We found – 64 articles for Solo Show

Palefroi: « Étalage » Art Residency + Solo Show

 

« Étalage: stand, stall, barrow,

display, window display, 

showcase, showing off

spreading out, falling flat on one’s face / on the floor »

 

Urban Spree Galerie invites the Berlin-based French duo Palefroi for a month-long residency in our Berlin studio during the first three weeks of July, followed by a week-long residency directly in the gallery, and culminating in a month-long solo show.

Damien Tran and Marion Jdanoff are two French artists currently based in Berlin. Their visual work as a duo is a constant negociation between their respective approaches.. One is formal and abstract, the other narrative and figurative. They are attached to a form of harshness in the lines, to generous proliferation, to spontaneity and wonkiness.

Palefroi is a framework embracing all of their practices: printmaking, self publishing, painting and animated drawings. It is a space of experimentation and collaboration but also a structure supporting both their work as a duo and as individuals.

Following Palefroi’s residency at Urban Spree in July 2018, their solo exhibition Étalage should consist of: wolves, people playing trumpets, a fake tiger, dancing dots, drums solo and wallpapers.

 

Palefroi: “Etalage”

Art Residency + Solo Show

Urban Spree Galerie

Vernissage: Friday 03.08.2018 at 19:00

Exhibition: 04.08.2018 – 02.09.2018

Tu-Su / 12:00-19:00

Info: galerie@urbanspree.com

http://palefroi.net

https://www.instagram.com/palefroi/

 

 

 



Christian August a.k.a. KID CASH: Solo Show « Very Necessary »

Urban Spree Galerie is proud to introduce the new body of works by the Berlin-based visual artist Christian August alias KID CASH, one of the most active post-graffiti artists of his generation.

The exhibition, entitled VERY NECESSARY, crystallizes his artistic direction of the last three years and  displays a brand new corpus of works which will be on display at Urban Spree Galerie for the first time.

9.KIDCASH_1HourFame_Halle-Saale_16

The title of the exhibition refers to his primary work in the public space and hints to the necessity for him of showing his artworks in the context of a gallery space.

In the middle of the 1990s, KID CASH started graffiti and to paint on public walls and to analyze surfaces, urban landscapes and architecture. The enthusiasm thereof still inspires his work. The departure point for his imagery are often spontaneous sketches and photographs that result from everyday situations and emotions. The sources of these are very diverse and range from landscapes and still life to letters and quotes from artworks of Picasso, Henri Matisse or Hans Arp. In his artworks, KID CASH transfers something felt into a poetic visibility.

MARCH IN URBAN SPREE

From line to area, from shape to shape, from shape to line – the action of the body and the dynamics of his body movements play a major role in the compositions of KID CASH’s large-scale artworks which require total commitment and physical strength. The graffiti letters of the 1970s in New York and the German post-reunification subcultures in the 1990s still make an observable impact on his artistic vocabulary. Also, his name derives from common names as KID and CASH within the subculture.

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The choice of materials stems from those which enable KID CASH to work quickly and spontaneously and facilitate his intuitive and energetic modus operandi as acrylic and spray paint, construction materials, wood and canvases. The depicted visual language is dominated by seriality, an important element in KID CASH’s narrative.

About the artist:

Christian August alias KID CASH, born in 1977 in Halle (Saale), Germany, graduated at Burg Giebichenstein University of Fine Arts in Halle as a student in the class of Gerhard Schwarz. Since 1994, KID CASH has been painting on walls and canvases. He is also a founding member of the KLUB7 artist collective which is active since 1998. In 2017, the Art Foundation of Saxony-Anhalt grants him a scholarship. He lives and works in Berlin.

 

VERY NECESSARY

Exhibition: 1st of April – 22nd of April 2017

Opening reception: 31st of March 2017, 18:30 – 22:00

Urban Spree Galerie

TUE – SUN 12:00 – 19:00

Press enquiries: diana@urbanspree.com

Gallery enquiries: pascal@urbanspree.com

http://klub7.de/kidcash/

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Pablo Tomek: Solo Show « Thank You Boss »

As part of its Art Residency Program, Urban Spree Galerie has invited the Paris-based artist Pablo Tomek in February 2017 to invest its Berlin space for 2 weeks to create large-format artworks in situ.

