We found – 6 articles for on demand

2019 Edition of the Berlin Seafood Festival on 25th and 26th May

The 2019 Edition of the Berlin Seafood Festival returns to Urban Spree on May 25th and 26th, 2018.

Curated by Urban Spree, the Berlin Seafood Festival is a culinary meeting of raw & fresh seafood produce coupled with Berlin’s finest street seafood vendors.

Create your own plate of street seafood, savor a grilled fish on demand, discover oysters from the French West shores, special mussels dishes, chilean ceviches, a Mediterranean twist, and other natural delicacies paired with our selection of natural wines and german craft beer.

The Berlin Seafood Festival invites a selection of top-notched Berlin street cuisine vendors who will create a culinary travel experience.

Save the date!

FB Event


Urban Spree Biergarten

RAW Gelände, Friedrichshain

Saturday 25.05 + Sunday 26.05


Free Entry


Cronovisione Italiana

presents the new release „Cronovisione Italiana“ by Carlo Domenico Valyum.

CRONOVISIONE ITALIANA’s concept is a space-time journey by the researcher, experimenter, inventor, Carlo Domenico Valyum, through the TV media since its invention. Graduated in engineering and born in Turin at the end of the nineteenth century.

_ CARLO DOMENICO VALYUM _ A/V live (Undogmatisch)

_ T.RAUMSCHMIERE _ Ambient Set live (Shitkatapult/Kompakt)

_ JD ZAZIE _ dj set (Burp Enterprise)


…“After years of constant work on the development of his machines in February of ’37, Carlo Domenico manages to intercept anomalous audio/video electromagnetic waves. This important finding will be all that remains as a real testimony to his enormous work as a researcher and inventor. No other documents or inventions, to provide evidence of Carlo Domenico’s realisations, have so far come to light; including his much sought after secret diary and personal notes
Since 1939, news of him has become evermore a mystery. Some documents testify to his presence in various places at the same time, creating a sometimes confused map with many question marks but confirming his ability of physical and temporal bilocation,
At the end of August 2014, in Berlin, the existence of the briefcase containing the material intercepted in 1937, recorded on to VHS in the 70s, is casually discovered. And what is immediately clear is that Carlo Domenico Valyum in February 1937 had intercepted and further recorded electromagnetic waves coming from future Italian television broadcasts over a period of time between 1976 up until December 9, 1989, the day before his alleged death.
To date, all the documents are filed together along with the analogue copy under the title Dossier Carlo Domenico Valyum“.



