We found – 36 articles for The 5 Elements

Futura: The 5 Elements

Urban Spree Galerie and Art-Together present: « Futura: The 5 Elements », a solo exhibition of new works by Lenny McGurr, a.k.a. Futura 2000.

The Opening Reception will be in Berlin on Friday January 11th, 2019, in presence of the artist.

The exhibition is one of the largest solo exhibitions of Futura to date with more than 60 original paintings on display.

« The 5 Elements » is not a retrospective show. On the contrary, Futura worked specifically on a large museum-style conceptual exhibition, tackling the ambitious theme of the Creation of the Universe, confronting himself to the cosmos, the planets, the infinitely small, the Big Bang and the fundamental elements, producing a corpus of works that becomes a personal path to the exploration of the universe and of course of Futura’s internal galaxy.

The works are displayed starting by the Big Bang, going through the birth of the solar system and to our perception of the 4 elements.

The works have been produced in early 2018 in Lille, France, during a  residency organized by Art-Together, a newly launched ambitious platform for the development of urban contemporary arts.

A set of 4 exclusive silk screen prints are being released on the Opening Night. The set is based on the painting series « Pure ». Each 8-color screen print is hand-pulled by Dolly Demoratti (Mother Drucker/Urban Spree Studio), signed and numbered by Futura. The 50 x 50 cm prints are only sold as a limited edition of 100 sets.

A 128-page companion book titled « Futura, les 5 éléments », will also be released in Berlin on the Opening Night and will be signed by the artist. More than an exhibition catalogue, the book intends to share the creative path of the residency and provides scientific explanation to the series of paintings.

 

About the artist:

Futura is an American visual artist, born Lenny McGurr in NYC in 1955. He is recognized as one of the first modern-era graffiti writers, and the pioneer of the abstract graffiti genre. Passionate about science fiction, he chose his moniker « Futura 2000 » when he started graffiti at 15 in reference to Stanley Kubrick’s movie « 2001 – A Space Odyssey ».

He started painting the NYC subways in the early 1970s and was the first writer to paint a whole car in the abstract graffiti style which became his signature. He was part of the famed exhibition « New York/New Wave » in 1981 at the P.S.1 (Institute for Art and Urban Resources, Inc.) together with Basquiat (a.k.a. SAMO), Haring, Crash, Quick, Dondi and Kenny Scharf. He had numerous solo and group exhibitions and is also actively involved in street wear and fashion.

 

Futura: The 5 Elements

11.01.2019 – 24.02.2019

Opening Reception: Friday, January 11th, 2019 from 18:00 in presence of the artist

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

D-10245 Berlin

Info & Catalogue: pascal@urbanspree.com



12.04 NОМ – The Kings of St.Petersburg – in Berlin

NOM first time in Berlin with full line-up including their original vocalist Alexander Liver.

Nikolai Gusev: Keyboard/ vocal
Andrei Kagadeev: Bass guitar / vocal
Varvara Zverkova: Accordion / vocal
Alexei Zubkov: Electric guitar / vocal
Vadim Latyshev: Drums
Alexander Liver: vocal
Nikolai Kopeikin: vocal

NOM is an acronym for the Russian “Informal Youth Organization” (Neformalnoe Obyedinenie Molodezhi), the term used by the official Soviet press in the 80es. The band “NOM” appeared in St. Petersburg in 1987 as an absurdistic-ironical answer to rock bands in post-soviet Russia. The band used musical cliches mixed queerly together with elements of mimic show of idiots, thus reaching strong emotional effect over the audience.

« The kings of St.Petersburg » remain unique phenomenon of Russian music culture. For the 32 years of existence the band created their own style, in which you can discover elements of progressive rock, punk, electronic minimalism, symphonic music , Russian folk, Soviet music and even opera. Lyrics plays very important role for NOM who follows traditions of such bright representatives of modern Russian poetry like Nikolay Gogol, Daniil Kharms, Nikolay Oleynikov and others. Critics called NOM « The last bastion of ruthless Russian satire ».

Their discography includes 15 studio and 4 concert albums, several compilations, remixes, and a special release « Russisches scweine » on British Manufracture label.

http://morezvukov.nl/artist-roster/nom/
https://en.wikipedia.org/wiki/N.O.M.



Hendrik Czakainski: Nonpoint Sources

« Imagine that you are a raindrop. It begins to rain and you hit the ground and flow across streets, parking lots, yards, construction sites, farm fields… Along the way, you pick up litter, oil, grease, metals, rubber, dirt, fertilizers, pesticides, animal waste, and other things left behind. All of these pollutants mix with the rain and flow away as nonpoint source pollution. » (Illinois Environmental Protection Agency).

