We found – 14 articles for live painting

Jim Avignon x Urban Art Week 2019

On the occasion of the 2nd Edition of the Berlin Urban Art Week and within the frame of his current exhibition « Here Come the Bad News », Jim Avignon will realize a large live painting in the gallery on Friday, September 6th, 2019 from 19:00 to 21:00.

Jim Avignon

Live Painting at Urban Spree

Friday 06.09.2019 from 19:00 to 21:00

Brazilian beats by DJ Holger



Berlin Graphic Days #11

The Berlin Graphic Days #11 will take place in march 2018 and we are looking forward to a colorful program!

BERLIN GRAPHIC DAYS FESTIVAL # 11 – from Friday, March 2nd to Sunday, March 4th.
>>>> THE ORIGINAL <<<<

Program:

Friday from 6 pm:

– Night Market
– Live Paintings
– Live Music
– Opening Party til late

Saturday: Art Festival from 12pm to 10pm
Sunday: Art Festival, 12pm to 9pm

The famous Berlin Graphic Days Festival will take place in the Urban Spree gallery.

More than 60 national and international designers, illustrators, silkscreeners, and many more kind of artists emerging from a large range of graphic fields will present and sell their artworks.

Berlin Graphic Days is the crossroad between exhibition, festival, market and sale.

Many different pieces including screen printing posters, colorful and meaningful t-shirts, unique pieces, books, pictures as well as numerous graphic original works will be shown to the public.

To accompagny this great event we have also planned for you : live painting, tasty food trucks, Djs and live bands.

Entrance fee :
Day ticket: 5€

Opening times :
Fri 02.03. : 18:00 – open end
Sat 02.03. : 12:00 – 22:00
Sun 04.03. : 12:00 – 21:00

Dear exhibitors, dear friends, please send all inquiries to charlotte.granma@gmx.de !

We look forward to seeing you!



New York Perspectives

Urban Spree Galerie presents New York Perspectives, a duo show featuring Chris « Daze » Ellis and Joe Conzo, curated by Mode2. The vernissage will be on Friday, November 22nd, at 18:30, in presence of the two artists.

    Through the work of two New York City-born artists, a painter and a photographer, this exhibition is an attempt to show aspects of New York City life, through the eyes and the work of two very different individuals; though both come from a part of its counterculture.

    The drawings and paintings of the artist Chris “Daze” Ellis, and those many moments and people captured by the photography of Joe Conzo show us how the youth that were more in osmosis with the steel, the concrete, the glass, the streets and the city’s subway system, could develop new forms of visual dialogue that could form a bridge between their own social and cultural background, and a movement that would infiltrate the artworld and become a global phenonmenon.

   Coming from different neighbourhoods and cultural backgrounds, both have lived long enough to have witnessed first hand the huge transformations that the city has gone through over these last decades, while their “work”, which was actually their hobby, passion and life pretty much, has documented seminal eras during that time.

  These tumultuous years of cultural flux; of blossoming, blooming, destruction and rebirth, are often overlooked by today’s focus on the “now” of street art, and the way through which this eclipses the very alchemy that gave birth to the way in which artists express themselves in the street today, or the way in which they document city life.

    It is doubtful that much of what is happening today in visual art, music, dance and written or spoken word ever would have happened, if generations of youth in New York City had not lived what they did many decades ago; and we can count ourselves lucky that a few rare individuals happened to be there and have the instinct to document it.

  Here then, are views of New York from two different perspectives, they themselves being a complex accumulation of all of life’s experiences, and how they shape each individual’s understanding of the world around them; and the ways by which they choose to express and share this with us.

Urban Spree Prints will release two 18″x 24″ silk screen prints by Daze on the opening night and online.

The gallery and the curator heartily thank Henry Chalfant for letting us show his documentary movie “From Mambo to Hip Hop: A South Bronx Tale.”

Poster Artwork by Tyler Askew.

 

“New York Perspectives »

Christopher « Daze » Ellis / Joe Conzo

Curated by Mode2

22.11 – 21.12.2019

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Opening: Friday 22.11.2019 at 18:30

Exhibition: Tu-Sa – 12:00 – 18:30

Info & Catalogue: contact@urbanspree.com

 

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BIOGRAPHIES: 

 

Chris « Daze » Ellis

Growing up in Crown Heights, Brooklyn, Chris Daze Ellis (b. 1962) was aware from early on of the names and the odd characters that would be dancing along the trains that wove their way through the city. When he started out at the High School of Art & Design in 1976, he found that there was a whole community of very diverse yet like-minded individuals there, also involved with this scene; some of whom would go on to make a name for themselves in the art world.

