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Hexvessel

 

Direct Booking, Doomstar Bookings & ASK HELMUT present:

Hexvessel is the sound of nature; the sound of prog fusing with folk in a unique and mesmerizing dance through the primeval European forests. On February 15th 2019 their new album “All Tree” is released through Century Media and Prophecy (US), and this will be celebrated with concerts through Europe. The album is already creating a buzz among those who have heard it, so be sure to come out and witness Hexvessel’s live music ritual on stage.

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The 10 Best Street Art Books of 2018

Berlin-based specialized bookshop and gallery Urban Spree releases the list of the “10 Best Street Art Books of 2018“, a compilation of this year’s best titles. Although purely subjective, it reflects several trends playing in the book market:

 

– a renewed focus on the works of the pioneers of the 1960-70s through an academic approach;

– an increase in artist monographs which put more emphasis on their studio works;

– we have entered the era of “post-graffiti”

– but vandal graffiti and underground street art resist well the assimilation;

 

The list of the best publications of 2018 comes in no particular order.

 

1° John Divola: Vandalism

One of the most striking books of the year, “Vandalism” singles out itself by the sobriety of its approach.It consists of a black-and-white photographic series shot over 2 years in the mid-70s by the American photographer John Divola. Divola travelled across L.A. in search of vacant and dilapidated properties in which to shoot his project. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic series, painting abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, torn arrangements of cardboard, and photographing it.

Vandalism” is not per se a “street art book” but rather a photobook crossing over both genres. The best example of a crossover book would be Bruce Davidson’s “Subway“, a series of portraits shot on the gritty NYC subway in the 70s where graffiti abounds but is only a sub-context, not the main topic (unlike Martha Cooper and Henry Chalfant’s vernacular documentary photographic oeuvre whose main purpose is to specifically document graffiti).

 

Published by MACK Books, UK, in April 2018

Embossed paper-bound hardback

120 pages, 23.5 cm x 23.5 cm

Buy it here

 

2° Rafael Schacter: Street to Studio

“These are artists who are thus not slavishly reproducing their exterior practice within an interior realm but who are, rather, taking the essence of graffiti – its visual principles, its spatial structures, its technical methods, its entrenched ethics – and reinterpreting them with the studio domain,”writes Rafael Schacter in his introduction of his book Street to Studio.

We have entered the post-graffiti era. At a time where the graphic codes of street art are permeating most spheres of culture and entertainment, street artists have simultaneously enjoyed the favor of galleries and collectors and therefore have strongly developed their studio practice, when it was not in their ADN since the begining. What comes out is a blended space, where the artist works on both surfaces, the wall and the canvas, oscillating between different scales, the large and the intimate. Is this becoming a new paradigm in the art world?

The book introduces the concept of  ‘Intermural Art’ – art in-between the walls – to reflect that transition and has the merit of putting the emphasis on more conceptual players in the game (Brad Downey, Ian Strange, Boris Tellegen…) rather than usual suspects.

 

Published by Lund Humphries in July 2018

Edited by Rafael Schacter with a foreword by Carlo McCormick

Hardcover, 218 colour illustrations

224 Pages, 27 × 24,9 cm

Buy it here

 

3° David Wojnarowicz: History Keeps Me Awake At Night

Beginning in the late 1970s, the American artist David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, and activism. Largely self-taught, he came to prominence in New York in the 1980s, a period marked by creative energy, financial precariousness, and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, and neo-expressionist painting—made New York a laboratory for innovation. Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures, he varied his repertoire to better infiltrate the prevailing culture.

Wojnarowicz’s work documents and illuminates a desperate period of American history: that of the AIDS crisis and culture wars of the late 1980s and early 1990s. But his rightful place is also among the raging and haunting iconoclastic voices, from Walt Whitman to William S. Burroughs, who explore American myths, their perpetuation, their repercussions, and their violence. Wojnarowicz, who was thirty-seven when he died from AIDS-related complications, wrote: “To make the private into something public is an action that has terrific ramifications.”

 

Published by Yale University Press in July 2018

Hardcover, 384 pages

160 color + 100 b/w illustrations

Buy it here

 

4° BLU: Minima Muralia

Italian street artist BLU is one of the few street artists refusing to compromise with the art market, unwilling to translate his brillant art onto canvas, staying true to the origins of the movement – an underground, non-monetized, ephemeral, illegal & outdoor art practice for which the context and the meaning are the most important elements.