Marco Haas started his musical career as an inventor.
First, he invented a framework, and then himself. Initially, the record company founded by him and Marcus Stolz in Heidelberg served as a mere vehicle for the recordings of his band “Stormbow”. It was the year 1997 and “Stormbow” was an eminently talented band with Marco Haas on drums – one of several eminently talented bands, however, to be found in Baden-Württemberg, the Palatinate, the Ruhr region. Unique, on the other hand, was that newly minted vehicle called “Shitkatapult”.
In 1998, Marco Haas relocated his life and label operations to Berlin – and to the world of electronic music, which he took into his dark heart and as an opportunity to rename himself after characters of a William S. Burroughs story: the Dreamcops, translated into 50’s German as “Traumschmiere” and marked for a new tomorrow by a smartly placed period. T.Raumschmiere was born, and a bold new chapter of electronic music from Berlin was being written. His first full-length releases on Shitkatapult were dedicated to the darkly charged traces of an electronic music that combined bass drum and ambient, snottiness and greatness: Stromschleifen (Shitkatapult, 2000), Zartbitter (Shitkatapult 2002). At the same time, some 12″es were spotted on Cologne’s Kompakt imprint: Boltzplatz (Kompakt 2000), Musick (Kompakt 2001). The latter were big rave news with a terrific sawtooth confidence, an iconized rock masculinity that didn’t only go all jolly and funny, but also big and serious.
On Kompakt, the real shit always pointed more towards Wolfgang Voigt, to the realm of inventions. In 2002, Marco Haas as T.Raumschmiere topped off this era with a milestone ambient double album on the it-label at the time, Chicago’s Hefty, rated artistically worthwhile and endowed with yet another clearcut name from the treasure chest of awesome inventions: Anti (Hefty 2002). Worldwide tours followed quickly.
And it’s precisely here that the next stunner drops: the man, not a studio nerd (although he is), but first and foremost an event beyond compare, a performer extraordinaire who puts rave and techno, rock and roll, live and crass and black and dark all into one word, one riff like never before, in an endless series of smashed tables, exploded mixing desks and open mouths. A star was born. Self-made and crazed-out. The whole shebang got consolidated on a Shitkatapult album, cobbled together from the most important material of the aforementioned releases and one ingenious claim: T.Raumschmiere – The Great Rock N Roll Swindle (Shitkatapult, 2003). A pretty big whopper in the techno circus.
Freak-outs ensued. Daniel Miller had to have it and T.Raumschmiere got signed on Novamute, the club outlet from London’s Mute label, which was just about to swim towards the EMI shark, or rather whale belly. T.Raumschmiere was in the right place at the right time, a big label with towering fellows such as Luke Slater, Plastikman, Speedy J, Motor, Cristian Vogel and so on and so forth. T.Raumschmiere scored a mega hit with Monstertruckdriver (Novamute, 2003) and became a staple in the line-ups of all the essential clubs and festivals.
But by the time his second Novamute full-length Blitzkrieg Pop (Novamute, 2005) came around, he was already sick of it and presented a dumbfounded audience with a rock-primed album full of songs and riffs that carved out their niche somewhere between Nick Cave, Nine Inch Nails and Bohren, also relaunching T.Raumschmiere as an actual live band.
Quite honestly, many were disapointed with the new rock paradigm and the tattooed insolence. Where’s our Sawtooth Rave King? It led right to the demise of EMI, a logical consequence among others. T.Raumschmiere released two more full-lengths on Shitkatapult… the dramatically underrated ambient masterpiece Random Noize Sessions Vol.1 (Shitkatapult, 2006), and his most-accomplished rock album I Tank U (Shitkatapult, 2008). But the fans were still demanding the “Monstertruckdriver” and a T.Raumschmiere trio bravely battled its way through gigs and tours. The next 5 years happened off-road, outside of the mainstream. And the ever-cooperating Marco Haas focussed on his studio work, especially for others such as Dieter Meier of Yello fame, Andreas Dorau, Fraktus, Ofrin or Barbara Morgenstern. In doing so, he also devotes himself to the depth of the technology and its systems. And constantly reinvents himself in the process.
In 2016, Shitkatapult sub label “Albumlabel” presented a pretty big ambient album without a tilte, which Haas recorded together with friend and colleague Ben Lauber (also known as drummer for the T.Raumschmiere band, Dendemann, Olli Schulz or as orchestral arranger and hero of projects). Marco Haas on a mission! Two full-lengths emerge from his collab with Ulli Bomans aka Schieres under the Shrubbn!! monicker (Echos, Shitkatapult 2012, and Europa, Shitkatapult 2016), alongside remixes for Dave Gahan, Warren Suicide or Apparat (for which Shrubbn!! also played support slots in Europe). A series of concerts with the exceptional Jazz/Noise guitarist Caspar Brötzmann (a collaborative 10″ will be released in April 2017 via Shitkatapult) furthered T.Raumschmiere’s steady quest for uncharted terrain. And didn’t exhaust the artist, but rather exploited full potential.
May 2017 will see Cologne’s Kompakt releasing his new, epic solo album called Heimat. Back to the roots – but also into heaven! This new full-length presents another side of T.Raumschmiere, which was always present, but never got much airtime: the artist, the author – the composer with the crystal-clear sound. A wonderful techno album that neither excludes Ambient, nor gets reduced to a constant ass kicking. It’s perhaps the best recording from this man who asks so deeply, so extensively, so much. And at some point even answers.



