We found – 14 articles for Point+of+Space

Jan Kaláb: « Point of Space » – Berlin Book Release & Signing

Urban Spree and Jan Kaláb invite you at Urban Spree Galerie next Saturday 24.11 at 18:00 for the Berlin release of the much-awaited first published monograph of the influential Czech post-graffiti artist.

Published in November 2018 by Prague-based Trafo Gallery on the occasion of the artist’s new solo exhibition in Prague (02.11-20.12-2018), the 320-page book – edited by the artist himself with the support of critic Petr Volf and designer Jan Novák – encompasses the many different aspects of Jan Kaláb’s artistic career, from the early graffiti bombings as CAKES and POINT to his versatile works in public & indoor spaces, murals, sculptures, and paintings.

Signed copies will be available in our Berlin shop and online after the event. Please make your order on our webstore now to reserve a signed copy. All orders placed before 25.11.2018 will receive a signed copy.

In addition to the book signing event, Urban Spree Prints and Jan Kaláb release « Shine Around Blue 1118« , a very limited silkscreen print on Saturday 24.11.2018 at 18:00.

Edited by Urban Spree Prints and printed by Dolly Demoratti (Mother Drucker/Urban Spree Studio), the print is a 6-colour, 70 cm x 70 cm hand-pulled screen print, with vibrant colors and a hologram glitter layer.

The print is edited in a very limited run of 18 prints. 9 prints are reserved for the Berlin event while the remaining 9 prints are available to the subscribers of the Urban Spree newsletter (you can join our newsletter by signing in on the bottom of our homepage and by clicking on any of the sub-categories).

 

Jan Kaláb: Point of Space

Book Release and Signing

Saturday 24.11.2018 from 18:00

Urban Spree Galerie
Revaler Str. 99
10245 Berlin



Urban Spree celebrates 10 years of the Astronaut Cosmonaut Wall

To mark the 10-year anniversary of the iconic « Astronaut Cosmonaut » mural painting in Berlin Kreuzberg, Urban Spree Galerie invites the French street artist Victor Ash for a special pop up exhibition.

The exhibition will be centered around the cult figure of the Astronaut with numerous original/stenciled works on paper and a mural at Urban Spree. A series of screen prints is expected to be released as well.

Alongside Blu’s now gone white characters on the Cuvrybrache, Victor Ash’s « Astronaut Cosmonaut » has achieved a cult mural status for Berlin.

Standing in Berlin-Kreuzberg near Kottbusser Tor and painted during the legendary Backjumps Festival #3 in 2007, the painting of a floating astronaut on 22 x 14 meters strikes a particular chord in Berlin.

For the parisian artist born in 1968 and fascinated by the Cold War, space exploration, graffiti, subcultures & electronic music, Berlin was to become from the mid to late 80s and since then a focal point of his attention, with regular trips to the city alongside artistic projects and residencies.

Victor Ash photographed by Soren Solkaer in 2013

In 2007, the Backjumps Festival – brilliantly curated by Adrian Nabi, gives Victor Ash the occasion to paint a big wall. Victor wants to concentrate and express his past experiences and vision of Berlin, the space race between the USSR and the USA but also the different Berlin subcultures and the desire to escape reality. « I got inspired by the song from David Bowie « Space Oddity » from 1969 in which he tells the story of a astronaut who gets lost in space and later on with the song « Ashes to Ashes » in 1981 where Bowie tells us that the spaceman was in fact a junkie on a trip ».

For the artist, the « Astronaut/Cosmonaut » represents the will to escape to other universes, « like as a little child, I escaped to a fantasy world with my space drawings and as a teenager, I escaped to subcultures to find my identity in the urban environment where I grew up ».

 

 

Urban Spree celebrates 10 years of the Astronaut Cosmonaut Wall

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening Reception: 17.11.2017 from 18:30

Exhibition: 17.11.2017 to 10.12.2017

Tuesday-Saturday 12:00-18:30 or by appointment

Gallery and Press enquiries: galerie@urbanspree.com

 

www.victorash.net

instagram: victor__ash // #victorash



Automatic – Urban Spree, Berlin

 

Like all the best bands, Automatic found each other in an organic way. Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals) met in the DIY band scene of Los Angeles and started jamming together in 2017. Over the last year, they have become an important part of the L.A. Club circuit, sharing the stage with bands like Surfbort, Wand and Flatworms. On 27 September 2019 their debut album « Signal » will be released on Stones Throw / PIAS.

