic works of fiction related to walls, interpreted either as simple architectural elements, ominous symbols of segregation, canvases and vessels to convey meaning, textures, or imaginary playgrounds and labyrinths. 

Fragment of an antique wall, Pompeii. Courtesy Galerie David Ghezelbash

 

While some antique artefacts appear in the show to testify of their immortal, silent presence, in the 21st Century, the Minotaur doesn’t wait at the center of his realm but has clearly moved outside, demultiplied its presence, and is building more walls.

The exhibition’s direction is therefore resolutely multifaceted, contemporary and graphic-oriented, spanning several topographies (Europe, South Korea, Middle East, Hong Kong, Cuba…), and art forms (painting, photography, installations, videos). 

Levalet: „Voie de contournement“, China ink on paper, 70x100cm, 2019

30 Artists: Alias, Andreas, Jim Avignon, Bault, Enki Bilal, Broken Fingaz Crew, Isaac Cordal (installation), Hendrik Czakainski, Christian Durieux, Philippe Écharoux (mapping installation), EVOL, Jean Faucheur, Flix, Jorge Rodriguez-Gerada, Miles Hyman, Kim Jung Gi, Levalet, Stéphane Levallois, Loustal, Marc-Antoine Mathieu, Mode2, Alexandra Novosseloff, Ernest Pignon-Ernest, Michal Škapa, Pen So, Thom Thom, Sam Tse, Santiago Valenzuela, Lars Wunderlich, Zevs.

 

Enki Bilal. Excerpt from the Portfolio „Die Mauer Berlin“, Futuropolis 1982

 

In cooperation with Galerie David Ghezelbash, Galerie Huberty & Breyne, and Galerie Lelong & Co.

 

WALLS

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Vernissage: Friday, January 17th, 2019 from 18:30

Exhibition: 17.01.2019 – 29.02.2019

Wed – Sat –  12:00-18:30 or by appointment

info and catalogue: galerie@urbanspree.com

To download the Press Kit: https://www.urbanspree.com/press/



Johannes Mundinger: Flurstück – Exhibition and Catalogue Release

Two years after his solo show at Urban Spree Galerie („Unterm Nebel“ in march 2016), Urban Spree Resident Artist Johannes Mundinger returns to the gallery with a 4-day pop-up retrospective exhibition of his solo show „Flurstück“ that was held in December 2017 – January 2018 in the eight room gallery space of the Kunstverein Offenburg Mittelbaden e.V. with more than 30 large scale works on display.

 

Alongside a large selection of the paintings that were displayed in his native city of Offenburg and which will be shown in Berlin for the first time, Mundinger will release and sign two printed catalogues: „Painted Walls“ (a selection of his best murals painted between 2012-2017) and „Flurstück“ the official catalogue of the exhibition at Kunstverein Offenburg-Mittelbaden.

 

Johannes Mundinger, born in 1982 in Offenburg, has studied in Münster and Brussels. Since 2011, he lives and works in Berlin. His works have been shown by the Museum Kunstpalast Düsseldorf, the Museum Weserburg, Bremen, the Freiburger Kunstverein and numerous galleries.
In 2013, he was awarded the jury price of the Berliner Kunstverein. Since 2012 he is a resident artist of the Urban Spree Galerie, Berlin.

His paintings oscillate between abstraction and figuration, the installation of his work is often determined through site-specific elements, which function as integral aspects of his paintings.


Opening: Thursday, February 8th, from 18:30
Exhibition:
Friday – Saturday, 13:00-19:00
Sunday: 13:00-18:00

 

Urban Spree Galerie
Revaler Str. 99
10245 Berlin



New York Perspectives

Urban Spree Galerie presents New York Perspectives, a duo show featuring Chris „Daze“ Ellis and Joe Conzo, curated by Mode2. The vernissage will be on Friday, November 22nd, at 18:30, in presence of the two artists.

    Through the work of two New York City-born artists, a painter and a photographer, this exhibition is an attempt to show aspects of New York City life, through the eyes and the work of two very different individuals; though both come from a part of its counterculture.