Born in Bolzano (IT), JD ZAZIE is a DJ, avant-turntablist and sound artist based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.
Intended as music instruments CDjs, turntables and mixer are her tools to mix the specific sound-sources she plays (mostly electronic music, electroacoustic music, musique concrète, field recordings and improvised music).
The typology of the sound-sources varies from already existing audio publications and sound effects, to self recorded audio files – as live-set and field-recordings -, to selected pre-mixed material. Juxtaposition, decontextualization, fragmentation, repetition, sonic texture, scratch and error are elements of the grammar adopted to relate, organize and rearrange the sound material.
In her sound installations she explores everyday life, refers to urbanism and relates to sound atmosphere.
She is a member of the Italian label Burp Enterprise and co-runs Staalplaat Radio.
She has participated in numerous exhibitions and events including Simultan festival (RU), Berlin Atonal (DE), All Ears (NO), Heroines of Sound (DE), Reheat festival (AT), High Zero festival (US), Music Unlimited #27 (AT), Tuned City Bruxelles (BE), Open Provocation festival (UK), Festival Rue du Nord (CH), Audiograft 2012 (UK), Echtzeitmusiktage 2010 (DE), STEIM’s Turntable Night #7 (NL), Avantgarde Festival Schiphorst (DE).


Presentation:of Carlo Domenico Valyum „CRONOVISIONE ITALIANA“ Limited Edition Box Set hardback bound in cloth with hotstamp (2xLP/VHS/CD/Booklet).

Carlo Domenico Valyum „CRONOVISIONE ITALIANA“ (UNDOGMA2) is distributed by ready made Distribution, Audioglobe and on Bandcamp (release date February, 23rd, 2018).

Urban Spree
Revalerstrasse 99

Entrance: 10,- €


3rd Berlin Seafood Festival

The third edition of the Berlin Seafood Festival returns to Urban Spree on May 20th and 21st, 2017.

Held over 2 days and curated by Urban Spree, the Berlin Seafood Festival is a culinary meeting of raw & fresh seafood produce coupled with Berlin’s finest street seafood vendors.

Create your own plate of seafood, savor a grilled fish on demand, discover the wild oysters from the Nordsee shores, special mussels + fries in the original belgian tradition, and other natural delicacies paired with our selection of natural wines and german craft beer.

In addition to the fresh seafood market, the Berlin Seafood Festival invites a selection of top-notched Berlin street cuisine vendors who will create a culinary travel experience.

Vendors: to be announced soon

Free Entry!

Save the date!

FB Event

#berlinseafoodfestival #seafood #urbanspree #oysters

VF#2 Infant Sanchos // Bracco // LAS // Anthropic Collapse


Listen 🔪https://bit.ly/30CKxKu
Drum computers and synthesizers. Dull bass, unemployment screams, undemanding but effective tone sequences. From the bottom of the creative milieu, two Renegades, from Neukölln, from boredom.

BRACCO (Le Turc Mecanique, Paris)
Listen 🔪 https://bit.ly/2KY6yOc
Two guys, a rock and a noise madness power. Synthesizer, guitar, plus percussion instruments operated by both musicians. Repetitive, trance music, rightly reminding the reviewers of the achievements of the classics from Suicide. Dark post punk, industrial and noise in the vapors of acidic psychedelia. Strong, but also spatial and atmospheric.

Les Animaux Sauvages (Sofia, Bulgaria)
Listen 🔪 https://bit.ly/3431sb1
Les Animaux Sauvages are three louche artistic soulmates who came together in 2014 as one electro, minimal wave, post-punk entity. It feels like that 1960s hedonism that people rant on about as if it was the second coming of Christ; that level of debauchery that was somehow judged as being socially acceptable, intelligent and cultured. Sex, drugs, alcohol and rock and roll are there, but it’s remarkably relaxed and switched on towards creating, rather than self destruction.

Anthropic collapse is the perfect abyss to dive in, where colors slowly sink into darker shades, where the moment itself shows us the way to the bitter side. Every second, every instrument speaks its own language and fills the void, note after note.

Age Eternal, Dune Messiah

Instruments of Discipline, Third Coming Records & Premium Abundance present :

Age Eternal (DE) – Release party –

Age Eternal is the solo project of german musician and visual artist Lissa Benno. Since 2015, she has been diving into the subconscious to find her own musical language. With reverb-drenched guitars, hypnotic synths and ethereal vocals she creates a dreamy yet heavy haze. Her influences come from a wide variety of musical styles such as Ambient or Krautrock while she is also drawn to pop-music and mysticism.

„Wash Away“ is a meditation about change as an universal force that is both fulfilling and terrifying. „Before and throughout the writing of the record I saw myself confronted with significant alterations in my daily life, which I sometimes had a hard time dealing with“ says Lissa. The record bows down to that mighty ruthless force that is entrenched into everyone and everything that surrounds us and the potential that lies within it.