Being a fan of drawing and comic books already, Daze camouflaged his nighttime activities under his parents’ gaze, exploring and expanding his visual vocabulary, combining the traditional with the dynamism of a new and challenging environment, with stimulus of its own.

Having mastered the medium and the environment, Daze would go on to shape his own personal vision of the world, looking as much inwards as outwards, in the relationship between the trains and walls, and what he could further explore in the studio. The strength of his successful life as an artist in his own right would develop from then on.

From his participation in his first group show, Beyond Words, at the Mudd Club in 1981, before having his own solo show at Fashion Moda (the historical South Bronx art space that bridged the established art world with the raw talent and energy coming out of New York City), Daze embraced the wide horizon that opened up before him.

From then on, Daze began to show in many different cities around the world, whether it be galleries and museum, in solo shows as well as group formats. He has participated in many public or educational art projects around the world, working with students and communities from South Korea to Brazil via Haiti, while often visiting Europe as well, and contributing to New York mural initiatives like the Leap Arts Program or Thrive Collective.

From his appearances in the film Style Wars, to being an art consultant on the Netflix series The Get Down in 2017, to participating in public painting projects from the Star Ferry Terminal in Hong Kong in 1993, painting an entire Hannover train station with fellow artists Lee Quinones and John Crash Matos, or being commissioned for murals by private clients like the law firm, Cleary, Gottlieb, Steen & Hamilton in Washington D.C. 2018; Daze has constantly had his hands on a whole range of different projects.

Daze’s paintings have found themselves in many private collections including Eric Clapton, Natalie Imbruglia, and Madonna. His work can also be found in the permanent collections of The Whitney Museum, NY, Museum of Modern art, NY, The Museum of the city of New York, The Ludwig Museum, Aachen, Yale University art Gallery, New Haven, Addison Museum of American Art at the Phillips Academy, Andover.

Chris Daze Ellis continues to live and work in New York City.

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Joe Conzo

Joe Conzo was born in the Bronx during an era of great upheaval, when the construction of the Cross Bronx Expressway was nearing its end, having destroyed the communities that lay in its path, and condemning those parts of the borough around it to social and economic decline. The apocalyptic landscapes of urban devastation, and the high criminality associated to it are emblematic of that era.

President Truman’s Urban Renewal announced in 1949, ruthlessly applied by Robert Moses, targetted the more modest and ethnically diverse neighbourhoods of New York City whose resistance to forced removal would fall on deaf ears, as private developers grabbed the prime lots. The Bronx represented both the laboratory and the collateral damage for these extreme experiments of urban renewal.

And yet, out of what looked like an urban war zone, the city’s youth began to pick up the pieces, and, out of the desolation around them, began to build their own road out of it. Realising that the state was not going to do anything positive for them, their survival instincts eventually kicked in; and out of the gang culture, the drugs, and the sheer nihilism that had reigned for a while over much of the borough, new and greener shoots were beginning to break through.

Joe Conzo’s cultural capital, and that of his peers, was probably key to his survival and his blossoming during those harsh years; grandson of Dr. Evelina López Antonetty, a political activist who played a huge role in developing educational programmes for Puerto Rican children, and son of Joe Conzo Snr., who was in the thick of the huge Latin music scene of that bridged those decades; hanging with all the main players of that era, and having been the biographer of Tito Puente.

While studying at the Agnes Russell School on the campus of Columbia University, he discovered photography, the medium that would enable him to document what went on around him; from the world of latin culture through his father’s connections, to the collision of art forms that would later be called Hip Hop; a word that eclipses the sum of its parts.

Having lived many ups and downs in the eighties, to a rebirth of sorts, Joe Conzo went on to become a qualified medical nurse, then worked for the New York City Fire Department, being among the first responders on 9/11. At some point along the way, he was reunited with the camera, and began shooting again…

Whether as the photographer of rap crew The Cold Crush Brothers, a hugely influential group of MCs from the early days, or just a boy from the Bronx who had a camera and curious eyes, Joe Conzo’s photos provided reference material to Henry Chalfant ‘s documentary “From Mambo to Hip Hop: A South Bronx Tale.”, and were documented in a book called “Born In The Bronx: A Visual Record of the Early Days of Hip Hop”.

His negatives have been digitalised and archived at Cornell University, providing a unique and indispensable resource for those wishing to research the those eras.



Christopher Stead: Acid Reign

Urban Spree Galerie presents « Acid Reign« , the first solo show in Germany of the British visual artist Christopher Stead.

