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2019 Edition of the Berlin Seafood Festival on 25th and 26th May

The 2019 Edition of the Berlin Seafood Festival returns to Urban Spree on May 25th and 26th, 2018.

Curated by Urban Spree, the Berlin Seafood Festival is a culinary meeting of raw & fresh seafood produce coupled with Berlin’s finest street seafood vendors.

Create your own plate of street seafood, savor a grilled fish on demand, discover oysters from the French West shores, special mussels dishes, chilean ceviches, a Mediterranean twist, and other natural delicacies paired with our selection of natural wines and german craft beer.

The Berlin Seafood Festival invites a selection of top-notched Berlin street cuisine vendors who will create a culinary travel experience.

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Urban Spree Biergarten

RAW Gelände, Friedrichshain

Saturday 25.05 + Sunday 26.05

12:00-22:00

Free Entry

 



Cronovisione Italiana

Undogmatisch,
presents the new release „Cronovisione Italiana“ by Carlo Domenico Valyum.

CRONOVISIONE ITALIANA’s concept is a space-time journey by the researcher, experimenter, inventor, Carlo Domenico Valyum, through the TV media since its invention. Graduated in engineering and born in Turin at the end of the nineteenth century.
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_ CARLO DOMENICO VALYUM _ A/V live (Undogmatisch)

_ T.RAUMSCHMIERE _ Ambient Set live (Shitkatapult/Kompakt)

_ JD ZAZIE _ dj set (Burp Enterprise)
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CARLO DOMENICO VALYUM

…“After years of constant work on the development of his machines in February of ’37, Carlo Domenico manages to intercept anomalous audio/video electromagnetic waves. This important finding will be all that remains as a real testimony to his enormous work as a researcher and inventor. No other documents or inventions, to provide evidence of Carlo Domenico’s realisations, have so far come to light; including his much sought after secret diary and personal notes
Since 1939, news of him has become evermore a mystery. Some documents testify to his presence in various places at the same time, creating a sometimes confused map with many question marks but confirming his ability of physical and temporal bilocation,
At the end of August 2014, in Berlin, the existence of the briefcase containing the material intercepted in 1937, recorded on to VHS in the 70s, is casually discovered. And what is immediately clear is that Carlo Domenico Valyum in February 1937 had intercepted and further recorded electromagnetic waves coming from future Italian television broadcasts over a period of time between 1976 up until December 9, 1989, the day before his alleged death.
To date, all the documents are filed together along with the analogue copy under the title Dossier Carlo Domenico Valyum“.

https://soundcloud.com/user-789185925
https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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T.RAUMSCHMIERE