This LP is co-released by Third Coming Records (fr), Instruments Of Discipline (de), Premium Abundance (dk).

Dune Messiah (DK)

The man in black fled across the dessert, and the gunslinger followed. With those words, Stephen King begins his Magnum Opus, The Dark Tower. But the phrase might as well be a graphical, description of the neofolk band Dune Messiah.

Hailing from Copenhagen, the three-piece, which is architectured by Magnus Westergaard, shoots through its listener with visceral honesty. Dark, romantic and personal, the band bares itself completely, engulfing the listener in candid stories of love, loss and mysticism told with both finesse and violence.

Dune Messiah released their debut album, The Iron Oak, in March 2017. On the following tour in Europe and Denmark, the band supported American neofolk pioneer King Dude and Drab Majesty.

On stage, Dune Messiah is a blazing, intense experience. Inspired by all forms of art that deals in immuteability (from Leonard Cohen to Edgar Allan Poe and Federico Fellini), the band inescapably channels its demanding themes. It is both terrifying and beautiful to behold.

But no matter the wickedness displayed live, the monstrosities enforced by the instruments or the heartbreaking truths told through the lyrics, Dune Messiah’s raison d’être is to capture and project honesty. A concept that, like the man dressed in black, fleetingly runs ahead in this barren, truthless world.


The four creative souls in RA get their energy out of despair, loss, frustration and restlessness. They started out as a psychedelic rock quintet but after just one EP they sadly lost one of their members. The loss and their life in Malmö are shown in the, recently released mini documentary – RA – Malmö Mentality. The band didn’t dissolve, instead they canalized their friendship into what should become their debut album – Scandinavia. The album is a whirlwind of punk, feedback, haunting vocals, melodic guitar riffs and pounding bass. The album took the band out on the road and it gained a lot of attention around the world, placing them in some kind of Nordic Noir Post-punk file, together with iceage, Holograms, Lust For Youth etc. Other comparisons were made to Deafheaven, Bauhaus, and A Place to Bury Strangers, now that is gone.

Here we have the first release since the album, and the band has moved forward. This is a more electronic sound landscape, it is gloomy, it is staring, slower, melodic, almost romantic but equally intense. We find more members than the drummer and vocalist Simon, behind the microphone, more voices, less noise, contemplation. This is a band that never rests. All held together by producer Joakim Lindberg that has produced everything with the band up to date.

”We left our rough punk sound and tried to explore another feeling, a more romantic feeling. We gave ourself time to think and reflect and worked more with the song structures.”

DJ sets by Louis X Legris (Third Coming Records) & Luna Violenta (Instruments Of Discipline).

FB Event

Terms of use



The following General Terms and Conditions of Business shall be valid for the entire business relationship between Urban Spree GmbH (“Shop”) and the purchasing person (“Orderer”) regarding the online-shop under the domain of http://www.urbanspree.com (“the “Site”). Orderer acknowledges this said general terms and conditions shall be legally binding for the actual purchase and for all purchases in future. Amendments and/or modifications to these terms and conditions shall not be binding or effective until Shop’s written approval is made. Orderer voluntarily waives his right to use and/or to make effective its own general terms and conditions of business; same shall under no circumstance become subject to contract because of Shop’s silence and/ or delivery. Every correspondence and/ or shipping of goods shall made to and/or through the address in the Site’s imprint or to and/ or through the following E-Mail address: contact@urbanspree.com.


All offers on this internet site are not binding and are without commitment. They have to be understood as an invitation to Orderer to make an offer (so called invitation ad offerendum). In each case a valid contract shall only result and become effective by Shop’s written confirmation of the order through E-Mail, by mail or at the latest when  Shop performs the order. With regard to an ordered product which is not set out in the confirmation order, no sales contract shall be deemed to have been closed in this regard.