    The drawings and paintings of the artist Chris “Daze” Ellis, and those many moments and people captured by the photography of Joe Conzo show us how the youth that were more in osmosis with the steel, the concrete, the glass, the streets and the city’s subway system, could develop new forms of visual dialogue that could form a bridge between their own social and cultural background, and a movement that would infiltrate the artworld and become a global phenonmenon.

   Coming from different neighbourhoods and cultural backgrounds, both have lived long enough to have witnessed first hand the huge transformations that the city has gone through over these last decades, while their “work”, which was actually their hobby, passion and life pretty much, has documented seminal eras during that time.

  These tumultuous years of cultural flux; of blossoming, blooming, destruction and rebirth, are often overlooked by today’s focus on the “now” of street art, and the way through which this eclipses the very alchemy that gave birth to the way in which artists express themselves in the street today, or the way in which they document city life.

    It is doubtful that much of what is happening today in visual art, music, dance and written or spoken word ever would have happened, if generations of youth in New York City had not lived what they did many decades ago; and we can count ourselves lucky that a few rare individuals happened to be there and have the instinct to document it.

  Here then, are views of New York from two different perspectives, they themselves being a complex accumulation of all of life’s experiences, and how they shape each individual’s understanding of the world around them; and the ways by which they choose to express and share this with us.

Urban Spree Prints will release two 18″x 24″ silk screen prints by Daze on the opening night and online.

The gallery and the curator heartily thank Henry Chalfant for letting us show his documentary movie “From Mambo to Hip Hop: A South Bronx Tale.”

Poster Artwork by Tyler Askew.

 

“New York Perspectives“

Christopher „Daze“ Ellis / Joe Conzo

Curated by Mode2

22.11 – 21.12.2019

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening: Friday 22.11.2019 at 18:30

Exhibition: Tu-Sa – 12:00 – 18:30

Info & Catalogue: contact@urbanspree.com

 

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BIOGRAPHIES: 

 

Chris „Daze“ Ellis

Growing up in Crown Heights, Brooklyn, Chris Daze Ellis (b. 1962) was aware from early on of the names and the odd characters that would be dancing along the trains that wove their way through the city. When he started out at the High School of Art & Design in 1976, he found that there was a whole community of very diverse yet like-minded individuals there, also involved with this scene; some of whom would go on to make a name for themselves in the art world.

Being a fan of drawing and comic books already, Daze camouflaged his nighttime activities under his parents‘ gaze, exploring and expanding his visual vocabulary, combining the traditional with the dynamism of a new and challenging environment, with stimulus of its own.

Having mastered the medium and the environment, Daze would go on to shape his own personal vision of the world, looking as much inwards as outwards, in the relationship between the trains and walls, and what he could further explore in the studio. The strength of his successful life as an artist in his own right would develop from then on.

From his participation in his first group show, Beyond Words, at the Mudd Club in 1981, before having his own solo show at Fashion Moda (the historical South Bronx art space that bridged the established art world with the raw talent and energy coming out of New York City), Daze embraced the wide horizon that opened up before him.

From then on, Daze began to show in many different cities around the world, whether it be galleries and museum, in solo shows as well as group formats. He has participated in many public or educational art projects around the world, working with students and communities from South Korea to Brazil via Haiti, while often visiting Europe as well, and contributing to New York mural initiatives like the Leap Arts Program or Thrive Collective.

From his appearances in the film Style Wars, to being an art consultant on the Netflix series The Get Down in 2017, to participating in public painting projects from the Star Ferry Terminal in Hong Kong in 1993, painting an entire Hannover train station with fellow artists Lee Quinones and John Crash Matos, or being commissioned for murals by private clients like the law firm, Cleary, Gottlieb, Steen & Hamilton in Washington D.C. 2018; Daze has constantly had his hands on a whole range of different projects.

Daze’s paintings have found themselves in many private collections including Eric Clapton, Natalie Imbruglia, and Madonna. His work can also be found in the permanent collections of The Whitney Museum, NY, Museum of Modern art, NY, The Museum of the city of New York, The Ludwig Museum, Aachen, Yale University art Gallery, New Haven, Addison Museum of American Art at the Phillips Academy, Andover.