While Banksy excels in subverting the codes of the art world, BLU refuses them and strikes back, erasing the murals he painted to fight their monetization (Bologna, Berlin).

Minima Muralia” presents each mural painted by the artist during the last 15 years, more than 200 walls.

 

 

Published by Zooo Press in March 2018

288 full color pages

17×24 cm, lay flat swiss binding

Buy it here

 

5° One Week With 1UP

Which brings us to the last frontier within the realm of the urban arts: graffiti. “One Week with 1UP” is the second published book by and about the legendary Berlin-based vandal graffiti crew 1UP.  This time, the Kreuzberg crew embarks NYC-based legendary documentary photographer Martha Cooper and Berlin-based photographer Ninja K. in a series of underground actions, through tunnels, rooftops, featuring high pressure fire extinguisher tags, roll-downs, roll-ups, street bombings, whole cars and backjumps in a first-hand account.

1UP is the ultimate modern graffiti crew in the 21st century: large, everywhere, powerful, fearless, defiant, invisible.

 

Self-Published, Berlin, 2018

A project by Martha Cooper, Ninja K. and 1UP

English/German, 144 pages, 31 x 22 cm

Buy it here

 

6° Klone: “Few Moments Ago I Was Here”

Klone is an Ukrianian-born, Tel-Aviv based street artist, a pioneer of graffiti in Israel and a visual artist who was the first to exhibit at Urban Spree and one of the reasons why we did the space in the first place. I stumbled upon his fist published book – “Don’t Sleep”– in 2011 and was so moved by its personal content, poetry, freedom, that I wanted to meet the man and work with him.

8 years later comes Few Moments Ago I Was Here“,  looking over those past 8 years of exhibitions, mural projects, installation, and animations.

“Few Moments Ago I Was Here” is an artist book. By this, we mean a book which is mainly thought, designed, created and published by the artist himself. We always try to get as many self-published and artist books in the bookshop because they are precious and unconventional. Of course they are difficult to source, as we can get our hands only on a small stock, they sell out fast and we need to replace them but we can’t get enough of them.

 

Self-Published, Tel Aviv, November 2018 (Hell No Publication)

Limited edition of 500 copies.

Softcover. Full colour offset print on Munken lynx paper.

Buy it here

 

7° Ian Strange: Islands 2015-2017

Continuing on the self-publication mood and echoing John Divola, the Australian artist Ian Strange  publishes “Islands 2015-2017”, a photographic monograph documenting his interventions on American suburban homes, in the wake of Gordon Matta-Clark or David Wojnarowicz.

Through photography, sculpture, research, found artefacts and drawings, “Island” reflects on the home through the metaphor of the desert island, a place of personal sovereignty but simultaneously entrapment. “Island” interplays the monumental with the intimate and intangible. Exploring the icon of the home as a deeply vulnerable object and personal vessel for memory, identity and aspiration.

 

Self-published

Limited edition of 400 hand numbered and signed books with a concertina print

25 x 34 cm

Buy it here

 

8° Jan Kalab: Point of Space

“Point of Space” is the first published monograph of the Czech graffiti and visual artist Jan Kaláb, covering 25 years of his urban and studio creations, through multiple art forms (paintings, 3D graffiti, bombings, sculptures, installations).

Jan Kaláb started as a pure graffiti writer and achieved fame under the monikers “CAKES” and “POINT”. From there, his practice evolved to murals and studio works, sculptures and canvases and this evolution, patiently documented, is fascinating to follow.

The book was edited by the artist himself with texts by the czech art critic Petr Volf.

 

 

Published by Trafacka/Trafo Gallery Prague, in November 2018

320 pages

Hard Cover, 25 cm x 32,5 cm

Texts by Petr Volf and book design by Jan Novák

Buy it here

 

9° Swet: Book of the Year

 

One of the last published books of 2018, “Book of the Year” is a comprehensive monograph encompassing 1 year of walls by the danish graffiti writer SWET.

A graffiti “tour de force”, all the walls depicted in the book were painted in 2017 and amount to over 300 wall pieces, almost one per day, all of them documented in the book, including some sketches.

The book is bound with a piece of a canvas specially painted by SWET for this project and each book has a different binding, which also highlights the precise work of the dutch artisan publishing house Chemistry Publishing.