Acid Reign is the culmination of a long-term residency at Lab Kalkhost in North Germany. Christopher Stead produced on the shores of the Baltic Sea several large format works, using a process mixing graffiti techniques and natural elements.

Cans of paint are burst with nails, sand and mud is flung. An alchemy between the paint and the land turns into a painterly concrete, cementing ideas, solidifying a tangible truth. The paintings are stuffed into rucksacks and returned to the studio where Ikea bags full of previous endeavours lie dormant ready to rework. A fecund process is born.

The fences used in the supports of the pieces are taken from decaying plots on the train lines.

Rusty fences, transgressed and twisted by nature are transported to the studio. The erosion of the metal emasculates the sterile man-made purity of the material. This gives each painting a story and a history. Every fence painting starts at night on the train tracks with a pair of bolt cutters and finds its way into the light of the studio and finally into the gaze of the public domain.

Artist Statement:

« Once upon a time, on a small island called Great Britain, there lived a lady called Margaret Thatcher. Margaret along with her Tory Party ruled the land with an iron fist and squeezed the living life out of its people. Fed up of a decade of draconian rule, the people began to gather and dance their woes away at their own party. They called this the Acid House party.

Race and class barriers were dissolved as the people united and raved as one big family. The Tory party didn’t like this as they weren’t invited, so they invented a law to stop the gathering of 20 or more people, dancing to the sounds of repetitive beats. Techno, Jungle, call it what you want. It had to stop. Whilst this may sound like a children’s horror story, it was in fact or certainly a young adults nightmare. 30 years on, the nightmare continues. Britain is again been torn apart by the right.

The paintings in Acid Reign were made on the beaches of former East Germany. 30 years ago these beaches were patrolled by the military to stop East Germans defecting to the west. Cans of paint were popped and squeezed upon the sand soaked canvas to create the acid rain.

The works seeks new places to hang. Inspired by Foucault’s concept of heterotopia, it finds solace in spaces of otherness. Informed by a youth growing up free, painting graffiti on the trains. Painting in the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Buildings which housed these parties. Places of abandon and neglect. Again, the work finds itself back in its familiar territory.

Acid Reign is emblematic of the freedom of movement in open spaces without borders. A freedom which is slowly being choked out of the people once again. »  Christopher Stead

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Christopher Stead (b. 1974, UK) lives and works in London.

Tangled, torn, popped, squeezed and then hung in spaces of other, the work exists to evade the paradigms of commercial obedience, white cube boredom, and the polarities regimented by cultural hegemony.

Informed by Thatchers dystopian Britain and her Acid House love child, the work explores free movement in spaces without borders. The paintings are made on the beaches of Spain and Finland. Some are made in the sludge of a low tide River Thames. Others were born on the Northern coast of Germany. 

They seek new places to hang. Inspired by Foucault’s concept of heterotopia, solace is found in spaces of otherness. Informed by a youth growing up painting graffiti on the trains, a youth that bled into adulthood. 20 years painting within the freedom of the dark. Surrounded by fences, along the train tracks, in and on derelict buildings. Places of abandon and neglect. Hetrotopias of deviation. Again, the work finds itself back in its familiar territory. 

In 2016 Stead graduated with a First Class BA Hons in Fine Art at the City and Guilds of London Art School, London, where he received the Painter – Stainers Scholarship Prize and Brian Till Art History Thesis Award. 

https://www.christopherstead.co.uk/


 

Christopher Stead

« Acid Reign »

Solo Show at Urban Spree Galerie

Vernissage: Thursday, May 23rd, from 19:00

Exhibition: 24.05.2019-09.06.2019

Opening Hours: Tu-Su 12:00-19:00

 

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

Infos & Catalogue: pascal@urbanspree.com

 

 



Anthony Lister: Sneaky Bit In

Urban Spree Galerie presents « Sneaky Bit In« , a solo show by the Australian visual & street artist Anthony Lister. The Opening of the show will be on Friday, September 14th, 2018 in the presence of the artist.

Invited by Urban Spree as part of our Artist-in-Residence program, Lister spent 3 weeks at Urban Spree between August and September 2018 to create in situ a whole new body of large scale works, installations, media art, and a large mural.

For this residency project, Lister incorporated a large palette of references stemming from cubism, Picasso’s « Les Demoiselles d’Avignon » and « Guernica« , Alejandro Jodorowski’s « The Holy Montain« , African masks, religion, divination and tarot, Aboriginal trans women, and direct references to Damien Hirst.