A couple of months after his participation to the Palais de Tokyo’s Lasco Project, Tomek is invited by Urban Spree in Berlin to propose « Thank You Boss », a solo show around 5 large-format artworks and installations.

PABLO TOMEK SHOW OPENING "THANK YOU BOSS" OPENS ON 18.02

For Tomek, the construction and building sites scattering the city are endless sources of materials and plastic inspiration, whereby the relationship between building and demolition seems like a paradigm of the modern world, an aesthetics prone to détournements and dérives.

The materials flow in, the materials come into confrontation, the colours are damaged, the accidents shape, and things are born.
The exhibition « Thank You Boss » is a homage to the unknown and undetected aesthetics and « paintings » of construction workers, to the graffiti artists who ransack palisades, to the glass cleaners, to the roadside accidents that reshape the space, to the posters paste-ups, and time, that pulls them away.
Tomek’s first published monograph, « Teren Alchemia« , published by Classic Paris in January 2017, will be on display in the Urban Spree shop.

 

About the artist:

The art of Pablo Tomek (b. 1988 in Paris) originates in graffiti for which he has developed a rough experimental approach, which is further refined in his studio practice. Tomek studies the relationships between graffiti and abstract expressionist painting, the techniques and aesthetics of manual street workers (whiting with sponges, use of construction materials, remix of the fluorescent marks made by architects, abandoned objects, high-pressure cleaning tools), in a way to transmute objects and mundane practices into a new purpose and meaning, against a backdrop of an ever growing gentrification process.

His art stems from the hectic repetition of the gesture that drive the mechanical, anonymous practices of tagging and cleaning, which are part of the daily life of cities. By confronting the body and painting with space, between constant energy and fatigue, Pablo Tomek creates a painting which toys with its own destruction, resulting in a dance of pictorial ghosts.

Pablo Tomek’s work has been presented at several solo and group shows: at the galerie du jour agnès b. in Paris (“Etat des lieux”, 2013), the Frac Nord – Pas de Calais (“Toy”, 2014), in an illegally occupied industrial wasteland (“Expressiv Tag Painting”, Pantin, 2015), at the HLM in Marseille (“Honte”, 2015), the Bateau Lavoir (“Après Coup”, 2015), the Mini Galerie in Amsterdam (“Worker Games”, 2016), the Lasco Project #7 (Paris, 2016) where he produced a 500 sqm outdoor mural at the Palais de Tokyo, and Urban Spree Galerie in February 2017, following a 2-week in situ residency.

 

Pablo Tomek

« Thank you Boss »

Residence + Solo Show at Urban Spree Galerie

Opening: 18.02.2017 / 18:30 – 22:00

Exhibition: 21.02.2017 – 12.03.2017

Opening Times: Tuesday to Saturday 12:00 – 18:30



New York Perspectives

Urban Spree Galerie presents New York Perspectives, a duo show featuring Chris « Daze » Ellis and Joe Conzo, curated by Mode2. The vernissage will be on Friday, November 22nd, at 18:30, in presence of the two artists.

    Through the work of two New York City-born artists, a painter and a photographer, this exhibition is an attempt to show aspects of New York City life, through the eyes and the work of two very different individuals; though both come from a part of its counterculture.

    The drawings and paintings of the artist Chris “Daze” Ellis, and those many moments and people captured by the photography of Joe Conzo show us how the youth that were more in osmosis with the steel, the concrete, the glass, the streets and the city’s subway system, could develop new forms of visual dialogue that could form a bridge between their own social and cultural background, and a movement that would infiltrate the artworld and become a global phenonmenon.

   Coming from different neighbourhoods and cultural backgrounds, both have lived long enough to have witnessed first hand the huge transformations that the city has gone through over these last decades, while their “work”, which was actually their hobby, passion and life pretty much, has documented seminal eras during that time.

  These tumultuous years of cultural flux; of blossoming, blooming, destruction and rebirth, are often overlooked by today’s focus on the “now” of street art, and the way through which this eclipses the very alchemy that gave birth to the way in which artists express themselves in the street today, or the way in which they document city life.

    It is doubtful that much of what is happening today in visual art, music, dance and written or spoken word ever would have happened, if generations of youth in New York City had not lived what they did many decades ago; and we can count ourselves lucky that a few rare individuals happened to be there and have the instinct to document it.