 

 

In Hendrik Czakainski’s previous exhibition at Urban Spree Galerie, « Switch Over » (2018), the famed « invisible hand » of Adam Smith finally achieved its predictable self-strangulation and hinted towards the obliteration of the age of Anthropocene. His powerful works laid bare the rusted skeletons of what was once qualified as habitat. A post-architectural world – and beyond -, in which life subsided on the fringes, a derelict, abstract  and borderless Universum, morbidly fascinating.

For « Nonpoint Sources« , his 4th solo show at Urban Spree, Hendrik Czakainski fills his large wall sculptures with the particles and raindrops of our contaminated civilization, building his imaginary constructions only to let them succumb to the invisible and poisonous streams that run through it. Huge fracture lines dislocate high density environments, Earth is scorched beyond repair, structures are flooded with colored poisons that irrigate the veins of our industrial civilization.

We do not only see the structures, we see the flooding and the elements, we see how the artist skillfully paints and distorts the structures he so patiently erected.

 

Hendrik Czakainski

Nonpoint Sources

Solo Show 

Berlin Art Week Opening: Wednesday 09.09.2020 at 18:00 in presence of the artist

Exhibition Dates: 09.09.2020 – 10.10.2020

Wed-Fri 14:00-19:00 (Sa: 12:00-19:00)

 

Urban Spree Galerie

RAW Gelände

Revaler Str. 99

10245 Berlin

S+U Warschauer Str.

Info & Catalogue: contact@urbanspree.com

https://www.instagram.com/hendrik_czakainski/

https://www.instagram.com/urban_spree/



WALLS

For their first show of 2020, Urban Spree Galerie presents « WALLS », a collective exhibition featuring 30 international artists and dedicated to the notion of the « wall ». 

Curated by Fabrice Douar and Cyrille Gouyette (Le Louvre Museum, Paris) and co-curated by Pascal Feucher (Urban Spree Galerie, Berlin), « WALLS » invites prominent artists from both the comics scene and the street art scene to create graphic works of fiction related to walls, interpreted either as simple architectural elements, ominous symbols of segregation, canvases and vessels to convey meaning, textures, or imaginary playgrounds and labyrinths. 

Fragment of an antique wall, Pompeii. Courtesy Galerie David Ghezelbash

 

While some antique artefacts appear in the show to testify of their immortal, silent presence, in the 21st Century, the Minotaur doesn’t wait at the center of his realm but has clearly moved outside, demultiplied its presence, and is building more walls.

The exhibition’s direction is therefore resolutely multifaceted, contemporary and graphic-oriented, spanning several topographies (Europe, South Korea, Middle East, Hong Kong, Cuba…), and art forms (painting, photography, installations, videos). 

Levalet: « Voie de contournement », China ink on paper, 70x100cm, 2019

30 Artists: Alias, Andreas, Jim Avignon, Bault, Enki Bilal, Broken Fingaz Crew, Isaac Cordal (installation), Hendrik Czakainski, Christian Durieux, Philippe Écharoux (mapping installation), EVOL, Jean Faucheur, Flix, Jorge Rodriguez-Gerada, Miles Hyman, Kim Jung Gi, Levalet, Stéphane Levallois, Loustal, Marc-Antoine Mathieu, Mode2, Alexandra Novosseloff, Ernest Pignon-Ernest, Michal Škapa, Pen So, Thom Thom, Sam Tse, Santiago Valenzuela, Lars Wunderlich, Zevs.

 

Enki Bilal. Excerpt from the Portfolio « Die Mauer Berlin », Futuropolis 1982

 

In cooperation with Galerie David Ghezelbash, Galerie Huberty & Breyne, and Galerie Lelong & Co.

 

WALLS

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Vernissage: Friday, January 17th, 2019 from 18:30

Exhibition: 17.01.2019 – 29.02.2019

Wed – Sat –  12:00-18:30 or by appointment

info and catalogue: galerie@urbanspree.com

To download the Press Kit: https://www.urbanspree.com/press/



ANTIME Labelnight w/ Bad Stream, Elliver, Konkrit

🔻Bad Stream #live
https://bit.ly/2mmEo5G
🔻Konkrit – Dj-Set
https://bit.ly/2kMM15d
🔻Elliver – Dj-Set
https://soundcloud.com/elliver-twist
🔻More tba!
_
Bad Stream is the solo project of the Berlin-based musician and Antime label founder Martin Steer, who is currently working on his second album due to be released in early 2020. Having released his eponymous debut in April 2018 through his own imprint, his new audio-visual live set »Homo Suizidalis Vol. 1 (Metamodern Cybertime Holes)« sees him explore a very different side of his varied musical interests while staying true to the original concept of the Bad Stream project.