In the case that Orderer is a consumer (pursuant to § 13 BGB) it shall be entitled to withdraw from the contract. The right of withdrawal must be exercised in writing (E-Mail is sufficient) or by returning the item within 2 (two) weeks. In case that the value of ordered item is more than 100 (hundred) EUR, Shop will reimburse the costs of returning the item. There will be a separate information after each order on the conditions and procedures for exercising the right of withdrawal.
The right of withdrawal is excluded in agreements which deal with the delivery of goods, which as a result of their nature are not suited and/or suitable for return (i.e. e-books, downloads etc.); which deal with the delivery of newspapers and magazines ; which deal with the delivery of audio-only and/or audio-visual recordings and/or software, insofar as the wrapping and/or other protective covering of the applicable record and/or other applicable data carrier has been opened and/or otherwise disposed of; the immediately aforesaid shall also be applicable to any other goods or products to which audio-only and/or audio-visual recordings and/or software are added (i.e. included with such other goods), insofar as the wrapping and/or other protective covering of such other applicable goods and/or products shall have been opened and/or otherwise disposed of. which deal with the delivery of goods, which goods have been manufactured and/or made pursuant to the individual specifications of a client(s) (e.g. personal books);
which deal with special offers as duly mentioned on the order page and the special mention « sales are final » that may arise from time to time and duly mentioned on the order page.
Paragraph 312(d)(4) of the German Civil Code (“BGB”) is otherwise applicable.


The item will be delivered from Shop to the address which Orderer provided in his order if not agreed otherwise. Any information in connection with the period required for delivery is without guarantee unless Shop has expressly assured a certain date of delivery to Orderer.
In case that Shop’s contractor supplier does not supply Shop with the ordered item, Shop shall be entitled to withdraw from contract with Orderer. In this case, Shop will notify Orderer immediately that the ordered item is not available. Shop will reimburse any sums paid by the consumer to consumer immediately.
Shop shall be entitled to make reasonable partial deliveries of ordered items in particular but not limited to the case where some item can only be delivered by Shop at a later period of time.


All prices are quoted in EURO (€) including added value tax (VAT).
The amounts payable mentioned in the confirmation notice subject to paragraph § 2 is/ are due with the receipt of said confirmation.
Payment can only be made through credit card, paypal or giropay, an invoice purchase is not possible.
If Orderer defaults with payment, Shop is entitled to claim interest at a rate of 5 (five) per cent up to the base rate published by the European Central Bank (ECB) per anno. Shop shall however be entitled to claim higher damages caused by delay if same should be applicable.
If Orderer defaults with payment of an order Shop is entitled to withhold further orders. Shop will not be in default of delivery in such event. It is not necessary that Shop expressly exercises announces its said right to so withhold orders.


Shop is entitled to revoke contract in the event that given purchase price of an item is higher than Shop’s stated price because of wrong information by our contractor and that said contractor is not liable Shop for breach of contract.
Shop shall also be entitled to revoke contract in the event that the correct purchase price of an item is higher than Shop’s stated price as a result of a computer error and that the applicable software manufacturer  or the applicable software contractor is not liable for the incurred loss.
Shop’s right to void the contract as a result of an error remains unaffected.
In case of sub paragraph 1-3, Shop will inform Orderer immediately. Shop will also reimburse Orderer the paid purchased prices immediately.


Shop will package the item according to custom and usage, usually within 3 business days.
Shop is entitled to choose route and means of transport if not otherwise expressly agreed with Orderer. All our prices are inclusive of added value taxes (VAT 7% on books and 19% on other products).

Shipping costs are indicated before the order is placed.
Shipment inside Germany shall cost between € 3,90 and € 8,90 depending on the weight (up to 10kg) unless otherwise stated in the order page and must be duly approved by Orderer at the time of confirming its Order.
Shipment to other European Union countries shall cost between € 8,90 and € 22,00 depending on the weight (up to 10kg) unless otherwise stated in the order page and must be duly approved by Orderer at the time of confirming its Order.

Shipment to the Rest of the World shall cost between € 15,90 and a maximum of € 59,00 depending on the weight (up to 10kg) unless otherwise stated in the order page and must be duly approved by Orderer at the time of confirming its Order.


The risk of accidental loss, destruction or deterioration passes to Orderer at the beginning of the shipment and at the latest by transfer to carrier. This also applies for partial deliveries.
Orderer must notify Shop if the delivery is fake or defective: If Orderer fails to do so it shall bear the risk of accidental loss, destruction or deterioration for the returning of the item.