  Here then, are views of New York from two different perspectives, they themselves being a complex accumulation of all of life’s experiences, and how they shape each individual’s understanding of the world around them; and the ways by which they choose to express and share this with us.

Urban Spree Prints will release two 18″x 24″ silk screen prints by Daze on the opening night and online.

The gallery and the curator heartily thank Henry Chalfant for letting us show his documentary movie “From Mambo to Hip Hop: A South Bronx Tale.”

Poster Artwork by Tyler Askew.

 

“New York Perspectives »

Christopher « Daze » Ellis / Joe Conzo

Curated by Mode2

22.11 – 21.12.2019

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening: Friday 22.11.2019 at 18:30

Exhibition: Tu-Sa – 12:00 – 18:30

Info & Catalogue: contact@urbanspree.com

 

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BIOGRAPHIES: 

 

Chris « Daze » Ellis

Growing up in Crown Heights, Brooklyn, Chris Daze Ellis (b. 1962) was aware from early on of the names and the odd characters that would be dancing along the trains that wove their way through the city. When he started out at the High School of Art & Design in 1976, he found that there was a whole community of very diverse yet like-minded individuals there, also involved with this scene; some of whom would go on to make a name for themselves in the art world.

Being a fan of drawing and comic books already, Daze camouflaged his nighttime activities under his parents’ gaze, exploring and expanding his visual vocabulary, combining the traditional with the dynamism of a new and challenging environment, with stimulus of its own.

Having mastered the medium and the environment, Daze would go on to shape his own personal vision of the world, looking as much inwards as outwards, in the relationship between the trains and walls, and what he could further explore in the studio. The strength of his successful life as an artist in his own right would develop from then on.

From his participation in his first group show, Beyond Words, at the Mudd Club in 1981, before having his own solo show at Fashion Moda (the historical South Bronx art space that bridged the established art world with the raw talent and energy coming out of New York City), Daze embraced the wide horizon that opened up before him.

From then on, Daze began to show in many different cities around the world, whether it be galleries and museum, in solo shows as well as group formats. He has participated in many public or educational art projects around the world, working with students and communities from South Korea to Brazil via Haiti, while often visiting Europe as well, and contributing to New York mural initiatives like the Leap Arts Program or Thrive Collective.

From his appearances in the film Style Wars, to being an art consultant on the Netflix series The Get Down in 2017, to participating in public painting projects from the Star Ferry Terminal in Hong Kong in 1993, painting an entire Hannover train station with fellow artists Lee Quinones and John Crash Matos, or being commissioned for murals by private clients like the law firm, Cleary, Gottlieb, Steen & Hamilton in Washington D.C. 2018; Daze has constantly had his hands on a whole range of different projects.

Daze’s paintings have found themselves in many private collections including Eric Clapton, Natalie Imbruglia, and Madonna. His work can also be found in the permanent collections of The Whitney Museum, NY, Museum of Modern art, NY, The Museum of the city of New York, The Ludwig Museum, Aachen, Yale University art Gallery, New Haven, Addison Museum of American Art at the Phillips Academy, Andover.

Chris Daze Ellis continues to live and work in New York City.

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Joe Conzo

Joe Conzo was born in the Bronx during an era of great upheaval, when the construction of the Cross Bronx Expressway was nearing its end, having destroyed the communities that lay in its path, and condemning those parts of the borough around it to social and economic decline. The apocalyptic landscapes of urban devastation, and the high criminality associated to it are emblematic of that era.

President Truman’s Urban Renewal announced in 1949, ruthlessly applied by Robert Moses, targetted the more modest and ethnically diverse neighbourhoods of New York City whose resistance to forced removal would fall on deaf ears, as private developers grabbed the prime lots. The Bronx represented both the laboratory and the collateral damage for these extreme experiments of urban renewal.

And yet, out of what looked like an urban war zone, the city’s youth began to pick up the pieces, and, out of the desolation around them, began to build their own road out of it. Realising that the state was not going to do anything positive for them, their survival instincts eventually kicked in; and out of the gang culture, the drugs, and the sheer nihilism that had reigned for a while over much of the borough, new and greener shoots were beginning to break through.

