We found – 8 articles for letters

Sicoer: Explorations

Urban Spree Galerie presents « Explorations« , the first solo show of the Krakow-based calligraffiti writer SICOER in Berlin.

« Explorations » is the outcome of several working sessions at Urban Spree Berlin in January and February 2020, interspersed with intense studio time in Krakow during the lockdown, resulting in an unexpected dialogue in time and space.

During this time, Sicoer has conducted extensive research and experiments about form and flow, perfecting structure, balance, free flow and ultimately meeting a form of abstraction.

« Explorations » is the outcome of a spiritual journey through letters.

 

 

Sicoer is a calligraffiti painter based in Krakow well known for his vandal graffiti as well as his handstyle studio works. Having started graffiti in 1998 and still active nowadays, Sicoer created in parallel a studio practice based on the combination of letters, geometric compositions, flow and a limited use of color range. Relentlessly exploring, Sicoer turned recently his graphic experiments towards calligraffiti abstraction.

 

SICOER: EXPLORATIONS

20.06.2020 / 25.07.2020

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Info: contact@urbanspree.com

Vernissage: Saturday 20.06.2020 // 18:30 – 22:00

Opening on Sunday 21.06.2020 // 14:00 – 19:00

Opening Hours: Wednesday – Saturday // 14-00 – 19:00 and by appointment

 



RAWS: #Neograffism

Urban Spree Galerie presents « #Neograffism« , the first solo show of the Berlin-based post-graffiti artist Kai « RAWS » Imhof with Urban Spree.

In « #Neograffism », a term coined by the artist as being representative of his studio philosophy, RAWS strips down his years of graffiti practice and complexity build-up to lay bare the basic essence of graffiti through color and shape in a visually stunning arrangement of colors, contrasts, and gradients.

RAWS explores the tipping point where the core aesthetics of graffiti, after being deconstructed and re-arranged, becomes acceptable as a form of art while retaining its purity. The artist uses a mixed technique in his studio works, using both the spray can and the acrylic brush, as a hybridation of both worlds, the studio and the outdoor.

« When it comes to design, I try to combine my preferences for letters, graphics and minimalism in my work. Many of the works were done using acrylic paints and spray cans. The use of these media also emphasizes the duality of graphics and graffiti. In my canvases I have mostly worked with gradients. These are created exclusively with aerosol and can be a symbol of the movement and transience of graffiti. »

In his « Black Series », writing his name becomes a subdued background while the colorful gradients are windows to his artistic world.

 

 

Biography:

Kai “RAWS” Imhof (b. 1990 in in Königs Wusterhausen) is a Berlin-based German graffiti artist and graphic designer.

 

RAWS started painting graffiti in his neighborhood in his early teens, extensively bombing the city from 2004 to 2008, where issues with law enforcement led to the start of his studio career. Trained as a graphic designer at the Best-Sabel Designschule in Berlin, RAWS is also an accomplished designer, having designed products for Reebok, Marvel, Nike, the fashion designer MarcCain, MontanaCans, Über-Skateboards etc.

Marvel’s Spider-Man: Graffiti backgrounds for the PS4 game

In parallel, RAWS paints murals all over the world and participates to group shows since 2017 ( The Haus in Berlin, Monumenta in Leipzig, or Wandelism in Berlin). #Neograffism is his first solo show.

https://www.instagram.com/rawsofficial/

Private Commission for Tim Raue, 2-Star Michelin Berlin Chef

 

RAWS

« #neograffism »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

FB Event

 



SOLD OUT: Shortparis

Shortparis are well on their way to deserved international acclaim and already being heralded as « the best Russian live act ». Hailing from St. Petersburg and led by charismatic frontman Nikolay Komiagin, the band continues to build a reputation for its jaw-dropping ritualistic performances and dark, electronic soundscapes, as « irrational, spastic dance grooves » converge with « post-punk, experimental noise and acoustic chanson » to form a musical aesthetic that is one of a kind.