The product delivered remains our property (reserved product) until full payment of all (including future) claims resulting from our contractual relationship with the Orderer; included in these claims are also conditional as well as claims which have been included by us in a current account (in German “Kontokorrent” pursuant to paragraph 355 of the German Commercial Code “HGB”). Extended reservation of title (verlängerter Eigentumsvorbehalt) is hereby granted to us so that any and all claims resulting from a resale are hereby transferred to us in the amount required to cover our own claim.
Insurance and/or damage claims which the Orderer has in connection with loss or damage to the reserved product are hereby assigned to Shop in full.
In the event that the Orderer should be in default of payment, it is obliged, upon Shop’s and/or its affilitiates demand, to allow us to repossess the reserved product still in Orderer’s possession, to provide Shop with a detailed list of the said product(s), to isolate the applicable product(s) and to return/transfer same to us.


The item will be delivered with the characteristics and quality which are customary for manufacturer at the time of delivery, if this is reasonable for Orderer in consideration of Shop’s interests.
A certain qualities shall only deemed to be assured if Shop and Orderer agrees same in writing.
Shop is not liable if any delivered item which might infringe foreign copyrights or other foreign industrial property rights of third parties.
Orderer is obliged to check the delivered item after receipt to verify if same is free from faults. Orderer is obliged to notify Shop in writing within 7 (seven) working days after receipt of the item if the item is apparently faulty. This written notice must contain the exact description of the default and the order number. To proof that notification shall have been sent in due time shall be the date of postmark or any other provable date specification.
The commercial requirement to notify defects pursuant to paragraph §§ 377, 378 of the German Commercial Code “HGB”) remains unaffected.
In case that a purchased item is faulty, Orderer shall be entitled to ask for supplementary/ complementary performance. If this supplementary/ complementary performance also fails, Orderer shall then be entitled to revoke the contract or claim damages. Diminution shall be excluded.
Any further claims of Orderer shall be excluded if not otherwise mentioned below. Shop is therefore not liable for damage to other things than the applicable item, including but not limited to lost of profit or other financial  losses Orderer might have.
This limitation of liability shall apply also for our employees, representatives and any person employed by Shop in the performance its obligations.
Notwithstanding the foregoing, this limitation shall not be applicable in case that the damage was caused by Shop or its employees, representatives or persons employed by Shop in performance of its obligations by an act of gross negligence or with intent. This limitations furthermore shall not be applicable for claims resulting from the German Product Liability Law “Produkthaftungsgesetz”.
In case that Shop negligently breaches a duty which  is essential for the contract the replacement liability of Shop for property damage shall be limited to losses which typically results from such damage.


Orderer can only enforce a right of retention if it results from the same contractual relationship. Orderer is only entitled to set off if the counter demand if accepted by Shop or if it has been recognized by declaratory judgement.
If Orderer is a merchant pursuant to §§ 1 ff. of the German Commercial Code “HGB” any right of retention shall be excluded.


This agreement shall be construed under the laws of Germany applicable to agreements to be performed therein. The terms and conditions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) shall not be applicable.


If any part of this conditions of use shall violate applicable laws and/or treaties or shall be declared invalid or unenforceable by a court of competent jurisdiction, then the balance of this conditions of use shall not be affected and parties hereto shall thereupon enter into good faith negotiations to appropriately replace the hereof through a provision which is the closest and in the spirit of the purpose of the present contract.


For all rights and duties resulting of this business relationship our residence shall be place of performance.
If Orderer is a merchant pursuing to §§ 1 ff. of the German Commercial Code “HGB”, the courts of our residence shall have jurisdiction over any controversies arising of the business relationship. Shop`s right to raise any claim against a merchant at any different venue shall remain unaffected.
Shop is entitled to raise any claim at its residence against Orderer who is not merchant according to §§ 1 ff. of the German Commercial Code “HGB”, if Orderer does not have a general venue in the Federal Republic of Germany, or if it changes residence after conclusion of contract. Shop is entitled to raise any claim at its residence against Orderer who is not merchant according to §§ 1 ff. of the German Commercial Code “HGB” if the residence of Orderer is unknown at the time of first taking the claim judicially.


Please find information about the type, amount and purpose of the storage, usage and handling of personal data necessary for the purchasing process in Shop’s Privacy Policy.