Joe Conzo’s cultural capital, and that of his peers, was probably key to his survival and his blossoming during those harsh years; grandson of Dr. Evelina López Antonetty, a political activist who played a huge role in developing educational programmes for Puerto Rican children, and son of Joe Conzo Snr., who was in the thick of the huge Latin music scene of that bridged those decades; hanging with all the main players of that era, and having been the biographer of Tito Puente.

While studying at the Agnes Russell School on the campus of Columbia University, he discovered photography, the medium that would enable him to document what went on around him; from the world of latin culture through his father’s connections, to the collision of art forms that would later be called Hip Hop; a word that eclipses the sum of its parts.

Having lived many ups and downs in the eighties, to a rebirth of sorts, Joe Conzo went on to become a qualified medical nurse, then worked for the New York City Fire Department, being among the first responders on 9/11. At some point along the way, he was reunited with the camera, and began shooting again…

Whether as the photographer of rap crew The Cold Crush Brothers, a hugely influential group of MCs from the early days, or just a boy from the Bronx who had a camera and curious eyes, Joe Conzo’s photos provided reference material to Henry Chalfant ‘s documentary “From Mambo to Hip Hop: A South Bronx Tale.”, and were documented in a book called “Born In The Bronx: A Visual Record of the Early Days of Hip Hop”.

His negatives have been digitalised and archived at Cornell University, providing a unique and indispensable resource for those wishing to research the those eras.



Marina Zumi: Techno Poetry

Urban Spree Galerie is proud to invite the Argentinian street, light and visual artist Marina Zumi for her first solo show with Urban Spree Galerie. The exhibition’s Opening on September 12th coincides with the closing ceremony of the Berlin UrbanArtWeek.

On this occasion, the Berlin-based artist will create an ambitious presentation of new works on canvas in the gallery space as well as a special immersive light installation in our newly created dark room. Last but not the least, Marina will paint the Urban Spree Artist Wall.

 

« There´s no light without shadows – always in pairs, always in conflict and often deceptive.
In her work Zumi lives the apparent polarity of the two worlds. The refraction of her crystals, the world of the Shadowen just before the sunrise and her technocratic light installations, address the duel between progress and poetry.

« Techno Poetry » is a snapshot of this artistic balancing act. Marina Zumi can not be an artist without becoming a mathematician. In her creation, technology is much more of a continuation than an exclusion of the poetic.
Thus works have been created that are hermaphrodites between the two poles, seemingly from another lifetime. »
Denis Leo Hegic

 

Marina Zumi
« Techno Poetry »

Urban Spree Galerie
Revaler Str. 99
10245 Berlin

Vernissage: Thursday, September 12th, 2019 from 19:00

Exhibition; 12.09.2019 – 06-10-2019

Tu-Su 12:00-19:00

Infos & Catalogue: pascal@urbanspree.com



GUO – Daniel Blumberg and Seymour Wright –

GUO ARE DANIEL BLUMBERG AND SEYMOUR WRIGHT

GUO is a multidisciplinary duo formed of Daniel Blumberg and Seymour Wright. Their third album ‘GUO4’ will be released in September on Mute Records.

GUO are due to perform on the occasion of the closing night of the super successful HYPER! A JOURNEY INTO ART AND MUSIC exhibition at Deichtorhallen Hamburg on August 4, 2019.

One day later, on August 5, 2019, GUO will give their FIRST EVER concert in Berlin at Urban Spree as part of situation 56, that will be embedded in a rare DJ set by Max Dax (Very Unimportant People Lounge / VUP Lounge).

Don’t you dare miss the hottest concert in town.

“Was passieren kann, wenn die Herangehensweise des Freejazz auf die Zugänglichkeit von Pop und eine an der bildenden Kunst geschulte Praxis treffen, dafür ist „Minus“ ein Fanal, eine regelrechte Markierung des Jahres 2018.“ – Spex

« Caustic, scratchy fire music » – The Wire

« Glorious slabs of noise“ — Victor Schonfield

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Daniel Blumberg is an artist and musician from London. He is currently exhibiting at the Deichtorhallen in Hamburg and recently exhibited his debut solo show at Union Gallery in London. Blumberg’s acclaimed album on Mute, ‘Minus’, was released last year.

Seymour Wright is a musician and writer, currently working in London. Wright’s work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique. Recent collaborations have included projects with footwork founder RPBoo and drummer Paul Abbott (as the XT duo)

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