Performing in Russian, French and English, Shortparis are nothing short of a revelation as they aim to provide a fitting soundtrack to their everyday lives, a sound that mirrors St. Petersburg as it was and is. « You know, I constantly dream of coming across bands like Shortparis yet so rarely do, » writes John Doran of The Quietus. « Ambitious, bombastic, incredibly pretentious, erotic, thrilling, impossible to pin down, vaguely deviant, fun to dance to and full of revolutionary potential. Sure, if you listen hard enough you can hear them laughing but you would be a fool to make the mistake of presuming that they’re joking. »

Their music videos are almost equally intense and leave room for interpretation. Take the companion visuals to « Страшно » (Strashno / transl. « Scary ») for instance. The lyrics reflect a current state of anxiety as the visuals try to reveal a sort of ongoing hysteria. Only hours after filming at a school, someone called the police about possible terrorist activities: « Our music video is trying to manifest the state of some part of our generation. It is provocative and refers to some social tragedies, which are not reflected in our visual culture. Taboos and fears are opened up: no matter what is written in Arabic letters, ‘love’ or ‘friendship’, it must be terrorism, bald heads must mean nazis, and so on. But after all this play with meanings, only anxiety stays and it grows. »



Heavy Mental: Nadja – Sannhet – Sum of R

Swamp Booking and Urban Spree presents
Heavy Mental concert series : #2

Nadja is a duo of multi-instrumentalist Aidan Baker and bassist Leah Buckareff active since 2005 and credited as one of the progenitors of the genres ‘drone doom’ or ‘metalgaze’—heavy atmospheric music which combines the darkness and volume of doom metal and industrial with the textures and melodicism of shoegaze and ambient/electronic music.

The project has released numerous albums on many different underground labels—Alien8 Recordings, Daymare Records, Robotic Empire, Hydrahead Records, Gizeh Records, and Important Records, to name a few—and have toured extensively with appearances in Europe, Japan, Russia, Australia/New Zealand, North and South America, including appearances at such festivals as SXSW, FIMAV, Roadburn, Donaufest, Le Guess Who, Incubate, and Unsound.

Originally from Toronto, Canada, the duo now resides in Berlin, Germany.

web links:
http://www.facebook.com/luvnadja
http://www.nadjaluv.ca/
http://nadja.bandcamp.com/

https://youtu.be/7RceyHAz9Jk
https://youtu.be/nzL7nJZOlGs

Sannhet have always been hard to classify. Since 2010, the Brooklyn trio’s played instrumental music that’s heavy and light, cinematic and intimate, dense but minimal. You could call them “post” something, “experimental metal,” or “math rock,” but none of that’s quite right and the band has thrown another
wrinkle into the mix with So Numb.
While they don’t write lyrics, they do write subtexts. They pen love letters, extended epistles, and suicide notes, all without words. With So Numb, Sannhet create a new
world out of very few ingredients.
The cover of Sannhet’s third album, So Numb, features a mother shielding her son’s eyes with her hands – an allegory depicting the protection one receives from their parents, but it isn’t meant to be sentimental.
As the mother shelters her child, she inadvertently creates a false sense of safety. The child, in turn, spends it’s life seeking comfort and escape in temporary solutions.
Though Sannhet meditate on life’s imperfect escapes, So Numb’s nine songs showcase the band facing
life’s pain and joy with their eyes wide open. The collection’s emotional landscape is one of existential
dread, melancholy, and loss – ammunition for escapists. Despite these existential conundrums, So Numb
has an uplifting, euphoric feel.

web links:
https://www.facebook.com/sannhet
Twitter: @sannhetbk
Instagram: @sannhetbk

https://www.youtube.com/watch?v=oyLX9BhEqDc

Switzerland’s Sum Of R R exists since 2008 and was created by Reto Mäder (URAL UMBO, RM74) to construct/deconstruct sound in ways that infest and cloud the interior of the mind. Sum Of R creates slow moving instrumental music with a sensibility for hypnotic and complex song structures.
Their intense and pulsating sound is influenced by lumbering doom, drone, post-metal, ambient, noiserock, psychedelic and cinematic post-rock. Sum Of R’s ritualistic take on expanding sound layers is deepened by the rawness of an unconventional metal atmosphere plunged into darkness, light and its reflection.
Their live performances as a duo are characterized by a cyclical process involving bass guitars, drums, effects, samples and drones to create a unique and dense whole which is more than the sum of its parts.

web links:
https://www.facebook.com/sumofr/



Opening of SP38: Post-Vandal 2 Residency

Berlin-based street artist SP38 was invited by Urban Spree Galerie and Boddinale for a special gallery residency alongside the film festival (15-25.02.2018).

After 2 weeks of daily indoor work and street interventions in Friedrichshain, we invite the public to discover the outcome of the art residency over the upcoming weekend together with the artist. 

The exhibition opens on Saturday, February 24th from 14:00 to 23:00 and will continue on Sunday February 25th from 12:00 to 23:00. Visitors will be able to acquire the original works on canvas and paper produced during the residency in addition to a selection of screen prints and stickers.