 

 

Published in November 2018 by Chemistry Publishing

First Edition of 500

240 pages printed on Munken Crystal Rough

Cover embossed with green linen, 24 x 28,5 cm

Buy it here

 

10° Russian Urban Art: History and Conflict

Street art books are usually more about photographs and visual documentation than text. Few history books actually exist on the graffiti and street art movements, let alone about a peripheral movement such as street art in Russia.

It is therefore the merit of the Russian artist and curator Igor Ponosov to examine the power of street art in Russia by exploring its historical background, extending from the avant-garde movements of the early 20th century, to the non-conformists and the actionists of the 21st century.

 

 

Self-Published, Moscow, June 2018

Edition of 500

Hardcover, 20 x 15 cm, 96 pages, English

Buy it here

 



Upcoming solo show: Futura “The 5 Elements”

Urban Spree Galerie and Art-Together are proud to announce “Futura: The 5 Elements”, a solo exhibition of new works by Lenny McGurr, a.k.a. Futura 2000.

The Opening Reception will be held in Berlin on Friday January 11th, 2019, in presence of the artist, at Urban Spree Galerie.

The exhibition is one of the largest solo exhibitions of Futura to date with more than 60 original paintings on display.

 

“The 5 Elements” is not a retrospective show. On the contrary, Futura worked specifically on a large museum-style conceptual exhibition, tackling the ambitious theme of the Creation of the Universe, confronting himself to the cosmos, the planets, the infinitely small, the Big Bang and the fundamental elements, producing a corpus of works that becomes a path to the exploration of the universe as well as providing a backdoor into Futura’s internal galaxy.

The works have been produced in early 2018 in Lille, France, during a  residency organized by Art-Together, a newly launched ambitious platform for the development of urban contemporary arts.

A set of 4 silk screen prints are being released on the Opening Night. The set is based on the painting series “Pure”. Each 8-color screen print is hand-pulled by Dolly Demoratti (Mother Drucker/Urban Spree Studio), signed and numbered by Futura. The 50 x 50 cm prints are only sold as a limited edition of 100 sets.

A 128-page companion book titled “Futura, les 5 éléments”, will also be released in Berlin on the Opening Night and will be signed by the artist. More than an exhibition catalogue, the book intends to share the creative path of the residency and provides scientific guidance to the series of paintings.

 

About the artist:

Futura is an American visual artist, born Lenny McGurr in NYC in 1955. He is recognized as one of the first modern-era graffiti writers, and the pioneer of the abstract graffiti genre. Passionate about science fiction, he chose his moniker “Futura 2000” when he started graffiti at 15 in reference to Stanley Kubrick’s movie “2001 – A Space Odyssey”.

He started painting the NYC subways in the 1970s and was the first writer to paint a whole car in the abstract graffiti style which became his signature. He was part of the famed exhibition “New York/New Wave” in 1981 at the P.S.1 (Institute for Art and Urban Resources, Inc.) together with Basquiat (a.k.a. SAMO), Haring, Blade, Crash, Quik, Dondi and Kenny Scharf. Futura has often collaborated with music labels and bands  (The Clash, Unkle) and is quite active in streetwear (collaborations with Nike, Supreme, Converse, Bape, Stussy…), toys (Medicom), and also though his own brand, Futura Laboratories. He had numerous solo and group exhibitions and is widely collected.

 

 

Futura: The 5 Elements

11.01.2019 – 24.02.2019

Opening Reception: Friday, January 11th, 2019 from 18:00 in presence of the artist

Opening Hours: Tu-Sa 12:00-19:00 // Su: 12:00-18:00

Urban Spree Galerie

Revaler Str. 99

D-10245 Berlin

Info & Catalogue: pascal@urbanspree.com



Futura: The 5 Elements

Urban Spree Galerie and Art-Together present: “Futura: The 5 Elements”, a solo exhibition of new works by Lenny McGurr, a.k.a. Futura 2000.

The Opening Reception will be in Berlin on Friday January 11th, 2019, in presence of the artist.

The exhibition is one of the largest solo exhibitions of Futura to date with more than 60 original paintings on display.

 

“The 5 Elements” is not a retrospective show. On the contrary, Futura worked specifically on a large museum-style conceptual exhibition, tackling the ambitious theme of the Creation of the Universe, confronting himself to the cosmos, the planets, the infinitely small, the Big Bang and the fundamental elements, producing a corpus of works that becomes a personal path to the exploration of the universe and of course of Futura’s internal galaxy.

The works are displayed starting by the Big Bang, going through the birth of the solar system and to our perception of the 4 elements.