Lister’s outdoor mural at Urban Spree is a variation and alternate narrative on the theme of the main painting of the exhibition, in a style reminiscent of Egon Schiele and incorporating elements of Picasso’s Guernica. The wall was executed with a 6m long extension pole, and signed with a paint-filled fire extinguisher.

Anthony Lister (b. 1979 in Brisbane) is a contemporary Australian-born painter and installation artist, best known for his merging of “high” and “low” cultural imagery. Particularly well known as a street artist, Lister is considered amongst the best in the field with graffiti art legend Banksy even commenting that Lister appears to piss great art in his sleep.

He studied at the Griffith Queensland College of Art and was further educated under mentor Max Gimblett in New York City. Lister helped pioneer the street art movement in his home city as a teenager and is considered Australia’s premier street artist.

Lister employs multiple media including charcoal, acrylic, spray paint, oil pastels to create his scrawling, figurative style.

Lister has exhibited nationally and internationally including at the Lazarides Gallery in London, Underdogs Gallery in Lisbon, New Image Art Gallery in Los Angeles, Robert Fontaine Gallery in Miami, Jonathan Levine Gallery in New York, Olsen Gallery in Sydney, Black Art Projects in Melbourne, Fireworks Gallery in Brisbane, and Allouche Gallery in New York City.

Lister currently lives and works between Sydney and New York City.

 

Anthony Lister

« Sneaky Bit In »

Solo Exhibition at Urban Spree Galerie

Opening: Friday 14.09 from 19:00

Exhibition: 15.09 – 20.10.2018

Tu-Su: 12:00-19:00

Urban Spree Galerie

Revaler Str. 99

10245 Berlin

http://www.anthonylister.com

https://www.instagram.com/anthonylister

 



St. Patrick’s Festival Berlin 2018

Dear friends of St. Patrick’s Festival Berlin,

We are delighted to announce that SPFB is officially BACK WITH A BANG on Saturday, March 17th, 2018!!! #patisback

We have joined forces with Urban Spree in Friedrichshain to host our special day in March!

Urban Spree, the cultural icon on the old RAW Grounds beside Warschauer Str, is the perfect venue for our comeback special! We’ll have Irish streetfood vendors serving delicious Irish drinks and food, live music, Irish dancing, and so much more. Make sure you join our Facebook event to stay up to date with announcements!

Unfortunately we didn’t receive permission for the parade this year, but not to worry! We’ll open the gates at Urban Spree from 13:00 so rugby fans will be able to watch the first of 3 live games in the 6 Nations Championship. The highlight will be England vs Ireland (k.o. 15:45) shown on big screens.

We have invited Setanta Berlin GAA to build an indoor GAA section showcasing the very best of Gaelic football and hurling. We will have kids activities, such as Irish Storytelling, arts and crafts, face-painting and the very special opportunity to dance with our lovely Irish dancers.

We are also very pleased that members of Berlin-Ireland Pro Choice Solidarity will be joining us to raise awareness about the upcoming abortion referendum in Ireland and to promote the #hometovotecampaign.

We have a packed schedule of diverse, Berlin-based Irish musicians for the FREE concert in the garden. 4 Minute Mile are sure to set the tone early when they kick things off at 14:00. We will then have the opening ceremony at 15:00 featuring the incredible dancers from Irish Beats Dance Company Berlin. St. Patrick himself is also due to make an appearance 🙂

2-piece Irish folk group Slí na Sláinte will have a more calming influence on proceedings when they take to the stage at 16:00. After the Irish rugby match (17:30), headline act Joey Ryan and his band will take to the stage performing a mix of his own material as well as Irish rock classics. Kilkelly will then perform some folk and blues numbers before Seán Óg and David Flowerkraut treat us to some classic Irish ballads.

The Afterparty featuring a traditional Céilí Mór Irish dance followed by renowned Irish DJs follows on from the concert and will keep revellers moving until the wee hours 🙂

#patisback #afterparty

At a Glance

St.Patrick’s Festival Berlin is back and will be held on Saturday, March 17th, 2018
– The venue is Urban Spree, Revaler Strasse 99, 10245 Berlin
– Diverse mix of Berlin-based Irish musicians. Final line-up confirmed. Follow us here for more!
– Final day of NatWest 6 Nations Rugby Championship on the big screen. All 3 games LIVE (from 13:30)
– Tickets for the Afterparty are already on sale. Limited availability!

So sign up to our newsletter, follow us on social media and spread the word that #PATISBACK in 2018!

The SPFB Team