Lola was born into a punk household (her father is Kevin Haskins, the drummer of Bauhaus) and joined her first band, the art-rock outfit Blackblack, when she was just 13 years old. Halle and Izzy met in local bands in the northeast of L.A.; Izzy was a guitarist and singer, and Halle liked to plug her fretless bass into a guitar amp. Unimpressed by the masculine energy of the local scene and the rock music on the radio – « pumped out like plastic bottles into the ocean » – Izzy changed guitars into synths and joined Halle and Lola in 2017. They called themselves « Automatic » after a song by the Go-Go’s – the only (!) purely female band that ever wrote and recorded an entire album that reached number 1 in the charts in the USA.

Automatics guitarless setup seemed to leave a void in the sound at first, but their interplay gave them strength and they took their place in the scene. Empowerment in the best sense. They refined their sound and, informed by Neu! and Suicide, combined their preference for dub reggae, motoric rhythms and gnarled synthesizers with their cinematic pop understanding. In collaboration with sound engineer and producer Joo Joooo Ashworth (FROTH), they started working on their GarageBand demos and their debut album.

Their first single « Calling It » captures the feeling of drifting in an endless space, tearing everything apart and starting anew. Elsewhere on « Signal », songs speak directly from the band members’ experiences: « Humanoid » and « Too Much Money » are reflections on boredom, misfortune and the disappointing falsehood of social media personae, while the title track « Signal » is about « being trapped in the drudgery of a shitty life/job and realizing that no one but yourself will save you from it. » « Signal » is the title track of the band’s album. A shocking near-death accident in her apartment inspired Izzy to write « Electrocution » – an experience alluded to in the cover packshot, which shows a switch on a red background.

Izzy studied film at college and Halle used to work at the legendary video store « Kims Video » in New York, so it’s no wonder that the band also mentions film as an important influence on their music. David Lynch and Dario Argentos in particular have left their mark on the ambiguous lyrics and eerie atmospheres.

The red thread that runs through « Signals » is the feeling of fear and alienation, possibly one of the most formative experiences of the early 21st century: the feeling of being on the edge of the world. Or as Automatic put it: « The world is so fucked. I don’t know how a musician could say: ‘That’s all great.' »

FB EVENT



Hendrik Czakainski: SWITCH-OVER (prolongé jusqu’au 08.12)

Urban Spree Galerie presents « SWITCH-OVER« , the third solo exhibition of the Berlin-based visual artist Hendrik Czakainski at Urban Spree Galerie.

Hendrik Czakainski’s materia prima is the urban matter captured at different stages of dereliction. Adopting a bird’s eye view, the artist creates large-scale post-architectural panels which are dark anatomical explorations of the urban body.

The artist becomes a forensic architect, collecting evidence of disasters, past, present and future, incorporating them in surreal compositions of large proportions, creating 3-dimensional landscapes which have become void of human presence and frightfully beautiful at the same time. His creations bring us to a state of contemplation and fascination, owing to the combination of shape and colour.

His monumental cuts, holes, and excisions to his fantastic architectural matter reach us beyond the scope of architecture and strip down those man-made artefacts to the minimum, lay them bare, and essentially on the brink of abstraction.

In SWITCH-OVER, the artist distantiates himself from the highly densified housing settlements he has been creating in the past years to pursue a more radical approach. His apocalyptic tableaux give away few clues as to when the mutations happened, what exactly happened, how was it even possible to switch from one state to the next, and which situation we are actually in, leaving the spectator forging his own clues. Are we investigating a foregone reality, are we already processing the next move, or are we trapped in between ?

In his new compositions, we ask ourselves if humanity is still part of the global equation or if the tipping point has been already reached; if a reversal is even possible.

Most works of the show are constructed in two or three parts, creating a dynamic impulse, searching for life in interstitial space, infusing tension, and establishing a mutual dialog, a new social contract of what’s left.

 

Hendrik Czakainski

SWITCH-OVER

Einzelaustellung

Opening: Friday 26.10.2018 at 18:30 (FB Event)

Exhibition Dates: 26.10.2018 – 08.12.2018

Tu-Sa 12 :00-18:30

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

 

 

Galerie enquiries :

Pascal Feucher: pascal@urbanspree.com

www.urbanspree.com

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http://www.hendrikczakainski.com

https://www.instagram.com/hendrik_czakainski/

 



J.C. Satàn & Jessica93

Dawn of the Dance and GreyZone Concerts & Promotion present

J.C.Satàn + JESSICA93 LIVE

J.C.Satàn
J.C. Satàn is the meeting between the talented Arthur from Bordeaux, France (Polar Strong, The Meatards, Crane Angels..) and Paula from Torino, Italy (drawer, dj and booker of underground shows). They were noticed from their first two LPs Sick Of Love (2010) and Hell Death Samba (2011) on the american label Slovenly Recordings which had major critical and public success. For their audacious and perplexing third album Faraway Land (2012), they join the young and talented parisian label Teenage Menopause Records. In between a US tour in 2013, an european tour with Ty Segall in 2015, a China tour in 2016 and plenty of shows in France and European festivals, they released two more LPs with the trendy french label Born Bad Records, « S/T » (2015) and the brand new Centaur Desire (march 2018). As usual the band refuses to fall into repetition and instead, travels out of the comfort zone. They are exploring the musical landscapes of Pixies and The Queen of the Stone Age but never losing their own style and sound. Known to be some kind of stage warriors, their shows rise above their records. Someone talk about psychedelism, someone about punk-garage, it’s hard to define them.