Marco Haas started his musical career as an inventor.
First, he invented a framework, and then himself. Initially, the record company founded by him and Marcus Stolz in Heidelberg served as a mere vehicle for the recordings of his band “Stormbow”. It was the year 1997 and “Stormbow” was an eminently talented band with Marco Haas on drums – one of several eminently talented bands, however, to be found in Baden-Württemberg, the Palatinate, the Ruhr region. Unique, on the other hand, was that newly minted vehicle called “Shitkatapult”.
In 1998, Marco Haas relocated his life and label operations to Berlin – and to the world of electronic music, which he took into his dark heart and as an opportunity to rename himself after characters of a William S. Burroughs story: the Dreamcops, translated into 50’s German as “Traumschmiere” and marked for a new tomorrow by a smartly placed period. T.Raumschmiere was born, and a bold new chapter of electronic music from Berlin was being written. His first full-length releases on Shitkatapult were dedicated to the darkly charged traces of an electronic music that combined bass drum and ambient, snottiness and greatness: Stromschleifen (Shitkatapult, 2000), Zartbitter (Shitkatapult 2002). At the same time, some 12″es were spotted on Cologne’s Kompakt imprint: Boltzplatz (Kompakt 2000), Musick (Kompakt 2001). The latter were big rave news with a terrific sawtooth confidence, an iconized rock masculinity that didn’t only go all jolly and funny, but also big and serious.
On Kompakt, the real shit always pointed more towards Wolfgang Voigt, to the realm of inventions. In 2002, Marco Haas as T.Raumschmiere topped off this era with a milestone ambient double album on the it-label at the time, Chicago’s Hefty, rated artistically worthwhile and endowed with yet another clearcut name from the treasure chest of awesome inventions: Anti (Hefty 2002). Worldwide tours followed quickly.
And it’s precisely here that the next stunner drops: the man, not a studio nerd (although he is), but first and foremost an event beyond compare, a performer extraordinaire who puts rave and techno, rock and roll, live and crass and black and dark all into one word, one riff like never before, in an endless series of smashed tables, exploded mixing desks and open mouths. A star was born. Self-made and crazed-out. The whole shebang got consolidated on a Shitkatapult album, cobbled together from the most important material of the aforementioned releases and one ingenious claim: T.Raumschmiere – The Great Rock N Roll Swindle (Shitkatapult, 2003). A pretty big whopper in the techno circus.
Freak-outs ensued. Daniel Miller had to have it and T.Raumschmiere got signed on Novamute, the club outlet from London’s Mute label, which was just about to swim towards the EMI shark, or rather whale belly. T.Raumschmiere was in the right place at the right time, a big label with towering fellows such as Luke Slater, Plastikman, Speedy J, Motor, Cristian Vogel and so on and so forth. T.Raumschmiere scored a mega hit with Monstertruckdriver (Novamute, 2003) and became a staple in the line-ups of all the essential clubs and festivals.
But by the time his second Novamute full-length Blitzkrieg Pop (Novamute, 2005) came around, he was already sick of it and presented a dumbfounded audience with a rock-primed album full of songs and riffs that carved out their niche somewhere between Nick Cave, Nine Inch Nails and Bohren, also relaunching T.Raumschmiere as an actual live band.
Quite honestly, many were disapointed with the new rock paradigm and the tattooed insolence. Where’s our Sawtooth Rave King? It led right to the demise of EMI, a logical consequence among others. T.Raumschmiere released two more full-lengths on Shitkatapult… the dramatically underrated ambient masterpiece Random Noize Sessions Vol.1 (Shitkatapult, 2006), and his most-accomplished rock album I Tank U (Shitkatapult, 2008). But the fans were still demanding the “Monstertruckdriver” and a T.Raumschmiere trio bravely battled its way through gigs and tours. The next 5 years happened off-road, outside of the mainstream. And the ever-cooperating Marco Haas focussed on his studio work, especially for others such as Dieter Meier of Yello fame, Andreas Dorau, Fraktus, Ofrin or Barbara Morgenstern. In doing so, he also devotes himself to the depth of the technology and its systems. And constantly reinvents himself in the process.
In 2016, Shitkatapult sub label “Albumlabel” presented a pretty big ambient album without a tilte, which Haas recorded together with friend and colleague Ben Lauber (also known as drummer for the T.Raumschmiere band, Dendemann, Olli Schulz or as orchestral arranger and hero of projects). Marco Haas on a mission! Two full-lengths emerge from his collab with Ulli Bomans aka Schieres under the Shrubbn!! monicker (Echos, Shitkatapult 2012, and Europa, Shitkatapult 2016), alongside remixes for Dave Gahan, Warren Suicide or Apparat (for which Shrubbn!! also played support slots in Europe). A series of concerts with the exceptional Jazz/Noise guitarist Caspar Brötzmann (a collaborative 10″ will be released in April 2017 via Shitkatapult) furthered T.Raumschmiere’s steady quest for uncharted terrain. And didn’t exhaust the artist, but rather exploited full potential.
May 2017 will see Cologne’s Kompakt releasing his new, epic solo album called Heimat. Back to the roots – but also into heaven! This new full-length presents another side of T.Raumschmiere, which was always present, but never got much airtime: the artist, the author – the composer with the crystal-clear sound. A wonderful techno album that neither excludes Ambient, nor gets reduced to a constant ass kicking. It’s perhaps the best recording from this man who asks so deeply, so extensively, so much. And at some point even answers.

http://www.raumschmiere.com/
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JD ZAZIE

Born in Bolzano (IT), JD ZAZIE is a DJ, avant-turntablist and sound artist based in Berlin. Coming from a DJ and a radiophonic background JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.
Intended as music instruments CDjs, turntables and mixer are her tools to mix the specific sound-sources she plays (mostly electronic music, electroacoustic music, musique concrète, field recordings and improvised music).
The typology of the sound-sources varies from already existing audio publications and sound effects, to self recorded audio files – as live-set and field-recordings -, to selected pre-mixed material. Juxtaposition, decontextualization, fragmentation, repetition, sonic texture, scratch and error are elements of the grammar adopted to relate, organize and rearrange the sound material.
In her sound installations she explores everyday life, refers to urbanism and relates to sound atmosphere.
She is a member of the Italian label Burp Enterprise and co-runs Staalplaat Radio.
She has participated in numerous exhibitions and events including Simultan festival (RU), Berlin Atonal (DE), All Ears (NO), Heroines of Sound (DE), Reheat festival (AT), High Zero festival (US), Music Unlimited #27 (AT), Tuned City Bruxelles (BE), Open Provocation festival (UK), Festival Rue du Nord (CH), Audiograft 2012 (UK), Echtzeitmusiktage 2010 (DE), STEIM’s Turntable Night #7 (NL), Avantgarde Festival Schiphorst (DE).

jdzazie.tumblr.com
www.burpenterprise.com/burp/units/jd-zazie/
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Presentation:of Carlo Domenico Valyum „CRONOVISIONE ITALIANA“ Limited Edition Box Set hardback bound in cloth with hotstamp (2xLP/VHS/CD/Booklet).