As already indicated by the first single »Zombies«, Steer draws on rhythmically intricate techno that incorporates elements of IDM, jungle, breakbeat and acid. Thematically however, »Homo Suizidalis Vol. 1 (Metamodern Cybertime Holes)« picks up seamlessly where the eleven songs on »Bad Stream« left off. In shortly under 70 minutes, Steer’s driving experiments with dance floor-oriented music create disorienting effects thanks to a rich tapestry of samples and effects. The chants of Kenji Kawai’s iconic »Akira« soundtrack blend with spoken word bits from Mark Fisher to Jean Baudrillard or Greta Thunberg while the beats emerging from Steer’s Tempest drum machine never cease. There’s no time for breathers here, just an overwhelming sense of urgency that mirrors the quotidian experience of having run out of time.

More than a method, the sensory overload evoked by »Homo Suizidalis Vol. 1« is essentially its very message: much like the more rock-leaning songwriting on »Bad Stream,« Steer’s furious take on post-techno music is dedicated to the reciprocal effects of cognitive capitalism, a life spent in cyberspace, and the continuous dissolution of our subjectivity. What’s depression in an age where simulations have become our first nature? How can we overcome our paranoia if the only way out seems to be the path of sheer panic? Is something like solidarity under these conditions even a possibility, if only for 70 minutes on the dancefloor, sweating away to the incessant beats while staring saucer-eyedly at the flickering images on the screen?

As an overwhelming yet coherent whole, »Homo Suizidalis Vol. 1 (Metamodern Cybertime Holes)« does not provide answers. As the first in a trilogy of audio-visual Bad Stream live concepts however, it poses exactly the right questions.

FB EVENT



Nadja • Some Became Hollow Tubes • A-Sun Amissa

obnoxious ouroboros & gizeh records
presents

⊙ NADJA ⊙
Nadja (Aidan Baker & Leah Buckareff) create music that has been variously described as drone metal, ambient doom, and shoegaze, combining soundscapes, electronics, & atmospheric vocals, tempering the cacophony with an ethereal melodicism such that the listener is enveloped in a sublimating wall of amorphous sound. Nadja began in 2005 in Toronto, Canada & is currently based in Berlin, Germany.
http://nadja.bandcamp.com
https://www.facebook.com/LuvNadja

⊙ SOME BECAME HOLLOW TUBES ⊙
A new project combining the talents of two of the finest producers of noise out there. Eric Quach (THISQUIETARMY, etc)’s looping layers of instrumentation give their music an ominous air but with the drumming of GODSPEED YOU! BLACK EMPEROR and EXHAUST’s Aidan Girt sitting underneath it, their music has a familiarity that’s hard to shake even when hearing it for the first time. Industrial landscapes flicker before your mind’s eye and crumble again, and tension stretches time to the point where you’re not quite sure how long you’ve been listening.
https://somebecamehollowtubes.bandcamp.com
http://www.gizehrecords.com/gzh90-some-became-hollow-tubes-keep-it-in-the-ground.html
https://www.facebook.com/somebecamehollowtubes

⊙ A-SUN AMISSA ⊙
A-Sun Amissa is a music collective founded and led by Richard Knox (The Eternal Return Arkestra, The Rustle of the Stars, Shield Patterns, Glissando) that has featured an array of members and collaborators since it’s formation in 2011. Their sound touches on elements of post-rock, doom, dark-jazz and heavy drone. Recorded output has been released on Richard’s own Gizeh label as well as Belgium’s Consouling Sounds.
Live, the set-up can range from a solo performance to a full band show. Dense and heavy atmospheres provide the backdrop to the sound. Layers of mournful, melancholic and ethereal melodies weave amongst the thundering beats, deep drones and intense, heaving guitars.
https://gizehrecords.bandcamp.com/album/ceremony-in-the-stillness
http://www.slowsecret.com/a-sun-amissa.html
https://www.facebook.com/a.sunamissa

http://www.gizehrecords.com

presale (in 3 simple steps):
1. send 12€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction at the door

presale ends thursday october 3th 18:00
limited to 250 spots!
15€ at the door

spread the gospel, invite your grannies, join the madness & turn off your mind!

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

FB EVENT