 

The works have been produced in early 2018 in Lille, France, during a  residency organized by Art-Together, a newly launched ambitious platform for the development of urban contemporary arts.

A set of 4 exclusive silk screen prints are being released on the Opening Night. The set is based on the painting series “Pure”. Each 8-color screen print is hand-pulled by Dolly Demoratti (Mother Drucker/Urban Spree Studio), signed and numbered by Futura. The 50 x 50 cm prints are only sold as a limited edition of 100 sets.

A 128-page companion book titled “Futura, les 5 éléments”, will also be released in Berlin on the Opening Night and will be signed by the artist. More than an exhibition catalogue, the book intends to share the creative path of the residency and provides scientific explanation to the series of paintings.

 

 

About the artist:

Futura is an American visual artist, born Lenny McGurr in NYC in 1955. He is recognized as one of the first modern-era graffiti writers, and the pioneer of the abstract graffiti genre. Passionate about science fiction, he chose his moniker “Futura 2000” when he started graffiti at 15 in reference to Stanley Kubrick’s movie “2001 – A Space Odyssey”.

He started painting the NYC subways in the early 1970s and was the first writer to paint a whole car in the abstract graffiti style which became his signature. He was part of the famed exhibition “New York/New Wave” in 1981 at the P.S.1 (Institute for Art and Urban Resources, Inc.) together with Basquiat (a.k.a. SAMO), Haring, Crash, Quick, Dondi and Kenny Scharf. He had numerous solo and group exhibitions and is also actively involved in street wear and fashion.

 

Futura: The 5 Elements

11.01.2019 – 24.02.2019

Opening Reception: Friday, January 11th, 2019 from 18:00 in presence of the artist

Opening Hours: Tu-Sa 12:00-19:00 // Su: 12:00-18:00

Free Entry

Urban Spree Galerie

Revaler Str. 99

D-10245 Berlin

Info & Catalogue: pascal@urbanspree.com



Bisco Smith x Urban Spree: 2 new t-shirts and hoodies announced

Bisco Smith designs 2 exclusive t-shirts and hoodies for Urban Spree.

Following his Residency in Berlin earlier this year, the Brooklyn-based calligraffiti artist adds his signature handstyle to our Artist Series.

The series is limited to a run of 50 hoodies and 50 t-shirts only.

They are manually screen printed in-house at Urban Spree in Berlin.

The back motive reads “Urban Spree” in a complex, free flow handstyle which is the trademark of the American artist, while the front medallion represents a simplified version of the motive – also called “throw-up”. The black hoodies and t-shirts are printed with a gunpowder shimmering water-based grey ink.

The Urban Spree Artist Series is a limited edition of screen printed calligraphic t-shirts and hoodies in collaboration with graffiti and visual artists.

The series will be available on our website on Thursday, November 29th at 12:00 (noon) NYC time and 18:00 in Berlin.

 



Dark Buddha Rising + Fuoco Fatuo

Dark Buddha Rising exhales psychedelic black fumes from a parallel dimension. Drones of malevolent waves number the days until total blackness take over.

“As the dust of centuries has settled on pages unwritten, the gates are opened only within.”

This Finnish coven has been spreading aural deformities for over a decade. A new album will soon see the day of light on Neurot Records before the year 2018 comes to an end. Accompanying them along the journey in support of this malevolent artefact is the italian funeral doom/death quartet FUOCO FATUO, who released their second album on Profound Lore Records in 2017.

FUOCO FATUO was born in 2011, in the middle of the ghastly lakes of Varese, Italy. Starting out as an occult and oppressive death/doom band with an eerie and gloomy atmosphere, their debut LP “The Viper Slithers In The Ashes Of What Remains”, which followed several EPs, was an exploration of the darkest and most desolate spaces through a sickened development of sound, making it like a flood of impenetrable black magma.

Their new album “Backwater” is a massive and suffocating funeral doom opus, the distressing awareness of the nothingness, transcending in the oblivion, and feeding on the black void. The relationship between state of mind and nature, the desolation and vast sense of distance are the main themes. An introspective, mournful journey, deeply rooted into the unknown.

https://darkbuddharising.bandcamp.com/
https://fuocofatuo.bandcamp.com/

Tickets available directly through us: https://wolfcityberlin.bigcartel.com/product/dark-buddha-rising-fuoco-fatuo-urban-spree-23-11-2018
or at KOKA36: https://www.koka36.de/event_site.php?event=105305