Carlo Domenico Valyum „CRONOVISIONE ITALIANA“ (UNDOGMA2) is distributed by ready made Distribution, Audioglobe and on Bandcamp (release date February, 23rd, 2018).
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Urban Spree
Revalerstrasse 99
Berlin

Entrance: 10,- €
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https://carlodomenicovalyum.bandcamp.com/album/cronovisione-italiana
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3rd Berlin Seafood Festival

The third edition of the Berlin Seafood Festival returns to Urban Spree on May 20th and 21st, 2017.

Held over 2 days and curated by Urban Spree, the Berlin Seafood Festival is a culinary meeting of raw & fresh seafood produce coupled with Berlin’s finest street seafood vendors.

Create your own plate of seafood, savor a grilled fish on demand, discover the wild oysters from the Nordsee shores, special mussels + fries in the original belgian tradition, and other natural delicacies paired with our selection of natural wines and german craft beer.

In addition to the fresh seafood market, the Berlin Seafood Festival invites a selection of top-notched Berlin street cuisine vendors who will create a culinary travel experience.

Vendors: to be announced soon

Free Entry!

Save the date!

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#berlinseafoodfestival #seafood #urbanspree #oysters



Age Eternal, Dune Messiah

Instruments of Discipline, Third Coming Records & Premium Abundance present :

Age Eternal (DE) – Release party –
https://ageeternal.bandcamp.com/

Age Eternal is the solo project of german musician and visual artist Lissa Benno. Since 2015, she has been diving into the subconscious to find her own musical language. With reverb-drenched guitars, hypnotic synths and ethereal vocals she creates a dreamy yet heavy haze. Her influences come from a wide variety of musical styles such as Ambient or Krautrock while she is also drawn to pop-music and mysticism.

„Wash Away“ is a meditation about change as an universal force that is both fulfilling and terrifying. „Before and throughout the writing of the record I saw myself confronted with significant alterations in my daily life, which I sometimes had a hard time dealing with“ says Lissa. The record bows down to that mighty ruthless force that is entrenched into everyone and everything that surrounds us and the potential that lies within it.

This LP is co-released by Third Coming Records (fr), Instruments Of Discipline (de), Premium Abundance (dk).

Dune Messiah (DK)
https://dunemessiah.bandcamp.com/

The man in black fled across the dessert, and the gunslinger followed. With those words, Stephen King begins his Magnum Opus, The Dark Tower. But the phrase might as well be a graphical, description of the neofolk band Dune Messiah.

Hailing from Copenhagen, the three-piece, which is architectured by Magnus Westergaard, shoots through its listener with visceral honesty. Dark, romantic and personal, the band bares itself completely, engulfing the listener in candid stories of love, loss and mysticism told with both finesse and violence.

Dune Messiah released their debut album, The Iron Oak, in March 2017. On the following tour in Europe and Denmark, the band supported American neofolk pioneer King Dude and Drab Majesty.

On stage, Dune Messiah is a blazing, intense experience. Inspired by all forms of art that deals in immuteability (from Leonard Cohen to Edgar Allan Poe and Federico Fellini), the band inescapably channels its demanding themes. It is both terrifying and beautiful to behold.

But no matter the wickedness displayed live, the monstrosities enforced by the instruments or the heartbreaking truths told through the lyrics, Dune Messiah’s raison d’être is to capture and project honesty. A concept that, like the man dressed in black, fleetingly runs ahead in this barren, truthless world.

RA (SE)
https://ramalmo.bandcamp.com/

The four creative souls in RA get their energy out of despair, loss, frustration and restlessness. They started out as a psychedelic rock quintet but after just one EP they sadly lost one of their members. The loss and their life in Malmö are shown in the, recently released mini documentary – RA – Malmö Mentality. The band didn’t dissolve, instead they canalized their friendship into what should become their debut album – Scandinavia. The album is a whirlwind of punk, feedback, haunting vocals, melodic guitar riffs and pounding bass. The album took the band out on the road and it gained a lot of attention around the world, placing them in some kind of Nordic Noir Post-punk file, together with iceage, Holograms, Lust For Youth etc. Other comparisons were made to Deafheaven, Bauhaus, and A Place to Bury Strangers, now that is gone.

Here we have the first release since the album, and the band has moved forward. This is a more electronic sound landscape, it is gloomy, it is staring, slower, melodic, almost romantic but equally intense. We find more members than the drummer and vocalist Simon, behind the microphone, more voices, less noise, contemplation. This is a band that never rests. All held together by producer Joakim Lindberg that has produced everything with the band up to date.

”We left our rough punk sound and tried to explore another feeling, a more romantic feeling. We gave ourself time to think and reflect and worked more with the song structures.”

DJ sets by Louis X Legris (Third Coming Records) & Luna Violenta (Instruments Of Discipline).

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