SP38 will also screen print “Post Vandal” tote bags live on Saturday!

Post Vandal 2“, explores the notion of vandalism at the age of post-graffiti.

“ERASED”
 
When street art pays homage to toying.
 
« Erased » – « Effacé » – « Ausradiert »
 
Erased: the walls, the city, the memories, 1UP, childhood, history, words, life, empty monuments, hope, innocence, dreams, signs, green trees.
 
Erase oblivion, rub out memory.
 
Erase the work before it’s finished, self-efface one’s own work by covering it with its duplicate.
 
Erase history, both recent and distant. Erase the cruel crystalline nights with repetitive blood red slogans like so many mute, slowly illegible words. Turn a piece of wall lost in a rigid historical street into an evolving and unfinished artwork that derides content by erasing-replacing the same signs, the same forms, the same useless repetitions.
 
ERASED was written on a large roll of paper found in the trashcan at a kindergarten. The series ran until
the paper ran out. The first one hit the street the day Fidel Castro died …
 
Pasted up mainly in Berlin, Paris, Seoul, Wilhelmshaven …
 
“Street art must reinvent or erase itself before it’s too late.” SP38, Berlin 2017 (Transl. Nicholas Grindell)

A relentless urban wanderer and street typographer, SP38 (b.1960) uses different lo-fi techniques (collages, paste-ups, stickers, screenprints, paintings) to imprint his vision of the city and his letters to the walls. Involved at an early stage with the « Figuration Libre » movement in Paris and participant to the first graffiti and street art meeting in 1985 with Vive la Peinture, Speedy Graphito, Futura, Miss Tic, and Blek Le Rat, SP38 has navigated in different squat scenes (including the infamous Berlin’s Tacheles) before moving to Berlin in 1995.

A prime witness of the fast-paced gentrification of the metropolis, his art subtly reveals the fractures of the city through successive campaigns and catchy slogans (« Who kills Berlin? », « Erased », « Escape », « Occupy », « Vive la Bourgeoisie », Vive la Crise »…), where the intimate, personal level often collides with the bigger scale.

The residency will follow its own strenuous path and will increment itself everyday from 12:00 onwards. The public is invited to witness the progression of the residency. A vernissage is scheduled at the end of the residency, on Saturday and Sunday, 24 & 25th of February from 14:00.

SP38: « Post-Vandal 2 »

Art Residency at Urban Spree Galerie

12-02-2018 – 25-02-2018

Opening of the Exhibition: Saturday 24.02.2018 // 14:00 – 23:00

Exhibition: Sunday 25.02.2018 // 14:00 – 23:00

Free Entrance

https://www.instagram.com/sp.38/

http://www.sp38.com



Rylsee: – Other Inbox –

Urban Spree Galerie is proud to present – Other Inbox – a solo show featuring a new body of works by Urban Spree resident artist Rylsee.  The opening reception will take place on the 4th of August at 19:00 at Urban Spree Galerie, Revaler Str. 99, Berlin-Friedrichshain. 

Runtime: 5th of August August – 3rd of September, 2017

Evolving in an era where technology and communication are meant to be at its finest but in which humans tend to feel more and more confused by it.

Punctuality is dead, fear of missing out seems to be a common worry while there’s still no app allowing us to be in two places simultaneously. On the other hand we have never been so united in recorded history and the entire world’s knowledge is now accessible in a few clicks.

This exhibition raises questions about the relationship between human and technologies without really aiming to answering them.

– Other Inbox – is a reflection on our contemporary way of living.

Rylsee will also release his first monograph – « How to Play with Letters » – published by Moleskine Publishing on the Opening Night and will sign and doodle copies for you.

 

About the artist:

Cyril Vouilloz, aka RYLSEE, is a visual artist originally from Geneva Switzerland and currently living in Berlin. With a background in typography, design and mural painting, he’s is obsessed with words and hand-drawn type compositions. His art has been featured and exhibited in U.S.A, Switzerland, France, Berlin, London, Barcelona, Tel-Aviv, Vancouver and São Paulo. Inspired by moments of everyday life, the city, and signage, he is interested in expressing mundane situations and places in a satirical way. Since five years, Rylsee is a resident artist at Urban Spree.

https://www.rylsee.com

 

– Other Inbox –

Opening: Friday, August 4th, 2017

Exhibition: 05.08 / 03.09.2017

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

 

Gallery Enquiries: pascal@urbanspree.com

Press Enquiries: diana@urbanspree.com