Chris Daze Ellis continues to live and work in New York City.

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Joe Conzo

Joe Conzo was born in the Bronx during an era of great upheaval, when the construction of the Cross Bronx Expressway was nearing its end, having destroyed the communities that lay in its path, and condemning those parts of the borough around it to social and economic decline. The apocalyptic landscapes of urban devastation, and the high criminality associated to it are emblematic of that era.

President Truman’s Urban Renewal announced in 1949, ruthlessly applied by Robert Moses, targetted the more modest and ethnically diverse neighbourhoods of New York City whose resistance to forced removal would fall on deaf ears, as private developers grabbed the prime lots. The Bronx represented both the laboratory and the collateral damage for these extreme experiments of urban renewal.

And yet, out of what looked like an urban war zone, the city’s youth began to pick up the pieces, and, out of the desolation around them, began to build their own road out of it. Realising that the state was not going to do anything positive for them, their survival instincts eventually kicked in; and out of the gang culture, the drugs, and the sheer nihilism that had reigned for a while over much of the borough, new and greener shoots were beginning to break through.

Joe Conzo’s cultural capital, and that of his peers, was probably key to his survival and his blossoming during those harsh years; grandson of Dr. Evelina López Antonetty, a political activist who played a huge role in developing educational programmes for Puerto Rican children, and son of Joe Conzo Snr., who was in the thick of the huge Latin music scene of that bridged those decades; hanging with all the main players of that era, and having been the biographer of Tito Puente.

While studying at the Agnes Russell School on the campus of Columbia University, he discovered photography, the medium that would enable him to document what went on around him; from the world of latin culture through his father’s connections, to the collision of art forms that would later be called Hip Hop; a word that eclipses the sum of its parts.

Having lived many ups and downs in the eighties, to a rebirth of sorts, Joe Conzo went on to become a qualified medical nurse, then worked for the New York City Fire Department, being among the first responders on 9/11. At some point along the way, he was reunited with the camera, and began shooting again…

Whether as the photographer of rap crew The Cold Crush Brothers, a hugely influential group of MCs from the early days, or just a boy from the Bronx who had a camera and curious eyes, Joe Conzo’s photos provided reference material to Henry Chalfant ’s documentary “From Mambo to Hip Hop: A South Bronx Tale.”, and were documented in a book called “Born In The Bronx: A Visual Record of the Early Days of Hip Hop”.

His negatives have been digitalised and archived at Cornell University, providing a unique and indispensable resource for those wishing to research the those eras.



Igor Revelis/Klone: The be(Longing)

Urban Spree Galerie presents „The be(Longing)“, the 3rd solo exhibition of Tel-Aviv based artist Klone with Urban Spree Galerie.

After a decade exploring the medium of paper, „The be(Longing)“ marks the return of the artist to the medium of canvas. Bringing his spray can technique of shadows and gradients to perfection, Klone paints monochrome compositions where the matter of the canvas blends into geometric shapes and abstract landscapes.

„The be(Longing) is an investigation of hybrid identity, a portal into a parallel realm tucked away from the increasingly globalized and visually homologized world. Set against the backdrop of dark gallery walls, restless portraits and landscapes can be peered at, stripped of all contextual clues, the painful human relation between object-subject tugs at the primal root of abstraction. There are no nouns in this landscape, everything is a verb, the gaze is an action.“ Mika Bar-On Nesher

A few signed copies of the latest artist’s monograph – „FEWMOMENTSAGOIWASHERE“,  looking over the last 8 years of exhibitions, mural projects, installation, and animations, will be available at the opening.

Klone (b.1983) is an Ukrianian-born, Tel-Aviv based street artist, a pioneer of graffiti in Israel and a visual artist

 

The be(Longing)

Solo Exhibition by Igor Revelis / Klone

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening: Friday, July 5th, 2019 from 19:00
Exhibition from 05.07 to 04.08
Tu-Su: 12:00 – 19:00

Info and catalogue: galerie@urbanspree.com

https://www.kloneyourself.com

https://www.instagram.com/kloneyourself

 



Berlin- Praha Barter

After the first exhibition, titled „Praha Berlin Barter“ (March/April 2019) which was hosted by Urban Spree in Berlin, the gallery is this time being hosted by Trafo Gallery in Prague in a new group exhibition called „Berlin Praha Barter„.