http://www.jcsatan.com/
https://jcsatan.bandcamp.com/
https://www.facebook.com/jcsatan/

JESSICA93
French one man project Jessica93 is a powerful and emotional force of hypnotic loops, grungy riffs and cold beats, all wrapped up in an impressive sense of delicate and to-the-point song writing.

Even Paris, the city of love, hosts its bleak and dingy suburbs. With the promise of magic so close within one’s reach, the lack of it becomes even more evident. In the midst of this space of hope turned disappointment, Geoff LaPorte goes on an escapist trip and takes on the moniker of Jessica93. Where others see beauty, he sees the rats. But Jessica is the coolest chick in class. She’s desirable and she has ability to transcend the mundane reality of Paris’ dirty streets. Or at least she tries. Jessica stands for all that we wish to be, but can’t. Instead, let’s embrace the dark humour of the universe. After all, it’s not for nothing Jessica93’s 2013 debut is called “Who cares”, with a picture of a bag of crack cocaine on the cover.

As one man playing all instruments, along with a trusty drum machine; Jessica93 builds his music with layers – balancing the raw and minimalist with a trippy warmth. This sense of dream and romance is present in all his songs, sometimes numbed in an opiate high, sometimes as matter-of-fact melancholia. This isn’t some pedal-fest without substance, or, for that matter, a total downer – some of those beats sounds like John Bonham trapped inside an ice box, and the groove is undeniable. Something wants to reach out for sure, and on stage this part-shoegaze-part-grunge-part-cold-wave operation of one does just that: reaches out and goes for the stars. It might all get buried in a heap of dirty clothes once back on earth, but still.

Using very little to achieve a lot – Jessica93 goes straight to the core of every aspect of his music – illuminating a brilliant song writer in the process. Nothing to hide, nothing to lose.

https://jessica93.bandcamp.com/
https://www.facebook.com/thejessica93/

 

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Facebook Event



Milk Me Presents: Crack Cloud

MILK ME and Babooshka presents Crack Cloud

Crack Cloud is a multimedia collective, comprising members from different cities, ethnicities and origins, who contribute to the sound, visual aesthetic and beyond – but their latest release, Anchoring Point, is helmed by seven key members. Taking its sonic influence from the likes of Gang Of Four, Fela Kuti and Talking Heads, its visuals from hip hop and the found footage aesthetic of the ‘90s, and its political ethos from thinkers like Malcolm X and Lydia Lunch, Anchoring Point is a barbed, lurching thing, a cacophony of punchy fragments, funk-laced bass riffs and experimental soundscapes. “We wanted to be expressive in a way that could be erratic but cohesive at the same time,” explains Choy. “Emotionally, it zig-zags. We wanted it to take a life of its own; a life in flux.”

There’s a political undertone to much of Anchoring Point – its lyrics, its sound, even the EP’s artwork, which declares itself to be “how they refer to the latest vendible thing from Crack Cloud. For fun and profit!” But if there’s an agenda to their music, says Choy, “the agenda is humanity and compassion. We invite people to meditate openly about their privilege. Their vice. Their pride and their vulnerability.” Both he and partner Mohammad Ali Sharar are immigrants who struggled with addiction – Choy’s triggered by the death of his father, Mohammad Ali from the cultural turbulence that came from the racism he experienced from outside his community, and the rejection from within it when he started to question Islam. They’ve redefined themselves in sobriety and work together in the mental health industry, facilitating safe spaces based on the harm reduction model for vulnerable and marginalized people in Downtown Vancouver. Crack Cloud is informed by these experiences, past and present.

These experiences inform the work in ways Choy and the collective don’t always attempt to tame or control. ‘Empty Cell’, for example, is a “stream-of-consciousness piece,” made up of different voices from different angles. It follows EP opener ‘Graph Of Desire’, a punky duet of sorts, with shades of early Bowie, that comes in at just a minute and a half long, and precedes ‘Image Craft’, which has a melody like a ticking clock and a video that evokes Lynch’s Eraserhead. “Each song on Anchoring Point,” says Choy, “is one piece of the pie.”

And what does the pie as a whole look like? Choy’s not sure exactly. “It creates a messy picture. We hope people can resonate with its messiness. Thoughts and feelings are ephemeral and there is always a new insight to have and a new connection to be sought after, and it’s a celebration of that. Old and new. And the Anchoring Point in-between.”