Berlin Praha Barter

Preview: 16.05.2019
Exhibition: 17.05. – 23.06.2019

Curated by Pascal Feucher (Urban Spree)

In this second round, we have invited 11 visual artists of the Urban Spree family to exhibit artworks at Trafo Gallery:

 The artists are representative of the new Berlin scene that emerged since the Fall of the Wall, starting with the precursor – Jim Avignon – quite known for his painted decors of many of the Berlin squatted clubs of the early 90’s and large historic murals (East Side Gallery) and whose remixed cubist/pop art/Neue Sachlichkeit aesthetics are iconic of the Berlin art scene.

 

Going along the figurative trail, Marion Jdanoff (half of the duo Palefroi) develops a highly poetic and fairytale-like universe, fueled with middle age tales, strange characters, fabled animals in a rich palette of colors. Fabian Warnsing paints large-sized canvases in a faux-naïf style, creating still life paintings, urban landscapes and everyday scenes.

The graphite drawings of Lars Wunderlich are part of a series from 2017 titled „East German Realities“, whereby the artist applies his process of distortion and glitches to scenes witnessed in the Eastern parts of Germany where nationalism is still a vivid reality.

Sebas Velasco explores the remnants of the Eastern bloc in a series of oil paintings and drawings based on scenes from Yugoslavia and elsewhere, Plattenbau, old cars, graffiti, and neon hotel signs. An urban/architecture thematic which has been magnified over 20 years by EVOL with his stencils on outdoor electric boxes and on cardboard.

Going further, Hendrik Czakainski creates 3D large-scale post-architectural panels which are radical anatomical explorations of the urban body. His works are impressive, immersive, chaotic urban scenes captured from above, on a bird’s eye view perspective.

Besides figurative and architecture-inspired works, a strong line at Urban Spree has always been „post-graffiti abstraction“, i.e. using the codes, techniques, roots, flow and philosophy of graffiti, where the letter becomes an abstraction, a substance.

While Stohead is closer in some instances to the true form of the letter (calligraphy, handstyle, overwriting), he has always experimented beyond it, trying to deconstruct and dissolve the Letter in a post-graffiti approach. Theresa Volpp’s practice is more focused on the very subject of abstract art and bears only a faint distance to graffiti, although some form of automatic writing exists in her work, in a pre-graffiti way, as if abstract art is trying to reconnect with a certain flow but before the invention of graffiti..

Christian August creates multiple layers of grey colors by erasing, scratching, repainting, and finally achieving a wall texture (in the scratchy meaning of Dubuffet and Brassaï in the early 20th century), then completing his work by a stunning dash of ultramarine color, the artist’s persistent signature. Johannes Mundinger has also strong roots in wall painting and creates delicate abstract works in subdued tones, large shapes and blocs, stunning and contemplative abstract landscapes.

Oscillating between abstract and figurative art, Berlin Praha Barter shows a diversity of approaches and styles, seemingly loosely connected but united by an undercurrent practice of wall painting and shared values.

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Urban Spree Galerie was created in Berlin-Friedrichshain in 2012 as a 400 sqm „artist-run“ space with the objective of discovering and promoting the emerging international wave of post-graffiti painters and artists, with a strong focus on local talents.

The gallery is an essential part of Urban Spree, a 1.700 sqm independent multi-cultural complex comprising a Biergarten, a concert room, a bookshop, 5 artist studios, a screen printing studio, itself set in a 70.000 sqm postindustrial creative compound in the heart of Berlin (R.A.W.).

The gallery benefits from its large urban grassroots ecosystem and offers its invited artists an ideal space for experimentation through ambitious on-site residencies and monthly exhibitions that usually involve painting the outside walls of the compound.

It is armed with these values of generosity and openness, shared with Trafo Gallery, that we together decided to initiate a gallery exchange.

https://www.urbanspree.com
instagram: @urban_spree
facebook: Urban Spree

 

Thanks to all Trafo Gallery supporters: Ministerstvo kultury ČR, Magistrát hlavního

města Prahy, Art District 7, Radio 1, Protisedi.cz, ArtMap and Wine4You.

Trafo Gallery, Hala 14, Pražská tržnice, Bubenské nábřeží 306/13, Prague 7, tram
no. 1, 12, 14, 25, metro Vltavská (300m),

Open Wed–Sun 3–7pm, Sat 10am–7pm,
www.trafogallery.cz ,

IG: trafo_gallery,

FB: trafogalerie



Eröffnung SP38: Post-Vandal 2 Kunst Residency

Berlin-based street artist SP38 was invited by Urban Spree Galerie and Boddinale for a special gallery residency alongside the film festival (15-25.02.2018).

After 2 weeks of daily indoor work and street interventions in Friedrichshain, we invite the public to discover the outcome of the art residency over the upcoming weekend together with the artist. 

The exhibition opens on Saturday, February 24th from 14:00 to 23:00 and will continue on Sunday February 25th from 12:00 to 23:00. Visitors will be able to acquire the original works on canvas and paper produced during the residency in addition to a selection of screen prints and stickers.

SP38 will also screen print “Post Vandal” tote bags live on Saturday!

Post Vandal 2“, explores the notion of vandalism at the age of post-graffiti.

“ERASED”
 
When street art pays homage to toying.
 
„Erased“ – „Effacé“ – „Ausradiert“
 
Erased: the walls, the city, the memories, 1UP, childhood, history, words, life, empty monuments, hope, innocence, dreams, signs, green trees.
 
Erase oblivion, rub out memory.
 
Erase the work before it’s finished, self-efface one’s own work by covering it with its duplicate.
 
Erase history, both recent and distant. Erase the cruel crystalline nights with repetitive blood red slogans like so many mute, slowly illegible words. Turn a piece of wall lost in a rigid historical street into an evolving and unfinished artwork that derides content by erasing-replacing the same signs, the same forms, the same useless repetitions.
 
ERASED was written on a large roll of paper found in the trashcan at a kindergarten. The series ran until
the paper ran out. The first one hit the street the day Fidel Castro died …
 
Pasted up mainly in Berlin, Paris, Seoul, Wilhelmshaven …
 
“Street art must reinvent or erase itself before it’s too late.” SP38, Berlin 2017 (Transl. Nicholas Grindell)

A relentless urban wanderer and street typographer, SP38 (b.1960) uses different lo-fi techniques (collages, paste-ups, stickers, screenprints, paintings) to imprint his vision of the city and his letters to the walls. Involved at an early stage with the „Figuration Libre“ movement in Paris and participant to the first graffiti and street art meeting in 1985 with Vive la Peinture, Speedy Graphito, Futura, Miss Tic, and Blek Le Rat, SP38 has navigated in different squat scenes (including the infamous Berlin’s Tacheles) before moving to Berlin in 1995.

A prime witness of the fast-paced gentrification of the metropolis, his art subtly reveals the fractures of the city through successive campaigns and catchy slogans („Who kills Berlin?“, „Erased“, „Escape“, „Occupy“, „Vive la Bourgeoisie“, Vive la Crise“…), where the intimate, personal level often collides with the bigger scale.

The residency will follow its own strenuous path and will increment itself everyday from 12:00 onwards. The public is invited to witness the progression of the residency. A vernissage is scheduled at the end of the residency, on Saturday and Sunday, 24 & 25th of February from 14:00.

SP38: „Post-Vandal 2“

Art Residency at Urban Spree Galerie

12-02-2018 – 25-02-2018

Opening of the Exhibition: Saturday 24.02.2018 // 14:00 – 23:00

Exhibition: Sunday 25.02.2018 // 14:00 – 23:00

Free Entrance

https://www.instagram.com/sp.38/

http://www.sp38.com